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    <loc>https://www.orientations.com.hk/highlights</loc>
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    <lastmod>2025-10-29</lastmod>
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  <url>
    <loc>https://www.orientations.com.hk/highlights/staging-the-supernatural-ghosts-and-the-theatre-in-japanese-prints</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e761ff1f-bcce-48c8-90cb-1c70f315b2cf/Screenshot+2025-10-28+at+3.40.56%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - Staging the Supernatural Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>1. View of entrance to the exhibition ‘Staging the Supernatural: Ghosts and the Theater in Japanese Prints’, National Museum of Asian Art, Washington, DC (23 March–6 October 2024) Photo by Colleen Dugan</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0b52ace0-a779-45a5-8c9a-decb4223c955/Screenshot+2025-10-28+at+3.41.21%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - Staging the Supernatural Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>2. Tsuchigumo, from the series Great Collection of Prints of Noh Plays (Nōga taikan) By Tsukioka Kōgyo (1869–1927); 1925–30 Woodblock print: ink and colour on paper; 26 × 37.1 cm National Museum of Asian Art The Pearl and Seymour Moskowitz Collection</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fc7a86cb-0a42-4cf5-b8a6-d4f7b3f25721/Screenshot+2025-10-28+at+3.55.40%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - Staging the Supernatural Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>3. (left) Tsuchigumo, from the series One Hundred Noh Plays (Nōgaku hyakuban) By Tsukioka Kōgyo (1869–1927); 1922–25 Woodblock print: ink and colour on paper; 37.8 × 25.4 cm National Museum of Asian Art The Pearl and Seymour Moskowitz Collection 4. (right) Dōjōji mae shite, from the series One Hundred Noh Plays (Nōgaku hyakuban) By Tsukioka Kōgyo(1869–1927); 1922–25 Woodblock print: ink and colour on paper; 37.8 × 25.6 cm National Museum of Asian Art Robert O. Muller Collection</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ea733610-3737-444a-9a80-603468d2566e/Screenshot+2025-10-28+at+3.49.10%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - Staging the Supernatural Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>5. (left) Dōjōji ato shite, from the series One Hundred Noh Plays (Nōgaku hyakuban) By Tsukioka Kōgyo (1869–1927); 1922–25 Woodblock print: ink and colour on paper; 37.8 × 25.7 cm National Museum of Asian Art, Gift of the Embassy of Japan, Washington, DC 6. (right) Actor Bandō Mitsugorō III as the Maiden of Dōjōji By Utagawa Kunisada (1786–1865); 1816 Woodblock print: ink and colour on paper; 36.3 × 25.6 cm National Museum of Asian Art The Anne van Biema Collection</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d736cb2e-b86c-49f6-a741-24f5bb3eb6cb/Screenshot+2025-10-28+at+3.42.29%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - Staging the Supernatural Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>7. Nakamura Shikan IV as Sakata Kintoki and Onoe Baikō (Kakunosuke) as Usui Sadamitsu (right); Sawamura Tanosuke III as Usugumo, Actually the Spirit of a Spider (Jitsu wa kumo no sei) (centre); Nakamura Chūtarō as Urabe no Suetake and Ichikawa Kuzō III as Watanabe no Tsuna (left) By Utagawa Toyokuni IV (1823–80); 1864, 10th month Woodblock print: ink and colour on paper; 35.8 × 24.7 cm (each) National Museum of Asian Art The Pearl and Seymour Moskowitz Collection</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ee947933-f6a2-4b7e-99d7-8b76b4a34164/Screenshot+2025-10-28+at+4.00.11%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - Staging the Supernatural Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>8. (right) Ōkawa Hachizō I as Oiwa and Ichikawa Sukejirō as Takuetsu in the play Tōkaidō Yotsuya kaidan By Utagawa Hirosada (act. 1825–75); 1848 Woodblock print: ink and colour on paper; 26.2 × 18.9 cm National Museum of Asian Art The Pearl and Seymour Moskowitz Collection 9. (left) Kanawa, from the series One Hundred Noh Plays (Nōgaku hyakuban) By Tsukioka Kōgyo (1869–1927); 1922–25 Woodblock print: ink and colour on paper; 37.8 × 25.7 cm National Museum of Asian Art, Gift of the Embassy of Japan, Washington, DC</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5d00033d-0cc0-4a57-ba50-b0b3f8626d1b/Screenshot+2025-10-28+at+3.43.18%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - Staging the Supernatural Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>10a. Seki Sanjūrō III as Naosuke Gonbei (right), Kataoka Nizaemon VIII as Tamiya Iemon and Bandō Hikosaburō V as the Ghost of Kobotoke Kohei (Kobotoke Kohei bōrei) (centre), and Bandō Hikosaburō V as Satō Yomoshichi (left) By Utagawa Kunisada (1786–1865); 1861, 7th month Woodblock print: ink and colour on paper; 37.5 × 25.4 cm (each) National Museum of Asian Art, The Pearl and Seymour Moskowitz Collection</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d39bc82b-ed09-4ff3-9092-ff8fca82c66a/Halloween+Post.png</image:loc>
      <image:title>Highlights - Staging the Supernatural Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>10b. (detail) Kataoka Nizaemon VIII as Tamiya Iemon and Bandō Hikosaburō V as the Ghost of Oiwa (Oiwa no bōrei)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/58b32015-0217-422c-816b-7b830ebd7a25/Screenshot+2025-10-28+at+4.05.06%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - Staging the Supernatural Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>11. Nakamura Utaemon III as Seigen, Nakamura Karoku as Sakurahime, and Nakamura Daikichi as Tsutaki By Jukōdō Yoshikuni (act. 1803–40?); 1814, 1st month Woodblock print: ink and colour on paper; 38.1 × 25.4 cm (each) National Museum of Asian Art The Pearl and Seymour Moskowitz Collection</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c212f828-967b-4e6c-be42-196ef104744e/Screenshot+2025-10-28+at+3.44.04%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - Staging the Supernatural Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>12. Matsukaze, from the series One Hundred Noh Plays (Nōgaku hyakuban) By Tsukioka Kōgyo (1869–1927); 1922–25, Woodblock print: ink and colour on paper; 37.8 × 25.7 cm National Museum of Asian Art, Gift of the Embassy of Japan, Washington, DC</image:caption>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/an-oriental-kiosk-the-building-of-the-arab-hall-at-leighton-house-in-london</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b6bd7019-e85d-48ea-a33d-efb12f989866/Screenshot+2025-10-17+at+12.19.41%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - ‘An Oriental Kiosk’: The Building of the ‘Arab Hall’ at Leighton House in London - Make it stand out</image:title>
      <image:caption>Fig. 1 Portrait of Frederic Leighton By Jacques Joseph Tissot (1836–1902) for the magazine Vanity Fair, 29 June 1872 Lithograph on paper, 36.5 x 24.5 cm Leighton House, Royal Borough of Kensington and Chelsea, London (acc. no. LH1773)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b3858775-357f-4f18-8020-5d4ebf32142a/Screenshot+2025-10-17+at+12.29.38%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - ‘An Oriental Kiosk’: The Building of the ‘Arab Hall’ at Leighton House in London - Make it stand out</image:title>
      <image:caption>Fig. 2a (left) Window with the words ‘Ya Allah’ (‘Oh Allah’) and a vase of flowers Egypt(?), c. 1800–70 Wood, plaster and glass, 97.6 x 61 cm Leighton House, Royal Borough of Kensington and Chelsea, London Fig. 2b (right) Window with the words ‘Ya Muhammad’ (‘Oh Muhammad’) and a vase of flowers Egypt(?), c. 1800–70 Wood, plaster and glass, 98 x 60.5 cm Leighton House, Royal Borough of Kensington and Chelsea, London</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0cfe5900-44d5-4fde-94b2-a00d99325a63/Screenshot+2025-10-17+at+12.32.55%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - ‘An Oriental Kiosk’: The Building of the ‘Arab Hall’ at Leighton House in London - Make it stand out</image:title>
      <image:caption>Fig. 3 View of the tiled wall at the base of the stairs of the main house, with seat made from a 17th–19th century Syrian chest in the foreground, Leighton House, Royal Borough of Kensington and Chelsea, London</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/40a987fd-572e-45f8-b2ee-2649e8ddf996/Screenshot+2025-10-17+at+12.35.05%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - ‘An Oriental Kiosk’: The Building of the ‘Arab Hall’ at Leighton House in London - Make it stand out</image:title>
      <image:caption>Fig. 4 Panel of tiles with the bismillah, the opening phrase of each chapter of the Quran Syria, Damascus, c. 1550–1650 Stone paste with underglaze painted decoration, 85 x 119 cm Leighton House, Royal Borough of Kensington and Chelsea, London</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3e3503dd-78f3-4608-99e5-4286525ad924/Screenshot+2025-10-17+at+12.38.13%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - ‘An Oriental Kiosk’: The Building of the ‘Arab Hall’ at Leighton House in London - Make it stand out</image:title>
      <image:caption>Fig. 5 North elevation of Leighton House showing the Arab Hall Reproduction of an illustration in Building News, 1 October 1880 Original lithograph on paper by James Akerman (act. c. 1875–1906?), dimensions unknown Leighton House, Royal Borough of Kensington and Chelsea, London</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/61745ddd-ca95-4c58-8d46-9b2add9bfe69/Screenshot+2025-10-17+at+12.41.10%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - ‘An Oriental Kiosk’: The Building of the ‘Arab Hall’ at Leighton House in London - Make it stand out</image:title>
      <image:caption>Fig. 6 Interior view of the Arab Hall Leighton House, Royal Borough of Kensington and Chelsea, London</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/95db94c0-9615-4ac5-9c57-27ef1e5b8627/Screenshot+2025-10-17+at+12.42.45%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - ‘An Oriental Kiosk’: The Building of the ‘Arab Hall’ at Leighton House in London - Make it stand out</image:title>
      <image:caption>Fig. 7 One of a set of four panels on the upper walls of the Arab Hall Wood with pigments and gilding Leighton House, Royal Borough of Kensington and Chelsea, London</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b10fdfc8-8c1b-4398-997a-55fe32ae83b3/Screenshot+2025-10-17+at+12.42.53%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - ‘An Oriental Kiosk’: The Building of the ‘Arab Hall’ at Leighton House in London - Make it stand out</image:title>
      <image:caption>Fig. 8 Alcove in the Alhambra, Granada, showing a frieze with design of projecting stalactites similar to the Arab Hall panel in Fig. 7 (After Jules Goury and Owen Jones, Plans, Elevations, Sections, and Details of the Alhambra, London, vol. 1, 1842, pl. IX [detail])</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ea857110-6d0c-411f-837d-e85be5ed072f/Screenshot+2025-10-17+at+12.43.03%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - ‘An Oriental Kiosk’: The Building of the ‘Arab Hall’ at Leighton House in London - Make it stand out</image:title>
      <image:caption>Fig. 9 Interior of the dome of the Arab Hall with coloured-glass windows Leighton House, Royal Borough of Kensington and Chelsea, London</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a66120ba-378f-4738-8e0f-a479d03a6874/Screenshot+2025-10-17+at+12.48.34%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - ‘An Oriental Kiosk’: The Building of the ‘Arab Hall’ at Leighton House in London - Make it stand out</image:title>
      <image:caption>Fig. 10 Interior of the dome of Süleymaniye Mosque, Istanbul, Turkey 1550–57 (Photograph by the author)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4cf228f8-6223-444e-a708-d78cbc1da343/Screenshot+2025-10-17+at+12.48.43%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - ‘An Oriental Kiosk’: The Building of the ‘Arab Hall’ at Leighton House in London - Make it stand out</image:title>
      <image:caption>Fig. 11 North window of the Arab Hall with wood mashrabiyya screen Leighton House, Royal Borough of Kensington and Chelsea, London</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8fe09c46-1a67-444a-a96f-fa5f415afb0c/Screenshot+2025-10-17+at+12.54.18%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - ‘An Oriental Kiosk’: The Building of the ‘Arab Hall’ at Leighton House in London - Make it stand out</image:title>
      <image:caption>Fig. 12 Tile panels on the northwest corner of the Arab Hall Both panels: Syria, Damascus, c. 1550–1650 Leighton House, Royal Borough of Kensington and Chelsea, London is presently preparing a book on the Arab Hall at Leighton House.</image:caption>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/cantonized-calcutta-global-encounters-in-a-coffee-pot-with-a-view-of-the-calcutta-waterfront</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5386a6ce-14dd-4716-b786-0c045f9f7d2d/Screenshot+2025-08-26+at+1.27.28%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - Cantonized Calcutta: Global Encounters in a Coffee Pot with a View of the Calcutta Waterfront - Make it stand out</image:title>
      <image:caption>1. Coffee pot with a view of the Calcutta waterfront China; Qing dynasty (1644–1911), 1790s Gilt porcelain with underglaze blue decoration; height 24.1 cm, diameter 13.3 cm Hong Kong Maritime Museum, Hong Kong Photo © Hong Kong Maritime Museum</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b0916b4c-a3eb-4cc7-bdf5-5e2e97332921/Screenshot+2025-08-26+at+1.32.22%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - Cantonized Calcutta: Global Encounters in a Coffee Pot with a View of the Calcutta Waterfront - Make it stand out</image:title>
      <image:caption>2. Backside view of figure 1 Photo © Hong Kong Maritime Museum</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7882bd3c-55ec-45b8-be1c-8ea7477d4b7e/Screenshot+2025-08-26+at+1.34.36%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - Cantonized Calcutta: Global Encounters in a Coffee Pot with a View of the Calcutta Waterfront - Make it stand out</image:title>
      <image:caption>3. Toddy jug China; Qing dynasty (1644–1911), c. 1800–20 Porcelain with grisaille decoration and gilding; height 25.4 cm Metropolitan Museum of Art, New York Photo © The Metropolitan Museum of Art</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4ba57506-92b6-471d-ab37-c1388c9b9655/Screenshot+2025-08-26+at+1.39.46%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - Cantonized Calcutta: Global Encounters in a Coffee Pot with a View of the Calcutta Waterfront - Make it stand out</image:title>
      <image:caption>4. Side view of figure 1 Photo © Stella Wu</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5307d37e-399a-4716-976a-c1635222cf98/5_View+of+Fort+William+in+Calcutta.jpg</image:loc>
      <image:title>Highlights - Cantonized Calcutta: Global Encounters in a Coffee Pot with a View of the Calcutta Waterfront - Make it stand out</image:title>
      <image:caption>5. View of Fort William in Calcutta By Jan Van Ryne (1712–60); 1754 Coloured engraving on paper; 25.8 × 39.5 cm The British Library, London Photo © The British Library</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/099fc38a-3e0b-4bcf-8ef5-4a6e7b96ce9f/6_A+View+of+Calcutta+Taken+from+the+Other+Side+of+the+River+in+the+Year+1768.png</image:loc>
      <image:title>Highlights - Cantonized Calcutta: Global Encounters in a Coffee Pot with a View of the Calcutta Waterfront - Make it stand out</image:title>
      <image:caption>6. A View of Calcutta Taken from the Other Side of the River in the Year 1768 By Antoine Polier (1741–95); 1768 Etching on paper; dimensions unknown The British Library, London (After Jasanoff, 2005, p. 46.)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/60434704-9892-404c-93d2-ce9b57556b95/7_Survey+of+the+Country+on+the+Eastern+Bank+of+the+Hooghly%2C+from+Calcutta+to+the+Fortifications+at+Budgebudge.jpg</image:loc>
      <image:title>Highlights - Cantonized Calcutta: Global Encounters in a Coffee Pot with a View of the Calcutta Waterfront - Make it stand out</image:title>
      <image:caption>7. Survey of the Country on the Eastern Bank of the Hooghly, from Calcutta to the Fortifications at Budgebudge By Mark Wood (1750–1829); 1785 Etching on paper; dimensions unknown The British Library, London Photo © The British Library</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/27ddc9c3-6ce1-4b7d-a428-4ff947a60085/Screenshot+2025-08-26+at+1.47.12%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - Cantonized Calcutta: Global Encounters in a Coffee Pot with a View of the Calcutta Waterfront - Make it stand out</image:title>
      <image:caption>8. Tureen (not shown) underplate with a scene of Canton China; Qing dynasty (1644–1911), c. 1770–90 Porcelain with underglaze blue decoration; 36.2 × 27.3 cm Dubey’s Art &amp; Antiques, Baltimore Photo © Dubey’s Art &amp; Antiques</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fd165ced-cae2-41ca-b74b-c0bd590d4463/Screenshot+2025-08-26+at+2.02.47%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - Cantonized Calcutta: Global Encounters in a Coffee Pot with a View of the Calcutta Waterfront - Make it stand out</image:title>
      <image:caption>9. Dish with scene of Dutch Folly Fort at Canton China; Qing dynasty (1644–1911), c. 1780–1800 Porcelain with underglaze blue decoration; length 36.83 cm Heirloom &amp; Howard Limited, England Photo © Heirloom &amp; Howard Limited</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e534ef79-a1c0-4b35-8ab7-eb3cdb5a3b76/Screenshot+2025-08-26+at+1.51.32%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - Cantonized Calcutta: Global Encounters in a Coffee Pot with a View of the Calcutta Waterfront - Make it stand out</image:title>
      <image:caption>10. Punch bowl China; Qing dynasty (1644–1911), c. 1785 Porcelain with grisaille decoration and gilding; 16.5 × 40 cm National Maritime Museum, London Photo © National Maritime Museum</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f1213512-68ee-4694-9889-bb9d1bed726a/11_Pl.+XXXVI%2C+from+Architectura+Navalis+Mercatoria.png</image:loc>
      <image:title>Highlights - Cantonized Calcutta: Global Encounters in a Coffee Pot with a View of the Calcutta Waterfront - Make it stand out</image:title>
      <image:caption>11. Pl. XXXVI, from Architectura Navalis Mercatoria By Fredrik Henrik af Chapman (1721–1808); 1768 Engraving; 50 × 33 cm New York Public Library, New York Photo © New York Public Library</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6a04050c-1663-46d4-8ad9-66397465eb01/12_The+Auriol+and+Dashwood+Families.jpeg</image:loc>
      <image:title>Highlights - Cantonized Calcutta: Global Encounters in a Coffee Pot with a View of the Calcutta Waterfront - Make it stand out</image:title>
      <image:caption>12. The Auriol and Dashwood Families By Johan Zoffany (1733–1810); c. 1783–87 Oil on canvas; 142 × 198 cm The Holburne Museum, England Photo © The Holburne Museum</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/chronicles-of-contact-early-composite-rubbings-from-zhang-tingjis-writings-on-collected-antiquities-in-the-pavilion-of-tranquil-manner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/05448ecb-3ebd-4675-8602-bbc933fa2062/Fig+1.jpg</image:loc>
      <image:title>Highlights - Chronicles of Contact: Early Composite Rubbings from Zhang Tingji’s Writings on Collected Antiquities in the Pavilion of Tranquil Manner - 1. Rubbings from Bronzes with Painted Flowers By Lin Fuchang (d. after 1877); c. 1860 Ink and colour on paper; 119 × 45.6 cm Weng Family Collection, Museum of Fine Arts, Boston Photo © Museum of Fine Arts, Boston</image:title>
      <image:caption>1. Rubbings from Bronzes with Painted Flowers By Lin Fuchang (d. after 1877); c. 1860 Ink and colour on paper; 119 × 45.6 cm Weng Family Collection, Museum of Fine Arts, Boston Photo © Museum of Fine Arts, Boston</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ac7c63f3-6524-43e8-bc21-abc61e762459/Fig+2.jpg</image:loc>
      <image:title>Highlights - Chronicles of Contact: Early Composite Rubbings from Zhang Tingji’s Writings on Collected Antiquities in the Pavilion of Tranquil Manner - Make it stand out</image:title>
      <image:caption>2. Detail from figure 1 showing a rubbing of a Western Zhou you vessel (After Bai, 2010, p. 297)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/df3b091a-c47f-471e-87cc-bd5ae99dee9f/Fig+3.jpg</image:loc>
      <image:title>Highlights - Chronicles of Contact: Early Composite Rubbings from Zhang Tingji’s Writings on Collected Antiquities in the Pavilion of Tranquil Manner - 3. ‘Rubbing of a Western Zhou gui vessel’ in Writings on Collected Antiquities in the Pavilion of Tranquil Manner (Qingyige suocang guqiwu wen) By Zhang Tingji (1768–1848); c. 1813 Ink rubbing on paper; dimensions unknown Kyoto University, Kyoto (After Tang, 2020, p. 7)</image:title>
      <image:caption>3. ‘Rubbing of a Western Zhou gui vessel’ in Writings on Collected Antiquities in the Pavilion of Tranquil Manner (Qingyige suocang guqiwu wen) By Zhang Tingji (1768–1848); c. 1813 Ink rubbing on paper; dimensions unknown Kyoto University, Kyoto (After Tang, 2020, p. 7)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6a6f04f8-3763-4d48-b567-47d41c444cef/Fig+4.jpg</image:loc>
      <image:title>Highlights - Chronicles of Contact: Early Composite Rubbings from Zhang Tingji’s Writings on Collected Antiquities in the Pavilion of Tranquil Manner - Make it stand out</image:title>
      <image:caption>4. Western Zhou Zhongfu fugui vessel with later wooden lid and stand Western Zhou dynasty (c. 1046–771 BCE); c. 11th–10th century BCE Bronze, wood, jade; dimensions unknown Private collection Photo © Sotheby’s</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f48db2ea-e4f6-49be-94e2-4ca4072a3a91/Fig+5.jpg</image:loc>
      <image:title>Highlights - Chronicles of Contact: Early Composite Rubbings from Zhang Tingji’s Writings on Collected Antiquities in the Pavilion of Tranquil Manner - Make it stand out</image:title>
      <image:caption>5. ‘Rubbings of Inscriptions from Bronze Bells’ in Studio for Accumulating Antiquities (Jigu tu) By Ruan Yuan (1764–1879); c. 1803 Ink rubbing on paper; dimensions unknown National Library of China, Beijing (After Eric Lefebvre, ‘L’“Image des antiquités accumulées” de Ruan Yuan: La representation d’une collection privée en Chine à l’epoque pré-moderne,’ Arts Asiatiques 63 (2008): 65)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ee418c67-d85f-4bb8-abbf-af83bf5d1d2d/Fig+6.jpg</image:loc>
      <image:title>Highlights - Chronicles of Contact: Early Composite Rubbings from Zhang Tingji’s Writings on Collected Antiquities in the Pavilion of Tranquil Manner - Make it stand out</image:title>
      <image:caption>6. ‘Rubbing of a Han Washbasin’ reproduced in print by Bao Changxi in Fragments of Bronze and Stone (Jinshixie) (1876-7) By Ma Qifeng (1800–62); c. 1858 Ink on paper; dimensions unknown (After Lu, 2020, p. 4)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/95fe0126-76eb-4a58-a5b4-83ffa477a93d/Fig+7.jpg</image:loc>
      <image:title>Highlights - Chronicles of Contact: Early Composite Rubbings from Zhang Tingji’s Writings on Collected Antiquities in the Pavilion of Tranquil Manner - Make it stand out</image:title>
      <image:caption>7. ‘Rubbing of a Shang dynasty jue vessel’ in Writings on Collected Antiquities in the Pavilion of Tranquil Manner (Qingyige suocang guqiwu wen) By Zhang Tingji (1768–1848); c. 1813 Ink rubbing on paper; dimensions unknown Kyoto University, Kyoto (After Tang, 2020, p. 6)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4f14b9d8-2fbd-41ac-acb3-d6aade2b1f46/Fig+8.jpg</image:loc>
      <image:title>Highlights - Chronicles of Contact: Early Composite Rubbings from Zhang Tingji’s Writings on Collected Antiquities in the Pavilion of Tranquil Manner - Make it stand out</image:title>
      <image:caption>8. ‘Reproduction of the Fan Shi Stele rubbings’ in Engraved Texts of the Lesser Penglai Pavilion (Xiao Penglaige jinshi wenzi) By Huang Yi (1744–1802); c. 1800 Woodblock print on paper; height 31 cm Thomas J. Watson Library, Metropolitan Museum of Art, New York (After Michael J. Hatch, “Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi’s Engraved Texts of the Lesser Penglai Pavilion (1800),” Archives of Asian Art 70, no. 1 (April 2020): 24)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/the-meeting-of-the-herd-boy-and-the-weaving-maid-in-chinese-popular-prints</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/510cc006-6b68-44d4-8a8d-b7cee07a2647/Screenshot+2025-08-16+at+3.26.19%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - The Meeting of the Herd Boy and the Weaving Maid in Chinese Popular Prints - Make it stand out</image:title>
      <image:caption>1. Meeting Across the Milky Way China, Shandong province, Yangjiabu; 19th century Polychrome woodblock print on paper; 55 x 93 cm (after Wang Shucun, Ancient Chinese Woodblock New Year Prints, Beijing, 1985, fig. 67)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8a34e793-dcf7-473a-8ccb-38822b7ca46e/Screenshot+2025-08-16+at+3.27.22%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - The Meeting of the Herd Boy and the Weaving Maid in Chinese Popular Prints - 2. The Herd Boy and the Weaving Maid China, Henan province, Zhuxianzhen; 19th century Polychrome woodblock print on paper; d imensions not available (after Xie Guihua, Minjian nianhua, Shijiazhuang, 2004, p. 35)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/47dad7e5-989a-4174-876f-2d5d5fb30207/Screenshot+2025-08-16+at+3.28.03%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - The Meeting of the Herd Boy and the Weaving Maid in Chinese Popular Prints - 3. The Herd Boy and the Weaving Maid China, Jiangsu province, Suzhou; late 18th century Polychrome woodblock print on paper; 62 x 47.5 cm Christer von der Berg collection Photo by Elizabeth Hunter, courtesy of Christer von der Berg</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/69df8a7a-6663-45bb-bbdb-994e7771f863/Screenshot+2025-08-16+at+3.28.36%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - The Meeting of the Herd Boy and the Weaving Maid in Chinese Popular Prints - Make it stand out</image:title>
      <image:caption>4. The Parting of the Herd Boy and the Weaving Maid China, Jiangsu province, Suzhou; before 1750 Polychrome woodblock print on paper, hand colored; 88 x 52.5 cm Christer von der Berg collection Photo by Elizabeth Hunter, courtesy of Christer von der Berg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7876cec0-1a1f-4a8e-a5cb-65191baebb01/Screenshot+2025-08-16+at+3.29.01%E2%80%AFpm.png</image:loc>
      <image:title>Highlights - The Meeting of the Herd Boy and the Weaving Maid in Chinese Popular Prints - Make it stand out</image:title>
      <image:caption>5. Meeting Across the Milky Way China, Hebei province, Yangliuqing; 19th century Polychrome woodblock print on paper; 35 x 60 cm The State Hermitage Museum, St. Petersburg Photograph © The State Hermitage Museum. Photo by Vladimir Terebenin</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/a-visit-to-the-buddhist-sitesof-gandharan-pakistan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/23db0abb-8992-424c-a686-275bb45f4eef/1.jpg</image:loc>
      <image:title>Highlights - A Visit to the Buddhist Sites of Gandharan Pakistan - Make it stand out</image:title>
