The Fuyun Xuan Collection is an important private collection in Hong Kong established by the late local collector, Mr Christopher Sin. Since 1989, Mr Sin had dedicated himself to collecting snuff bottles, and over the years, he built a collection of remarkable scale and comprehensiveness that come to be recognized as one of the most important private collections of snuff bottles in the world. In the spirit of Mr Sin’s generosity, his wife, Mrs Josephine Sin, has donated 490 sets of snuff bottles to the Hong Kong Museum of Art, making these cultural gems accessible to a wider public.

Our Hong Kong fair features premier galleries from Asia and beyond. It provides an in-depth overview of Asia-Pacific's astonishing diversity, as well as global artistic perspectives through Modern and contemporary works.

Art Central and its Lead Partner, UOB, announces the return of one of Hong Kong Art Week’s cornerstone events to the Central Harbourfront.

The first-ever Hong Kong International Cultural Summit 2024, hosted by the West Kowloon Cultural District Authority, will be held on 24-26 March 2024 at the West Kowloon Cultural District (WKCD).

The first of its kind, and Hong Kong’s premier AI-themed exhibition, Beyond the Singularity offers a mesmerising amalgamation of artistic objects spanning creative mediums, all specially crafted in collaboration with AI tools.

(Hong Kong) - Liang Yi Museum is pleased to present The Other Japan: Beyond Kimonos and Swords, the largest exhibition on Japanese decorative art ever presented by Liang Yi Museum.

Fine Art Asia is recognised by the international art world as Asia’s leading fine art fair. On show are museum-quality art works spanning over 5,000 years of cultural history, from ancient Chinese bronzes through to contemporary art.

We are pleased to announce that INK ASIA 2023 will make its return to the Hong Kong Convention and Exhibition Centre from 5 to 8 October with a Private Preview on 4 October after three years of the pandemic. In addition to its focus on modern and contemporary ink art, the long-awaited art fair endeavours to promote ink art through innovative mediums such as creative technologies and new media.

The Hong Kong Palace Museum (HKPM) is delighted to announce the arrival of priceless artefacts from the Sanxingdui Museum in Guanghan and Jinsha Site Museum in Chengdu for the upcoming special exhibition “Gazing at Sanxingdui: New Archaeological Discoveries in Sichuan” (“Gazing at Sanxingdui”).

The University Museum and Art Gallery (UMAG), The University of Hong Kong (HKU) is delighted to present Kings’ Inscriptions · Contemporary Interpretations, an unprecedented exhibition of calligraphic texts and their rubbings that juxtaposes historic and contemporary artworks.

“mould the wing to match the photograph” draws on the archive of Mrinalini Mukherjee, one of the most prominent sculptors in India, known for her experimentation with form and materiality over her forty-year practice. It stages an encounter between Pari (1986), the artist’s monumental hemp fibre sculpture, and archival materials with detailed installation instructions and extensive photographic documentation of Pari and similar works. The archival materials complicate the sculpture’s sense of organicity and intuitiveness, and demonstrate a desire for precision and control. The exhibition emphasises how the archive actively reconfigures the understanding and experience of Mukherjee’s work.

Since the first Greater Pearl River Delta Cultural Co-operation Meeting held in 2002 and the signing of the Agreement on Greater Pearl River Delta Cultural Co-operation in August 2003, a cooperation platform has been established among Guangdong, Hong Kong and Macao for the implementation of cultural and museum projects in various aspects. “A Tale of Three Cities: Guangdong-Hong Kong-Macao Greater Bay Area and Export of Silk Products in the Ming and Qing Dynasties”, jointly organised by the Guangdong Museum, the HKMoA and the Macao Museum, is held from 2020 to 2023.

Famous both in China and abroad, the Yaozhou kilns of Huangbao, Tongchuan, Shaanxi were both founded and became fully functional during the Tang Dynasty.

The centre of this exhibition, metal belt hooks, flourished in the Zhou, Qin and Han Dynasties.

Para Site presents ‘signals…here and there’, the final chapter of the exhibition series ‘signals…瞬息’ curated by Billy Tang and Celia Ho.

Meet the icon who transformed the landscape of arts, fashion, and popular culture in China from the 1980s to 2000s.

The University Museum and Art Gallery (UMAG) and the Jao Tsung-I Petite Ecole, both of the University of Hong Kong (HKU), are delighted to once again be collaborating on a celebration of the highly personal and enduring artistic oeuvre of Professor Jao Tsung-i. A renowned Chinese literary scholar and artist, Professor Jao began his career at HKU in 1952, setting out to develop an international network of likeminded academics.

