Highlights
Remembrance of Things Past: Negotiating a Scholar-Official Identity in Sweetmeat Vendor and a Child
Street vendors were a popular painting subject in both the Song dynasty (960–1279) and the subsequent Yuan dynasty (1272–1368), the transition of which marked the dominion of the Mongol empire over China.
The Religious and Humanistic Context of Chinese Tang-Dynasty Armour Futun (Abdominal Swallowing-like Beast)
The Tang dynasty (618–907 CE) is often regarded as the most wealthy age of ancient Chinese empires, and Tang art elaborately demonstrates the dynasty’s cultural diversity.
In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art
The reign of Qianlong (r. 1735–96) marked the most glorious period in the long history of jade production in China. The stable imperial power and unprecedented prosperity created an environment in which jade carving could flourish.
Fascinating Characters: The Art of Writing and Text Cultures in East Asia
The significance and relevance of the art of writing compellingly lends this subject to the opening presentation in this gallery. Calligraphy is omnipresent in East Asia, where writing systems are crucial.
A Lonely Odyssey: The Life and Legacy of Alma M. Karlin
Karlin was by no means the first woman to travel around the world alone, but according to Barbara Trnovec, curator of the archive of materials and documents Karlin accumulated during the course of her journey at the Celje Regional Museum in Slovenia, she was one of the first women to travel on her own for such an extended period.
The Abstract Prints of Hagiwara Hideo
In 1954, the Japanese oil painter Hagiwara Hideo (1913–2007) turned to woodblock printmaking after falling ill with tuberculosis. Right from the start his prints were abstract in style, which made his reputation abroad as well as in Japan.
Lalan’s Metaphysical Journey Through Her Artistic Practice
Xie Jinglan (1921–95), nicknamed Lalan, was an artist who paved her search into spirituality through the oeuvre she composed, choreographed, performed, and painted.
‘Jewels of Transcendence: Himalayan and Mongolian Treasures’
Humanity has long viewed material treasures as evidence of spiritual riches—just as the earthly powers of the political elite have been (and in many regions continue to be) considered divine.
Creating Spaces for Asian Art: C. T. Loo and the Nelson-Atkins Museum of Art
The Nelson-Atkins Museum of Art in Kansas City, Missouri, is renowned for its important collection and evocative displays of Asian art. The art dealer C. T. Loo, or Ching-Tsai Loo (Lu Qinzhai in pinyin; 1880–1957), played a pivotal role in both of these strengths.
Rome and China: Endpoints of the Ancient Silk Roads
This article presents a range of archaeological materials from both the former territory of the Roman Empire and the People’s Republic of China.
Forging a Legacy: The Jambiya, Yemen’s Iconic Weapon
For many cultures and societies across the globe, arms and armour played an important role off the battlefield, particularly as markers of social status, military rank, courage, and wealth. In Yemen, this tradition continues to prevail with a dagger known as the jambiya or janbīyyah.
The Storrier Stearns Japanese Garden in Pasadena, California
The Storrier Stearns Japanese Garden in Pasadena, California, originally built in the 1930s by one Japanese immigrant designer and restored 70 years later by another.
Sigiriya: An Early Designed Landscape in Sri Lanka
Inscribed today on UNESCO’s World Heritage List, Sigiriya, an archaeological site in central Sri Lanka, may be one of the old-est gardens known in Asia. The late antique (4th–7th century) remains of buildings, zoomorphic architecture and rock paint-ings upon its central outcrop have elicited interpretation since the late 19th century (Figs 1 and 2). Sigiriya was thought to be a palace complex, and the art historian Ananda Coomaraswamy likened its paintings to the Gupta period (c. 320–550 CE) cave paintings at Ajanta in India (Coomaraswamy, 1971, p. 163).
The Vohemar Necropolis, Madagascar, and the Regional Distribution of Chinese Ceramics in the Swahili World (13th–17th century)
Archaeological artefacts unearthed from the Vohemar necropolis, mainly consisting of funerary objects, are currently kept both in France (the Quai Branly–Jacques Chirac Museum in Paris and the Museum of Natural History in Nîmes) and in Madagascar (the Museum of Art and Archaeology at the University of Antananarivo). They constitute an exceptional array of perfectly preserved objects: weapons (swords), iron tools (needles, daggers, knives, and scissors), everyday utensils (ceramic jars, ceramic bowls, glass bottles, and spoons of mother-of-pearl), and ornaments (bronze mirrors; agate and glass-bead necklaces; silver and glass-bead bracelets; and gold, silver, bronze, and agate rings). It is important to highlight the staggering number of well-identified imported items among these funerary objects. Along with Chinese ceramics, which are the most numerous, there is Islamic glassware, Indo-Pacific glass beads, bronze mirrors (probably of Islamic origin), and Indian and southeastern Asian gold or silver jewellery.
‘Saints and Kings: Arts, Culture and Legacy of the Sikhs’
The Asian Art Museum of San Francisco celebrates the heritage of the Sikhs with the exhibition ‘Saints and Kings: Arts, Culture and Legacy of the Sikhs’ (10 March–18 June 2017). Thirty artworks drawn from the museum’s own collection in a range of media, including paintings, photographs and textiles, explore three aspects of Sikh identity: religion, courtly culture and the community’s history in California.
Espadarte (1558): Evidence of Early Portuguese Trade in Porcelain via Africa
Although the wreck site of the Espadarte, discovered in May 2001, had been looted in the 1990s by treasure hunters and sport divers, the excavations show that the nau was carrying a full load of cargo, consisting of: gold; spices (pepper, nutmeg, and mace); Martaban storage jars filled with carnelian, seeds, and cowrie shells; and porcelain of the late Ming dynasty.
Encountering the Majestic: Imperial Portraits and Qing Court Rites
For the July 2022 opening of the Hong Kong Palace Museum (HKPM), an unprecedented number of over 900 precious treasures were loaned from the Palace Museum for display in the opening exhibitions. While some of these treasures have never been exhibited before, many have been widely presented in past exhibitions. It therefore became both a challenge and an opportunity for curators to find new and innovative ways to represent and reinterpret them. Take, for example, the por-traits of emperors and empresses.
Stitches Empowered: Korean Embroidery Arts from the Joseon Dynasty
Toward the latter half of the Joseon dynasty (1392−1910), when the conservative interpretation of neo-Confucian teachings became mainstream, women, regardless of their social and economic status, increasingly faced rigid restrictions in all aspects of daily life. From 8 March to 26 July 2020, The Cleveland Museum of Art (CMA) and the Seoul Museum of Craft Art will pre-sent an exhibition titled ‘Golden Needles: Embroidery Arts from Korea’ in CMA’s Arlene M. and Arthur S. Holden Textile Gal-lery and Korea Foundation Gallery. This special exhibition explores Korean fine embroidered works as tools of empowerment for women to overcome social constraints and to define their own cultural identity.
Fringe Benefit: The Margins of Islamic Art at Shangri La
The Islamic art collection housed at Shangri La in Honolulu, Hawai‘i is unique for a publicly accessible collection. Numbering more than 2,500 objects, it includes important works of art and represents a sustained commitment to collecting for nearly 60 years. However, no professionally trained curator or renowned art historian ever oversaw or even advised on the purchase of its pieces.
Bridging the Distance: Forging Connections with Islamic Art at the Walters Art Museum, Baltimore
In the new installation ‘Across Asia: Arts of Asia and the Islamic World’ at the Walters Art Museum in Baltimore, multimodal interpretation—from digital and analogue interactive elements to polyvocal didactics—serves to forge connections between the historical art on view and the 21st century museum visitor.