      <image:caption>1. Participants of the International School on Gandharan Buddhism at Saidu Sharif Stupa Swat District of Khyber Pakhtunkhwa, Pakistan, January, 2025 1st–5th century CECE Photo courtesy of Amir Khan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ea147479-70a4-4f87-9491-fa18fffd5e3f/2.jpg</image:loc>
      <image:title>Highlights - A Visit to the Buddhist Sites of Gandharan Pakistan - Make it stand out</image:title>
      <image:caption>2. Takht-i-Bahi Complex Mardan District of Khyber-Pakhtunkhwa, Pakistan, January, 2025 2nd–7th century CE Photo courtesy of Dr Anwar Numan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b3d6dca7-1e7f-4f96-88bb-573e6a1a4e6f/3.jpg</image:loc>
      <image:title>Highlights - A Visit to the Buddhist Sites of Gandharan Pakistan - Make it stand out</image:title>
      <image:caption>3. Ashokan edict at Shabaz Garhi Mardan District of Khyber Pakhtunkhwa, Pakistan, January, 2025 Mid-3rd century CECE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d04aee0c-3995-4c09-9a72-1b67ead20fac/4.jpg</image:loc>
      <image:title>Highlights - A Visit to the Buddhist Sites of Gandharan Pakistan - Make it stand out</image:title>
      <image:caption>4. Detail of stupa at Jaulian Monastery, showing diaper masonry construction Taxila, Punjab, Pakistan, January, 2025 2nd century CECE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/08954312-7ef8-4534-adc7-038a70038f4a/5.jpg</image:loc>
      <image:title>Highlights - A Visit to the Buddhist Sites of Gandharan Pakistan - Make it stand out</image:title>
      <image:caption>5. Detail of votive stupa at Jaulian Monastery, showing stucco frieze with buddhas, bodhisattvas, and divinities Taxila, Punjab, Pakistan, January, 2025 2nd century CE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a1f2d1ab-a5ad-4dd6-bc52-b9ade80f25df/6.jpg</image:loc>
      <image:title>Highlights - A Visit to the Buddhist Sites of Gandharan Pakistan - Make it stand out</image:title>
      <image:caption>6. Remains of seated Buddha and feet of Buddha or bodhisattva, Jaulian Monastery Taxila, Punjab, Pakistan, January, 2025 2nd century CE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8851253e-5a68-4e2b-868e-b5b4bebefb74/7.jpg</image:loc>
      <image:title>Highlights - A Visit to the Buddhist Sites of Gandharan Pakistan - Make it stand out</image:title>
      <image:caption>7. Double-Headed Eagle Stupa, Sirkap Taxila, Punjab, Pakistan, January, 2025 1st century BCE–1st century CE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0254ae5b-cee0-4474-98b0-56c0ecdd2c21/8.jpg</image:loc>
      <image:title>Highlights - A Visit to the Buddhist Sites of Gandharan Pakistan - Make it stand out</image:title>
      <image:caption>8. View of Swat River Valley from top of Barikot Swat District of Khyber Pakhtunkhwa, Pakistan, January, 2025 Photo courtesy of Dr Anwar Numan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/749b408e-cb2d-43fe-bcaa-91b186a7b156/9.jpg</image:loc>
      <image:title>Highlights - A Visit to the Buddhist Sites of Gandharan Pakistan - Make it stand out</image:title>
      <image:caption>9. Remains of apsidal structure at Barikot Swat District of Khyber Pakhtunkhwa, Pakistan, January, 2025 Maurya dynasty (322–185 BCE)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a6b5dd85-c3a9-4f45-9e4a-ffdec0297835/10.jpg</image:loc>
      <image:title>Highlights - A Visit to the Buddhist Sites of Gandharan Pakistan - Make it stand out</image:title>
      <image:caption>10. Jehanabad Buddha Swat District of Khyber Pakhtunkhwa, Pakistan, January, 2025 7th century CE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/732d0460-aca4-49f5-ab50-693d72368202/11.jpg</image:loc>
      <image:title>Highlights - A Visit to the Buddhist Sites of Gandharan Pakistan - Make it stand out</image:title>
      <image:caption>11. Remains of Seated Buddha statue at Butkara Swat District of Khyber Pakhtunkhwa, Pakistan, January 2025 1st century to 2nd century CECE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/aff7c3a6-7b0c-4a16-9d25-d0f908d5da7d/12.jpg</image:loc>
      <image:title>Highlights - A Visit to the Buddhist Sites of Gandharan Pakistan - Make it stand out</image:title>
      <image:caption>12. Stupa at Amluk Dara Swat District of Khyber Pakhtunkhwa, Pakistan, January, 2025 Late 1st century CECE</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/exhibition-review-imperial-treasures-chinese-ceramics-of-the-yuan-and-ming-dynasties-from-the-mr-and-mrs-john-d-rockefeller-collection</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/243c6461-c777-477d-b517-37b498300ce1/1.png</image:loc>
      <image:title>Highlights - Exhibition Review: Imperial Treasures: Chinese Ceramics of the Yuan and Ming Dynasties from the Mr. and Mrs. John D. Rockefeller 3rd Collection - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/98e809bc-8fef-4e0c-869d-7a475c95feb4/2.png</image:loc>
      <image:title>Highlights - Exhibition Review: Imperial Treasures: Chinese Ceramics of the Yuan and Ming Dynasties from the Mr. and Mrs. John D. Rockefeller 3rd Collection - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4b4c0913-1d1c-4f76-8f9d-e91bdf08b4e4/3.png</image:loc>
      <image:title>Highlights - Exhibition Review: Imperial Treasures: Chinese Ceramics of the Yuan and Ming Dynasties from the Mr. and Mrs. John D. Rockefeller 3rd Collection - Make it stand out</image:title>
      <image:caption>3. Installation view (back wall) Photo courtesy of the Asia Society Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ad6b94e2-f805-4e46-9a7f-24a4c61c3269/4.png</image:loc>
      <image:title>Highlights - Exhibition Review: Imperial Treasures: Chinese Ceramics of the Yuan and Ming Dynasties from the Mr. and Mrs. John D. Rockefeller 3rd Collection - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/gazing-at-sanxingdui</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7d092dcc-10da-4250-b0da-6579c803f6e2/1.jpg</image:loc>
      <image:title>Highlights - Gazing at Sanxingdui: Interactions and Ritual Arts - Make it stand out</image:title>
      <image:caption>1  View of Sanxingdui excavation site, 2020–22  Photo courtesy of the Institution of Sanxingdui Archaeology and Research</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ac36ac51-8f59-4804-ad1a-36161884648d/2.jpg</image:loc>
      <image:title>Highlights - Gazing at Sanxingdui: Interactions and Ritual Arts - Make it stand out</image:title>
      <image:caption>2  Image of Yan family   Photo courtesy of Sanxingdui Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/891afcf1-a52f-408c-9376-7196df280721/3.jpg</image:loc>
      <image:title>Highlights - Gazing at Sanxingdui: Interactions and Ritual Arts - Make it stand out</image:title>
      <image:caption>3  Map showing the site plan of Sanxingdui, with years of excavation marked (After Xu, 2003, fig. 1)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1799ad99-7799-4a6f-915d-b124012e889b/4b.jpg</image:loc>
      <image:title>Highlights - Gazing at Sanxingdui: Interactions and Ritual Arts - Make it stand out</image:title>
      <image:caption>4  Plaques  China, Sanxingdui, Cangbaobao; c. 1700–1600 BCE Bronze and turquoise; (left) 14 cm x 5.3 cm x 0.2 cm; (right) 13.8 cm x 5.6 cm x 0.1 cm Institution of Sanxingdui Archaeology and Research</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/24e34117-0364-4efc-8a3c-a9848f25a12f/4a.jpg</image:loc>
      <image:title>Highlights - Gazing at Sanxingdui: Interactions and Ritual Arts - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b7421d44-ba57-4a08-b1a1-8341abe45022/5.jpg</image:loc>
      <image:title>Highlights - Gazing at Sanxingdui: Interactions and Ritual Arts - Make it stand out</image:title>
      <image:caption>5  Dragon-shaped object, excavated in 2022 China, Sanxingdui, pit K8; c. 1300–1100 BCE Bronze; length 120 cm, max. height 38 cm Sichuan Provincial Institute of Cultural Relics and Archaeology</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/36c5c895-7e51-4e38-bdb5-25ec6365f11c/6.jpg</image:loc>
      <image:title>Highlights - Gazing at Sanxingdui: Interactions and Ritual Arts - Make it stand out</image:title>
      <image:caption>6  Altar, excavated in 1986  China, Sanxingdui, pit K2; c. 1300–1100 BCE Bronze; height 55 cm, max. diameter 22 cm Sanxingdui Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/00f0c206-b79c-483f-ac16-c84f9c08c9ca/7.jpg</image:loc>
      <image:title>Highlights - Gazing at Sanxingdui: Interactions and Ritual Arts - Make it stand out</image:title>
      <image:caption>7  Kneeling statue with twisted head, excavated in 2021  China, Sanxingdui, pit K4; c. 1300–1100 BCE Bronze; height 48 cm, width 15.5 cm, depth 13.6 cm Sichuan Provincial Institute of Cultural Relics and Archaeology</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/bd8da9cd-fc7f-4f08-9783-3dd2f4763d29/8.jpg</image:loc>
      <image:title>Highlights - Gazing at Sanxingdui: Interactions and Ritual Arts - Make it stand out</image:title>
      <image:caption>8  Eye-shaped object, excavated in 2022 China, Sanxingdui, pit K8; c. 1300–1100 BCE  Bronze; length 56 cm, width 24 cm Sichuan Provincial Institute of Cultural Relics and Archaeology</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a9082063-b8c1-4970-8340-29f000081400/9.jpg</image:loc>
      <image:title>Highlights - Gazing at Sanxingdui: Interactions and Ritual Arts - Make it stand out</image:title>
      <image:caption>9  Eye-shaped object, excavated in 2021  China, Sanxingdui, pit K8; c. 1300–1100 BCE  Bronze; length 13 cm, width 7 cm Sichuan Provincial Institute of Cultural Relics and Archaeology</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/88c80ed7-b529-4df9-9d9a-2a885ece6e58/10.jpg</image:loc>
      <image:title>Highlights - Gazing at Sanxingdui: Interactions and Ritual Arts - Make it stand out</image:title>
      <image:caption>10  Mask with protruding pupils, excavated in 1986  China, Sanxingdui, pit K2; c. 1300–1100 BCE  Bronze; overall height 82.5 cm; mask height 31.5 cm, length 77.4 cm, width 55 cm Sanxingdui Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fd43adf4-9f9d-448d-beca-4fb7d8787677/11.jpg</image:loc>
      <image:title>Highlights - Gazing at Sanxingdui: Interactions and Ritual Arts - Make it stand out</image:title>
      <image:caption>11  Human head with mask, excavated in 1986  China, Sanxingdui, pit K2; c. 1300–1100 BCE Bronze and gold; height 41 cm, width 18.8 cm Sanxingdui Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c29a0244-6fa2-45d1-aba6-ecddf0585d8a/12.jpg</image:loc>
      <image:title>Highlights - Gazing at Sanxingdui: Interactions and Ritual Arts - Make it stand out</image:title>
      <image:caption>12  Main image: Mythical creature, excavated in 2022   China, Sanxingdui, pit K8; c. 1300–1100 BCE  Bronze; length 104 cm, width 39 cm, height 98 cm Sichuan Provincial Institute of Cultural Relics and Archaeology</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/824249b3-e487-47ce-a729-25a058256744/12_inset.jpg</image:loc>
      <image:title>Highlights - Gazing at Sanxingdui: Interactions and Ritual Arts - Make it stand out</image:title>
      <image:caption>Inset: Virtual reconstruction of a kneeling figure with a zun vessel on the head, from Sanxingdui pits K3 and K2, originally mounted on the mythical creature from pit K8; total height 159 cm Photo courtesy of Sanxingdui Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b7ad8602-2827-44cc-874a-aacccb170933/13.jpg</image:loc>
      <image:title>Highlights - Gazing at Sanxingdui: Interactions and Ritual Arts - Make it stand out</image:title>
      <image:caption>13  Mask, excavated in 2021   China, Sanxingdui, pit K3; c. 1300–1100 BCE Gold; length 31 cm, width 16 cm, height 17.5 cm  Sichuan Provincial Institute of Cultural Relics and Archaeology</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1a3aac1b-abae-44aa-8255-1d681f6ec0a8/14.jpg</image:loc>
      <image:title>Highlights - Gazing at Sanxingdui: Interactions and Ritual Arts - Make it stand out</image:title>
      <image:caption>14  Square stand with phoenix-bird motif, excavated in 2021   China, Sanxingdui, pit K3; c. 1300–1100 BCE  Jade; length 12.6 cm, width 8.8 cm, height 5 cm Sichuan Provincial Institute of Cultural Relics and Archaeology</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/to-praise-it-one-need-only-say-it-was-from-chinanbspchinese-textiles-in-portugal-in-the-early-modern-periodnbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/13a23d28-d409-41e4-ae8f-11da4462a609/1.jpg</image:loc>
      <image:title>Highlights - ‘To praise it, one need only say it was from China’:&amp;nbsp;Chinese Textiles in Portugal in the Early Modern Period&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Fig. 1 Cope China; c. 1630 Silk satin; silk thread; gold-wrapped paper thread; double twisted silk thread; paper rolls; 138 x 286 cm Museu da Irmandade de Santa Cruz, Braga Photo © Maria João Ferreira</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/11913c93-f65a-4227-8ee7-998cfa5c86de/2.jpg</image:loc>
      <image:title>Highlights - ‘To praise it, one need only say it was from China’:&amp;nbsp;Chinese Textiles in Portugal in the Early Modern Period&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Fig. 2 Dalmatic  China; c. 1650  Silk satin; silk thread; gold-wrapped paper thread; double twisted silk thread; cotton/hemp (?) cord; 110 x 96.5 cm  Igreja de Santo Aleixo da Restauração, Moura</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b64be304-69db-49a7-84d5-577d01ab9ad6/3.jpg</image:loc>
      <image:title>Highlights - ‘To praise it, one need only say it was from China’:&amp;nbsp;Chinese Textiles in Portugal in the Early Modern Period&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Fig. 3 Altar Frontal China; 2nd half of 17th century Satin embroidered with silk and gold-wrapped paper thread; 100 × 192 cm Museu Nacional de História Natural e da Ciência da Universidade de Lisboa (Inv. ULisboa – MUHNAC-11) Photo © José Vicente</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1cfbcb66-132a-4af4-93ea-a2142f499688/4.jpg</image:loc>
      <image:title>Highlights - ‘To praise it, one need only say it was from China’:&amp;nbsp;Chinese Textiles in Portugal in the Early Modern Period&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Fig. 4 Cope  China; 2nd half of 17th century  Satin embroidered with silk and gold-wrapped paper thread; 132 x 283 cm  Museu Militar do Bussaco, Bussaco  Photo © José Vicente | Agência Calipo 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9697b99b-11f2-486a-9ef5-02ba31434587/5.jpg</image:loc>
      <image:title>Highlights - ‘To praise it, one need only say it was from China’:&amp;nbsp;Chinese Textiles in Portugal in the Early Modern Period&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Fig. 5 Chasuble China; 1st half of 17th century Silk satin; silk velvet; silk thread; gold-wrapped paper thread; double twisted silk thread; paper rolls; 125 x 108 cm Museu Nacional de Arte Antiga, Lisbon (Inv. 3407) Photo © José Pessoa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5e67eb5f-f04a-4be8-9e44-b1a89e315de6/6.jpg</image:loc>
      <image:title>Highlights - ‘To praise it, one need only say it was from China’:&amp;nbsp;Chinese Textiles in Portugal in the Early Modern Period&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Fig. 6 Sinicized face of the Virgin, detail of a chasuble China; 1st half of 17th century Silk satin; silk thread; vegetal thread with silk thread around; gold-wrapped paper thread; 109 x 89.5 cm Igreja de São Pedro de Miragaia, Porto Photo © Maria João Ferreira</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/20c555ae-4eae-4b5b-a836-0695efd8032c/7.jpg</image:loc>
      <image:title>Highlights - ‘To praise it, one need only say it was from China’:&amp;nbsp;Chinese Textiles in Portugal in the Early Modern Period&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Fig. 7 Chalice veil  China; 1st half of 18th century  Silk satin; silk thread; 71.5 x 70.5 cm  Igreja de Nossa Senhora dos Mártires, Arraiolos (Inv. AR.SM.1.024 par)  Photo © Carlos Pombo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/37eade44-95e6-42e1-84f3-9c97c9efbcb4/8.jpg</image:loc>
      <image:title>Highlights - ‘To praise it, one need only say it was from China’:&amp;nbsp;Chinese Textiles in Portugal in the Early Modern Period&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Fig. 8 Chasuble  China; c. 1750  Silk satin; silk thread; 106 x 69 cm  Igreja de Santa Maria do Bispo, Montemor o Novo (MN.MA.1.014/1 par)  Photo © Carlos Pombo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/848b70fe-86c0-4817-8047-cd79fddf6297/9.jpg</image:loc>
      <image:title>Highlights - ‘To praise it, one need only say it was from China’:&amp;nbsp;Chinese Textiles in Portugal in the Early Modern Period&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Fig. 9 Chasuble Italy; early to mid-18th century Silk satin; silk thread; silver thread; gilt thread; 125.1 x 73.7 cm Gift of Archibald G. Thompson and Thomas B. Wanamaker (Jr. 1942-33-12) Photo © Philadelphia Museum of Art, Collection of Thomas B. Wanamaker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c597692a-3e37-4f67-b330-8eda94907e3a/10.jpg</image:loc>
      <image:title>Highlights - ‘To praise it, one need only say it was from China’:&amp;nbsp;Chinese Textiles in Portugal in the Early Modern Period&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Fig. 10 Dalmatic China; c. 1750 Figured woven silk with gold-wrapped paper thread; 116 x 78.5 cm Museu de S.o Roque | Santa Casa da Miseric.rdia de Lisboa, Lisbon (Ao. 1135) Photo J.lio Marques</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e19cd7ac-3ccb-478e-851e-8c13ecbaef59/11.jpg</image:loc>
      <image:title>Highlights - ‘To praise it, one need only say it was from China’:&amp;nbsp;Chinese Textiles in Portugal in the Early Modern Period&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Fig. 11 Coffin veil China; c. 1750 Silk gauze; painting; lining; 73 x 173 cm Museu de S.o Roque | Santa Casa da Miseric.rdia de Lisboa, Lisbon (Rel. 247) Photo J.lio</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/ubiquitous-trees-and-snakes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/bf00dc38-58ec-49ab-975e-3fc729bbc16a/1.jpg</image:loc>
      <image:title>Highlights - Ubiquitous Trees and Snakes—Early Buddhist Imagery of Āndhradeśa - Make it stand out</image:title>
      <image:caption>1 Stupa drum panel with protective naga  India, Andhra Pradesh, Amaravati; Sada dynasty, second half of 1st century  Limestone; height 145 cm  British Museum, London Photo courtesy of British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/edfa97b9-e8fd-4cc4-9a84-3ca67f9df103/_2_.jpg</image:loc>
      <image:title>Highlights - Ubiquitous Trees and Snakes—Early Buddhist Imagery of Āndhradeśa - Make it stand out</image:title>
      <image:caption>2 Yaksha  India, Madhya Pradesh; Shunga period, c. 50 BCE   Sandstone; height 88.9 cm Metropolitan Museum of Art, New York, Gift of Jeffrey B. Soref</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/79d25bff-cf91-404a-904d-0ff7039cc7cf/3.jpg</image:loc>
      <image:title>Highlights - Ubiquitous Trees and Snakes—Early Buddhist Imagery of Āndhradeśa - Make it stand out</image:title>
      <image:caption>3 Railing post  Inscribed ‘Naga Mucarido’ and name of a female donor ‘mahāyasā’ India, Maharashtra, Pauni; Satavahana dynasty, 2nd–1st century BCE   Sandstone; height 104 cm  National Museum, New Delhi Photo Courtesy of the National Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c3aa3d3b-b247-4218-bfdf-c3ea048f5df3/4.jpg</image:loc>
      <image:title>Highlights - Ubiquitous Trees and Snakes—Early Buddhist Imagery of Āndhradeśa - Make it stand out</image:title>
      <image:caption>4 Honouring the dharmachakra and nagas protecting the relics at Rāmagrāma  India, Telangana, Dhulikatta; Satavahana dynasty, 1st century BCE   Limestone; height 114 cm  Amaravati Heritage Centre and Museum, Amaravati, Andhra Pradesh Photo courtesy of the Department of Archaeology and Museums, Andhra Pradesh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d5668ec2-250b-4a5e-bc90-f48748602851/5.jpg</image:loc>
      <image:title>Highlights - Ubiquitous Trees and Snakes—Early Buddhist Imagery of Āndhradeśa - Make it stand out</image:title>
      <image:caption>5 Stupa panel with Nāga Mucalinda protecting the Buddha  Inscribed in Southern Brahmi Prakrit: ‘Gift of Samā, mother of the notable gahapati Pathala: an Ā[yāka-slab?]’ India, Telangana, Dhulikatta; Satavahana dynasty, 1st century BCE   Limestone; height 140 cm  Archaeology Museum, Karimnagar, Telangana Photo courtesy of Department of Heritage, Telangana</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/bab78a9f-970a-4e72-8a7b-2e6bf03249f7/6.jpg</image:loc>
      <image:title>Highlights - Ubiquitous Trees and Snakes—Early Buddhist Imagery of Āndhradeśa - Make it stand out</image:title>
      <image:caption>6 Yakshi  India, Andhra Pradesh, Amaravati; Early Satavahana dynasty, mid-2nd century BCE   Limestone; height 78.7 cm  Archaeological Museum, Amaravati, Andhra Pradesh Photo courtesy of the Archaeological Survey of India</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/302549ca-4d84-4e81-8a6e-1ee409e84fec/7.jpg</image:loc>
      <image:title>Highlights - Ubiquitous Trees and Snakes—Early Buddhist Imagery of Āndhradeśa - Make it stand out</image:title>
      <image:caption>7 Panel showing visitors to the monastery   Inscribed ‘Pious gift of a [drum] panel by - - - sila from Mahisēka along with his wife and daughter’  India, Karnataka, Kanaganahalli; Satavahana dynasty, early 2nd century Limestone; height c. 100 cm   Kanaganahalli Archaeological Site, Sannati, Karnataka  Photo courtesy of the Archaeological Survey of India</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d04c0370-21fc-4e47-844a-d9ba672b1cd4/8.jpg</image:loc>
      <image:title>Highlights - Ubiquitous Trees and Snakes—Early Buddhist Imagery of Āndhradeśa - Make it stand out</image:title>
      <image:caption>8 King Puḷumāvi surrendering the city of Ujjain  India, Karnataka, Kanaganahalli; Satavahana dynasty, early 2nd century  Limestone; height c. 100 cm  Kanaganahalli Archaeological Site, Sannati, Karnataka Photo courtesy of the Archaeological Survey of India</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e908a297-fbaa-4203-a601-fe19c2b8ffeb/9.jpg</image:loc>
      <image:title>Highlights - Ubiquitous Trees and Snakes—Early Buddhist Imagery of Āndhradeśa - Make it stand out</image:title>
      <image:caption>9 View of lower courtyard at Phanigiri monastery during excavation in 2002–3, revealing toraṇa gateway and male torso in situ  Department of Heritage, Telangana Photo courtesy of Catharine Becker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/83595411-8e3d-4a63-b385-ef711de3d4cd/10.jpg</image:loc>
      <image:title>Highlights - Ubiquitous Trees and Snakes—Early Buddhist Imagery of Āndhradeśa - Make it stand out</image:title>
      <image:caption>10 Gateway architrave with lion makara  India, Telangana, Phanigiri; Ikshvaku dynasty, 3rd–4th century  Limestone; height 59 cm  Phanigiri, Telangana  Photo courtesy of the  Department of Heritage, Telangana</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d9e5e1df-1b8c-4cdf-a77e-38380809997c/11.jpg</image:loc>
      <image:title>Highlights - Ubiquitous Trees and Snakes—Early Buddhist Imagery of Āndhradeśa - Make it stand out</image:title>
      <image:caption>11 Stele celebrating the Great Renunciation, excavated 2003  India, Telangana, Phanigiri; Ikshvaku dynasty, 3rd–4th century Limestone; height 128 cm  State Museum, Hyderabad Photo courtesy of Department of Heritage, Telangana</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0f9a3d0e-ba6e-4e1e-8fc5-fdfd512b1ff7/12.jpg</image:loc>
      <image:title>Highlights - Ubiquitous Trees and Snakes—Early Buddhist Imagery of Āndhradeśa - Make it stand out</image:title>
      <image:caption>12 Mahāpuruṣa figure  India, Telangana, Phanigiri; Ikshvaku dynasty, late 3rd–4th century  Limestone; height 193 cm  Phanigiri, Telangana Photo courtesy of Department of Heritage, Telangana</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/345e9e46-b2aa-49e5-b986-d06186feaf0f/13.jpg</image:loc>
      <image:title>Highlights - Ubiquitous Trees and Snakes—Early Buddhist Imagery of Āndhradeśa - Make it stand out</image:title>
      <image:caption>13 Buddha  India, Telangana, Nelakondapalli; Ikshvaku dynasty, 3rd century Limestone; height 103 cm  State Museum Hyderabad Photo Courtesy of Department of Heritage, Telangana</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/interview-with-albuquerque-foundation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b2b9b108-128c-492d-96aa-7d49715ea0c2/The+Albuquerque+Foundation.jpg</image:loc>
      <image:title>Highlights - Interview with Mariana Teixeirade Carvalho and Becky MacGuire on the Albuquerque Foundation - Make it stand out</image:title>
      <image:caption>The Albuquerque Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1b0cafee-7784-40bc-b2ef-14231a2d46d2/The+storeroom+of+the+Albuquerque+Foundation.jpg</image:loc>
      <image:title>Highlights - Interview with Mariana Teixeirade Carvalho and Becky MacGuire on the Albuquerque Foundation - Make it stand out</image:title>
      <image:caption>The storeroom of the Albuquerque Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/da013d2d-06a0-4387-857b-c04368af43e8/Installation+view+of+Connections+exhibition.jpg</image:loc>
      <image:title>Highlights - Interview with Mariana Teixeirade Carvalho and Becky MacGuire on the Albuquerque Foundation - Make it stand out</image:title>
      <image:caption>Installation view of ‘Connections’ exhibition</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/the-art-of-mounting-calligraphy-and-painting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/612fc973-dd56-412d-9660-485152a50cfc/1.jpg</image:loc>
      <image:title>Highlights - The Art of Mounting Calligraphy and Painting in the Court of Qianlong - Make it stand out</image:title>
      <image:caption>Fig. 1 Handscroll, silk wrapper, and box Northern Expedition Memorial of Wang Chong Copied in cursive script by Hongli (Qianlong emperor; r. 1736–95) China; Qing dynasty (1644–1911)  Handscroll, ink on paper with silk brocade; silk wrapper; rosewood box with jade inlay Various dimensions Palace Museum, Beijing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a333c0e3-5734-4d3f-85fe-3b1a51ffe943/2.jpg</image:loc>
      <image:title>Highlights - The Art of Mounting Calligraphy and Painting in the Court of Qianlong - Make it stand out</image:title>
      <image:caption>Fig. 2 Three types of handscroll edges (top to bottom): zhuangbian (contacting border), zhuanbian (turned border), and taobian (wrapping border) Graphic by Qin Chongtai</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/27895a00-8c45-4509-8ac1-e558ddc85b39/3.jpg</image:loc>
      <image:title>Highlights - The Art of Mounting Calligraphy and Painting in the Court of Qianlong - Make it stand out</image:title>
      <image:caption>Fig. 3 Handscroll in xiaoxiang format Detail of Two Models of Cai Xiang Copied in running script by Hongli (Qianlong emperor; r. 1736–95); mounted in 1777 China; Qing dynasty (1644–1911)  Handscroll, ink on paper with silk mounting; 21 x 246 cm (xiaoxiang section) Palace Museum, Beijing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e92b2fd3-4953-4944-82fa-a20574b7bcd0/4.jpg</image:loc>
      <image:title>Highlights - The Art of Mounting Calligraphy and Painting in the Court of Qianlong - Make it stand out</image:title>