This summer, a major national treasure exhibition at the Indra and Harry Banga Gallery, City University of Hong Kong, will showcase East–West cultural exchanges and art technology via an immersive experience that will stimulate broader community engagement.

The Hong Kong Palace Museum (HKPM) is proud to present an exceptional new exhibition, “Cartier and Women”, from 14 April to 14 August 2023. Organised and curated by the HKPM with the support of Cartier, this is the first major exhibition on the unique role and influence of women in Cartier’s history.

Our Hong Kong fair features premier galleries from Asia and beyond. It provides an in-depth overview of Asia-Pacific's astonishing diversity, as well as global artistic perspectives through Modern and contemporary works.

We are delighted to announce that Art Central will return in 2023, commencing with a VIP Preview on Tuesday, 21 March and continuing through Saturday, 25 March. The fair will be held in partnership with UOB at the Hong Kong Convention and Exhibition Centre, running concurrently with Art Basel’s Hong Kong edition.

The University Museum and Art Gallery of the University of Hong Kong is honoured to present Potted and Painted: The Production and Technical Development of Underglaze Blue Porcelain in China. For over a millennium, Chinese potters have produced highly sought-after objects decorated in blue and white.

The exhibition Golden Techniques II: Art of the Chinese Goldsmiths co-organized by The Chinese University of Hong Kong (CUHK)’s Art Museum and the Chow Tai Fook Master Studio showcases over 60 ancient gold wares selected from the Art Museum of The Chinese University of Hong Kong and private collections. Several sets of experimental restoration pieces and early gold jewellery provided by the Chow Tai Fook Master Studio will also be displayed with some scientific test results from the Conservation Office of the Leisure and Cultural Services Department of Hong Kong. Through the perspectives of art history, archaeology, scientific testing, and experimental restoration, the exhibition invites you to take a closer look at the ancient Chinese gold craftsmanship spanning 3,500 years.

The Hong Kong Palace Museum (HKPM) is delighted to present “Radiance: Ancient Gold from the Hong Kong Palace Museum Collection and the Mengdiexuan Collection” — the first special exhibition from the Museum’s own permanent collection. Running from 22 February to 25 September 2023, the exhibition showcases more than 200 sets of ancient gold artefacts, the majority of which are specially selected from a donation made to HKPM by the owners of the world-renowned Mengdiexuan Collection (夢蝶軒), Betty Lo and Kenneth Chu.

Liang Yi Museum is pleased to present Majestic: Royal and Imperial Objects from the Liang Yi Collection, the first exhibition of its kind in Hong Kong to explore the history of royal and noble patronage in the East and West. Drawing on 190 remarkable artefacts from the Museum's permanent collection, the exhibition celebrates the apex of craftsmanship, encouraged and guided by imperial cultural ambition. Majestic: Royal and Imperial Objects from the Liang Yi Collection will open in Spring 2023.

Since the discovery and excavation of the Sanxingdui ruins, the discovery of the Jinsha site in Chengdu in 2001 has come into the public eye again and gone viral.  Large quantities of elaborately made ritual vessels and household utensils, including gold, jade and bronze ware and more, have been unearthed.  These artefacts inherited the form and craftsmanship of the relics found in Sanxingdui, and this close connection between them proves the link between the ancient Shu state and the cultures prevalent in the Yellow River basin and the middle and lower reaches of the Yangtze River.

You are warmly invited to the new exhibition at Tai Kwun Contemporary, Myth Makers—Spectrosynthesis III. The curators and a number of artists from Hong Kong and elsewhere will be present at Tai Kwun.

Amber is a beautiful and fascinating organic material that for centuries was believed to be a gemstone. Treated like a rare mineral, amber is simply a fossilized form of resin secreted by different plants. The exhibition traces amber’s diffusion across Europe from the Baltic regions through Europe, and then down the famous Silk Road to China.

Para Site is delighted to present the group exhibition ‘Fanatic Heart’, a search for an alternative approach to reimagine the political potential of celebrity culture through the lens of fandom. The fifteen artists in the exhibition locate the impulse of fandom culture in socio-political happenings that have taken place across Southeast and East Asia by drawing new connections between celebrity worship, drag, postcolonial and post-socialist identities, religion, and the rise of various social movements. Within this intersection, the exhibition repositions the concept of fandom to explore its evolution in relation to shifts among media, technology, and geopolitical change.