DEC 2003
VOLUME 34 - NUMBER 10
FEATURES
Gautama V. Vajracharya. Painted History: The Tuladana Ceremony in a Mediaeval Nepalese Palace
Robert E. Harrist, Jr. Mountains, Rocks and Stone Pictures: Forms of Visual Imagination in China
Helmut Brinker. Sublime Adornment: Kirikane in Chinese Buddhist Sculpture
Patricia J. Graham. Fans Afloat: Samurai Taste in Yamato-e Design
Richard L. Wilson. Plastic, Graphic and Plain: Mino Ceramics from the Momoyama Period
PREVIEWS & REVIEWS
Fair Review: The New York Ceramics Fair
Harold Mok. Book Review: Qianshen Bai, Fu Shan's World: The Transformation of Chinese Calligraphy in the 17th Century, Harvard University Press, Cambridge, 2003
Annette L. Juliano. Book Review: Jonathan Tucker The Silk Road: Art and History, with photography by Antonia Tozer, Philip Wilson Publishers, London, 2003
Britta Erickson. Exhibition Reviews: 'In Pursuit of Heavenly Harmony: Paintings and Calligraphy by Bada Shanren (1626-1705) from the Bequest of Wang Fangyu and Sum Wai', Freer Gallery of Art, Smithsonian Institution, Washington, DC and 'After the Madness: The Secular Life, Art and Imitation of Bada Shanren', Arthur M Sackler Gallery
COMMENTARY
Dianne McGowan. Commentary: Western Art Museums and Contextuality Revisited
VOLUME 34 - NUMBER 10
FEATURES
Gautama V. Vajracharya. Painted History: The Tuladana Ceremony in a Mediaeval Nepalese Palace
Robert E. Harrist, Jr. Mountains, Rocks and Stone Pictures: Forms of Visual Imagination in China
Helmut Brinker. Sublime Adornment: Kirikane in Chinese Buddhist Sculpture
Patricia J. Graham. Fans Afloat: Samurai Taste in Yamato-e Design
Richard L. Wilson. Plastic, Graphic and Plain: Mino Ceramics from the Momoyama Period
PREVIEWS & REVIEWS
Fair Review: The New York Ceramics Fair
Harold Mok. Book Review: Qianshen Bai, Fu Shan's World: The Transformation of Chinese Calligraphy in the 17th Century, Harvard University Press, Cambridge, 2003
Annette L. Juliano. Book Review: Jonathan Tucker The Silk Road: Art and History, with photography by Antonia Tozer, Philip Wilson Publishers, London, 2003
Britta Erickson. Exhibition Reviews: 'In Pursuit of Heavenly Harmony: Paintings and Calligraphy by Bada Shanren (1626-1705) from the Bequest of Wang Fangyu and Sum Wai', Freer Gallery of Art, Smithsonian Institution, Washington, DC and 'After the Madness: The Secular Life, Art and Imitation of Bada Shanren', Arthur M Sackler Gallery
COMMENTARY
Dianne McGowan. Commentary: Western Art Museums and Contextuality Revisited
VOLUME 34 - NUMBER 10
FEATURES
Gautama V. Vajracharya. Painted History: The Tuladana Ceremony in a Mediaeval Nepalese Palace
Robert E. Harrist, Jr. Mountains, Rocks and Stone Pictures: Forms of Visual Imagination in China
Helmut Brinker. Sublime Adornment: Kirikane in Chinese Buddhist Sculpture
Patricia J. Graham. Fans Afloat: Samurai Taste in Yamato-e Design
Richard L. Wilson. Plastic, Graphic and Plain: Mino Ceramics from the Momoyama Period
PREVIEWS & REVIEWS
Fair Review: The New York Ceramics Fair
Harold Mok. Book Review: Qianshen Bai, Fu Shan's World: The Transformation of Chinese Calligraphy in the 17th Century, Harvard University Press, Cambridge, 2003
Annette L. Juliano. Book Review: Jonathan Tucker The Silk Road: Art and History, with photography by Antonia Tozer, Philip Wilson Publishers, London, 2003
Britta Erickson. Exhibition Reviews: 'In Pursuit of Heavenly Harmony: Paintings and Calligraphy by Bada Shanren (1626-1705) from the Bequest of Wang Fangyu and Sum Wai', Freer Gallery of Art, Smithsonian Institution, Washington, DC and 'After the Madness: The Secular Life, Art and Imitation of Bada Shanren', Arthur M Sackler Gallery
COMMENTARY
Dianne McGowan. Commentary: Western Art Museums and Contextuality Revisited