      <image:caption>Fig. 4 Handscroll in daxiang format Detail of Relaxation in Leisure Time By Hongli (Qianlong emperor; r. 1736–95); painted in 1732, inscribed in 1734, mounted in 1790 China; Qing dynasty (1644–1911)  Handscroll, ink and colour on paper with silk mounting; 41 x 434 cm (daxiang section) Palace Museum, Beijing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7a511aa3-c970-4e6e-8445-fde1d01fcf4f/5.jpg</image:loc>
      <image:title>Highlights - The Art of Mounting Calligraphy and Painting in the Court of Qianlong - Make it stand out</image:title>
      <image:caption>Fig. 5 Selection of handscroll wrappers from the Qianlong court, c. 1736–95 China; Qing dynasty (1644–1911)  Silk brocade; various dimensions Palace Museum, Beijing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9405fbe7-d373-46c0-9579-c77701a69b13/6.jpg</image:loc>
      <image:title>Highlights - The Art of Mounting Calligraphy and Painting in the Court of Qianlong - Make it stand out</image:title>
      <image:caption>Fig. 6 Circular plug, cord, and jade clip Detail of Gathering of Literati in Xiyuan by Song Artist Copied by Hongli (Qianlong emperor; r. 1736–95); 1747 China; Qing dynasty (1644–1911)  Handscroll with enamel plugs, silk cord, and jade clip  Various dimensions Palace Museum, Beijing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9622bc5a-13f4-4b42-9e2a-5e5ebf6b2e0b/7.jpg</image:loc>
      <image:title>Highlights - The Art of Mounting Calligraphy and Painting in the Court of Qianlong - Make it stand out</image:title>
      <image:caption>Fig. 7 Vertical scroll in tri-colour mount Watching Rowing Races with Empress Dowager on Dragon Boat Festival in Year of Renshen (1752) By Hongli (Qianlong emperor; r. 1736–95); 1752 China; Qing dynasty (1644–1911)  Hanging scroll, ink on paper with silk mounting; 194 x 45.5 cm Palace Museum, Beijing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/cc69a0ca-1d4f-40c9-8c0e-d6f179f87f13/8.jpg</image:loc>
      <image:title>Highlights - The Art of Mounting Calligraphy and Painting in the Court of Qianlong - Make it stand out</image:title>
      <image:caption>Fig. 8 Lacquer box containing calligraphy and paintings in various mounting formats of the Qianlong court, c. 1736–95 China; Qing dynasty (1644–1911)  Various dimensions Palace Museum, Beijing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3482d525-75d0-4138-83dc-124cfe463e7e/9a.jpg</image:loc>
      <image:title>Highlights - The Art of Mounting Calligraphy and Painting in the Court of Qianlong - Make it stand out</image:title>
      <image:caption>Fig. 9a House of Picturing Mountains and Dock of Tea Firing By Hongli (Qianlong emperor; r. 1736–95); 1773 China; Qing dynasty (1644–1911)  Single sheet unmounted, cinnabar on paper; 22.5 x 9 cm Palace Museum, Beijing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3a0efad5-3d48-4422-a7a0-92c523eb998f/9b.jpg</image:loc>
      <image:title>Highlights - The Art of Mounting Calligraphy and Painting in the Court of Qianlong - Make it stand out</image:title>
      <image:caption>Fig. 9b Inscriptions on Zhao Kui’s ‘Poem of Du Fu’ By Hongli (Qianlong emperor; r. 1736–95); 1787 China; Qing dynasty (1644–1911)  Single sheet unmounted, cinnabar on paper; 22.5 x 9.3 cm Palace Museum, Beijing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ad2026dc-3435-49d2-a7b1-edc5fc0965ca/10a.jpg</image:loc>
      <image:title>Highlights - The Art of Mounting Calligraphy and Painting in the Court of Qianlong - Make it stand out</image:title>
      <image:caption>Fig. 10a Page 1 from Inscriptions on Jin Tingbiao’s ‘Cultivating Bamboo’ By Hongli (Qianlong emperor; r. 1736–95); 1769 China; Qing dynasty (1644–1911)  Single sheet unmounted, cinnabar on paper; 22.5 x 9.3 cm Palace Museum, Beijing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/78d8f4a8-c077-478a-9983-c9f0d81d1734/10b%EF%BC%88%E5%BB%BA%E8%AE%AE%E5%A4%A7%E5%9B%BE%EF%BC%89.jpg</image:loc>
      <image:title>Highlights - The Art of Mounting Calligraphy and Painting in the Court of Qianlong - Make it stand out</image:title>
      <image:caption>Fig. 10b Page 2 from Inscriptions on Jin Tingbiao’s ‘Cultivating Bamboo’, Hongli’s debate on origins, differences, and meanings of names in the history of mounting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0091cc7e-c92b-4a8a-9679-1905af09c5c7/11a.jpg</image:loc>
      <image:title>Highlights - The Art of Mounting Calligraphy and Painting in the Court of Qianlong - Make it stand out</image:title>
      <image:caption>Fig. 11a ‘Acquire and Sell Jade and Antiques’ storefront Detail of Along the River During the Qingming Festival Unidentified artist, China; late Ming dynasty (1368–1644) Handscroll, ink and colour on silk; 33.5 x 703 cm Palace Museum, Beijing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/332560b9-d1d7-4348-baf0-9119a2972100/11b.jpg</image:loc>
      <image:title>Highlights - The Art of Mounting Calligraphy and Painting in the Court of Qianlong - Make it stand out</image:title>
      <image:caption>Fig. 11b ‘Mounting Shop’ storefront Detail of Along the River During the Qingming Festival</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6fafbcbf-15c5-445d-b559-dab9c4eec285/12a.jpg</image:loc>
      <image:title>Highlights - The Art of Mounting Calligraphy and Painting in the Court of Qianlong - Make it stand out</image:title>
      <image:caption>Fig. 12a Detail of Long Process of Calligraphy Practice By Hongli (Qianlong emperor; r. 1736–95); 1753 China; Qing dynasty (1644–1911)  Handscroll, ink on paper; 27.8 x 282.5 cm Palace Museum, Beijing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/06c291a3-e9df-4723-8f9f-92616c800b15/12b.jpg</image:loc>
      <image:title>Highlights - The Art of Mounting Calligraphy and Painting in the Court of Qianlong - Make it stand out</image:title>
      <image:caption>Fig. 12b Detail of the calligraphy in Figure 12a showing where court mounter Zhang Kai removed earlier marks from the Song paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/73a65146-999b-4b7d-aab4-eeb1fc61cf8e/13.jpg</image:loc>
      <image:title>Highlights - The Art of Mounting Calligraphy and Painting in the Court of Qianlong - Make it stand out</image:title>
      <image:caption>Fig. 13 Mounting tools currently used in the studio of calligraphy and painting restoration of the Palace Museum</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/tao-yuanming-returning-to-seclusion-the-tale-of-charles-lang-freers-most-interesting-and-beautiful-scroll</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/35e0ebab-d04d-40ab-a455-f40e28e20ef0/1.jpg</image:loc>
      <image:title>Highlights - Tao Yuanming Returning to Seclusion: The Tale of Charles Lang Freer’s ‘Most Interesting and Beautiful Scroll’ - Make it stand out</image:title>
      <image:caption>(Figs 1,2 and 3) Details of Tao Yuanming Returning to Seclusion China, Northern Song dynasty, early 12th century Traditionally attributed to Li Gonglin (c. 1049–1106) Handscroll, ink and colour on silk Width 37 cm, length 518.5 cm Freer Gallery of Art, Smithsonian Institute, Washington, DC Gift of Charles Lang Freer (F1919.119)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7c88e06d-f545-4732-b38a-d4f439c64879/2.jpg</image:loc>
      <image:title>Highlights - Tao Yuanming Returning to Seclusion: The Tale of Charles Lang Freer’s ‘Most Interesting and Beautiful Scroll’ - Make it stand out</image:title>
      <image:caption>(Fig. 2) Section 2 of Tao Yuanming Returning to Seclusion, showing the scholar-recluse at home</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d3b9c698-d7f8-4c26-b02f-d3928b00c11c/3.jpg</image:loc>
      <image:title>Highlights - Tao Yuanming Returning to Seclusion: The Tale of Charles Lang Freer’s ‘Most Interesting and Beautiful Scroll’ - Make it stand out</image:title>
      <image:caption>(Fig. 3) Section 7 of Tao Yuanming Returning to Seclusion, showing, on the top of the hill, a bearded gentleman in a long robe, leopard skin shawl and gauze hat</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/nuzkrpzxn73eri5ca7ref53i414i8c</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/35c6725f-1ebb-417c-a13b-b12a0b04dcf8/1a.jpg</image:loc>
      <image:title>Highlights - Canton Enamels: Markets and Patronage - Make it stand out</image:title>
      <image:caption>Fig. 1 Snuffbox, inside cover (left) and top of cover (right) China, Guangzhou (Canton); mid-18th century or earlier Qing dynasty (1644–1911), Qianlong reign (1736–95) Enamel on silver; 1.8 x 6.5 x 5.3 cm Chengxuntang Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c1fa3874-f303-4091-9025-88d8e109e274/1b.jpg</image:loc>
      <image:title>Highlights - Canton Enamels: Markets and Patronage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4d42094a-ee37-4ae1-9095-a5eae69471f0/2.jpg</image:loc>
      <image:title>Highlights - Canton Enamels: Markets and Patronage - Make it stand out</image:title>
      <image:caption>Fig. 2 Lidded jar and detail of base (right)  China, Guangzhou (Canton); c. 1770–80 Qing dynasty (1644–1911), Qianlong reign (1736–95) Enamel on copper; 13.2 x 8.5 cm  Chengxuntang Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d6957862-7c0f-4f00-9b90-2e283f6a2c93/3.jpg</image:loc>
      <image:title>Highlights - Canton Enamels: Markets and Patronage - Make it stand out</image:title>
      <image:caption>Fig. 3 Detail of lobed flower-shaped case  China, Guangzhou (Canton); late 18th century Qing dynasty (1644–1911), Qianlong reign (1736–95) Enamel on copper; 2.5 x 8 cm Shidetang Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b2972e57-83c6-494f-8f6c-f2e71dc76f54/4.jpg</image:loc>
      <image:title>Highlights - Canton Enamels: Markets and Patronage - Make it stand out</image:title>
      <image:caption>Fig. 4 Plate  China, Guangzhou (Canton); mid-18th century Qing dynasty (1644–1911), Qianlong reign (1736–95) Enamel on copper; 3.7 x 22.5 cm Private collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a1b66516-4b00-4caf-a1dc-7123d552d16a/5.jpg</image:loc>
      <image:title>Highlights - Canton Enamels: Markets and Patronage - Make it stand out</image:title>
      <image:caption>Fig. 5 Tea tray China, Guangzhou (Canton); mid-18th century Qing dynasty (1644–1911), Qianlong reign (1736–95) Enamel on copper; 3.5 x 91.5 x 52.5 cm  Art Museum, Chinese University of Hong Kong (2018.0147)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d6ea5f57-ecd7-490e-832d-56c416b8eceb/6.jpg</image:loc>
      <image:title>Highlights - Canton Enamels: Markets and Patronage - Make it stand out</image:title>
      <image:caption>Fig. 6 Teapot, stand, and warmer China, Guangzhou (Canton); mid-18th century Qing dynasty (1644–1911), Qianlong reign (1736–95) Enamel on copper; 34 x 19 cm  Art Museum, Chinese University of Hong Kong (2013.0065)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8900b3c7-43de-42a1-b2a5-ba53bd24af04/7.jpg</image:loc>
      <image:title>Highlights - Canton Enamels: Markets and Patronage - Make it stand out</image:title>
      <image:caption>Fig. 7 Lidded bowl and plate  Vietnam; early 19th century Nguyen Dynasty (1802–1945), Minh Mạng reign (1820–40) Enamel on copper; 22.7 x 21.3 cm Private collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f8c4a25b-4476-486a-a966-874e40a8a44a/8.jpg</image:loc>
      <image:title>Highlights - Canton Enamels: Markets and Patronage - Make it stand out</image:title>
      <image:caption>Fig. 8 Betel set  China, Guangzhou (Canton); late 18th century to 19th century Qing dynasty (1644–1911), Qianlong (1736–95) to Jiaqing (1796–1820) reigns Enamel on copper; 9 x 28.6 x 23.1 cm Art Museum, Chinese University of Hong Kong (2019.0022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1127337c-b71e-4218-a7d5-48fe355d4e23/10.jpg</image:loc>
      <image:title>Highlights - Canton Enamels: Markets and Patronage - Make it stand out</image:title>
      <image:caption>Fig. 10 Muskmelon-shaped box  China, Guangzhou (Canton); second half of 18th century Qing dynasty (1644–1911), Qianlong (1736–95) to Jiaqing (1796–1820) reigns Enamel on copper; 9.7 x 16.3 cm Shidetang Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4278140b-e94a-447a-a93e-34cc4a81805e/9.jpg</image:loc>
      <image:title>Highlights - Canton Enamels: Markets and Patronage - Make it stand out</image:title>
      <image:caption>Fig. 9 Ewer China, Guangzhou (Canton); second half of 18th century Qing dynasty (1644–1911), Qianlong reign (1736–95) Enamel on copper; 31.2 x 23.1 cm Art Museum, Chinese University of Hong Kong (2016.0015)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b271df43-2a3c-4612-bb6f-a56c4a40a77f/11.jpg</image:loc>
      <image:title>Highlights - Canton Enamels: Markets and Patronage - Make it stand out</image:title>
      <image:caption>Fig. 11 Jar  Thailand; first half of 19th century Rattanakosin Kingdom (1782–1939) Basse-taille enamel on silver with gold knob; 8.6 x 6.5 cm  Private collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7803e318-2f4b-4622-9603-cb50937ec546/12.jpg</image:loc>
      <image:title>Highlights - Canton Enamels: Markets and Patronage - Make it stand out</image:title>
      <image:caption>Fig. 12 Mug  Vietnam; c. 1820–40 Nguyen Dynasty (1802–1945), Minh Mạng reign (1820–40) Enamel on copper; 11.3 x 10.8 cm  Private collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/beac55b3-ed2d-41de-85ce-24cde46a35f3/13.jpg</image:loc>
      <image:title>Highlights - Canton Enamels: Markets and Patronage - Make it stand out</image:title>
      <image:caption>Fig. 13 Lidded bowl Vietnam; first half of 19th century Nguyen Dynasty (1802–1945), Minh Mang (1820–40) to Tự Đức (1847–83) reigns Enamel on copper; 9.5 x 11.9 cm  Private collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/historical-mapping-of-guangdong-and-guangzhou</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/926f9c12-5d6c-40b3-80c6-3bf79fc9ffa7/1.jpg</image:loc>
      <image:title>Highlights - Historical Mapping of Guangdong and Guangzhou - Make it stand out</image:title>
      <image:caption>1  Guangdong Province  China; Qing dynasty (1644–1911), c. 1800  Hanging scroll: ink and colours on paper; 294.6 x 172.7 cm  MacLean Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/311d85c9-457a-442d-867f-5194231051b6/2.jpg</image:loc>
      <image:title>Highlights - Historical Mapping of Guangdong and Guangzhou - Make it stand out</image:title>
      <image:caption>2  Detail view of figure 1, showing Nan-ao island</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f2906963-2eb3-4428-bcbd-3204e30dd6cc/3.jpg</image:loc>
      <image:title>Highlights - Historical Mapping of Guangdong and Guangzhou - Make it stand out</image:title>
      <image:caption>3 Detail view of figure 1, showing Guangzhou</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a42feb7c-ea2b-4fd1-898f-a00490f34658/4.jpg</image:loc>
      <image:title>Highlights - Historical Mapping of Guangdong and Guangzhou - Make it stand out</image:title>
      <image:caption>4  Map of Guangdong province  China; Qing dynasty (1644–1911), c. 1739  Sheet map: ink and colours on paper; 100 x 163 cm  Photo © 2022 Christie's Images Limite</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3b417e83-dda3-4939-a5c6-6f97b8530e5a/5.jpg</image:loc>
      <image:title>Highlights - Historical Mapping of Guangdong and Guangzhou - Make it stand out</image:title>
      <image:caption>5  Map of the Capital City of Guangdong (Guangdong shengcheng tu)  China; Qing dynasty (1644–1911)  Album: ink and colours on paper; 51 x 35 cm  MacLean Collection</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7f35deaf-ee9c-49b4-81c3-b77c81afad44/6.jpg</image:loc>
      <image:title>Highlights - Historical Mapping of Guangdong and Guangzhou - Make it stand out</image:title>
      <image:caption>6 Detail view of figure 5, showing mosque and west gate</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/51aaa016-9e60-421e-8b9d-bb0aecf0e2f5/7.jpg</image:loc>
      <image:title>Highlights - Historical Mapping of Guangdong and Guangzhou - Make it stand out</image:title>
      <image:caption>7 Detail view of figure 5, showing Five Story Tower</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2e947776-999e-4d30-83e3-7b27ebdcdb77/8.jpg</image:loc>
      <image:title>Highlights - Historical Mapping of Guangdong and Guangzhou - Make it stand out</image:title>
      <image:caption>8  Plan of Guangzhou (Kanton, in Platte Grondt)  By Pieter van der Aa (1659–1733); c. 1670  Ink and colours on paper; 36 x 30.5 cm  MacLean Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/edbbf92c-1ddb-4352-be22-dff1b20ef842/9.jpg</image:loc>
      <image:title>Highlights - Historical Mapping of Guangdong and Guangzhou - Make it stand out</image:title>
      <image:caption>9 Map of Guangzhou in Guangdong Province (Yuedong sheng chengtu)  China; Qing dynasty (1644–1911), 1900  Sheet map: ink and colours on paper; 51 x 62 cm  MacLean Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/da94bab3-fb6f-469a-b489-2a2f99567100/10.jpg</image:loc>
      <image:title>Highlights - Historical Mapping of Guangdong and Guangzhou - Make it stand out</image:title>
      <image:caption>10  Map of the City and Entire Suburbs of Canton  By Daniel Vrooman (1818–95); 1860  Sheet map: ink and colou rs on paper; 126 x 74 cm  MacLean Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6777a998-13bb-4ef3-9601-bdb0de45e58e/11.jpg</image:loc>
      <image:title>Highlights - Historical Mapping of Guangdong and Guangzhou - Make it stand out</image:title>
      <image:caption>11 Map of Canton, in The Tourist’s Guide to Canton, the West River, and Macao By R. C. Hurley, Hong Kong; 1895 Folding pocket map: ink and colour on paper; 37 x 47 cm MacLean Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/sensing-the-buddha</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/13b51f14-099c-4ba8-b52c-ef0f602d5f79/Sensingbuddha.png</image:loc>
      <image:title>Highlights - Exhibition Review: Sensing the Buddha at the Musée de Mariemont - Make it stand out</image:title>
      <image:caption>Shakyamuni Triptych Japan, Muromachi Period (1336-1573). 14th—15th century Colour on silk Samantabhadra: 189 x 72 cm; Shakyamuni: 187 x 85 cm; Majunshri: 189 x 72 cm Musée royal de Mariemont, Morlanwelz, bequest of Raoul Warocque, 1917 Photo courtesy of the Royal Museum of Mariemont</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4ff9386b-9694-4236-bfd4-61822bf96851/%28c%29+MRM+%285%29.jpg.png</image:loc>
      <image:title>Highlights - Exhibition Review: Sensing the Buddha at the Musée de Mariemont - Make it stand out</image:title>
      <image:caption>Installation view Photo courtesy of the Royal Museum of Mariemont</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a843fde1-d795-4b79-aef9-427f2ef26ba2/buddhapic.jpg</image:loc>
      <image:title>Highlights - Exhibition Review: Sensing the Buddha at the Musée de Mariemont - Make it stand out</image:title>
      <image:caption>Installation view Photo courtesy of the Royal Museum of Mariemont</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4ec86133-18ed-455f-80f6-433447aafebd/Bouddha.+Lexperience+du+Sensible+%28c%29+MRM+%284%29.jpg.png</image:loc>
      <image:title>Highlights - Exhibition Review: Sensing the Buddha at the Musée de Mariemont - Make it stand out</image:title>
      <image:caption>Installation view Photo courtesy of the Royal Museum of Mariemont</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/10683d48-a1a8-4d5b-b7f2-10bf1e72c215/Sarana+1.jpg.png</image:loc>
      <image:title>Highlights - Exhibition Review: Sensing the Buddha at the Musée de Mariemont - Make it stand out</image:title>
      <image:caption>Andy Simon Digital photograph Photo courtesy of the Royal Museum of Mariemont</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0bed5915-94a4-4a53-bf11-1a40fe90c828/Sarana+2.jpg.png</image:loc>
      <image:title>Highlights - Exhibition Review: Sensing the Buddha at the Musée de Mariemont - Make it stand out</image:title>
      <image:caption>‘Saran’ exhibition installation view Andy Simon Digital photograph Photo courtesy of the Royal Museum of Mariemont</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/chinese-trade-in-the-red-sea</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b471c06c-d506-4375-ad9e-d21a496179ce/1.jpg</image:loc>
      <image:title>Highlights - Chinese Trade in the Red Sea: Two Shipwrecks with Yuan Blue-and-White Porcelains - Make it stand out</image:title>
      <image:caption>Fig. 1 Red Sea region, showing locations mentioned in the article Photo © map from Google Earth, downloaded 16 January 2023, modified by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/cb6bbdc8-8b39-4dd4-bad3-42172bdc611f/2.jpg</image:loc>
      <image:title>Highlights - Chinese Trade in the Red Sea: Two Shipwrecks with Yuan Blue-and-White Porcelains - Make it stand out</image:title>
      <image:caption>Fig. 2 Fragments of jars; the two lower fragments are from the same jar  China, Yuan dynasty (1272–1368) From the Red Sea shipwreck Blue-and-white porcelain (after Carswell, 2000, p. 176)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/cc87cc19-f1b0-4318-9465-ef238b3b1c6c/3.jpg</image:loc>
      <image:title>Highlights - Chinese Trade in the Red Sea: Two Shipwrecks with Yuan Blue-and-White Porcelains - Make it stand out</image:title>
      <image:caption>Fig. 3 Comparison of Yuan blue-and-white lotus-pond bowls, from the Temasek shipwreck (after Flecker, 2022, p. 23) and Red Sea shipwreck (after Carswell, 2000, p. 177)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5f757a3c-fb6a-4812-8c7e-14e37b0b900e/4.jpg</image:loc>
      <image:title>Highlights - Chinese Trade in the Red Sea: Two Shipwrecks with Yuan Blue-and-White Porcelains - Make it stand out</image:title>
      <image:caption>Fig. 4 Comparison of Longquan bowls: from the Red Sea shipwreck (after Krahl, 2018, p. 160), from the Temasek shipwreck (Photo © Mr X), and an excavated waster from the Fengdongyan kilns, Dayao, Longquan (after Zhejiang Institute of Cultural Relics and Archaeology, 2009, p. 71)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8af22bde-86cb-4e84-acf4-28b9b56a26f2/5.jpg</image:loc>
      <image:title>Highlights - Chinese Trade in the Red Sea: Two Shipwrecks with Yuan Blue-and-White Porcelains - Make it stand out</image:title>
      <image:caption>Fig. 5 Yuhuchunping  China, Yuan dynasty (1272–1368) From the Temasek shipwreck Blue-and-white porcelain Photo © Mr X</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/097b651b-3b05-4a68-9e14-99d5a2431440/6.jpg</image:loc>
      <image:title>Highlights - Chinese Trade in the Red Sea: Two Shipwrecks with Yuan Blue-and-White Porcelains - Make it stand out</image:title>
      <image:caption>Fig. 6 Shards of small cups  China, Yuan dynasty (1272–1368) From the Temasek shipwreck Blue-and-white porcelain Photo © Mr X</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9e27bf9d-2cbd-430e-a98d-0ba4d458a8e0/7.jpg</image:loc>
      <image:title>Highlights - Chinese Trade in the Red Sea: Two Shipwrecks with Yuan Blue-and-White Porcelains - Make it stand out</image:title>
      <image:caption>Fig. 7 Small cup  From the Temasek shipwreck Blue-and-white porcelain; diameter 8.4 cm, height 4.4 cm  Photo © Mr X</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/15f66b34-7f2c-4d3f-af9f-6406bc87360e/8.jpg</image:loc>
      <image:title>Highlights - Chinese Trade in the Red Sea: Two Shipwrecks with Yuan Blue-and-White Porcelains - Make it stand out</image:title>
      <image:caption>Fig. 8 Large jar  China, Yuan dynasty (1272–1368) From the Temasek shipwreck Blue-and-white porcelain Photo © Mr X</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/a-tribute-to-robert-chang</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6998ac75-333b-4059-b105-095d44e1cd01/Robert+Chang+at+his+Arabian-nights-themed+90th+birthday+party.jpg</image:loc>
      <image:title>Highlights - A Tribute to Robert Chang Chung Shien (1927–2024)&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Robert Chang at his Arabian-nights-themed 90th birthday party, Hong Kong, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/46861bc1-32be-4c37-9625-7844830285db/Chi+Fan+Tsang+and+Robert+Chang.jpg</image:loc>
      <image:title>Highlights - A Tribute to Robert Chang Chung Shien (1927–2024)&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Chi Fan Tsang and Robert Chang, St Petersburg, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fbd24b5a-eeb2-4102-abab-9e55c27329b6/In+the+National+Museum+of+Iran+with+its+ceramics+curator.jpg</image:loc>
      <image:title>Highlights - A Tribute to Robert Chang Chung Shien (1927–2024)&amp;nbsp; - Make it stand out</image:title>
      <image:caption>In the National Museum of Iran with its ceramics curator, Chi Fan Tsang, Margaret Chang and Robert Chang, 2015</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/morphing-landscapes-hong-xian</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7742a168-e64f-4cf3-b847-6bfe4a2e13da/1.jpg</image:loc>
      <image:title>Highlights - Morphing Landscape: Hong Xian’s Ink Abstraction - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/df34f65a-4cd7-4416-92d6-cc210eeabe52/2.jpg</image:loc>
      <image:title>Highlights - Morphing Landscape: Hong Xian’s Ink Abstraction - Make it stand out</image:title>
      <image:caption>2  Waves  By Hong Xian (Margaret Chang, b. 1933); 1967  Ink and colour on paper; 57.7 x 89.5 cm  Harvard Art Museums, Cambridge, MA  Gift of B U. K. Li (2018.359)  Photo © President and Fellows of Harvard College</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b600cf5f-b0b3-4938-8744-b0f9a1354092/3.jpg</image:loc>
      <image:title>Highlights - Morphing Landscape: Hong Xian’s Ink Abstraction - Make it stand out</image:title>
      <image:caption>3 Autumn Hills  By Hong Xian (Margaret Chang, b. 1933); 1968  Ink and colour on paper; 61 x 97.8 cm Harvard Art Museums, Cambridge, MA Gift of B U. K. Li (2016.230) Photo © President and Fellows of Harvard College</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/51a7c237-0a1c-46a7-95c2-4a5742c78edd/4.jpg</image:loc>
      <image:title>Highlights - Morphing Landscape: Hong Xian’s Ink Abstraction - Make it stand out</image:title>
      <image:caption>4  In the Valley  By Hong Xian (Margaret Chang, b. 1933); 1968  Ink and colour on paper; 76.2 x 40.7 cm  Spencer Museum of Art, Lawrence, KS  Museum Purchase (1979.0046)  Photo © Spencer Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e3132392-821c-44ab-8d6d-581051340d69/5.jpg</image:loc>
      <image:title>Highlights - Morphing Landscape: Hong Xian’s Ink Abstraction - Make it stand out</image:title>
      <image:caption>5  Jean Paul Slusser’s review of Hong Xian’s exhibition, Ann Arbor News, 22 May 1968</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d820369b-d7a2-4292-960f-391f6be817b0/6.jpg</image:loc>
      <image:title>Highlights - Morphing Landscape: Hong Xian’s Ink Abstraction - Make it stand out</image:title>
      <image:caption>6 Heavenly Path By Hong Xian (Margaret Chang, b. 1933); 1971  Ink and colour on paper; 143 x 76.9 cm  National Museum of Asian Art, Washington, DC Gift of Mary Michieli Rollins (S1998.137) Photo © National Museum of Asian Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ffe655a5-0e99-412c-bad3-b2d741a4e1b3/7.jpg</image:loc>
      <image:title>Highlights - Morphing Landscape: Hong Xian’s Ink Abstraction - Make it stand out</image:title>
      <image:caption>7 Ancient Quarry  By Hong Xian (Margaret Chang, b. 1933); 1971  Ink and colour on paper (pair); each: 126.4 × 73.3 cm  National Museum of Asian Art, Washington, DC  Gift of Jayjia Hsia (S1998.136.1-2)  Photo © National Museum of Asian Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3f86fef9-11d8-4b0e-b3c9-a67f7d38f9c6/8.jpg</image:loc>
