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Past Issues Feb 1977
1977-Feb-cover.jpg Image 1 of
1977-Feb-cover.jpg
1977-Feb-cover.jpg

Feb 1977

$35.00
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VOLUME 8 - NUMBER 2
Li An-Chung’s The Shrike
Autumn in Snow Country
Antique Beauty of the New Frontier
Marvelous Minka of Japan
Mughal Emperor Jehangir

Cover. Bird paintings, not of as Aristotelian aesthetic but of an Oriental – Taoist – respect for the nature of the bird independent of man’s valuation, are among China’s gifts to world art. During the sojourn of the Chinese imperial court in Hangchow, when the Sung was driven from its Yellow River seat at Kaifeng by advancing Chin forces, the “bird-predator-hunting-victim” genre reached a height that has yet to be surpassed. A master in this branch of Chinese painting was Li An-chung, whose “The Shrike” is analyzed in this issue by Tseng Yu of the National Palace Museum, Taipei.

FEATURES
Randall Johnson. On the Suao Road
Cubao’s Okay, Too, but Make Mine Quiapo
Alan B. Chalkley. South Korea: Who Ever Said Progress Was Calm?
Japan Alps: Snow Country in Its Flaming Season
Sinkiang: Antique Beauty of China’s New Frontier
P. Spencer Wachtel. West Java’s Adu Domba: “Holy” Gladiatorial Rams
Art/Curator’s Choice: Li An-chung’s “The Shrike,”
Manohar Malgonkar. Great Mughai Dilettante, Jehangir
Dr. Himaya F. Quijano. Nilagang Biyas: Hot Dish for the Cold Season
David Boyd’s Portraits of the Australian Soul
PREVIEWS & REVIEWS
Norma Harteam. Year of the Snake
Nigel Cameron. Book Review: Hills Beyond A River: Chinese Painting of the Yuan Dynasty 1279 - 1368
1976 Orientations Index, Part II
NEWS
Discoveries

Add To Cart

VOLUME 8 - NUMBER 2
Li An-Chung’s The Shrike
Autumn in Snow Country
Antique Beauty of the New Frontier
Marvelous Minka of Japan
Mughal Emperor Jehangir

Cover. Bird paintings, not of as Aristotelian aesthetic but of an Oriental – Taoist – respect for the nature of the bird independent of man’s valuation, are among China’s gifts to world art. During the sojourn of the Chinese imperial court in Hangchow, when the Sung was driven from its Yellow River seat at Kaifeng by advancing Chin forces, the “bird-predator-hunting-victim” genre reached a height that has yet to be surpassed. A master in this branch of Chinese painting was Li An-chung, whose “The Shrike” is analyzed in this issue by Tseng Yu of the National Palace Museum, Taipei.

FEATURES
Randall Johnson. On the Suao Road
Cubao’s Okay, Too, but Make Mine Quiapo
Alan B. Chalkley. South Korea: Who Ever Said Progress Was Calm?
Japan Alps: Snow Country in Its Flaming Season
Sinkiang: Antique Beauty of China’s New Frontier
P. Spencer Wachtel. West Java’s Adu Domba: “Holy” Gladiatorial Rams
Art/Curator’s Choice: Li An-chung’s “The Shrike,”
Manohar Malgonkar. Great Mughai Dilettante, Jehangir
Dr. Himaya F. Quijano. Nilagang Biyas: Hot Dish for the Cold Season
David Boyd’s Portraits of the Australian Soul
PREVIEWS & REVIEWS
Norma Harteam. Year of the Snake
Nigel Cameron. Book Review: Hills Beyond A River: Chinese Painting of the Yuan Dynasty 1279 - 1368
1976 Orientations Index, Part II
NEWS
Discoveries

VOLUME 8 - NUMBER 2
Li An-Chung’s The Shrike
Autumn in Snow Country
Antique Beauty of the New Frontier
Marvelous Minka of Japan
Mughal Emperor Jehangir

Cover. Bird paintings, not of as Aristotelian aesthetic but of an Oriental – Taoist – respect for the nature of the bird independent of man’s valuation, are among China’s gifts to world art. During the sojourn of the Chinese imperial court in Hangchow, when the Sung was driven from its Yellow River seat at Kaifeng by advancing Chin forces, the “bird-predator-hunting-victim” genre reached a height that has yet to be surpassed. A master in this branch of Chinese painting was Li An-chung, whose “The Shrike” is analyzed in this issue by Tseng Yu of the National Palace Museum, Taipei.

FEATURES
Randall Johnson. On the Suao Road
Cubao’s Okay, Too, but Make Mine Quiapo
Alan B. Chalkley. South Korea: Who Ever Said Progress Was Calm?
Japan Alps: Snow Country in Its Flaming Season
Sinkiang: Antique Beauty of China’s New Frontier
P. Spencer Wachtel. West Java’s Adu Domba: “Holy” Gladiatorial Rams
Art/Curator’s Choice: Li An-chung’s “The Shrike,”
Manohar Malgonkar. Great Mughai Dilettante, Jehangir
Dr. Himaya F. Quijano. Nilagang Biyas: Hot Dish for the Cold Season
David Boyd’s Portraits of the Australian Soul
PREVIEWS & REVIEWS
Norma Harteam. Year of the Snake
Nigel Cameron. Book Review: Hills Beyond A River: Chinese Painting of the Yuan Dynasty 1279 - 1368
1976 Orientations Index, Part II
NEWS
Discoveries

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