Fine Art Asia 2025 will feature exquisite antiques, art and design, as well as Japanese and Chinese crafts, ink art and photography. The fair has earned a worldwide reputation for quality and elegance.

Blue and white porcelain, which originated in the Tang Dynasty and matured during the Yuan Dynasty, rapidly rose to prominence in the Ming Dynasty replacing traditional celadon and white porcelain as the dominant ceramic ware.

Canton Modern presents twentieth-century Cantonese art and visual culture in its full complexity as an important chapter in global modernism. United in a shared linguistic and cultural identity, the southern port cities of Guangzhou (Canton) and Hong Kong were historically marginal in China.

The University Museum and Art Gallery, The University of Hong Kong, is honoured to present Bamboo Baskets: Chinese Origins, Japanese Innovations, a major exhibition offering an overview of the finest achievements of bamboo art in East Asia.

As the first major Islamic art exhibition held in Hong Kong, “Wonders of Imperial Carpets: Masterpieces from the Museum of Islamic Art, Doha” features carpets from Iran, Türkiye, and India, along with ceramics, metalwork, manuscripts, and jades from the 10th to 19th centuries.

Geographical location and historical background combined to turn Hong Kong into a hub for paintings, calligraphies and other artefacts in mid-20th century.

This exhibition, with the theme of Palace Museum patterns, draws inspiration from the intricate motifs found in the architecture, ceramics, and textiles of the Palace Museum.

'Reframing Strangeness', an exhibition that stages a selection of Hong Kong-based artist Ha Bik Chuen's (1925–2009) motherboards, collagraphs and gouache drawings, opens Friday, 9 May, at Para Site.

Our Hong Kong fair features premier galleries from Asia and beyond. It provides an in-depth overview of Asia-Pacific's astonishing diversity, as well as global artistic perspectives through Modern and contemporary works.

Celebrating a decade of championing exceptional talent, Art Central 2025 will spotlight established and emerging artists represented by galleries from across Hong Kong, Asia and beyond – introducing diverse perspectives and pioneering practices at the forefront of contemporary art today.

The fair’s inaugural edition takes place on March 26-30, 2025 (VIP Preview March 26) at the Central Harbourfront and convenes exhibitors from around the world to present an expansive view of the photographic medium.

Food culture is naturally an important element of the Chinese civilisation. This exhibition invites visitors to enjoy a multicourse feast spanning five thousand years of Chinese history. The first part,  Crossing from Life to Death , features a ceremonial meal for the deceased.

More than sixty masterpieces by Picasso will be on loan from Musée national Picasso-Paris (MnPP), which holds the largest and most significant repository of Picasso’s works in the world. They will be placed in conversation with over eighty pieces from the M+ Collections by more than twenty Asian and Asian-diasporic artists from the early twentieth century to the present. 

M+, Asia’s global museum of contemporary visual culture in the West Kowloon Cultural District (WestK) in Hong Kong, is pleased to present Lee Mingwei: Guernica in Sand, a large-scale installation and performance staged in The Studio at M+.

The exhibition Wondrous Rivers: Exploring Chinese Landscape Paintings invites visitors to immerse themselves in the captivating world of Chinese landscape paintings from the collection of the University Museum and Art Gallery (UMAG), The University of Hong Kong.

In Veering, the artist Hu Xiaoyuan presents 12 newly commissioned works from 7 series, weaving together installation, sound, painting, and video to reveal the complex relationship between human destiny and natural evolution, addressing ultimate questions of individual survival and the meaning of life.

The exhibition features nearly 190 military artefacts from the Qing court in The Palace Museum’s collection, featuring a wide range of objects such as helmets, archery sets, sabres and swords, equestrian equipment, paintings, textiles, books, albums, and scientific instruments.

In the 17th and 18th centuries, the Forbidden City in China and the Palace of Versailles in France each stood as the centre of their respective countries’ political, cultural, and artistic life. Despite the vast geographic distance between them, the courts in Beijing and Versailles were keenly curious about one another.

In a world first, M+ presents a two-person exhibition of the photographic works of Yasumasa Morimura (Japanese, born 1951) and Cindy Sherman (American, born 1954). Both artists are renowned for their visual and conceptual strategies of masquerade, transforming their appearances to portray multiple identities that offer incisive commentary on contemporary culture and history.

UOB Art Academy and UOB Hong Kong are pleased to announce the return of the “UOB Art in Ink Festival” (Festival), Hong Kong’s premier ink art celebration, running from 13 to 29 December 2024 at the West Kowloon Cultural District (WestK). 

The Indra and Harry Banga Gallery of City University of Hong Kong (CityUHK) is delighted to announce the groundbreaking exhibition “Might and Magnificence: Ceremonial Arms and Armour across Cultures”. As part of the CityUHK’s 30th anniversary celebrations, the exhibition is co-curated by Dr Rachel Parikh, Deputy Director of the Dunhuang Foundation, and Dr Libby Chan Lai-pik , Director of the Indra and Harry Banga Gallery.

Making It Matters mostly draws upon the diverse works of the M+ Collections. The artists, designers, and architects featured include John Cage, Harold Cohen, Julie & Jesse, John Maeda, Raffaella della Olga, Anna Ridler, Ki Saigon, Fujimori Terunobu, Jay Sae Jung Oh, Stanley Wong, and Võ Trọng Nghĩa Architects. 

This exhibition showcases selected works from the Xubaizhai Collection, featuring the theme of life planning through the creations by different groups of scholarly officials and reclusive literati.

The University Museum and Art Gallery (UMAG), The University of Hong Kong (HKU), is honoured to present Japanese Printmakers of the Twentieth-Century Renaissance: Kurosaki Akira and Nakabayashi Tadayoshi. The exhibition highlights two of Japan’s most remarkable printmakers and their influence on a resurgence of printmaking in Japan. 

An icon of contemporary art by Yang Jiechang. After a months-long conservation effort, the monumental ink work is on public display for the first time since 1990.

Asia Art Archive (AAA)’s new exhibition, Countering Time, brings together new works by four international artists and writers—Lee Weng Choy, Simon Leung, Gala Porras-Kim, and Merve Ünsal—on the concept of archival time.

With substantial support from National Cultural Heritage Administration and a group of leading archaeological institutions and museums in China, “The Origins of Chinese Civilisation” provides one of the most comprehensive overviews of the origins of Chinese civilisation in recent years. With new historical and cultural insights, this exhibition is divided into three sections, with each presenting the origins, formation, and development of Chinese civilisation respectively.

M+ presents the first major exhibition in East Asia of China’s pre-eminent couture artist Guo Pei