      <image:title>Highlights - Morphing Landscape: Hong Xian’s Ink Abstraction - Make it stand out</image:title>
      <image:caption>8  Green Matter  By Hong Xian (Margaret Chang, b. 1933); 1971  Ink and colour on paper; 185.4 x 94 cm  Smart Museum of Art, Chicago, IL  Gift of Mary McDonald in honour of Professor Harrie A. Vanderstappen (1991.360a-c)  Photo © The David and Alfred Smart Museum of Art, The University of Chicago</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5aba64d6-d0dd-4140-bcf6-76cf46e790fe/9.jpg</image:loc>
      <image:title>Highlights - Morphing Landscape: Hong Xian’s Ink Abstraction - Make it stand out</image:title>
      <image:caption>9  Mountain Stream, Sun, and Moon  By Hong Xian (Margaret Chang, b. 1933); 1972  Ink and colour on paper; 30.5 × 68.5 cm  Phoenix Art Museum, Phoenix, AZ  Gift of Chu-tsing Li (2013.471) Photo © Phoenix Art Museum, Ken Howie</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c1e8a489-48b7-432f-808a-0216e57a5a5c/10.jpg</image:loc>
      <image:title>Highlights - Morphing Landscape: Hong Xian’s Ink Abstraction - Make it stand out</image:title>
      <image:caption>10  Mose shanshui  By Hong Xian (Margaret Chang, b. 1933); 1975  Ink and colour on paper; 52.5 x 37.5 cm  Spencer Museum of Art, Lawrence, KS  Gift of Jean McGreevy Green (1999.0332) Photo © Spencer Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e0e7773d-0269-4e0a-900b-c1ddb9c52762/11.jpg</image:loc>
      <image:title>Highlights - Morphing Landscape: Hong Xian’s Ink Abstraction - Make it stand out</image:title>
      <image:caption>11  Frozen Landscape By Hong Xian (Margaret Chang, b. 1933); 1985–90  Ink and colour on paper; 107.3 x 62.2 cm  Cleveland Museum of Art, Cleveland, OH  Gift of Dr and Mrs Ju-hsi Chou (2003.286) Photo © Cleveland Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1e1d2980-60e3-4965-8a4f-74371c715d9f/12.jpg</image:loc>
      <image:title>Highlights - Morphing Landscape: Hong Xian’s Ink Abstraction - Make it stand out</image:title>
      <image:caption>12  Heaven and Earth  By Hong Xian (Margaret Chang, b. 1933); 1982  Ink and oil on silk; 139.7 x 80.0 cm  Portland Art Museum, Portland, OR  Museum Purchase: Margery Hoffman Smith Fund (88.20A-C)  Photo © Portland Art Museum</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/interview-with-artist-arnold-chang-and-exhibition-curator-clarissa-von-spee</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9d338791-9208-4a2e-8ea2-467038ce7be0/1.jpg</image:loc>
      <image:title>Highlights - Interview with Artist Arnold Chang and Exhibition Curator Clarissa von Spee - Make it stand out</image:title>
      <image:caption>1 Arnold Chang in his studio, Parsippany, New Jersey Photo by 林云倩 Q Lin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/aa6e23e9-f2f8-4c1a-b1ff-a2e1e7dfa974/2.jpg</image:loc>
      <image:title>Highlights - Interview with Artist Arnold Chang and Exhibition Curator Clarissa von Spee - Make it stand out</image:title>
      <image:caption>2 Copy of Landscape after Wang Meng (Landscapes in the Manner of Old Masters) Arnold Chang (American, b. 1954), 1979 After Dong Qichang (Chinese, 1555–1636), 1621–1624 Album leaf, ink and colour on paper; image: 55.88 x 34.93 cm; sheet: 63.5 x 40.5 cm Photo © Arnold Chang</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/84b8db10-8304-48bb-8850-2a448e434ba1/3.jpg</image:loc>
      <image:title>Highlights - Interview with Artist Arnold Chang and Exhibition Curator Clarissa von Spee - Make it stand out</image:title>
      <image:caption>3 Copy of Landscape after Ni Zan (Landscapes in the Manner of Old Masters) Arnold Chang (American, b. 1954), 1979 After Dong Qichang (Chinese, 1555–1636), 1621–1624 Album leaf, ink on paper; image: 56.2 x 34.93 cm; sheet: 63.5 x 40.5 cm Photo © Arnold Chang</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/00a72ca5-dd87-481d-ba51-d546cdae16bc/4.jpg</image:loc>
      <image:title>Highlights - Interview with Artist Arnold Chang and Exhibition Curator Clarissa von Spee - Make it stand out</image:title>
      <image:caption>4 Chilly Mountains Arnold Chang (American, b. 1954), 2020 Ink on paper; 141 x 78 cm Collection of the artist Photo © Arnold Chang</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/883cb4c5-8261-4638-b3c9-771a152b46ba/5.jpg</image:loc>
      <image:title>Highlights - Interview with Artist Arnold Chang and Exhibition Curator Clarissa von Spee - Make it stand out</image:title>
      <image:caption>5 Secluded Valley in Cold Mountains Arnold Chang (American, b. 1954), 2008 Handscroll, ink on paper; painting section: 60 x 347 cm The Cleveland Museum of Art John L. Severance Fund Photo courtesy of Arnold Chang © The Cleveland Museum of Art</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a7eef464-3805-42a4-80bc-5eb1f1958196/7.jpg</image:loc>
      <image:title>Highlights - Interview with Artist Arnold Chang and Exhibition Curator Clarissa von Spee - Make it stand out</image:title>
      <image:caption>7 Angles #2 Arnold Chang (American, b. 1954) and Michael Cherney (American, b. 1969), 2020 Photography and ink on xuan paper; painting: 61 x 144 cm; overall: 64.5 x 147.7 cm The Cleveland Museum of Art Edward L. Whittemore Fund © The Cleveland Museum of Art</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/72459a0e-fa24-4ec3-bdb8-c2bd0047c5d0/6.jpg</image:loc>
      <image:title>Highlights - Interview with Artist Arnold Chang and Exhibition Curator Clarissa von Spee - Make it stand out</image:title>
      <image:caption>6 Reclusion Arnold Chang (American, b. 1954), 2020 Ink on paper; 141 x 78 cm Collection of the artist Photo © Arnold Chang</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6d3a0d5d-98a1-4062-bed3-905e8504f391/9.jpg</image:loc>
      <image:title>Highlights - Interview with Artist Arnold Chang and Exhibition Curator Clarissa von Spee - Make it stand out</image:title>
      <image:caption>9 Mapping the Universe Arnold Chang (American, b. 1954), completed 2024 Ink and colour on paper; 497 x 192 cm Collection of the artist Photo © The Cleveland Museum of Art</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/97a760fa-be1c-4ee1-a994-b235f5ef1148/8.jpg</image:loc>
      <image:title>Highlights - Interview with Artist Arnold Chang and Exhibition Curator Clarissa von Spee - Make it stand out</image:title>
      <image:caption>8 Summer Landscape Arnold Chang (American, b. 1954), 2023 Ink and colour on paper; 75.5 x 143.5 cm Private Collection Photo © Arnold Chang</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/lw45619do84sdzc2k3lz4htwd4x0lv</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c261c8d6-0b02-4680-bf94-a695b78191ef/1.jpg</image:loc>
      <image:title>Highlights - An Interview with Professor Ide Seinosuke of Kyushu University&amp;nbsp; - Make it stand out</image:title>
      <image:caption>1 Ide Seinosuke Photo courtesy of Ide Seinosuke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3d9bcf9f-c457-4a25-9def-e585406ea051/2.jpg</image:loc>
      <image:title>Highlights - An Interview with Professor Ide Seinosuke of Kyushu University&amp;nbsp; - Make it stand out</image:title>
      <image:caption>2 Portrait of Jianxin Laifu Artist unknown; 14th century Hanging scroll, ink and colour on silk Manzai-ji Temple, Tosu, Japan Photo courtesy of Manzai-ji Temple</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3dbe0a6a-73eb-42f3-a5c9-be6c7debe701/3.jpg</image:loc>
      <image:title>Highlights - An Interview with Professor Ide Seinosuke of Kyushu University&amp;nbsp; - Make it stand out</image:title>
      <image:caption>3 Parinirvana By Lu Xinzhong (dates unknown); 13th century Hanging scroll, ink, colour, and gold on silk; 157.1 × 82.9 cm Nara National Museum, Nara Photo courtesy of Nara National Museum</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ac70f42a-972b-4dab-995c-1b874ae72c52/4.jpg</image:loc>
      <image:title>Highlights - An Interview with Professor Ide Seinosuke of Kyushu University&amp;nbsp; - Make it stand out</image:title>
      <image:caption>3 Luohan Manifesting Himself as an Eleven‑Headed Guanyin By Zhou Jichang (act. second half of 12th century); c. 1178 Ink and color on silk; 111.5 × 51.9 cm Museum of Fine Arts, Boston, Denman Waldo Ross Collection Photo © Museum of Fine Arts, Boston</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c19e417b-9e36-4f43-81ee-0665af9061b9/5.jpg</image:loc>
      <image:title>Highlights - An Interview with Professor Ide Seinosuke of Kyushu University&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Water-Moon Avalokiteśvara By Kim Wumun et al. (dates unknown); Goryeo dynasty (918–1392), 1310 Hanging scroll, ink, colour, and gold on silk; 419.5 × 101.5 cm Kagami Shrine, Karatsu City, Japan Photo courtesy of Kagami Shrine</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/76b11519-48a3-4599-9222-4efcb3ab6089/6.jpg</image:loc>
      <image:title>Highlights - An Interview with Professor Ide Seinosuke of Kyushu University&amp;nbsp; - Make it stand out</image:title>
      <image:caption>6 Ide’s professors at Kyushu University: Hirata Yutaka (left) and Kikutake Jun’ichi (right) Photo courtesy of Ide Seinosuke</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/cc8dbc6b-2c16-46da-b82b-e5e17a10fd94/7.jpg</image:loc>
      <image:title>Highlights - An Interview with Professor Ide Seinosuke of Kyushu University&amp;nbsp; - Make it stand out</image:title>
      <image:caption>7 The Ide household in 1964, with Ide (age 5, second from right), his mother (centre), and his father, Sei’ichi (1928–80, second from left), who was a prominent oil painter Photo courtesy of Ide Seinosuke</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d8b58a9c-3c80-406c-8d35-b0a06d66a13b/8.jpg</image:loc>
      <image:title>Highlights - An Interview with Professor Ide Seinosuke of Kyushu University&amp;nbsp; - Make it stand out</image:title>
      <image:caption>8 Ide in a boat on the Grand Canal near Suzhou in September of 1995, retracing the itinerary of Japan’s Ming envoys during the 15th century with fellow art historians Yamashita Yūji (center) and Shimao Arata (right), the latter a colleague at the Tokyo National Research Institute for Cultural Properties Photo courtesy of Ide Seinosuke</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b45091dd-2abb-4cbc-8fc7-ab59f65620b8/9.jpg</image:loc>
      <image:title>Highlights - An Interview with Professor Ide Seinosuke of Kyushu University&amp;nbsp; - Make it stand out</image:title>
      <image:caption>9 Ide (centre) with the photographer Shirono Seiji (left) and Yukio Lippit (right), carrying out digital imaging of Five Hundred Luohans at the Museum of Fine Arts, Boston, in February 2009 Photo courtesy of Ide Seinosuke</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c8ea096d-eaab-4d8d-ac37-45d84dab0b13/10.jpg</image:loc>
      <image:title>Highlights - An Interview with Professor Ide Seinosuke of Kyushu University&amp;nbsp; - Make it stand out</image:title>
      <image:caption>10 Ide at the Daitoku-ji monastery with Wen C. Fong (right) and Maxwell K. Hearn (left) in August 2009 Photo courtesy of Ide Seinosuke</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/royal-bronzes-of-angkor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2a514ab0-344b-450d-8849-fedf853ed71c/1.jpg</image:loc>
      <image:title>Highlights - Royal Bronzes of Angkor, an Art of the Divine - Make it stand out</image:title>
      <image:caption>1 Bust of reclining Vishnu Cambodia, Siem Reap province, Angkor, West Mebon; Angkor period, 2nd half of 11th century Gilded and inlaid bronze; height 122 cm National Museum of Cambodia, Phnom Penh (Ga. 5387) Photo by Thierry Ollivier © Musée Guimet</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/aedd84f2-6d04-4bb0-ac41-8741e5161db8/2.jpg</image:loc>
      <image:title>Highlights - Royal Bronzes of Angkor, an Art of the Divine - Make it stand out</image:title>
      <image:caption>2 Bust of the West Mebon Vishnu under examination at the Centre for Research and Restoration of the Museums of France (C2RMF), Paris, May 2024  Photo by David Bourgarit © C2RMF</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/54d492e5-5c89-4b64-9592-d3e9a1411556/3.jpg</image:loc>
      <image:title>Highlights - Royal Bronzes of Angkor, an Art of the Divine - Make it stand out</image:title>
      <image:caption>3 X-ray radiography of the bust of the West Mebon Vishnu (front), C2RMF, Paris, Summer 2024  Photo © C2RMF</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7fec3cc7-09e2-429c-b376-29493e97aa2c/4.jpg</image:loc>
      <image:title>Highlights - Royal Bronzes of Angkor, an Art of the Divine - Make it stand out</image:title>
      <image:caption>4 Modelization of the Mebon Vishnu and his fragments on the remains of its pedestal found in situ in the temple  (After Olivier Cunin, 2004)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4486b7f3-9b25-4afe-94ae-a68f0158eb0c/5.jpg</image:loc>
      <image:title>Highlights - Royal Bronzes of Angkor, an Art of the Divine - Make it stand out</image:title>
      <image:caption>5 Head of Shiva Cambodia, Siem Reap province, Kralanh, Vat Por Loboek; Angkor period, mid-11th century Gilded and inlaid bronze; height 30 cm National Museum of Cambodia, Phnom Penh (Ga.2726) Photo by Thierry Ollivier © Musée Guimet</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/61fc54d9-6c30-47fc-af0a-f8f13b2f9280/6.jpg</image:loc>
      <image:title>Highlights - Royal Bronzes of Angkor, an Art of the Divine - Make it stand out</image:title>
      <image:caption>6 Adorned Buddha in meditation  Cambodia, Preah Vihear province, Bakan; Angkor period,  3rd quarter of 12th century  Gilded bronze; height 40 cm  National Museum of Cambodia, Phnom Penh (Ga.3378)  Photo by Thierry Ollivier © Musée Guimet</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/cc1b662a-4c68-4122-94bf-84e32d2e101b/7.jpg</image:loc>
      <image:title>Highlights - Royal Bronzes of Angkor, an Art of the Divine - Make it stand out</image:title>
      <image:caption>7 Location of the royal foundry site in Angkor Thom, Siem Reap province, Cambodia (red: royal palace; yellow: studied area); detail of the archaeological operations since 2012  Source: LANGAU research programme</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8653d954-9921-4bdf-8f5a-38b4dfa1696e/8.jpg</image:loc>
      <image:title>Highlights - Royal Bronzes of Angkor, an Art of the Divine - Make it stand out</image:title>
      <image:caption>8 Royal foundry, 2017 excavation campaign: concentration of foundry furnaces and forges under study  Photo: LANGAU research programme</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ef7fa27d-b40a-4c58-9c2d-6dde6379ab7c/9.jpg</image:loc>
      <image:title>Highlights - Royal Bronzes of Angkor, an Art of the Divine - Make it stand out</image:title>
      <image:caption>9 Copper mine of Phnom Chroap Phdau and primary production site of Trapeang Choan Sanlong, Chhaep region, Preah Vihear province, Cambodia (Lidar)  Photo © LANGAU research programme</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/449832e6-b0dc-4ad8-b954-af6ecf1ea803/10.jpg</image:loc>
      <image:title>Highlights - Royal Bronzes of Angkor, an Art of the Divine - Make it stand out</image:title>
      <image:caption>10 Trapeang Choan Sanlong, 2023 excavation campaign: concentration of smelting furnaces under study (photogrammetry)  Photo: LANGAU research programme</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4b4fe243-86c2-4764-a11b-448b0e0cda08/11.jpg</image:loc>
      <image:title>Highlights - Royal Bronzes of Angkor, an Art of the Divine - Make it stand out</image:title>
      <image:caption>11 Seated bodhisattva  Cambodia; Angkor period, first half of 11th century  Gilded and inlaid bronze; height 58.5 cm  National Museum of Cambodia, Phnom Penh (returned 2023) (NMC.2855)  Photo by Thierry Ollivier © Musée Guimet</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/cbaec971-a874-475a-8682-eb44ed36fc5b/12.jpg</image:loc>
      <image:title>Highlights - Royal Bronzes of Angkor, an Art of the Divine - Make it stand out</image:title>
      <image:caption>12 Standing dvarapala  Unknown provenance; Angkor period, 3rd quarter of 12th century  Gilded bronze; height 61 cm  National Museum of Cambodia, Phnom Penh (NMC. 2691)  Photo by Thierry Ollivier © Musée Guimet</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/exhibition-review-the-great-mughals-art-architecture-and-opulence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c1f5d191-2148-46cc-8c31-982fe5c8cbbd/1+3.jpg</image:loc>
      <image:title>Highlights - Exhibition Review: The Great Mughals: Art, Architecture and Opulence - Make it stand out</image:title>
      <image:caption>1 The Giant Zumurrud Shah and his army flee Hamza’s forces From the Hamza-Nama; c. 1562–77 Opaque watercolour and gold on cotton backed with paper, 67.1×52 cm MAK – Austrian Museum of Applied Arts/Contemporary Art, Vienna: B1 8770-28 Photo by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/66348c74-f167-4726-b221-105beca0a2d7/2+2.jpg</image:loc>
      <image:title>Highlights - Exhibition Review: The Great Mughals: Art, Architecture and Opulence - Make it stand out</image:title>
      <image:caption>2 Rama and Lakshman hear from Sugriva, King of the Monkeys about the completion of the bridge to Lanka Lahore, completed 25 Sha’ban AH 1002 (16 May 1594) Opaque watercolour and gold on paper; 38.5×25.5 cm The David Collection, Copenhagen: 16/1992 Photo by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2dcbe7f7-8fe6-4e4e-9db3-e55ece059e6b/3.jpg</image:loc>
      <image:title>Highlights - Exhibition Review: The Great Mughals: Art, Architecture and Opulence - Make it stand out</image:title>
      <image:caption>3 A Muslim pilgrim learns a lesson in piety from a barhman  Folio from a Khamsa (Five Stories) of Amir Khusrau Dehlavi, probably Lahore, AH 1006 (1597–8)  Opaque watercolour and gold on paper, 25.1×15.9 cm The Metropolitan Museum of Art, New York: 13.228.29  Gift of Alexander Smith Cochran, 1913  Photo by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e3376001-f55e-4216-b991-d5a23cc3cc52/4.jpg</image:loc>
      <image:title>Highlights - Exhibition Review: The Great Mughals: Art, Architecture and Opulence - Make it stand out</image:title>
      <image:caption>4 Dagger and scabbard Nephrite jade set with rubies, emeralds and a pearl set in gold (hilt and scabbard); c. 1610-20 Mughal court workshops watered steel with gold-overlaid decoration (blade) The Al Thani Collection: ATC598 Photo by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fc7ca5c6-f7dc-438c-97bb-2fc848a95a3a/5.jpg</image:loc>
      <image:title>Highlights - Exhibition Review: The Great Mughals: Art, Architecture and Opulence - Make it stand out</image:title>
      <image:caption>5 Border with floral patterns of the Calligraphy by Dara Shokuh Illumination by a Mughal artist; 1630–31; the borders c. 1640–50 Ink, opaque watercolour and gold on paper V8A: IS.37.2-1972 Photo by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b8ff3036-ac0e-4740-8a3f-2451f390dce9/6.jpg</image:loc>
      <image:title>Highlights - Exhibition Review: The Great Mughals: Art, Architecture and Opulence - Make it stand out</image:title>
      <image:caption>6 The lIchester Carpet  Multi-stranded (z8s) ivory cotton warps; three light pink cotton wefts; sheep’s wool pile, 45 knots per square cm/ 290 knots per square inch, asymmetric open to the left  604 x 247 cm  Private Collection  Photo by the author</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/solace-in-painting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/84100923-4840-49ca-911b-f14155567582/1.jpg</image:loc>
      <image:title>Highlights - Solace in Painting?&amp;nbsp;Diasporic Artists and the Market for Conflict&amp;nbsp; - Make it stand out</image:title>
      <image:caption>1 Cover Fletcher Coleman and Yukio Lippit, Solace in Painting: Reflecting on a Tumultuous Century, London, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0726eb50-4226-4bef-a8e8-7f8558bb97cb/2.jpg</image:loc>
      <image:title>Highlights - Solace in Painting?&amp;nbsp;Diasporic Artists and the Market for Conflict&amp;nbsp; - Make it stand out</image:title>
      <image:caption>2 Chao Shao-an demonstrating at the M. H. de Young Memorial Museum, San Francisco, 1960  Photo courtesy of the Hong Kong Heritage Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1e8c990c-a877-446f-a092-450b8a01c08a/3.jpg</image:loc>
      <image:title>Highlights - Solace in Painting?&amp;nbsp;Diasporic Artists and the Market for Conflict&amp;nbsp; - Make it stand out</image:title>
      <image:caption>3 Joyous Song Chao Shao-an (Hong Kong, 1905–1998), 1970–90 Ink and pigment on paper; 30 x 38 cm Estate of the artist, Hong Kong</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/81e00ae1-41fb-46d9-8414-561b97e1d4ba/4.jpg</image:loc>
      <image:title>Highlights - Solace in Painting?&amp;nbsp;Diasporic Artists and the Market for Conflict&amp;nbsp; - Make it stand out</image:title>
      <image:caption>4 Keisho Okayama at work in his hand-built home studio, ca. 1980s  Photo courtesy of the estate of the artist, Los Angeles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/76aad85a-3f57-446b-88a7-ca977be4591d/5.jpg</image:loc>
      <image:title>Highlights - Solace in Painting?&amp;nbsp;Diasporic Artists and the Market for Conflict&amp;nbsp; - Make it stand out</image:title>
      <image:caption>5 Bath  Keisho Okayama (United States, born Japan, 1934–2018), 1987Acrylic on canvas; 177.8 x 121.9 cm Estate of the artist, Los Angeles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4aea797c-c03e-4669-b284-d6704af60634/6.jpg</image:loc>
      <image:title>Highlights - Solace in Painting?&amp;nbsp;Diasporic Artists and the Market for Conflict&amp;nbsp; - Make it stand out</image:title>
      <image:caption>6 Ann Phong in her studio, 2021  Photo courtesy of the artist, Orange County, California</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e2e9f77c-3572-4e56-bdbf-31d030084ca2/7.jpg</image:loc>
      <image:title>Highlights - Solace in Painting?&amp;nbsp;Diasporic Artists and the Market for Conflict&amp;nbsp; - Make it stand out</image:title>
      <image:caption>7  Searching for the Hill to Climb  Ann Phong (United States, born Vietnam, 1957), 2022  Acrylic on canvas; 121.9 x 213.4 cm  Collection of the artist, Orange County, California</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/an-update-on-subscription-rates</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-05</lastmod>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/legacy-of-zen-temples</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/46edad4e-ce3b-4aaf-9864-99614a08feb2/IMG_3591.JPG</image:loc>
      <image:title>Highlights - Shokoku-ji Jotenkaku Museum 40th Anniversary Exhibition, Legacy of Zen Temples: Shokoku-ji, Kinkaku-ji and Ginkaku-ji, Kyoto - Make it stand out</image:title>
      <image:caption>1 Portrait of Musō Soseki Artist unknown, with inscription by Musō Soseki (1275–1351); Nanbokuchō period (c. 1336–1392),date unknown Hanging scroll, ink and colours on silk; 113.5 x 59.2 cm Shōkoku-ji, Kyoto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0992d428-d8fc-4c77-bddd-d739be9fbc93/IMG_3592.JPG</image:loc>
      <image:title>Highlights - Shokoku-ji Jotenkaku Museum 40th Anniversary Exhibition, Legacy of Zen Temples: Shokoku-ji, Kinkaku-ji and Ginkaku-ji, Kyoto - Make it stand out</image:title>
      <image:caption>2 Portrait of Shun’oku Myōha Kissan Minchō (1352–1431), with inscription by Zufang Daolian (1346–1409); Ming dynasty (1368–1644), 1404 Hanging scroll, ink and colours on silk; 116.7 x 55 cm Kōgen-in, Kyoto, Important Cultural Property</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f2abc6d3-f6b4-469d-8766-4563ad3e37c9/IMG_3593.JPG</image:loc>
      <image:title>Highlights - Shokoku-ji Jotenkaku Museum 40th Anniversary Exhibition, Legacy of Zen Temples: Shokoku-ji, Kinkaku-ji and Ginkaku-ji, Kyoto - Make it stand out</image:title>
      <image:caption>3 Portrait of Ashikaga Yoshimitsu Attributed to Tosa Yukihiro (active c. 15th century), with inscription by Ashikaga Yoshimochi (1386–1428); Muromachi period (c. 1336–1573), 1408 Hanging scroll, ink and colours on silk; 96.9 x 56.6 cm Rokuon-ji, Kyoto, Important Cultural Property</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2e5afb1f-8fbe-4934-a167-ef32ead138b1/IMG_3594.JPG</image:loc>
      <image:title>Highlights - Shokoku-ji Jotenkaku Museum 40th Anniversary Exhibition, Legacy of Zen Temples: Shokoku-ji, Kinkaku-ji and Ginkaku-ji, Kyoto - Make it stand out</image:title>
      <image:caption>4 Cranes Wen Zheng (active c. 14th century); date unknown One of a pair of hanging scrolls, ink and colours on silk; 167.7 x 85.2 cm Shōkoku-ji, Kyoto, Important Cultural Property</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6487f5ef-7a03-4bc5-bd42-0040d75302e9/IMG_3595.JPG</image:loc>
      <image:title>Highlights - Shokoku-ji Jotenkaku Museum 40th Anniversary Exhibition, Legacy of Zen Temples: Shokoku-ji, Kinkaku-ji and Ginkaku-ji, Kyoto - Make it stand out</image:title>
      <image:caption>5 The Sixth Zen Patriarch Huineng Artist unknown, with inscription by Wuxue Zuyuan (1226–1286); Kamakura period (c. 1185–1333), 13th century Hanging scroll, ink on paper; 83.7 x 34.7 cm Masaki Art Museum, Osaka, Important Cultural Property</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6b9f1147-6f24-477d-a001-c2e9236d1b03/6.png</image:loc>
      <image:title>Highlights - Shokoku-ji Jotenkaku Museum 40th Anniversary Exhibition, Legacy of Zen Temples: Shokoku-ji, Kinkaku-ji and Ginkaku-ji, Kyoto - Make it stand out</image:title>
      <image:caption>6 The Ten Ox-Herding Pictures Attributed to Shūbun (active c. 1423–1457); Muromachi period (c. 1336–1568), 14th century Detail of four out of ten paintings, hand scroll, ink and colours on paper; 32.3 x 184.4 cm Shōkoku-ji, Kyoto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f5d0ec0a-79d2-45ad-97f4-1f0482583874/7.png</image:loc>
      <image:title>Highlights - Shokoku-ji Jotenkaku Museum 40th Anniversary Exhibition, Legacy of Zen Temples: Shokoku-ji, Kinkaku-ji and Ginkaku-ji, Kyoto - Make it stand out</image:title>
      <image:caption>7 Wagtail, Pigeon, Magpie, and Rooster Kano Tan’yū (1602–1674); Edo period(c. 1603–1868), 1648 One from a set of four single-panel screens, light colour on silk; 52.5 x 52.4 cm Shōkoku-ji, Kyoto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/92f00899-0c61-48d2-9b5d-ae88efd917db/9.png</image:loc>
      <image:title>Highlights - Shokoku-ji Jotenkaku Museum 40th Anniversary Exhibition, Legacy of Zen Temples: Shokoku-ji, Kinkaku-ji and Ginkaku-ji, Kyoto - Make it stand out</image:title>
      <image:caption>9 Chen Nan Standing on Waves Liu Jun (active c. 15th century); Ming dynasty (1368–1644), date unknown Hanging scroll, ink and colour on silk; 144.0 x 78.6 cm Shōkoku-ji, Kyoto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2fe74d46-3f33-459f-96cd-40b7d02003dc/8.png</image:loc>
      <image:title>Highlights - Shokoku-ji Jotenkaku Museum 40th Anniversary Exhibition, Legacy of Zen Temples: Shokoku-ji, Kinkaku-ji and Ginkaku-ji, Kyoto - Make it stand out</image:title>
      <image:caption>8 Crane and Pine Trees Itō Jakuchū (1716–1800); Edo period (c. 1603–1868), 1759 Set of four sliding-door panels, ink on paper; 168.5 x 93 cm Rokuon-ji temple, Kyoto, Important Cultural Property</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c7c3f2f1-31cc-49c4-bc96-584de096647a/10.png</image:loc>
      <image:title>Highlights - Shokoku-ji Jotenkaku Museum 40th Anniversary Exhibition, Legacy of Zen Temples: Shokoku-ji, Kinkaku-ji and Ginkaku-ji, Kyoto - Make it stand out</image:title>
      <image:caption>10 The Seven Fortunes and Misfortunes Maruyama Ōkyo (1733–1795); Edo period (c. 1603–1868), 1768 Detail from the second of three handscrolls, ink and colour on paper; 32.2 x 1590.8 cm Shōkoku-ji, Kyoto, Important Cultural Property</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/staging-the-supernaturalghosts-and-the-theatre-in-japanese-prints</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f5e2284c-43c1-4b9c-910b-79e7e94b9bd6/1.jpg</image:loc>
      <image:title>Highlights - Staging the Supernatural: Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>1 View of entrance to the exhibition ‘Staging the Supernatural: Ghosts and the Theater in Japanese Prints’, National Museum of Asian Art, Washington, DC (23 March–6 October 2024) Photo by Colleen Dugan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9f15c288-e3f7-46ea-90db-8290c7f55b3f/2.jpg</image:loc>
      <image:title>Highlights - Staging the Supernatural: Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>2 Tsuchigumo, from the series Great Collection of Prints of Noh Plays (Nōga taikan) By Tsukioka Kōgyo (1869–1927); 1925–30 Woodblock print: ink and colour on paper; 26 × 37.1 cm National Museum of Asian Art, The Pearl and Seymour Moskowitz Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6df7efa2-fdb5-41a4-a4ce-25030ccb724c/3.jpg</image:loc>
      <image:title>Highlights - Staging the Supernatural: Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>3 Tsuchigumo, from the series One Hundred Noh Plays (Nōgaku hyakuban) By Tsukioka Kōgyo (1869–1927); 1922–25 Woodblock print: ink and colour on paper; 37.8 × 25.4 cm National Museum of Asian Art, The Pearl and Seymour Moskowitz Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5179963d-44c5-443b-9f75-9410685ef774/4.jpg</image:loc>
      <image:title>Highlights - Staging the Supernatural: Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>4 Dōjōji mae shite, from the series One Hundred Noh Plays (Nōgaku hyakuban) By Tsukioka Kōgyo (1869–1927); 1922–25 Woodblock print: ink and colour on paper; 37.8 × 25.6 cm National Museum of Asian Art, Robert O. Muller Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ab98862e-5c41-486a-8279-0eeafeefa7a6/5.jpg</image:loc>
      <image:title>Highlights - Staging the Supernatural: Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>5 Dōjōji ato shite, from the series One Hundred Noh Plays (Nōgaku hyakuban) By Tsukioka Kōgyo (1869–1927); 1922–25 Woodblock print: ink and colour on paper; 37.8 × 25.7 cm National Museum of Asian Art, Gift of the Embassy of Japan, Washington, DC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2302e386-3c63-4d8f-894d-3f5f0e53a5a6/6.jpg</image:loc>
      <image:title>Highlights - Staging the Supernatural: Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>6 Actor Bandō Mitsugorō III as the Maiden of Dōjōji By Utagawa Kunisada (1786–1865); 1816 Woodblock print: ink and colour on paper; 36.3 × 25.6 cm National Museum of Asian Art, The Anne van Biema Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8e088956-1793-4e8e-bd58-4e0231a925d9/12.jpg</image:loc>
      <image:title>Highlights - Staging the Supernatural: Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>12 Matsukaze, from the series One Hundred Noh Plays (Nōgaku hyakuban) By Tsukioka Kōgyo (1869–1927); 1922–25 Woodblock print: ink and colour on paper; 37.8 × 25.7 cm National Museum of Asian Art, Gift of the Embassy of Japan, Washington, DC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7449cd93-6efd-405d-a3b5-846150a3c100/7.jpg</image:loc>
      <image:title>Highlights - Staging the Supernatural: Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>7 Nakamura Shikan IV as Sakata Kintoki and Onoe Baikō (Kakunosuke) as Usui Sadamitsu (right); Sawamura Tanosuke III as Usugumo, Actually the Spirit of a Spider (Jitsu wa kumo no sei) (centre); Nakamura Chūtarō as Urabe no Suetake and Ichikawa Kuzō III as Watanabe no Tsuna (left) By Utagawa Toyokuni IV (1823–80); 1864, 10th month Woodblock print: ink and colour on paper; 35.8 × 24.7 cm (each) National Museum of Asian Art, The Pearl and Seymour Moskowitz Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9cd21e39-c928-42b1-9b43-984282bd1c97/8.jpg</image:loc>
      <image:title>Highlights - Staging the Supernatural: Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>8 Ōkawa Hachizō I as Oiwa and Ichikawa Sukejirō as Takuetsu in the play Tōkaidō Yotsuya kaidan By Utagawa Hirosada (act. 1825–75); 1848 Woodblock print: ink and colour on paper; 26.2 × 18.9 cm National Museum of Asian Art, The Pearl and Seymour Moskowitz Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f72f24ac-cdb8-478b-9ab0-a2e7d1536ec7/9.jpg</image:loc>
      <image:title>Highlights - Staging the Supernatural: Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>9 Kanawa, from the series One Hundred Noh Plays (Nōgaku hyakuban) By Tsukioka Kōgyo (1869–1927); 1922–25 Woodblock print: ink and colour on paper; 37.8 × 25.7 cm National Museum of Asian Art, Gift of the Embassy of Japan, Washington, DC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4b624177-aa3a-4932-b118-5cad69ee5b4e/10a.jpg</image:loc>
      <image:title>Highlights - Staging the Supernatural: Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>10a Seki Sanjūrō III as Naosuke Gonbei (right), Kataoka Nizaemon VIII as Tamiya Iemon and Bandō Hikosaburō V as the Ghost of Kobotoke Kohei (Kobotoke Kohei bōrei) (centre), and Bandō Hikosaburō V as Satō Yomoshichi (left) By Utagawa Kunisada (1786–1865); 1861, 7th month Woodblock print: ink and colour on paper; 37.5 × 25.4 cm (each) National Museum of Asian Art, The Pearl and Seymour Moskowitz Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0f6d8fcf-b4e6-4f92-b93b-33e602e894fc/10b.jpg</image:loc>
      <image:title>Highlights - Staging the Supernatural: Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>10b (detail) Kataoka Nizaemon VIII as Tamiya Iemon and Bandō Hikosaburō V as the Ghost of Oiwa (Oiwa no bōrei)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1e354b68-34f7-4624-a29e-52bd95913125/11+.jpg</image:loc>
      <image:title>Highlights - Staging the Supernatural: Ghosts and the Theatre in Japanese Prints - Make it stand out</image:title>
      <image:caption>11 Nakamura Utaemon III as Seigen, Nakamura Karoku as Sakurahime, and Nakamura Daikichi as Tsutaki By Jukōdō Yoshikuni (act. 1803–40?); 1814, 1st month Woodblock print: ink and colour on paper; 38.1 × 25.4 cm (each) National Museum of Asian Art, The Pearl and Seymour Moskowitz Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/from-cocoons-to-kaftans-splendid-silks-at-the-sogdian-court-in-samarkand</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/002da820-60f8-42f0-82a6-1b777c7ace9d/1.jpg</image:loc>
      <image:title>Highlights - From Cocoons to Kaftans: Splendid Silks at the Sogdian Court in Samarkand - Make it stand out</image:title>
      <image:caption>1 ‘Hall of Ambassadors’ wall painting, southern wall Uzbekistan, Samarkand (Afrasiab); c. 660s Mineral pigments on plaster; length c. 1000 cm Samarkand State Museum-Reserve, Samarkand (KP-6251)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0317bd5a-5a6c-42e3-b770-76dfa54eb5d9/2.jpg</image:loc>
      <image:title>Highlights - From Cocoons to Kaftans: Splendid Silks at the Sogdian Court in Samarkand - Make it stand out</image:title>
      <image:caption>2 ‘Hall of Ambassadors’ wall painting, western wall Uzbekistan, Samarkand (Afrasiab); c. 660s Mineral pigments on plaster; length c. 1000 cm Samarkand State Museum-Reserve, Samarkand (KP-6251)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/bc8eef5d-4ec3-43e2-93df-66ddc8239e78/3.jpg</image:loc>
      <image:title>Highlights - From Cocoons to Kaftans: Splendid Silks at the Sogdian Court in Samarkand - Make it stand out</image:title>
      <image:caption>3 Detail of figure 2: Turkic guardsmen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ae74c38e-c535-473d-81ea-481fd0a9ad94/4.jpg</image:loc>
      <image:title>Highlights - From Cocoons to Kaftans: Splendid Silks at the Sogdian Court in Samarkand - Make it stand out</image:title>
      <image:caption>4 Detail of the northern wall of the ‘Hall of Ambassadors’ showing court ladies and empress on a boat Uzbekistan, Samarkand (Afrasiab); c. 660s Mineral pigments on plaster Samarkand State Museum-Reserve, Samarkand Photo: Andrey Arakelyan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5bd65ce9-f87c-4a7e-a097-8218604aedba/5.jpg</image:loc>
      <image:title>Highlights - From Cocoons to Kaftans: Splendid Silks at the Sogdian Court in Samarkand - Make it stand out</image:title>
      <image:caption>5 Detail of figure 2: envoys from Tang China</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4525373d-0c2e-4c6d-af8d-3f88b4e6b70c/6.jpg</image:loc>
      <image:title>Highlights - From Cocoons to Kaftans: Splendid Silks at the Sogdian Court in Samarkand - Make it stand out</image:title>
      <image:caption>6 Votive panel depicting the ‘Silk Princess’ China, Khotan, Dandan-Uiliq; probably 7th–9th century Ink and pigments on wood; 10.8 x 46 x 2.4 cm British Museum, London (1907,1111.73) Stein Collection © The Trustees of the British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4b733408-fd75-4477-83f2-fa64cd065bb9/7.jpg</image:loc>
      <image:title>Highlights - From Cocoons to Kaftans: Splendid Silks at the Sogdian Court in Samarkand - Make it stand out</image:title>
      <image:caption>7 Detail of figure 2: envoys from neighbouring kingdoms</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2e38a85e-eaec-4b8b-a98b-801beb74d9fa/8.jpg</image:loc>
      <image:title>Highlights - From Cocoons to Kaftans: Splendid Silks at the Sogdian Court in Samarkand - Make it stand out</image:title>
      <image:caption>8 Kaftan Caucasus region; c. 7th–9th century Silk, linen, fur; 191.8 x 144.8 x 111.8 cm Metropolitan Museum of Art, New York Harris Brisbane Dick Fund, 1996 (1996.78.1) Public domain / The Metropolitan Museum of Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/47bcce5d-8476-4c18-8bf3-6fea9884d6a4/9.jpg</image:loc>
      <image:title>Highlights - From Cocoons to Kaftans: Splendid Silks at the Sogdian Court in Samarkand - Make it stand out</image:title>
      <image:caption>9 Detail of figure 2: Turks in kaftans</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/012ed90d-3dba-4297-9019-663f2035a0e9/10a.jpg</image:loc>
      <image:title>Highlights - From Cocoons to Kaftans: Splendid Silks at the Sogdian Court in Samarkand - Make it stand out</image:title>
      <image:caption>10a Carved wood panel Uzbekistan, Kafir-Kala (near Samarkand); 6th century Charred wood (reconstructed); 115 x 48 cm Samarkand State Museum-Reserve, Samarkand (A-666-1 to 6) Photo: Andrey Arakelyan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8c447f62-a983-4a5f-8106-0301fcae6136/10b.jpg</image:loc>
      <image:title>Highlights - From Cocoons to Kaftans: Splendid Silks at the Sogdian Court in Samarkand - Make it stand out</image:title>
      <image:caption>10b Reconstruction drawing of figure 10a Drawing: Munira Sultonova</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/village-abstraction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b51af1b6-193f-471a-8daf-ce32adc5ba74/1.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>1  House façade, Lüliang county, Shanxi province, March 2019  Photo courtesy of Lois Conner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8fd80ad7-c427-440b-a0b7-3708c8a89996/2.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>2  Typical kashaya pattern as proscribed in Buddhist texts Based on design in Yuan Zhao, Fozhi Biqiu Liuwu Tu (1080)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/12c78551-5fa8-4881-9c86-cf58dc20ae41/3.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>3  Subjugation of Nalagiri  India, Uttar Pradesh, Mathura; 2nd century CE Sandstone; dimensions unknown  Indian Museum, Kolkata (After Wikimedia Commons, https://w.wiki/8yER, accessed 26 January 2024)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a449f29a-49c6-4e23-8d09-f066a1a57922/4.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>4  Sculpture of monk wearing patchworked kashaya  China, Gansu province, Dunhuang, Mogao cave 285; Western Wei dynasty (535–56), 6th century CE  Painted clay; dimensions unknown  Photo: Lois Conner; © 1995 J. Paul Getty Trust  (After Whitfield et al., 2000)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/24d63e4a-6633-466e-b8d5-fd8b639dd875/5.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>5  Patchwork textile  China, Gansu province, Dunhuang, Mogao caves; Tang dynasty (618–907), 8th–9th century  Silk; 108 x 147 cm  Photo courtesy of The Trustees of the British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0417b447-ba5d-43e3-a715-eaa2046fecec/6.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>6  Kashaya  China; Qing dynasty (1644–1911), late 18th–19th century  Silk embroidery, satin, and damask; 114.3 x 209.6 cm  Metropolitan Museum of Art, Gift of Patricia Pei, 2021  Photo courtesy of Metropolitan Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9a5d3df3-aa24-4fdd-b39d-220d3bd03399/7.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>7  Daoist practitioner, early 20th century  Photographer and source unknown</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0c2a7c4b-fa5b-4696-8197-7071b7e82564/8.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>8 Daoist practitioner, early 20th century  Photographer and source unknown</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a4b8fccd-a633-453d-a870-cc543591990c/9.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>9  One Hundred Children in the Long Spring (detail)  Attributed to Su Hanchen (1101–61); Song dynasty (960–1279)  Ink and colour on silk; 30.6 x 521.9 cm (entire scroll)  National Palace Museum, Taipei  (After Wikimedia Commons, https://w.wiki/8yEw, accessed 26 January 2024)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/34bc6270-3c70-42c9-b2e9-7df72720c220/10.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>10  Boy’s ‘one-hundred household’ robe (baijia pao) with central bagua symbol medallion  China; Qing dynasty (1644–1911), 1850–1900  Silk embroidery, satin, and cotton; 65 x 114.6 cm  Art Institute of Chicago, Robert Allerton Endowment  Photo courtesy of Art Institute of Chicago</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9c1a3a9f-9400-4154-b634-954b3d67d536/11.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>11  Boy’s robe China; Qing dynasty (1644–1911), Guangxu period (1875–1908) Silk embroidered with silk and metallic threads; dimensions unknown  St. Louis Art Museum, Gift of Julius A. Gordon and Ilene Gordon Wittels in memory of Rose Gordon Photo courtesy of St. Louis Art Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7559d313-73bd-403d-bb35-4fa63a4d9893/12.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>12  A Chinese boy standing next to a doorframe, wearing trousers and a variegated collar with a patchwork By G.G. Johnson; c. 1900–20 California Historical Society Collection, University of Southern California Libraries Special Collections Photo courtesy of University of Southern California</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/53a38cf2-f52b-4d87-9b16-b6c5235c810b/13.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>13  Child’s vest  By Huo Yingyang; late 1990s  Cotton; 43.2 x 35.6 cm  Museum of Fine Arts, Boston; Joel Alvord and  Lisa Schmid Alvord Fund  Photo courtesy of Museum of Fine Arts, Boston</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/70b17f29-3d24-4f76-9c54-60930a3d8de2/14.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>14  Zheng Yunyang demonstrating patchwork sewing, December 2019  Photo by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/aa74c117-e59f-4c59-894d-9c505672fddb/15.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>15  Couch cover  By Zheng Yunyang; 2019  Cotton; 83.8 x 210.8 cm  Museum of Fine Arts, Boston  Photo courtesy of Museum of Fine Arts, Boston</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/99481217-ebfb-4e4b-9ea3-24dbe71494ff/16a.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>16  Door curtains using the six-pointed star pattern a. By Xin Junying; Qingyang, Zhenyuan county, Gansu province; c. 2017; cotton; 106.7 x 198.1 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f8161124-83ed-4a39-98d1-ba231fd53173/16b.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>b. By Wang Jierong; Xianyang, Binzhou county, Shaanxi province; c. 2019; cotton; 121.9 x 203.2 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2ceb4e1c-2a88-486e-a5d0-7ef74c269380/16c.jpg</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>c. By Madame Li (1901–91); Qikou county, Shanxi province; 1980s; cotton; 185.4 x 82.6 cm Museum of Fine Arts, Boston</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3d241364-de6d-495b-a65f-4b6342cca1ef/17.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>17  Doorway, Qingyang county, Shanxi province, December 2019  Photo by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b95892d9-c586-4b0f-8609-dedc9fdad50c/18.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>18  Bags of fabric triangles in the home of Li Jiyin (b. 1945), Baoji county, Shaanxi province, 2019  Photo by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a2d86140-6643-48b4-8d83-6953c66916c4/19a.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>19a  Bedcover (detail)  Maker’s name unknown; Shandong province  Photo by author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1fc0199f-1b86-4d7c-96d8-422a413e1181/19b.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>19b  Bedcover (detail)  Maker’s name unknown; Shandong province  Photo by author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1b6c34c8-211c-444f-b458-24d7e33c53a8/20.jpg</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>20  Bedcover  By Zhu Fenglan; Shaanxi province, Binzhou County, 1980s  Cotton; 110.5 x 203.2 cm  Museum of Fine Arts, Boston  Photo courtesy of Museum of Fine Arts, Boston</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5f93ed39-56fa-4991-a535-8ec74299c9e4/21.jpg</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>21  Child’s bed mat By Chen Yingping (b. 1956); Shanxi province, Qikou county; 1980 Cotton; 168.9 x 78.7 cm Museum of Fine Arts, Boston; Joel Alvord and Lisa Schmid Alvord Fund Photo courtesy of Museum of Fine Arts, Boston</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7884d83b-611a-4bca-89a2-d31949a41934/22.jpg</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>22  Bed cover  By Wang Yingying, 1950s  Cotton; 188.6 x 149.9 cm  Museum of Fine Arts, Boston; Joel Alvord and Lisa Schmid Alvord Fund  Photo courtesy of Museum of Fine Arts, Boston</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/797adba0-044d-48dd-bf32-d74efbc53e86/23.png</image:loc>
      <image:title>Highlights - Village Abstraction: Patchwork Textiles in Rural China&amp;nbsp; - Make it stand out</image:title>
      <image:caption>23 Detail showing the illustration for the term na in a late Qing children’s vocabulary book By Liu Xinyuan (1848–1915); late 19th century  (After Fan Hui Shu [Instruction Book for Daily Life], vol. 8, p. 83, 1915 manuscript)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/splendid-patchwork-mia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7f04aaaf-6f4b-4ec9-9812-23355dcd4918/1+.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>1 Buddha Gandhara (ancient region of Pakistan); c. 3rd century Schist; 141.0 x 47.0 x 22.9 cm Minneapolis Institute of Art; The Ethel Morrison Van Derlip Fund, in honor of Ruth and Bruce Dayton 2001.153</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/04a40743-d07a-48a3-b8fc-eca35311d544/2a.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>2a Amoghasiddhi Buddha China; Ming dynasty (1368–1644), Yongle period (1403–1424) Lacquer and gold on sandalwood core; 19.5 x 14.4 x 9.5 cm Minneapolis Institute of Art; Gift of Ruth and Bruce Dayton 99.178.4</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/799087cb-97ac-4f6d-a23f-31ca7b8cd05f/2b.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>2b The reverse side of the Amoghasiddhi Buddha (fig. 2a)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/390f53f0-6174-4e13-a9bf-21fe7b37bd71/3.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>3 Formal court robe altered for Lamaist ritual dance China; Qing dynasty (1644–1911), 19th century Silk brocade and damask; 174 x 139.5 cm Minneapolis Institute of Art; The John R. Van Derlip Fund 42.8.291</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/cd3f08b8-cbd9-43a1-8553-019569e5f047/4.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>4 Buddhist priest’s robe (kashaya) China; Qing dynasty (1644–1911), early 18th century Embroidered satin; 243.2 x 114.3 cm Minneapolis Institute of Art; The John R. Van Derlip Fund 42.8.135</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/08128ca7-ae1c-4984-8aa5-05224b210d14/5.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>5 Buddhist priest’s robe (kashaya) China; Qing dynasty (1644–1911), early 18th century Silk tapestry (kesi) ; 300.4 x 114.0 cm Minneapolis Institute of Art; The John R. Van Derlip Fund 41.74.8</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/da904c7a-f545-491a-9307-ae0dd65b4271/6.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>6 Buddhist priest’s robe (kashaya) China; Qing dynasty (1644–1911), early 18th century Silk tapestry (kesi) ; 242.6 x 114.6 cm Minneapolis Institute of Art; The John R. Van Derlip Fund 42.8.134</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/eb0f1708-818c-492a-80ef-c1345260ce51/6a.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>6a Detail of the robe in fig. 6, showing a red ink seal on the lining</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e2fbb4d6-cf77-44a1-a162-5584038f863f/7.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>7 Buddhist priest’s robe (kashaya) China; Qing dynasty (1644–1911), 18th century Silk tapestry (kesi) ; 205.1 x 106.4 cm Minneapolis Institute of Art; The John R. Van Derlip Fund 42.8.132</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4f2c28b5-8c3a-4496-a86a-ffd656531819/8.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>8 Buddhist priest’s robe (kashaya) China; Qing dynasty (1644–1911), late 18th century Embroidered satin; 213.4 x 108.3 cm Minneapolis Institute of Art; The John R. Van Derlip Fund 42.8.287</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/45d149cb-ba65-489c-846a-d4f033d1806e/9.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>9 Buddhist priest’s robe (kashaya) China; Qing dynasty (1644–1911), 18th century Silk brocade; 240.7 x 117.2 cm Minneapolis Institute of Art; The John R. Van Derlip Fund 42.8.129</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/aa9b6379-d351-41c2-84b2-104693d75ee3/9a.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>9a Detail of the robe in fig. 9a, showing a trapezoidal patch with a piece of pink silk ribbon sewn onto the red silk lining</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/47e480a3-9e7c-4faf-8d04-13abf8b05684/10.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>10 Buddhist priest’s robe (kashaya) China; Qing dynasty (1644–1911), 19th century Embroidered satin; 276.4 x 128.9 cm Minneapolis Institute of Art; The John R. Van Derlip Fund 42.8.240</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0e4cdc80-c999-4ca7-870c-ef129b29c22b/10a.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>10a Details of the robe in fig. 10, showing a jade ring sewn at the upper back</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1278802c-d2c8-4c98-91d8-927f47355d1c/11.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>11 Buddhist priest’s robe (kashaya) China; Qing dynasty (1644–1911), 19th century Embroidered satin; 288.9 x 127.6 cm Minneapolis Institute of Art; The John R. Van Derlip Fund 42.8.261</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/75cec610-ad25-4a9d-b952-3474bdd3c985/12a.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>12a–b Buddhist priest’s robe (kashaya) China; Qing dynasty (1644–1911), 19th century Embroidered silk brocade; 235.6 x 122.6 cm Minneapolis Institute of Art; The John R. Van Derlip Fund 42.8.286</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/654913e6-967c-4e4b-80ec-44cb0fded08b/12b.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Detail of fig 12a</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5911bf62-a64c-4a37-98e7-53b6d251ce6a/12c.png</image:loc>
      <image:title>Highlights - Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>12c Detail of the robe in figs. 12a–b, showing a double-diamond–shaped patch with a loop on the red silk lining for tying the robe</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/abstract-evolutions-sixty-years-of-paintings-by-fong-chung-ray</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/eec28c29-6330-4a5f-82e4-91078e5ceb2e/1.png</image:loc>
      <image:title>Highlights - Abstract Evolutions: Sixty Years of Paintings by Fong Chung-Ray - Make it stand out</image:title>
      <image:caption>1 1964-52 By Fong Chong-ray (b. 1933); 1964 Ink and Color on Paper 58.4 x 116.8 cm Private collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7e0ca5d0-d892-48c1-897d-72af83db44a3/2.png</image:loc>
      <image:title>Highlights - Abstract Evolutions: Sixty Years of Paintings by Fong Chung-Ray - Make it stand out</image:title>
      <image:caption>2 1984-8 By Fong Chong-ray (b. 1933); 1984 Acrylic on canvas; 91.5 x 122 cm Private collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/13342504-ce54-4dd4-978f-55a7e768d1fc/3.png</image:loc>
      <image:title>Highlights - Abstract Evolutions: Sixty Years of Paintings by Fong Chung-Ray - Make it stand out</image:title>
      <image:caption>3 2022-5-20 By Fong Chong-ray (b. 1933); 2022 Acrylic on canvas 177.8 x 609.5 cm Collection of the Artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/friendship-network-and-self-fashioning-in-cao-zaikuis-catalogue-of-ancient-bronzes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/45214962-a439-4b67-a084-ae6274c1049b/Fig+1.png</image:loc>
      <image:title>Highlights - Friendship, Network, and Self-Fashioning in Cao Zaikui’s Catalogue of Ancient Bronzes - Make it stand out</image:title>
      <image:caption>1 Qihou lei vessel, depicted in Huai Mi Shanfang jijintu  Albums of rubbings; (opened) height 31.8 x width 32.2 cm Fung Ping Shan Library, University of Hong Kong After Cao Zaikui, 1839, vol. 2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/dc0ca42d-fe8c-481c-aa34-2481f239118e/Fig+2.png</image:loc>
      <image:title>Highlights - Friendship, Network, and Self-Fashioning in Cao Zaikui’s Catalogue of Ancient Bronzes - Make it stand out</image:title>
      <image:caption>2 Huanzi Mengjiang hu (Qihou lei) China; late 6th century BCE Bronze; height 32.1 x width 18.6 cm Shanghai Museum After Shanghai Museum, 1964, pl. 75</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/854dc62f-19b1-4282-9477-e8fb4bf7910d/Fig3a.jpg</image:loc>
      <image:title>Highlights - Friendship, Network, and Self-Fashioning in Cao Zaikui’s Catalogue of Ancient Bronzes - Make it stand out</image:title>
      <image:caption>3a–c Letter from Ruan Yuan to Cao Zaikui Albums of rubbings; height 31.8 x width 16.1 cm Fu Suu-nien Library, Institute of History and Philology, Academia Sinica, Taipei After Cao Zaikui, 1840, vol. 2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fbe547f6-9f19-45f0-a12d-dfb6b6e9ab29/Fig+3b.jpg</image:loc>
      <image:title>Highlights - Friendship, Network, and Self-Fashioning in Cao Zaikui’s Catalogue of Ancient Bronzes - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6b772566-8a6e-4154-bc6e-95ab17635d8d/Fig3c.jpg</image:loc>
      <image:title>Highlights - Friendship, Network, and Self-Fashioning in Cao Zaikui’s Catalogue of Ancient Bronzes - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2878aa54-1eeb-44f0-8fd9-0bccd56d73d4/Fig+4.png</image:loc>
      <image:title>Highlights - Friendship, Network, and Self-Fashioning in Cao Zaikui’s Catalogue of Ancient Bronzes - Make it stand out</image:title>
      <image:caption>4 Gebo gui vessel, depicted in Huai Mi Shanfang jijintu Albums of rubbings; (opened) height 31.8 x width 32.2 cm Fung Ping Shan Library, University of Hong Kong After Cao Zaikui, 1839, vol. 2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/243ee2bf-cac0-447e-9635-3b0ccc5698de/Fig+5.jpg</image:loc>
      <image:title>Highlights - Friendship, Network, and Self-Fashioning in Cao Zaikui’s Catalogue of Ancient Bronzes - Make it stand out</image:title>
      <image:caption>5 Gebo gui vessel with Zhu Shanqi’s commentary, depicted in Huai Mi Shanfang jijintu Albums of rubbings; (opened) height 31.8 x width 32.2 cm Fu Suu-nien Library, Institute of History and Philology, Academia Sinica, Taipei After Cao Zaikui, 1840, vol. 2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2b3a8e70-425e-4796-b9cc-342109d70e30/Fig+6.png</image:loc>
      <image:title>Highlights - Friendship, Network, and Self-Fashioning in Cao Zaikui’s Catalogue of Ancient Bronzes - Make it stand out</image:title>
      <image:caption>6 Postscripts by Wu Rongguang, Wang Zaixi, and Zheng Guoji, depicted in Huai Mi Shanfang jijintu Albums of rubbings; (opened) height 31.8 x width 32.2 cm Fung Ping Shan Library, University of Hong Kong After Cao Zaikui, 1839, vol. 2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0e294136-bbe5-49de-b13c-69f05a66f171/Fig+7.jpg</image:loc>
      <image:title>Highlights - Friendship, Network, and Self-Fashioning in Cao Zaikui’s Catalogue of Ancient Bronzes - Make it stand out</image:title>
      <image:caption>7 Postscripts by Wu Rongguang, Wang Zaixi, Zheng Guoji, and Bei Yong, with a commentary by Ye Zhishen, depicted in Huai Mi Shanfang jijintu Albums of rubbings; (opened) height 31.8 x width 32.2 cm Fu Suu-nien Library, Institute of History and Philology, Academia Sinica, Taipei After Cao Zaikui, 1840, vol. 2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/88c8616c-fe2c-4062-8802-7bdee9f72ccb/Fig+8a.jpg</image:loc>
      <image:title>Highlights - Friendship, Network, and Self-Fashioning in Cao Zaikui’s Catalogue of Ancient Bronzes - Make it stand out</image:title>
      <image:caption>8a–d Preface by Zhang Tingji, depicted in Huai Mi Shanfang jijintu Albums of rubbings; height 31.8 x width 16.1 cm Fu Suu-nien Library, Institute of History and Philology, Academia Sinica, Taipei After Cao Zaikui, 1840, vol. 1</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/78a98897-f2a5-4829-8c54-9c4bc841cfb9/Fig+8b.jpg</image:loc>
      <image:title>Highlights - Friendship, Network, and Self-Fashioning in Cao Zaikui’s Catalogue of Ancient Bronzes - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/666749c8-0175-4592-86cf-1b027baa9c1c/Fig+8c.jpg</image:loc>
      <image:title>Highlights - Friendship, Network, and Self-Fashioning in Cao Zaikui’s Catalogue of Ancient Bronzes - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0445d7b4-c61e-405d-a7de-74884580a501/Fig+8d.jpg</image:loc>
      <image:title>Highlights - Friendship, Network, and Self-Fashioning in Cao Zaikui’s Catalogue of Ancient Bronzes - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/36549c3f-0f9c-4b24-9dfb-9512dc218080/Fig+9.jpg</image:loc>
      <image:title>Highlights - Friendship, Network, and Self-Fashioning in Cao Zaikui’s Catalogue of Ancient Bronzes - Make it stand out</image:title>
      <image:caption>9 Zhou Qihou zhong no.1, depicted in Xuanhe bogutulu Block print Harvard-Yenching Library, Harvard University After Wang Fu et al., 1107–23, vol. 22, p. 11</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f37ea8b5-d18b-4a34-a19a-ec5868b79fcc/Fig+10.png</image:loc>
      <image:title>Highlights - Friendship, Network, and Self-Fashioning in Cao Zaikui’s Catalogue of Ancient Bronzes - Make it stand out</image:title>
      <image:caption>10 Zhougong Keng Zhong, depicted in Huai Mi Shanfang jijintu Albums of rubbings; (opened) height 31.8 x width 32.2 cm Fung Ping Shan Library, University of Hong Kong After Cao Zaikui, 1839, vol. 2</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/an-interview-with-chris-hall</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/bcaad9b7-ccb6-4796-8df7-bd562ee87214/1+2.jpg</image:loc>
      <image:title>Highlights - An Interview with Chris Hall - Make it stand out</image:title>
      <image:caption>1 Rank badge Vietnam; 19th century Silk embroidery; 23.5 x 26 cm Collection of Chris Hall Photo courtesy of Asian Civilisations Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d7953105-d352-4c82-a5a5-470f68c99110/2.jpg</image:loc>
      <image:title>Highlights - An Interview with Chris Hall - Make it stand out</image:title>
      <image:caption>2 Dragon Robe  China; 15th century  Counted-stitch silk embroidery  Height 122cm, width (from cuff to cuff) 168 cm Collection of Chris Hall  Photo Courtesy of Asian Civilisations Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/562c8f81-c402-4f05-b795-354dee512215/3.jpg</image:loc>
      <image:title>Highlights - An Interview with Chris Hall - Make it stand out</image:title>
      <image:caption>3 Kesi scroll China; c. 1990s Silk; 133 x 81 cm Collection of Chris Hall Photo courtesy of Derek Lin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f81086a9-6e88-42d1-b375-d24d0688d1bd/4.jpg</image:loc>
      <image:title>Highlights - An Interview with Chris Hall - Make it stand out</image:title>
      <image:caption>4 Chris Hall at an exhibition of paintings by Miranda Yiu</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d237e453-7291-4ff4-990a-3b65ec643dcf/5+2.jpg</image:loc>
      <image:title>Highlights - An Interview with Chris Hall - Make it stand out</image:title>
      <image:caption>5 Surcoat China; Qianlong period (1736–95) Silk embroidery; height 143 cm, width (from cuff to cuff) 175 cm Collection of Chris Hall</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/japanese-gift-covers-from-the-chris-hall-collection</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6f01ded9-ddc7-4102-a107-e207628e3e61/1.jpg</image:loc>
      <image:title>Highlights - Japanese Gift Covers from the Chris Hall Collection - Make it stand out</image:title>
      <image:caption>1 An illustration of a lady carrying a gift tray covered with a fukusa, from Ten Thousand Leaf Instructions for Women (Onna manyō keiko sōshi) By Nishikawa Sukenobu (1671–1750), 1728 Woodblock-printed book Waseda University Library, Tokyo Photo courtesy of Waseda University Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6ae0f1ba-5d5e-43e1-8c7d-e27283aa894b/2.jpg</image:loc>
      <image:title>Highlights - Japanese Gift Covers from the Chris Hall Collection - Make it stand out</image:title>
      <image:caption>2 Fukusa with two lobsters Japan; late Edo (1603–1868) or Meiji (1868–1912) period, 19th century Gold thread and embroidery on silk satin; 69 x 70 cm Asian Civilisations Museum, Gift of Chris Hall</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/195c0497-90fa-401b-a068-8eee05f20fa1/3+fukusa.jpg</image:loc>
      <image:title>Highlights - Japanese Gift Covers from the Chris Hall Collection - Make it stand out</image:title>
      <image:caption>3 Fukusa with feather robe Japan; late Edo (1603–1868) or Meiji (1868–1912) period, 19th century Gold thread and embroidery on silk satin; 80.8 x 65.5 cm Asian Civilisations Museum, Gift of Chris Hall</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/347faae1-ac95-4717-a50b-30ee1a9ea5d7/4+fukusa.jpg</image:loc>
      <image:title>Highlights - Japanese Gift Covers from the Chris Hall Collection - Make it stand out</image:title>
      <image:caption>4 Fukusa with Rin Nasei and crane Japan; late Edo (1603–1868) or Meiji (1868–1912) period, 19th century Pigment, gold thread, and embroidery on silk satin; 76.8 x 63.4 cm Asian Civilisations Museum, Gift of Chris Hall</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/66c2950a-2f35-4fa2-a6ca-2d34587938f4/5.jpg</image:loc>
      <image:title>Highlights - Japanese Gift Covers from the Chris Hall Collection - Make it stand out</image:title>
      <image:caption>5 Outer kimono with pine and cherry blossoms, featuring the kanoko shibori technique Japan; late Edo (1603–1868) period, 19th century Embroidery, gold thread, stitch-resist tie-dye (nuishime shibori), and ‘fawn spot’ tie-dye (kanoko shibori) on figured silk satin (rinzu); 164.5 x 123 cm Asian Civilisations Museum, Gift of Chris Hall</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a58c6263-33b4-4068-a54f-fae31bede0da/6+2.jpg</image:loc>
      <image:title>Highlights - Japanese Gift Covers from the Chris Hall Collection - Make it stand out</image:title>
      <image:caption>Detail of a fukusa with flowers Japan; Edo (1603–1868) or early Meiji (1868–1912) period, late 18th or 19th century Embroidery, gold thread, ‘fawn spot’ tie-dye (kanoko shibori), and paste-resist dyeing (yūzen) on silk crepe (chirimen); 111 x 109.5 cm Asian Civilisations Museum, Gift of Chris Hall</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0ddd896e-8c22-4bb4-875e-8335c92647fa/7.jpg</image:loc>
      <image:title>Highlights - Japanese Gift Covers from the Chris Hall Collection - Make it stand out</image:title>
      <image:caption>7 ‘The Japanese room in the William H. Vanderbilt House, New York’ (showing a framed fukusa on the wall), from Mr. Vanderbilt’s House and Collection By Edward Strahan (Earl Shinn), 1883–84 Colour plate, part of 4 volumes of illustrations The Metropolitan Museum of Art, New York Photo courtesy of the Metropolitan Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8c96bde7-e95a-4b39-a922-96bcfcbf91c0/8+fukusa.jpg</image:loc>
      <image:title>Highlights - Japanese Gift Covers from the Chris Hall Collection - Make it stand out</image:title>
      <image:caption>Two fukusa with 19th century European cotton Japan; Meiji (1868–1912) or Taishō (1912–26) period, late 19th or early 20th century Printed cotton; 73 x 66 cm, each Asian Civilisations Museum, Gift of Chris Hall</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/on-the-trail-of-treasure</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/456525af-2289-4459-bdd6-5625edcd27be/1.jpg</image:loc>
      <image:title>Highlights - On the Trail of Treasure from China’s Lost Summer Palace - Make it stand out</image:title>
      <image:caption>1 The Main Audience Hall of the Summer Palace, from the book The Forty Views By Shen Yuan (act. c. 1728–48) and Tangdai (1673–after 1752); Qing dynasty (1644–1911), 1744 Ink and colours on silk; 62 x 62 cm Taken from the Summer Palace by Colonel Du Pin Bibliotheque Nationale de France Photo courtesy of Bibliotheque Nationale de France</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/92da9564-1127-46ce-8220-4d32096e9b27/2.jpg</image:loc>
      <image:title>Highlights - On the Trail of Treasure from China’s Lost Summer Palace - Make it stand out</image:title>
      <image:caption>2 Treasures of the Summer Palace, no. 9 of The Twelve Beauties China; Qing dynasty (1644–1911), painted for the Yongzheng emperor (r. 1723–35) while he was still a prince, c. 1720 Colours on silk, originally on panel; 184 x 98 cm Photo courtesy of the Palace Museum, Beijing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8af8fd5d-860b-44a8-9cf5-64b288100171/3.jpg</image:loc>
      <image:title>Highlights - On the Trail of Treasure from China’s Lost Summer Palace - Make it stand out</image:title>
      <image:caption>3 Vase China; Qing dynasty (1644–1911), Qianlong period (1736–95) Rock crystal Taken from the Summer Palace, gift to Empress Eugénie, 1861 Musée National du Château de Fontainebleau, France Photo courtesy of Vassil</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b1a46d20-de8f-4a0a-9491-f88ccbdcd81a/4.jpg</image:loc>
      <image:title>Highlights - On the Trail of Treasure from China’s Lost Summer Palace - Make it stand out</image:title>
      <image:caption>4 Inventory ledger of the Musée Chinois, 1866, page 1 Musée National du Château de Fontainebleau, France Photo by the author, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/203ed75f-81f9-4626-9b9e-0fea48cd3240/5.jpg</image:loc>
      <image:title>Highlights - On the Trail of Treasure from China’s Lost Summer Palace - Make it stand out</image:title>
      <image:caption>5 Jade, wood, and gold-leaf imperial sceptre Taken from the Summer Palace, gift to Queen Victoria (r. 1837–1901) The Royal Collection Trust, 1861 Photo courtesy of Royal Collection Trust / © His Majesty King Charles III 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c0d97854-b3cd-444c-97cc-d5301f337bff/6+3.jpg</image:loc>
      <image:title>Highlights - On the Trail of Treasure from China’s Lost Summer Palace - Make it stand out</image:title>
      <image:caption>6 Imperial ceremonial wine cup China; Qing dynasty (1644–1911), 18th century Gold, pearls, precious stones en abochon, wood, mother-of-pearl, and stained ivory Taken from the Summer Palace by Colonel Du Pin The Wallace Collection, London Photo by Cassandra Parsons; courtesy of The Wallace Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/eb82fdb2-ac2d-4cc8-b3b3-a107f724e54f/7.jpg</image:loc>
      <image:title>Highlights - On the Trail of Treasure from China’s Lost Summer Palace - Make it stand out</image:title>
      <image:caption>7 Photograph of John Hart Dunne and his wife, wearing imperial robes taken from the Summer Palace By Graham’s New Studio, Leamington Spa Collection of John A. Roote</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/71ab6bf4-446f-4932-99ea-4a162f629070/8.jpg</image:loc>
      <image:title>Highlights - On the Trail of Treasure from China’s Lost Summer Palace - Make it stand out</image:title>
      <image:caption>8 Three tripod censers China; Qing dynasty (1644–1911), Qianlong period (1736–95) Porcelain; various dimensions Taken from the Summer Palace by Captain Ely of the 99th Regiment The Wardrobe, Salisbury, England Photo by the author, 2017</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9be180d7-0a71-4e20-8436-d1c8c8a4b524/9.jpg</image:loc>
      <image:title>Highlights - On the Trail of Treasure from China’s Lost Summer Palace - Make it stand out</image:title>
      <image:caption>9 Sculpture of a crane (one of a pair), gift from the emperor of Japan to the Qianlong emperor (r. 1736–95) Bronze; height approx. 130 cm Taken from the Summer Palace Private collection, Great Britain Photo by the author, 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0bc997f3-c2c0-4e24-804c-6d8fe6dd318c/10+2.jpg</image:loc>
      <image:title>Highlights - On the Trail of Treasure from China’s Lost Summer Palace - Make it stand out</image:title>
      <image:caption>10 Imperial archaistic pendant China; Qing dynasty (1644–1911), Jiaqing period (1796–1820), dated 1811 White jade; height 13 cm Taken from the Summer Palace by Lieutenant Arthur Forbes- Robertson Photo courtesy of Bonhams, 2012</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5913470f-5b74-4c6e-9878-b63de723e9a8/11.jpg</image:loc>
      <image:title>Highlights - On the Trail of Treasure from China’s Lost Summer Palace - Make it stand out</image:title>
      <image:caption>11 Photograph of officers of the 67th Regiment, Shanghai, 1861; Arthur Forbes-Robertson is seated, second from the right Photo courtesy of Dr Timothy Connor and Special Collections, University of Bristol Library</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/cdbd3c80-fe51-49ba-9aed-f4c66700c3ab/12.jpg</image:loc>
      <image:title>Highlights - On the Trail of Treasure from China’s Lost Summer Palace - Make it stand out</image:title>
      <image:caption>Photograph of Heber Bishop (1840–1902), collector of Chinese jade (After The New York Genealogical and Biographical Record 34, no. 2 [April 1903], frontispiece)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/bed33036-4f56-492d-a6ad-95e3b27a6afa/13.jpg</image:loc>
      <image:title>Highlights - On the Trail of Treasure from China’s Lost Summer Palace - Make it stand out</image:title>
      <image:caption>13 Artist’s brush holder representing the Orchid Pavilion China; Qing dynasty (1644–1911), Qianlong period (1736–95) Jade; 23 x 23 cm Taken from the Summer Palace Heber R. Bishop Collection, The Metropolitan Museum of Art, New York Photo by the author, 2022</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/tokaido-dreamscapes-by-ando-hiroshige</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3562c72e-fcd8-4bfc-bafe-a60dc1f2d509/1.jpeg</image:loc>
      <image:title>Highlights - ‘東海道 Tōkaidō: Dreamscapes by Andō Hiroshige’ at the Montreal Museum of Fine Arts - Make it stand out</image:title>
      <image:caption>1 View of the exhibition 東海道 Tōkaidō: Dreamscapes by Andō Hiroshige at the Montreal Museum of Fine Arts Photo MMFA, Denis Farley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/47e56e82-5816-467b-8b1a-63ddcd6955c2/2.jpeg</image:loc>
      <image:title>Highlights - ‘東海道 Tōkaidō: Dreamscapes by Andō Hiroshige’ at the Montreal Museum of Fine Arts - Make it stand out</image:title>
      <image:caption>2 Hakone, Scene of the Lake (箱根湖水図), no. 11 from the series “Fifty-three Stations of the Tōkaidō,” about 1833-1834 Andō Hiroshige (1797-1858) Woodblock print (nishiki-e), publisher: Takenouchi Magohachi (Hoeidō) MMFA, gift of Mary Fraikin in memory of her father, Maurice van Ysendyck Photo MMFA, Christine Guest</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/848a6bbb-a629-494e-8cda-77ad14982f7b/3.jpeg</image:loc>
      <image:title>Highlights - ‘東海道 Tōkaidō: Dreamscapes by Andō Hiroshige’ at the Montreal Museum of Fine Arts - Make it stand out</image:title>
      <image:caption>3 Kanbara, Night Snow (蒲原夜之雪), no. 16 from the series “Fifty-three Stations of the Tōkaidō,” about 1833-1834 Andō Hiroshige (1797-1858) Woodblock print (nishiki-e), publisher: Takenouchi Magohachi (Hoeidō) MMFA, gift of Mary Fraikin in memory of her father, Maurice van Ysendyck Photo MMFA, Christine Guest</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1d220ad9-5311-4c81-adb7-5d33c0f47af2/4.jpeg</image:loc>
      <image:title>Highlights - ‘東海道 Tōkaidō: Dreamscapes by Andō Hiroshige’ at the Montreal Museum of Fine Arts - Make it stand out</image:title>
      <image:caption>4 Shōno, Driving Rain (庄野白雨), no. 46 from the series “Fifty-three Stations of the Tōkaidō,” about 1833-1834 Andō Hiroshige (1797- 1858) Woodblock print (nishiki-e), publisher: Takenouchi Magohachi (Hoeidō) MMFA, gift of Mary Fraikin in memory of her father, Maurice van Ysendyck Photo MMFA, Christine Guest</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/john-thomsons-photography-of-hong-kong</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4ace7f2d-e569-4c84-bb53-469a1c17202a/Fig1.jpeg</image:loc>
      <image:title>Highlights - John Thomson’s Photography of Hong Kong: Picturesque Landscape and ‘Types’ - Make it stand out</image:title>
      <image:caption>1 City of Victoria By John Thompson (1837–1921) (After Illustrations of China and its People, London, 1873, pl. II)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c9b4c776-952a-4f5f-8596-f0f9623e513b/Fig2.jpeg</image:loc>
      <image:title>Highlights - John Thomson’s Photography of Hong Kong: Picturesque Landscape and ‘Types’ - Make it stand out</image:title>
      <image:caption>2 The Harbour By John Thompson (1837–1921) (After Illustrations of China and its People, London, 1873, pl. III)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a8b35b7d-e485-402e-8454-946ed6f5572b/Fig3.jpeg</image:loc>
      <image:title>Highlights - John Thomson’s Photography of Hong Kong: Picturesque Landscape and ‘Types’ - Make it stand out</image:title>
      <image:caption>3 The Clock Tower, Hong-kong By John Thompson (1837–1921) (After Illustrations of China and its People, London, 1873, pl. IV)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f474a33f-a68e-4bd6-95c2-510f812d25d9/Fig4.jpeg</image:loc>
      <image:title>Highlights - John Thomson’s Photography of Hong Kong: Picturesque Landscape and ‘Types’ - Make it stand out</image:title>
      <image:caption>4 Various closeup photos of the streets and people of Hong Kong, including an opium smoker (lower right) By John Thompson (1837–1921) (After Illustrations of China and its People, London, 1873, pl. IX)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/91d5a185-41c8-4222-a319-740e8da2cdaa/Fig5.jpeg</image:loc>
      <image:title>Highlights - John Thomson’s Photography of Hong Kong: Picturesque Landscape and ‘Types’ - Make it stand out</image:title>
      <image:caption>5 Prince Kung By John Thompson (1837–1921) (After Illustrations of China and its People, London, 1873, pl. I)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fa85f0a7-97b3-4923-a65e-03220853218c/Fig6.jpeg</image:loc>
      <image:title>Highlights - John Thomson’s Photography of Hong Kong: Picturesque Landscape and ‘Types’ - Make it stand out</image:title>
      <image:caption>6 Jui-Lin, Governor-General of the Two Kwang Provinces By John Thompson (1837–1921) (After Illustrations of China and its People, London, 1873, pl. XIII)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b659f7fc-36a5-4721-9ae8-f0c9acf47b5f/Fig7.jpg</image:loc>
      <image:title>Highlights - John Thomson’s Photography of Hong Kong: Picturesque Landscape and ‘Types’ - Make it stand out</image:title>
      <image:caption>7 Drawing by John Thomson (1837–1921) (After ‘Parody of Chinese Photographic Portraits’, British Journal of Photography, XIX/658, 1872)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/356138e2-44bf-4658-ab82-9e3080edd548/Fig8.jpeg</image:loc>
      <image:title>Highlights - John Thomson’s Photography of Hong Kong: Picturesque Landscape and ‘Types’ - Make it stand out</image:title>
      <image:caption>8 John Thompson’s portraits of ‘types’, including a photograph of the Canton artist Lam Qua (lower right) By John Thompson (1837–1921) (After Illustrations of China and its People, London, 1873, pl. IV)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c5a6c71e-b4cf-41d4-860e-8e695c7f6392/Fig9.jpeg</image:loc>
      <image:title>Highlights - John Thomson’s Photography of Hong Kong: Picturesque Landscape and ‘Types’ - Make it stand out</image:title>
      <image:caption>9 John Thompson’s portraits of ‘types’ in interior and exterior settings By John Thompson (1837–1921) (After Illustrations of China and its People, London, 1873, pl. X)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/exhibition-review-chinas-southern-paradise-treasures-from-the-lower-yangzi-delta</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c296b87d-175f-4e88-97e7-8b73f21a98c4/1.jpg</image:loc>
      <image:title>Highlights - Exhibition Review: China’s Southern Paradise: Treasures from the Lower Yangzi Delta - Make it stand out</image:title>
      <image:caption>Mountains of the Immortals By Chen Ruyan (c. 1331–71); Yuan dynasty (1279–1368), 1300–70 Handscroll: ink and colour on silk; 33.4 x 97.3 cm (image) The Cleveland Museum of Art, Bequest of Mrs A. Dean Perry Photo courtesy of the Cleveland Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/898a0140-a3c6-4bc0-bd77-5c481863d920/2.jpg</image:loc>
      <image:title>Highlights - Exhibition Review: China’s Southern Paradise: Treasures from the Lower Yangzi Delta - Make it stand out</image:title>
      <image:caption>Composing Poetry on a Spring Outing Attributed to Ma Yuan (c. 1150–after 1255); Southern Song dynasty (1127–1279) Handscroll: ink and colour on silk; 29.54 × 301.63 cm (image) Nelson-Atkins Museum of Art, purchase, William Rockhill Nelson Trust Photo courtesy of Nelson-Atkins Media Services</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7b90bbd8-1353-46e8-a11d-b1080aadb8c1/3.jpg</image:loc>
      <image:title>Highlights - Exhibition Review: China’s Southern Paradise: Treasures from the Lower Yangzi Delta - Make it stand out</image:title>
      <image:caption>Portraits of the Qianlong Emperor and His Twelve Consorts By Giuseppe Castiglione (1688–1766) and Chinese painters; Qing dynasty (1644–1911), 1736–70s Handscroll: ink and colour on silk; 53.8 x 1154.5 cm (overall) The Cleveland Museum of Art, John L. Severance Fund Photo courtesy of the Cleveland Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b35230ed-fe75-4550-808c-cc2becb07176/4.jpg</image:loc>
      <image:title>Highlights - Exhibition Review: China’s Southern Paradise: Treasures from the Lower Yangzi Delta - Make it stand out</image:title>
      <image:caption>Raft Cup Attributed to Zhu Bishan (c. 1300–after 1362); Yuan (1279–1368) or early Ming dynasty (1368–1644), 1300s–1400s Hammered and soldered silver with chased decoration; height 16 cm The Cleveland Museum of Art, John L. Severance Fund Photo courtesy of the Cleveland Museum of Art</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/exhibition-review-art-personalised-hong-kong-museum-of-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/bed7b5f8-cd02-4f1e-85a7-f9cc3f8457b1/11.jpg</image:loc>
      <image:title>Highlights - Exhibition Review: ‘Art Personalised’ Hong Kong Museum of Art - Make it stand out</image:title>
      <image:caption>Metal tree Lam Yau-sum (b. 1981), 2016 Mixed media; height 138 cm, width 62 cm, diameter 110 cm Hong Kong Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9ed3070f-616b-4fa9-b28d-f11259baa584/22.jpg</image:loc>
      <image:title>Highlights - Exhibition Review: ‘Art Personalised’ Hong Kong Museum of Art - Make it stand out</image:title>
      <image:caption>Versifying under the Influence of Wine By Chen Hongshou (1598–1652), c. 1646 Ink and colour on silk; 138.8 x 50.1 cm Xubaizhai Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/60340252-5757-43f2-b9ba-5b182b782fad/33.jpg</image:loc>
      <image:title>Highlights - Exhibition Review: ‘Art Personalised’ Hong Kong Museum of Art - Make it stand out</image:title>
      <image:caption>Fountain: Fan Kuan Versus Duchamp Zhang Wei (b. 1956), 2000 Digital image on canvas; 375.8 x 114.5 cm Hong Kong Museum of Art</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/remembrance-of-things-past</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2f4d145d-67de-4537-8b3f-bfb5a0836d12/1.jpg</image:loc>
      <image:title>Highlights - Remembrance of Things Past: Negotiating a Scholar-Official Identity in Sweetmeat Vendor and a Child - Make it stand out</image:title>
      <image:caption>1 Sweetmeat Vendor and a Child Formerly attributed to Su Hanchen (1101–1161); Yuan dynasty (1272–1368), c. 14th century Hanging scroll, ink, colour, and gold on silk; 101.4 x 66.3 cm Museum of Fine Arts, Boston Photo courtesy of Museum of Fine Arts, Boston</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ab0e85b6-174c-455c-8262-f4814f3c114d/2.jpg</image:loc>
      <image:title>Highlights - Remembrance of Things Past: Negotiating a Scholar-Official Identity in Sweetmeat Vendor and a Child - Make it stand out</image:title>
      <image:caption>2 Detail of figure 1, white radish fan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/93a79f06-25bd-477b-9f8f-eeb794105ba5/3.jpg</image:loc>
      <image:title>Highlights - Remembrance of Things Past: Negotiating a Scholar-Official Identity in Sweetmeat Vendor and a Child - Make it stand out</image:title>
      <image:caption>3 Detail of figure 1, vases</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c8ed7830-6c67-4cb5-ba6a-ff6153627bcd/4.jpg</image:loc>
      <image:title>Highlights - Remembrance of Things Past: Negotiating a Scholar-Official Identity in Sweetmeat Vendor and a Child - Make it stand out</image:title>
      <image:caption>4 Detail of Admonitions of the Instructress to the Court Ladies Traditionally attributed to Gu Kaizhi (c. 345–c. 406); 5th–8th century Handscroll, ink and colour on silk; 24.9 x 348.1 cm British Museum, London Photo courtesy of The Trustees of the British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/513ce1ed-a7e6-4b97-86a6-d5351dc666cb/5.jpg</image:loc>
      <image:title>Highlights - Remembrance of Things Past: Negotiating a Scholar-Official Identity in Sweetmeat Vendor and a Child - Make it stand out</image:title>
      <image:caption>5 Detail of figure 1, doll on display shelf</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/88a01620-d6d5-42c1-b407-b6159c7dbf9a/6.jpg</image:loc>
      <image:title>Highlights - Remembrance of Things Past: Negotiating a Scholar-Official Identity in Sweetmeat Vendor and a Child - Make it stand out</image:title>
      <image:caption>6 Detail of figure 1, showing children playing at a distance</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8fa45cdf-f819-4974-9534-4ced6f945fea/7.jpg</image:loc>
      <image:title>Highlights - Remembrance of Things Past: Negotiating a Scholar-Official Identity in Sweetmeat Vendor and a Child - Make it stand out</image:title>
      <image:caption>7 Itinerant Peddler Li Song (1166–1264); Southern Song dynasty (1127–1279), 1211 Handscroll, ink and colour on silk; 22.5 x 70.4 cm Palace Museum, Beijing Photo courtesy of Palace Museum, Beijing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/613faa82-7b3a-4618-9f8a-6ab699382a32/8.jpg</image:loc>
      <image:title>Highlights - Remembrance of Things Past: Negotiating a Scholar-Official Identity in Sweetmeat Vendor and a Child - Make it stand out</image:title>
      <image:caption>8 Detail of figure 1, exquisite boxes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/354bf97e-b632-4f9a-a423-6210e2e73611/9.jpg</image:loc>
      <image:title>Highlights - Remembrance of Things Past: Negotiating a Scholar-Official Identity in Sweetmeat Vendor and a Child - Make it stand out</image:title>
      <image:caption>9 Octagonal box with pommel scroll pattern China; Ming dynasty (1368–1644), c. late 14th–early 15th century Carved black lacquer with red layers; height 13.3 cm, diameter 22.5 cm Metropolitan Museum of Art, New York Photo courtesy of the Metropolitan Museum of Art, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/the-religious-and-humanistic-context-of-chinese-tang-dynasty-armour-futun</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/68e3e330-e3e2-4994-9b6a-bf912ef11867/Acr10629112084416203958.jpg</image:loc>
      <image:title>Highlights - The Religious and Humanistic Context of Chinese Tang-Dynasty Armour Futun (Abdominal Swallowing-like Beast) - Make it stand out</image:title>
      <image:caption>1 Figure of a warrior with shield China; Northern Wei dynasty (386–534) Painted earthenware National Museum of China Photo courtesy of National Museum of China</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9cc11149-456d-41e1-a859-be0210cd19b9/Acr106291120844161961760.jpg</image:loc>
      <image:title>Highlights - The Religious and Humanistic Context of Chinese Tang-Dynasty Armour Futun (Abdominal Swallowing-like Beast) - Make it stand out</image:title>
      <image:caption>2 Figure of a tomb guardian China; Tang dynasty (618–907) Buff earthenware; 81 x 31 cm UPSpace Ceramics Collection, University of Pretoria Art Archive Photo courtesy of University of Pretoria</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9d9a6995-8275-4de7-b6d2-25a71bb3ee1b/Acr10629112084416-542162.jpg</image:loc>
      <image:title>Highlights - The Religious and Humanistic Context of Chinese Tang-Dynasty Armour Futun (Abdominal Swallowing-like Beast) - Make it stand out</image:title>
      <image:caption>3 Warrior figure China; Tang dynasty (618–907) Sancai ceramic Luoyang Museum Photo courtesy of Luoyang Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/06e9871f-ebe4-4748-b4bb-08def0b0693e/Acr10629112084416-309164.jpg</image:loc>
      <image:title>Highlights - The Religious and Humanistic Context of Chinese Tang-Dynasty Armour Futun (Abdominal Swallowing-like Beast) - Make it stand out</image:title>
      <image:caption>4 Statue of a Heavenly King Nanzen Temple, Wutai Mountain, Shanxi, China Painted ceramic Photo courtesy of Huitu.Com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0821bd1c-296f-4bad-87fc-2d0b1b96dc17/Acr10629112084416-1821966.jpg</image:loc>
      <image:title>Highlights - The Religious and Humanistic Context of Chinese Tang-Dynasty Armour Futun (Abdominal Swallowing-like Beast) - Make it stand out</image:title>
      <image:caption>5 Pushou China; Tang dynasty (618–907) Gold-plated metal; diameter 15.5 cm, 0.907 kg Shaanxi History Museum Photo courtesy of Shaanxi History Museum</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ae388a80-0b97-49ef-894c-f0855af2c493/fig6.png</image:loc>
      <image:title>Highlights - The Religious and Humanistic Context of Chinese Tang-Dynasty Armour Futun (Abdominal Swallowing-like Beast) - Make it stand out</image:title>
      <image:caption>6 Illustration of the evolution of the futun Image courtesy of the author</image:caption>
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      <image:title>Highlights - The Religious and Humanistic Context of Chinese Tang-Dynasty Armour Futun (Abdominal Swallowing-like Beast) - Make it stand out</image:title>
      <image:caption>7 Helmet with beast face China; Shang dynasty (c. 1600–c. 1046 BCE) Bronze Jiangxi Provincial Museum Photo courtesy of Jiangxi Provincial Museum</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b0e20380-7342-4189-813e-97e164a716f1/Acr106291120844162161272.jpg</image:loc>
      <image:title>Highlights - The Religious and Humanistic Context of Chinese Tang-Dynasty Armour Futun (Abdominal Swallowing-like Beast) - Make it stand out</image:title>
      <image:caption>8 Sculpture of house in Shi Jun tomb China, Xi’an, Weiyang district, Daminggong township, eastern Jingshang village Stone Xi’an Museum Photo courtesy of Huitu.Com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/31e7f0cd-2118-447f-87ce-2dcb8136879d/Acr10629112084416443374.jpg</image:loc>
      <image:title>Highlights - The Religious and Humanistic Context of Chinese Tang-Dynasty Armour Futun (Abdominal Swallowing-like Beast) - Make it stand out</image:title>
      <image:caption>9    The mural of Jiu Yuan Gang Yizhou, Shanxi province, China Northern dynasty (386–581) Photo courtesy of Shanxi Provincial Museum</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/52927fda-16e9-434a-8377-22d1c0c3c008/Acr10629112084416-2556876.jpg</image:loc>
      <image:title>Highlights - The Religious and Humanistic Context of Chinese Tang-Dynasty Armour Futun (Abdominal Swallowing-like Beast) - Make it stand out</image:title>
      <image:caption>10 ‘Yuan Mi’ sarcophagus, excavated before the 1940s China, Henan province, Luoyang; Northern Wei dynasty (386–534), 520s Minneapolis Institute of Art Photo courtesy of Minneapolis Institute of Art</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3dd258f7-478b-41b6-bab8-bb74cbf614ae/Acr10629112084416410878.jpg</image:loc>
      <image:title>Highlights - The Religious and Humanistic Context of Chinese Tang-Dynasty Armour Futun (Abdominal Swallowing-like Beast) - Make it stand out</image:title>
      <image:caption>11a Detail view of fig. 10 sarcophagus</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e36ae754-9001-4f57-b539-b4f5e17319af/Acr10629112084416-76280.jpg</image:loc>
      <image:title>Highlights - The Religious and Humanistic Context of Chinese Tang-Dynasty Armour Futun (Abdominal Swallowing-like Beast) - Make it stand out</image:title>
      <image:caption>11b Illustration showing the refinement of the ‘Yuan mi’ tomb image Image courtesy of the author</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/in-pursuit-of-the-picturesque-jades-from-the-qianlong-era-in-the-minneapolis-institute-of-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/843af323-8bb0-4a9b-919c-154a48fbfd43/1a.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Figs 1a-b Decorative boulder carved with design of a lady standing by a door Qing dynasty, Qianlong period (1736–1795) White jade with russet brown patches; 15.5 x 25 x 11 cm  Palace Museum, Beijing</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f3f653a5-b58f-49c2-a4bc-995cbbe0204a/1b.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/bfca2069-519c-48eb-adc1-1d2f0c64e2ee/2.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Fig. 2 Qianlong’s poem incised on the underside of the decorative boulder shown in Fig. 1</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9a3a8c00-2b90-4fc2-a9aa-739a030efb08/3.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Figs 3-4 Vase Qing dynasty, Qianlong period (1735–96) Pale green jade, 20.5 x 15.2 x 4.1 cm Minneapolis Institute of Art  Anonymous Gift (95.119)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b0cbe817-97f1-49b8-ada7-f50922f0860a/4.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f380951f-373b-4bc6-ae38-3d9e223377a9/5.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Figs 5-6 Circular table screen Qing dynasty, Qianlong period (1735–96) Green jade, 0.64 x 21.27 x 21.27 cm Minneapolis Institute of Art Gift of Mr. and Mrs. Augustus L. Searle (34.21.2)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/65bfe9ee-74c7-4861-b9b1-3cde04d4c848/6.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ad5bcbe5-fb2e-4a63-b389-68537ec227f5/8.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a9fc5925-7e17-43b8-88b7-cc2521724d3b/7.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Figs 7-8 Circular table screen  Qing dynasty, Qianlong period (1735–96) Green jade, 0.64 x 21.27 x 21.27 cm Minneapolis Institute of Art Gift of Mr. and Mrs. Augustus L. Searle (34.21.3)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fa500b2e-a07a-41f6-8c59-9da8a2da0cc2/9.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Figs 9-10 Vase Qing dynasty, Qianlong period (1735–96) Green jade, 34 x 22.5 cm Minneapolis Institute of Art Gift of Mr and Mrs Augustus L. Searle (32.47.5)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/673c68af-905a-47e5-bbb9-ded0d5b3feb1/10.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2bc6c334-3252-40f0-b043-f32309025e16/11.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Figs 11-13 Covered vase Qing dynasty, Qianlong period (1735–96) Pure white jade, height 20.32 cm Minneapolis Institute of Art, The John R. Van Derlip Fund and Gift of the Thomas Barlow Walker Foundation (92.103.19a–b)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/07672b37-99f3-4f10-be87-db79ac06bb06/12.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5e9e8c97-6ed4-439c-ae6d-71390070c901/13.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6963335f-4246-4dd4-a9c0-9680de5a70b2/14.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Figs 14–15 Flower vase  Qing dynasty, Qianlong period (1735–96) Agate, 10.8 x 12.7 cm Minneapolis Institute of Art Gift of Mr. and Mrs. Augustus L. Searle (35.21a,b)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4e6ca2f7-7569-4785-a339-8d4ee0d4c500/15.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8a721a60-556b-47c7-96e9-dd31677153f2/16.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Fig. 16 Water coupe Qing dynasty, Qianlong period (1735–96) White nephrite, jadeite, and ivory, height 11.43 cm Minneapolis Institute of Art, The John R. Van Derlip Fund and Gift of the Thomas Barlow Walker Foundation (92.103.20a–c)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/bcd4a4f5-e5ac-4c78-bc35-ddd1ce22fe98/17.jpg</image:loc>
      <image:title>Highlights - In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Art - Make it stand out</image:title>
      <image:caption>Fig. 17 View of object in Fig. 16, separated</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/wang-tiande-transforming-art-by-collecting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c0335df9-67fc-4580-95df-b2d05ea99bcd/Wang+Tiande.jpg</image:loc>
      <image:title>Highlights - Wang Tiande: Transforming Art by Collecting - Make it stand out</image:title>
      <image:caption>Wang Tiande</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4d9f9e47-4ec1-4628-af05-bb4685359780/Couplet+in+running+script_L.jpg</image:loc>
      <image:title>Highlights - Wang Tiande: Transforming Art by Collecting - Make it stand out</image:title>
      <image:caption>Couplet in running script  By Zhang Zhao (1691–1745) Ink on paper</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0a52617d-7fb7-44a3-bfd7-02ba6f9eb8f8/Couplet+in+running+script_R.jpg</image:loc>
      <image:title>Highlights - Wang Tiande: Transforming Art by Collecting - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9937f93a-316e-409d-bb40-3fe9915c7081/Visit+to+the+Song%E2%80%93Luo+Monuments.jpg</image:loc>
      <image:title>Highlights - Wang Tiande: Transforming Art by Collecting - Make it stand out</image:title>
      <image:caption>Visit to the Song–Luo Monuments  By Li Xuan (1821–50), 2014 Album leaves, Xuan paper, ink, bast paper, each 25 x 36.5 cm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/cc82b8fe-5822-4221-acc5-c446f9cc25ae/Letter+in+running+script.jpg</image:loc>
      <image:title>Highlights - Wang Tiande: Transforming Art by Collecting - Make it stand out</image:title>
      <image:caption>Letter in running script  By Wu Changshuo (1844–1927), 1895 Ink on paper</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/88dae759-4066-4b8f-9b49-b8f975ac5421/Calligraphy+fan.jpg</image:loc>
      <image:title>Highlights - Wang Tiande: Transforming Art by Collecting - Make it stand out</image:title>
      <image:caption>Calligraphy fan  By Wu Hufan (1894–1968) Ink on paper</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f7d94b44-7c69-4ba5-aebe-c9e3446acb4c/Houshan%E2%80%94Dream+Stroke.jpg</image:loc>
      <image:title>Highlights - Wang Tiande: Transforming Art by Collecting - Make it stand out</image:title>
      <image:caption>Houshan—Dream Stroke  By Wang Tiande (b. 1960), 2017 Ink, burned marks and tablet rubbing on Xuan paper, 67 x 55 cm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ed5edc5d-9028-4f32-b22d-e40a2275522d/Western+Hills.jpg</image:loc>
      <image:title>Highlights - Wang Tiande: Transforming Art by Collecting - Make it stand out</image:title>
      <image:caption>Western Hills  By Wen Boren (1502–75) Ink and colour on paper</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/688bd57d-adff-422c-b216-bad33be6cf14/Running+script.jpg</image:loc>
      <image:title>Highlights - Wang Tiande: Transforming Art by Collecting - Make it stand out</image:title>
      <image:caption>Running script  By Yi Bingshou (1754–1815) Ink on paper</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fc78642d-b738-46af-acf2-4412fec8eb19/Houshan%E2%80%94Chen+Jiru.jpg</image:loc>
      <image:title>Highlights - Wang Tiande: Transforming Art by Collecting - Make it stand out</image:title>
      <image:caption>Houshan—Chen Jiru running script on I-Ching  By Wang Tiande (b. 1960), 2017 Ink and burned marks on Xuan paper, with calligraphy by Chen Jiru (1558–1639), 111 x 87 cm</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/fascinating-characters-the-art-of-writing-and-text-cultures-in-east-asia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7fc509cc-3fc4-4d8b-af5b-6a53f0819d02/1.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Fig. 1  Installation view of the exhibition ‘The Art of Writing and Text Cultures in East Asia: Fascinating Characters’, Museum für Asiatische Kunst, Berlin, featuring: Jeong Hakgyo, two hanging scrolls; Xu Bing, Book from the Sky; Typographia Sinica; Chen Guangwu, Preface to the Poems Composed at the Orchid Pavilion; Wang Dongling, Spring Night in Luoyang, I Hear the Flute; Yi Bingshou, couplet in clerical script; Zeng Mi, Old Man, Old Tree, Old Cabin Image © Staatliche Museen zu Berlin, Museum für Asiatische Kunst / Stiftung Humboldt Forum im Berliner Schloss / Photograph: David von Becker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e83dd8bf-cae9-45ae-89ae-54acd2582b6a/2.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Fig. 2 Installation view of the exhibition ‘The Art of Writing and Text Cultures in East Asia: Fascinating Characters’, Museum für Asiatische Kunst, Berlin, featuring: Chen Guangwu, Preface to the Poems Composed at the Orchid Pavilion; Gu Gan, Drinking Alone Under the Moon; and banners with photographs of cityscapes  Image © Staatliche Museen zu Berlin, Museum für Asiatische Kunst / Stiftung Humboldt Forum im Berliner Schloss / Photograph: David von Becker</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/faa82daa-3f6b-4493-b1b6-d4533aca0fb6/3.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Fig. 3 Typographia Sinica, cabinet from the electoral library in the Berlin Palace containing 3,287 Chinese printing types  By Andreas Müller (1630–95); c. 1680   Oak and pear wood; 103.4 x 109.6 x 60.5 cm  Staatsbibliothek zu Berlin, East Asia Department (Inv. No. Libri sin. 19) Image © Staatsbibliothek zu Berlin - Preußischer Kulturbesitz / Stiftung Humboldt Forum im Berliner Schloss / Photograph: Jester Blank GbR</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f87af559-3ad1-4c76-8a78-68f8feee12dc/4L.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Figs 4a–b Two hanging scrolls with poems By Jeong Hakgyo (1832–1914); Joseon dynasty (1392–1910), c. 1900  Ink on silk; 97 x 38.7 cm, each  National Museum of Korea, Seoul (Inv. No. bon 8228)  Image © National Museum of Korea</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/db756e82-4902-4f7d-af95-050becff0a9a/4R.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1eaa779c-7718-4888-a7c7-7133cf00ff8c/5.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Fig. 5 Song of the Moon’s Reflection on a Thousand Rivers By Kim Chunghyun (1921–2006); 1988  Ink on paper; 131.7 x 68.7 cm  National Museum of Korea, Seoul (Inv. No. jng 9196) Image © National Museum of Korea</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/82b0f074-bef6-4baf-897e-7a5ed5ac908f/6.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Fig. 6 The Moment of Memory (Sweat, Heart, Bread) By Choi Jeong Hwa (b. 1961); 2020  Neon letters on discarded household objects; Sweat 53 x 47 x 28 cm, Heart diameter 35 cm, Bread diameter 52 cm  Museum für Asiatische Kunst, Berlin; acquired from the artist ( Inv. No. 2021-12) Image © Staatliche Museen zu Berlin, Museum für Asiatische Kunst / Stiftung Humboldt Forum im Berliner Schloss / Photograph: David von Becker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e7a8bfce-fc03-4595-b471-c7edc0762a12/7.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Fig. 7 Gardens of Music By Morita Shiryū (1912–98); Shōwa 45 (1970)  Four lacquered panels; (a) 77.5 x 102.5 cm, (b) 75 x 102.5 cm, (c) 69 x 96.5 cm, (d) 65 x 89.5 cm  Museum für Asiatische Kunst, Berlin; donation Federal Minister of Economy and Finance, Bonn (1972-9 a, b, c, d)  Image © Staatliche Museen zu Berlin, Museum für Asiatische Kunst / Stiftung Humboldt Forum im Berliner Schloss / Photograph: David von Becker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/710a2374-d684-4c3c-82ef-92187ec096e8/8.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Fig. 8 Character Gō By Inoue Yūichi (1916–85); Shōwa 35 (1960)  Ink on paper; 181 x 249.5 cm  Loan from private collection (Inv. No. DLG 199-2001)  Image © Staatliche Museen zu Berlin, Museum für Asiatische Kunst / Photograph: Jörg von Bruchhausen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3c761e67-f35c-4d85-aa9f-b0c155928e0a/9.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Fig. 9 Couplet in clerical script By Yi Bingshou (1754–1815); Qing dynasty (1644–1911), 1811  Ink on paper with gold decoration; 347.4 x 71.3, each  Museum für Asiatische Kunst, Berlin; formerly Mochan Shanzhuang collection, acquired 1988 with support of the Stiftung Deutsche Klassenlotterie Berlin (Inv. No. 1988-56 a, b)  Image © Staatliche Museen zu Berlin, Museum für Asiatische Kunst / Photograph: Jürgen Liepe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d98a9c0c-6650-484b-a958-3b5afc16712b/10.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Fig. 10 Old Man, Old Tree, Old Cabin By Zeng Mi (b. 1935); 1999  Ink on paper; 69 x 69.5 cm  Museum für Asiatische Kunst, Berlin; donation of Dieter and Si Rosenkranz (Inv. No. 2006-5)  Image © Staatliche Museen zu Berlin, Museum für Asiatische Kunst / Photograph: Jürgen Liepe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ad736920-427f-4111-9329-9c42eaaf3be5/11.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Fig. 11 Spring Night in Luoyang, I Hear the Flute By Wang Dongling (b. 1945); 1986 Ink on paper; 136 x 66 cm  Loan from Andreas Schmid, Berlin Image © Andreas Schmid</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e5f53bbf-3720-457c-a640-61d96b90c114/12a.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Figs 12a–e Landscripts: Ten Thousand Trees By Xu Bing (b. 1955); 2004  Five leaves of ink on paper; 115 x 185 cm, each  Museum für Asiatische Kunst, Berlin; acquired 2004 from the artist with support of the Kulturstiftung der Länder, permanent loan of Deutsche Gesellschaft für Ostasiatische Kunst (Inv. No. DLG O-1271-2018)  Image © Staatliche Museen zu Berlin, Museum für Asiatische Kunst / Photograph: Jörg von Bruchhausen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/63611f23-337a-4605-b339-f57648c73f64/12b.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/79c213e8-6274-4ec5-9b84-45a28fea5ee5/12d.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0122cea9-d262-4bcf-810e-c6de832e8b87/12c.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c235bb03-04ed-4315-b247-4b2913b753df/12e.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b483eb52-f190-459c-9fb6-bf0bc00edca1/13.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Fig. 13 Installation view of the exhibition ‘The Art of Writing and Text Cultures in East Asia: Fascinating Characters’, Museum für Asiatische Kunst, Berlin, featuring, left to right: Xu Bing, Landscripts; Jia, One Hundred Women; vitrines with 20th century Chinese painting  Image © Staatliche Museen zu Berlin, Museum für Asiatische Kunst / Stiftung Humboldt Forum im Berliner Schloss / Photograph: David von Becker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a1010d14-ae1d-493c-9ef6-05b7a90b749e/14.jpg</image:loc>
      <image:title>Highlights - Fascinating Characters: The Art of Writing and Text Cultures in East Asia - Make it stand out</image:title>
      <image:caption>Fig. 14 One Hundred Women By Jia (b. 1979); 2016  Acrylic on canvas; 100 x 100 cm  Museum für Asiatische Kunst, Berlin; acquired from the artist (Inv. No. 2016-69)  Image © Staatliche Museen zu Berlin, Museum für Asiatische Kunst / Jia</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/a-lonely-odyssey-the-life-and-legacy-of-alma-m-karlin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6551be4c-e1ee-4cac-abf6-a88009a26fff/1.jpg</image:loc>
      <image:title>Highlights - A Lonely Odyssey: The Life and Legacy of Alma M. Karlin - Make it stand out</image:title>
      <image:caption>Fig. 1 Alma Karlin with her collection Manuscript collection at the National and University Library, Ljubljana (Ms 1872) (Image courtesy of National and University Library, Ljubljana)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/214c8eb6-2b2d-433a-8354-d66ef32d9bc5/2.jpg</image:loc>
      <image:title>Highlights - A Lonely Odyssey: The Life and Legacy of Alma M. Karlin - Make it stand out</image:title>
      <image:caption>Fig. 2 Korean sawyers Photograph by Alma Karlin (1889–1950) (Image courtesy of Celje Regional Museum)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0ddf368f-b7fe-4dee-919e-f4eb2892ba9b/3.jpg</image:loc>
      <image:title>Highlights - A Lonely Odyssey: The Life and Legacy of Alma M. Karlin - Make it stand out</image:title>
      <image:caption>Fig. 3 Korean vegetable hawkers Photograph by Alma Karlin (1889–1950) (Image courtesy of Celje Regional Museum)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ce7c4ccd-3b46-481a-8774-6983cd305474/4.jpg</image:loc>
      <image:title>Highlights - A Lonely Odyssey: The Life and Legacy of Alma M. Karlin - Make it stand out</image:title>
      <image:caption>Fig. 4 Fan Japan, possibly late 19th century Wood with ink and colours on paper, 33 x 21.5 cm Celje Regional Museum (PMC K 78)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/298806d4-c553-478e-94dd-4b26a238a660/5.jpg</image:loc>
      <image:title>Highlights - A Lonely Odyssey: The Life and Legacy of Alma M. Karlin - Make it stand out</image:title>
      <image:caption>Fig. 5 Embroidery with dragon motif China, probably early 20th century Silk, 47 x 57.2 cm Celje Regional Museum (PMC K 151)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6877fc6d-7cae-400a-a7d9-dad92c5575d4/6.jpg</image:loc>
      <image:title>Highlights - A Lonely Odyssey: The Life and Legacy of Alma M. Karlin - Make it stand out</image:title>
      <image:caption>Fig. 6 Letter box (jōsashi) Japan, late 19th/early 20th century Lacquer, 34 x 11 x 23 cm Celje Regional Museum (PMC K 151)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3293d4ca-e321-4ada-b36a-d46eef4ea0b6/7.jpg</image:loc>
      <image:title>Highlights - A Lonely Odyssey: The Life and Legacy of Alma M. Karlin - Make it stand out</image:title>
      <image:caption>Fig. 7 ‘Yamato Province: Tatsuta Mountain and Tatsuta River’ (‘Yamato Tatsutayama Tatsutagawa’), from the series Famous Places in the Sixty-odd Provinces (Rokujūyoshū meisho zue) By Utagawa Hiroshige (1797–1858), 1853  Woodblock colour print, 30.1 x 19.5 cm Celje Regional Museum (PMC K 825 / PMC G/V. – 11)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4527e449-c439-4000-837a-13eebbb96e53/8.jpg</image:loc>
      <image:title>Highlights - A Lonely Odyssey: The Life and Legacy of Alma M. Karlin - Make it stand out</image:title>
      <image:caption>Fig. 8 Li Tieguai Possibly China, possibly 19th century Talc and wood, height 26.2 cm  Celje Regional Museum (PMC A 95 / K 841)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/the-abstract-prints-of-hagiwara-hideo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/31f96e73-1689-4307-b37b-42ae4ec7aa02/1.jpg</image:loc>
      <image:title>Highlights - The Abstract Prints of Hagiwara Hideo - Make it stand out</image:title>
      <image:caption>Fig. 1 Still Life with Peaches By Hagiwara Hideo (1913–2007), 1954 Woodblock print, ink and colour on paper, 26.9 × 37.5 cm Gift of Mary Anette and David Thompson (89.120.11)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b0608b93-b38c-45c1-ad8f-cc2b722195b9/2.jpg</image:loc>
      <image:title>Highlights - The Abstract Prints of Hagiwara Hideo - Make it stand out</image:title>
      <image:caption>Fig. 2 Composition P By Hagiwara Hideo (1913–2007), 1958 Woodblock print, ink and colour on paper, 26 × 40 cm Gift of Mary Anette and David Thompson (89.120.16)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d786927b-aa8e-42b1-995a-2f057ff767d9/3.jpg</image:loc>
      <image:title>Highlights - The Abstract Prints of Hagiwara Hideo - Make it stand out</image:title>
      <image:caption>Fig. 3 Milky Way By Hagiwara Hideo (1913–2007), 1959 Woodblock print, ink and colour on paper, 42.9 × 33.3 cm Gift of Sue Y. S. Kimm and Seymour Grufferman (2019.78.74)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/91dc9d20-e361-4756-b061-9521b1da749f/4.jpg</image:loc>
      <image:title>Highlights - The Abstract Prints of Hagiwara Hideo - Make it stand out</image:title>
      <image:caption>Fig. 4 Blue, Grey, from the series ‘Stone Flower’ By Hagiwara Hideo (1913–2007), 1960 Woodblock print, ink and colour on paper, 99.1 × 66.8 cm Gift of Sue Y. S. Kimm and Seymour Grufferman (2019.78.81)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8bd5a04c-ee52-4d77-b636-093a4a47122d/5.jpg</image:loc>
      <image:title>Highlights - The Abstract Prints of Hagiwara Hideo - Make it stand out</image:title>
      <image:caption>Fig. 5 Glaukos, from the series ‘Greek Mythology’ By Hagiwara Hideo (1913–2007), 1965 Woodblock print, ink and colour on paper, 45.7 × 60.3 cm Gift of Sue Y. S. Kimm and Seymour Grufferman (2019.78.78)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a5972c7c-cbd3-4caf-acb8-e97e6c6fd4de/6.jpg</image:loc>
      <image:title>Highlights - The Abstract Prints of Hagiwara Hideo - Make it stand out</image:title>
      <image:caption>Fig. 6 Circus No. 6 By Hagiwara Hideo (1913–2007), 1968 Woodblock print, ink and colour on paper with mica, 49.5 × 77.5 cm Gift of Sue Y. S. Kimm and Seymour Grufferman (2019.78.79)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7f95c35a-280f-452a-94a4-1d06c024b4f4/7.jpg</image:loc>
      <image:title>Highlights - The Abstract Prints of Hagiwara Hideo - Make it stand out</image:title>
      <image:caption>Fig. 7 Clown No. 8 By Hagiwara Hideo (1913–2007), 1969 Woodblock print, ink and colour on paper with mica, 76.2 × 49.5 cm Gift of Sue Y. S. Kimm and Seymour Grufferman (2019.78.80)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a45889f3-089e-4183-89cf-5a1a56474f58/8.jpg</image:loc>
      <image:title>Highlights - The Abstract Prints of Hagiwara Hideo - Make it stand out</image:title>
      <image:caption>Fig. 8 The Sky is Aflame, from the series ‘Thirty-six Fuji’ By Hagiwara Hideo (1913–2007), 1981–86 Woodblock print, ink and colour on paper with mica, 40.2 × 53.3 cm Gift of Gordon Brodfuehrer (2018.105.11)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d8ba3eae-0467-4617-960c-3b17268f8816/9.jpg</image:loc>
      <image:title>Highlights - The Abstract Prints of Hagiwara Hideo - Make it stand out</image:title>
      <image:caption>Fig. 9 Fantasy after Rain, from the series ‘Thirty-six Fuji’ By Hagiwara Hideo (1913–2007), 1981–86 Woodblock print, ink and colour on paper, 40 × 53.2 cm Gift of Gordon Brodfuehrer (2017.142.2)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/524830dd-90f8-4c9f-bb60-7fda3097b584/10.jpg</image:loc>
      <image:title>Highlights - The Abstract Prints of Hagiwara Hideo - Make it stand out</image:title>
      <image:caption>Fig. 10 An Evening Moon, from the series ‘Gleanings of Mt Fuji’ By Hagiwara Hideo (1913–2007), 1990–91 Woodblock print, ink and colour on paper, 57.2 × 41.3 cm Gift of Gordon Brodfuehrer (2018.105.16)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7fef920d-5308-402f-8894-0a82f42dc73e/11.jpg</image:loc>
      <image:title>Highlights - The Abstract Prints of Hagiwara Hideo - Make it stand out</image:title>
      <image:caption>Fig. 11 Face No. 5 By Hagiwara Hideo (1913–2007), 1991 Woodblock print, ink and colour on paper, 67.8 × 56.5 cm Gift of Gordon Brodfuehrer (2019.138.27)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/materials-of-inspiration-zheng-chongbin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7a6d9285-0171-4585-b88d-88527fa74deb/Zheng+Chongbin.jpg</image:loc>
      <image:title>Highlights - Materials of Inspiration: Zheng Chongbin - Make it stand out</image:title>
      <image:caption>Zheng Chongbin in his California studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c7b3aeb5-2849-4721-9620-911f0cdec7c5/Abstract+Island.jpg</image:loc>
      <image:title>Highlights - Materials of Inspiration: Zheng Chongbin - Make it stand out</image:title>
      <image:caption>Abstract Island By Lui Shou-kwan (1919–75), 1963 Chinese ink and colour on paper, 36.5 x 47 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1976de42-b71f-486e-9139-8b9c623e11aa/Untitled+By+Chen+Jialing.jpg</image:loc>
      <image:title>Highlights - Materials of Inspiration: Zheng Chongbin - Make it stand out</image:title>
      <image:caption>Untitled By Chen Jialing (b. 1937), 1988 Chinese ink on paper, 48 x 45 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9f102b3f-735b-4b3f-85a1-f7d513728cfe/Le+Soleil+Levant.jpg</image:loc>
      <image:title>Highlights - Materials of Inspiration: Zheng Chongbin - Make it stand out</image:title>
      <image:caption>Le Soleil Levant (Harbour Scene with Rising Sun) By Claude Lorrain (1600–82), 1634 Etching and drypoint, 13.5 x 20.5 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/67cbfa71-a87d-4424-80f9-549fafcb8327/Study+for+a+Mirror.jpg</image:loc>
      <image:title>Highlights - Materials of Inspiration: Zheng Chongbin - Make it stand out</image:title>
      <image:caption>Study for a Mirror  By Coen Young (b. 1988), 2015 Acrylic, marble dust, enamel and paper, each: 194.3 x 115.6 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2d4b4e5c-c6f0-4e4f-9bc9-db7b346e69f7/Untitled.jpg</image:loc>
      <image:title>Highlights - Materials of Inspiration: Zheng Chongbin - Make it stand out</image:title>
      <image:caption>Untitled By Peter De Swart (b. 1949), 2007 Wood and metal, 32.4 x 59.7 x 20.3 cm</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/lalans-metaphysical-journey-through-her-artistic-practice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/10f2eb7c-06a1-4c62-a7af-a5bd0c889013/1.jpg</image:loc>
      <image:title>Highlights - Lalan’s Metaphysical Journey Through Her Artistic Practice - Make it stand out</image:title>
      <image:caption>Fig. 1 Xie Jinglan with Zao Wouki and his family before leaving Shanghai for Paris, 1948 (Image courtesy of Kwai Fung Foundation)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/45b8c77b-8e2a-498c-bbd8-f0c58fc8259a/2.jpg</image:loc>
      <image:title>Highlights - Lalan’s Metaphysical Journey Through Her Artistic Practice - Make it stand out</image:title>
      <image:caption>Fig. 2 Dual of Words, Quarrel between Light and Dark By Xie Jinglan (Lalan) (1921–95), 1963 Oil on canvas, 162 x 114 cm (Image courtesy of Kwai Fung Foundation)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2455bd86-dab2-4c8e-a82f-a3cbe2017d81/3.jpg</image:loc>
      <image:title>Highlights - Lalan’s Metaphysical Journey Through Her Artistic Practice - Make it stand out</image:title>
      <image:caption>Fig. 3 Go with the Wind By Xie Jinglan (Lalan) (1921–95), 1968  Oil on canvas, 195 x 194 cm (Image courtesy of Kwai Fung Foundation)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/93bd3a46-f3d0-4fcc-ad3a-a36545dd3232/4.jpg</image:loc>
      <image:title>Highlights - Lalan’s Metaphysical Journey Through Her Artistic Practice - Make it stand out</image:title>
      <image:caption>Fig. 4 Ivy, Rock and the Moon  By Xie Jinglan (Lalan) (1921–95), 1969  Mixed media on paper, 248 x 152 cm  (Image courtesy of Kwai Fung Foundation)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/862fce63-b8d7-4da3-9925-98777250e6ba/5.jpg</image:loc>
      <image:title>Highlights - Lalan’s Metaphysical Journey Through Her Artistic Practice - Make it stand out</image:title>
      <image:caption>Fig. 5 Vertical Sign By Xie Jinglan (Lalan) (1921–95), 1970 Mixed media on paper, 294 x 150 cm  (Image courtesy of Kwai Fung Foundation)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a12e7e02-933a-4707-964a-cb6b6473045d/6.jpg</image:loc>
      <image:title>Highlights - Lalan’s Metaphysical Journey Through Her Artistic Practice - Make it stand out</image:title>
      <image:caption>Fig. 6 Performance view of Trivalence 3, with the painting Sudden Blue as backdrop  By Xie Jinglan (Lalan) (1921–95), 1983 With music by Lalan and Van Thienen  Maison pour tous, Saint-Quentin-en-Yvelines, France  Photograph: Raphaël Dupouy (Image courtesy of Kwai Fung Foundation)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/292847a7-dabd-414d-98d6-113598828bb6/7.jpg</image:loc>
      <image:title>Highlights - Lalan’s Metaphysical Journey Through Her Artistic Practice - Make it stand out</image:title>
      <image:caption>Fig. 7 Remember Henri Michaux By Xie Jinglan (Lalan) (1921–95), 1984 Oil on canvas, 114 x 195 cm (Image courtesy of Kwai Fung Foundation)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/87f2a985-3502-48e3-bac3-a02e3bff3a59/7.jpg</image:loc>
      <image:title>Highlights - Lalan’s Metaphysical Journey Through Her Artistic Practice - Make it stand out</image:title>
      <image:caption>Fig. 7 Remember Henri Michaux By Xie Jinglan (Lalan) (1921–95), 1984 Oil on canvas, 114 x 195 cm (Image courtesy of Kwai Fung Foundation)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/11c7be2c-7a26-454e-a10b-f2d218e43753/8.jpg</image:loc>
      <image:title>Highlights - Lalan’s Metaphysical Journey Through Her Artistic Practice - Make it stand out</image:title>
      <image:caption>Fig. 8 Water By Xie Jinglan (Lalan) (1921–95), 1984 Oil on canvas, 46.5 x 55.5 cm (Image courtesy of Kwai Fung Foundation)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e0ff636e-c474-4b83-9f04-1e0f370086cb/9.jpg</image:loc>
      <image:title>Highlights - Lalan’s Metaphysical Journey Through Her Artistic Practice - Make it stand out</image:title>
      <image:caption>Fig. 9 Untitled By Xie Jinglan (Lalan) (1921–95), 1994 Oil and mixed media on canvas, 195 x 130 cm (Image courtesy of Kwai Fung Foundation)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/exquisite-aesthetics-an-interview-with-barbara-levy-kipper</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3abbd346-a3ea-4aa2-8d14-b715a2c5aa98/Barbara+Levy+Kipper.jpg</image:loc>
      <image:title>Highlights - Exquisite Aesthetics: An Interview with Barbara Levy Kipper - Make it stand out</image:title>
      <image:caption>Barbara Levy Kipper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3ef63b5e-4b5b-410d-addf-ba7e44f33b01/Woman%E2%80%99s+amulet+case.jpg</image:loc>
      <image:title>Highlights - Exquisite Aesthetics: An Interview with Barbara Levy Kipper - Make it stand out</image:title>
      <image:caption>Woman’s amulet case (jantar) depicting a Buddhist deity Nepal, Kathmandu valley, early 19th century Gold inlaid with turquoise, coral, pearls, emeralds, rubies and sapphires, 6.8 x 6.1 x 1.5 cm Art Institute of Chicago Promised gift of Barbara and David Kipper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/da13b493-dbdd-4bc5-b0a0-456c96d2af43/Pencase.jpg</image:loc>
      <image:title>Highlights - Exquisite Aesthetics: An Interview with Barbara Levy Kipper - Make it stand out</image:title>
      <image:caption>Pencase Uzbekistan, Bukhara, 1912 (inscribed A.H. 1330 and 1912) Gilt silver with cloisonné enamel, 9.7 x 24.5 x 21.3 cm Art Institute of Chicago Promised gift of Barbara and David Kipper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/750a1e1a-dbf3-494d-ae33-9335936c5a21/Pair+of+woman%E2%80%99s+ear+studs.jpg</image:loc>
      <image:title>Highlights - Exquisite Aesthetics: An Interview with Barbara Levy Kipper - Make it stand out</image:title>
      <image:caption>Pair of woman’s ear studs (togé) Indonesia, southern Sulawesi or coastal Borneo, Bugis, early 20th century Gold, each: 7.8 x 4.5 x 2 cm Art Institute of Chicago Promised gift of Barbara and David Kipper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4309efbf-4b78-401f-be98-347913313493/Woman%E2%80%99s+crown.jpg</image:loc>
      <image:title>Highlights - Exquisite Aesthetics: An Interview with Barbara Levy Kipper - Make it stand out</image:title>
      <image:caption>Woman’s crown (hfud tat nix) with birds and floral motifs China, Guizhou province, Leishan county, Miao, early 20th century Paktong, 53.3 x 29 x 29 cm Art Institute of Chicago Promised gift of Barbara and David Kipper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a110d62d-38ee-4d09-b0df-e6245ba0924f/Installation+for+the+exhibition.jpg</image:loc>
      <image:title>Highlights - Exquisite Aesthetics: An Interview with Barbara Levy Kipper - Make it stand out</image:title>
      <image:caption>Installation for the exhibition ‘Vanishing Beauty’</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/jewels-of-transcendence-himalayan-and-mongolian-treasures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/24020b6a-ebdf-466a-8717-6422269166d2/1.jpg</image:loc>
      <image:title>Highlights - ‘Jewels of Transcendence: Himalayan and Mongolian Treasures’ - Make it stand out</image:title>
      <image:caption>Fig. 1 Child and woman wearing head and breast ornaments with butterfly motifs, Ordos(?), Inner Mongolia, before 1923  Gelatin silver print on paper, 12.7 x 10.16 cm Newark Museum Archives Gift of L. H. Dudley Buxton, 1923 (no. 7318)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4ac09a40-010b-4bd2-8339-316168b10041/2.jpg</image:loc>
      <image:title>Highlights - ‘Jewels of Transcendence: Himalayan and Mongolian Treasures’ - Make it stand out</image:title>
      <image:caption>Fig. 2 One of a pair of ewers Tibet, Lhasa, c. 1957 Silver and gold, 40 x 64.8 cm Mengdiexuan Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/598e1f6a-e684-4aad-9a54-68ec0aaccc28/3.jpg</image:loc>
      <image:title>Highlights - ‘Jewels of Transcendence: Himalayan and Mongolian Treasures’ - Make it stand out</image:title>
      <image:caption>Fig. 3 Pair of koma (fibula pins)  Bhutan, 19th or early 20th century Silver, gold and turquoise, each: 5.5 x 5.5 x 2 cm  Chengxuntang Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/40900f34-3798-4296-a63f-87ef8c491312/4.jpg</image:loc>
      <image:title>Highlights - ‘Jewels of Transcendence: Himalayan and Mongolian Treasures’ - Make it stand out</image:title>
      <image:caption>Fig. 4 Portrait of women of different Tibetan regions, Darjeeling, India, 1927–50 By Das Studio (est. 1927) Gelatin silver print on paper, 11.5 x 15 cm Newark Museum Gift of Bruce Walker, 2000 (2000.36.2.50)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/19b3e89c-ae2f-49a6-baa9-d9f07b09b8be/5_left.jpg</image:loc>
      <image:title>Highlights - ‘Jewels of Transcendence: Himalayan and Mongolian Treasures’ - Make it stand out</image:title>
      <image:caption>Fig. 5 New Year’s ringyen (‘ancient ornaments’) Tibet, late 19th or early 20th century Gold, silver, turquoise, garnet, lapis lazuli and silk cord, left: 11.7 x 8.1 x 3.8 cm; right: 10.3 x 4.6 x 6.3 cm Chengxuntang Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9f19471a-38fc-476a-b277-a5e78a876fac/5_right.jpg</image:loc>
      <image:title>Highlights - ‘Jewels of Transcendence: Himalayan and Mongolian Treasures’ - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d3b090f4-abc8-4c74-98be-cc8acb900336/6.jpg</image:loc>
      <image:title>Highlights - ‘Jewels of Transcendence: Himalayan and Mongolian Treasures’ - Make it stand out</image:title>
      <image:caption>Fig. 6 J. Taring (left) wearing gyaluche (regal jewellery and costume) and D. N. Tsarong (right) wearing ringyen (‘ancient ornaments’), Lhasa, Tibet, c. 1940  Gelatin silver print on paper, 25.5 x 21 cm Newark Museum Archives Gift of D. N. Tsarong, 1980 (80.288)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ce405a63-787e-41e3-aa8d-230d373a1774/7.jpg</image:loc>
      <image:title>Highlights - ‘Jewels of Transcendence: Himalayan and Mongolian Treasures’ - Make it stand out</image:title>
      <image:caption>Fig. 7 Tikma (ceremonial necklace)  Nepal, 18th–20th century Gold, glass and cloth, 26.7 x 29.3 cm Mengdiexuan Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fa9d3dc8-bca2-47e2-af40-7a3ef7f57eb0/8.jpg</image:loc>
      <image:title>Highlights - ‘Jewels of Transcendence: Himalayan and Mongolian Treasures’ - Make it stand out</image:title>
      <image:caption>Fig. 8 Newar woman wearing tikma and kantha (necklaces) and bracelets, Darjeeling, India, late 19th century–early 20th century By J. Burlington Smith (act. late 19th–early 20th century)  Hand-tinted glass plate, numbered 303, image: 7.25 x 5 cm Newark Museum Gift of Olive Youngberg Hoogenboom, 2003 (2003.71.10)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/673c969e-0525-4b46-8984-9bb8d77da17f/9.jpg</image:loc>
      <image:title>Highlights - ‘Jewels of Transcendence: Himalayan and Mongolian Treasures’ - Make it stand out</image:title>
      <image:caption>Fig. 9 Panel of Hatha Dya witnessing a battle Nepal, 19th century Gold, copper alloy, coral, rock crystal, lapis lazuli, glass, spinel, garnet, mother-of-pearl, jade and smoky quartz, 44.5 x 53.5 cm Mengdiexuan Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e820d1ee-c835-422e-961f-7ae2d211f52c/10.jpg</image:loc>
      <image:title>Highlights - ‘Jewels of Transcendence: Himalayan and Mongolian Treasures’ - Make it stand out</image:title>
      <image:caption>Fig. 10 Toh (hinged necklace) Nepal, Shah period (1768–2008) Gold, lapis lazuli, coral and malachite, 23 x 19 x 24 cm Chengxuntang Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/an-interview-with-jacqueline-von-hammerstein-loxten</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ddf66ae0-c04c-439c-a665-7b850bb191da/Jacqueline+von+Hammerstein-Loxten.jpg</image:loc>
      <image:title>Highlights - An Interview with Jacqueline von Hammerstein-Loxten - Make it stand out</image:title>
      <image:caption>Jacqueline von Hammerstein-Loxten</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6d576ff6-b3ff-4db4-b5ef-1183be554e9f/Black-and-white+photograph+of+exterior+view.jpg</image:loc>
      <image:title>Highlights - An Interview with Jacqueline von Hammerstein-Loxten - Make it stand out</image:title>
      <image:caption>Black-and-white photograph of exterior view of the Pagoda in 1930, just after its opening</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/60a0bd31-aa41-4525-8057-72c03e97819c/Interior+view+of+the+Pagoda.jpg</image:loc>
      <image:title>Highlights - An Interview with Jacqueline von Hammerstein-Loxten - Make it stand out</image:title>
      <image:caption>Interior view of the Pagoda showing original lacquer panelling</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/creating-spaces-for-asian-art-c-t-loo-and-the-nelson-atkins-museum-of-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0a938a9d-e61e-4ebe-991e-4b3e1052b34e/1.jpg</image:loc>
      <image:title>Highlights - Creating Spaces for Asian Art: C. T. Loo and the Nelson-Atkins Museum of Art - Make it stand out</image:title>
      <image:caption>Fig. 1 Entrance to the Chinese Temple Room at the Nelson-Atkins Museum of Art, Kansas City  Photo © The Nelson Gallery Foundation/Bob Greenspan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6694d693-482d-4adf-880d-4670dbde7a2a/2a.jpg</image:loc>
      <image:title>Highlights - Creating Spaces for Asian Art: C. T. Loo and the Nelson-Atkins Museum of Art - Make it stand out</image:title>
      <image:caption>Fig. 2a Model of the Chinese Temple gallery (partial, three-quarter view) By C. T. Loo &amp; Company, Paris; May 1931 Wood, plywood, paper, marbled paper, paint, metal fastenings; 80 x 40.64 x 38.1 cm Nelson-Atkins Museum of Art, Kansas City, Missouri (T2017.45) Photo © The Nelson Gallery Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ac9f9e47-202c-4c50-8c20-d98062e472a1/2b.jpg</image:loc>
      <image:title>Highlights - Creating Spaces for Asian Art: C. T. Loo and the Nelson-Atkins Museum of Art - Make it stand out</image:title>
      <image:caption>Fig. 2b Ceiling view of the model of the Chinese Temple gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/001082fd-7859-45e6-8529-caf27c56dc0b/3.jpg</image:loc>
      <image:title>Highlights - Creating Spaces for Asian Art: C. T. Loo and the Nelson-Atkins Museum of Art - Make it stand out</image:title>
      <image:caption>Fig. 3 Detail of blueprint for the Chinese Temple Room  By Wight &amp; Wight Architects, 13 June 1931  Nelson Trust Records, Museum Archives, Kansas City, Missouri  Photo © The Nelson Gallery Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5f3fdeac-b9fa-4356-aa75-e108eae3c1ed/4.jpg</image:loc>
      <image:title>Highlights - Creating Spaces for Asian Art: C. T. Loo and the Nelson-Atkins Museum of Art - Make it stand out</image:title>
      <image:caption>Fig. 4 Interior of the Chinese Temple Room, Nelson-Atkins Museum of Art Photo © The Nelson Gallery Foundation/Bob Greenspan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f06af41c-f50b-423d-8379-8ba90a5bc37e/5.jpg</image:loc>
      <image:title>Highlights - Creating Spaces for Asian Art: C. T. Loo and the Nelson-Atkins Museum of Art - Make it stand out</image:title>
      <image:caption>Fig. 5 Overview of the Indian Temple Room gallery, Nelson-Atkins Museum of Art Indian components, 18th century Carved teak and mahwa wood; 763 x 488 cm  Purchase: William Rockhill Nelson Trust (33-297)  Photo © The Nelson Gallery Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3b458349-2a7a-4491-9928-22c9060ba045/6a.jpg</image:loc>
      <image:title>Highlights - Creating Spaces for Asian Art: C. T. Loo and the Nelson-Atkins Museum of Art - Make it stand out</image:title>
      <image:caption>Fig. 6a Detail from Figure 5 showing a carved bracket with horse and rider</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d11219e7-8089-470c-a6e9-0ed1b605f81f/6b.jpg</image:loc>
      <image:title>Highlights - Creating Spaces for Asian Art: C. T. Loo and the Nelson-Atkins Museum of Art - Make it stand out</image:title>
      <image:caption>Fig. 6b Indian Temple Room doorway with carved lintels, brackets with vyalas, sculptural frieze, and coffered ceiling  Photo © The Nelson Gallery Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b676a0be-91a4-4277-bb8a-db13bfeff005/7.jpg</image:loc>
      <image:title>Highlights - Creating Spaces for Asian Art: C. T. Loo and the Nelson-Atkins Museum of Art - Make it stand out</image:title>
      <image:caption>Fig. 7 Pagoda Paris, 8th arrondissement, Paris, 2014  Photo © Photononstop/Alamy Stock Photo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b5c7a347-a38b-44d4-9da7-dd710218a171/8.jpg</image:loc>
      <image:title>Highlights - Creating Spaces for Asian Art: C. T. Loo and the Nelson-Atkins Museum of Art - Make it stand out</image:title>
      <image:caption>Fig. 8 View of gallery with skylights at the Pagoda Paris, c. 1928  Image courtesy of Baroness Jacqueline von Hammerstein-Loxten</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9093a99e-2a94-4a2b-89c7-51f9497ee4bc/10.jpg</image:loc>
      <image:title>Highlights - Creating Spaces for Asian Art: C. T. Loo and the Nelson-Atkins Museum of Art - Make it stand out</image:title>
      <image:caption>Fig. 10 Detail of Figure 9 showing carved brackets with horses and riders; note the similarity with carvings at the Nelson-Atkins Indian Temple Room as seen in Figure 6a  Photo © Kimberly Masteller</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d89d3fc0-0be2-489d-b4c7-814ae174133d/11.jpg</image:loc>
      <image:title>Highlights - Creating Spaces for Asian Art: C. T. Loo and the Nelson-Atkins Museum of Art - Make it stand out</image:title>
      <image:caption>Fig. 11 One of the Jain shrines installed in the Indian gallery, Pagoda Paris  Photo © Kimberly Masteller</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/in-conversation-with-wang-xu-dong-director-of-the-dunhuang-academy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6c00e4ff-9978-424f-8b74-5002c3614e32/Wang+Xudong+on+a+visit+to+the+Getty.jpg</image:loc>
      <image:title>Highlights - In Conversation with Wang Xudong, Director of the Dunhuang Academy - Make it stand out</image:title>
      <image:caption>Wang Xudong on a visit to the Getty</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/73e8dce6-2bea-402e-968b-baf5604cae04/Photograph+from+the+1908+Pelliot+expedition.jpg</image:loc>
      <image:title>Highlights - In Conversation with Wang Xudong, Director of the Dunhuang Academy - Make it stand out</image:title>
      <image:caption>Photograph from the 1908 Pelliot expedition, view of the Mogao cliff face before reinforcement</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5ed2c286-7a74-4c9d-adf7-b430f8db70f9/Present-day+view+of+the+Mogao+caves.jpg</image:loc>
      <image:title>Highlights - In Conversation with Wang Xudong, Director of the Dunhuang Academy - Make it stand out</image:title>
      <image:caption>Present-day view of the Mogao caves after reinforcement and preservation work</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b923e0f3-0259-4bde-9ba2-58461360256f/The+Visitor+Center+at+Dunhuang.jpg</image:loc>
      <image:title>Highlights - In Conversation with Wang Xudong, Director of the Dunhuang Academy - Make it stand out</image:title>
      <image:caption>The Visitor Center at Dunhuang</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/cb44dede-bb3f-4992-863f-d00ee3273889/Digitization+work+in+progress.jpg</image:loc>
      <image:title>Highlights - In Conversation with Wang Xudong, Director of the Dunhuang Academy - Make it stand out</image:title>
      <image:caption>Digitization work in progress (Photograph: Sun Zhijun)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/64a4c131-e7e4-4359-9b00-02a777596fd0/View+of+Cave+158.jpg</image:loc>
      <image:title>Highlights - In Conversation with Wang Xudong, Director of the Dunhuang Academy - Make it stand out</image:title>
      <image:caption>View of Cave 158, showing the Buddha in parinirvana (Photograph: Wang Jian)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/92b212bf-be49-444a-98bf-21ef1495a2e7/Cave+view+with+environmental+monitoring.jpg</image:loc>
      <image:title>Highlights - In Conversation with Wang Xudong, Director of the Dunhuang Academy - Make it stand out</image:title>
      <image:caption>Cave view with environmental monitoring equipment shown in the foreground (Photograph: Sun Zhijun)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/264808ba-e3be-43fe-88ec-d31aab1963ed/A+dome+cinema+at+the+Dunhuang+Visitor+Center.jpg</image:loc>
      <image:title>Highlights - In Conversation with Wang Xudong, Director of the Dunhuang Academy - Make it stand out</image:title>
      <image:caption>A dome cinema at the Dunhuang Visitor Center showing a 360-degree view of a cave interior (Photograph: Sun Zhijun)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/rome-and-china-endpoints-of-the-ancient-silk-roads</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/116f6d73-c1d3-43fe-8de5-63c92f31aa13/1.jpg</image:loc>
      <image:title>Highlights - Rome and China: Endpoints of the Ancient Silk Roads - Make it stand out</image:title>
      <image:caption>Fig. 1 Fragments of a Roman marbled ribbed bowl  China, Jiangsu province, Ganquan subdistrict, Shuangshan village Glass; 2–3 cm Courtesy of the Nanjing Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d4dcdaea-7924-47b5-b4b5-93a2ce514d4d/2.jpg</image:loc>
      <image:title>Highlights - Rome and China: Endpoints of the Ancient Silk Roads - Make it stand out</image:title>
      <image:caption>Fig. 2 Fragments of a Roman vessel  China, Nanjing, Beigushan Glass; (largest fragment) height 5.5 cm, width 3 cm, thickness 0.2–0.5 cm  Courtesy of the Nanjing Municipal Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/840f2241-87c6-4f7c-a6e6-c1630f789f23/3.jpg</image:loc>
      <image:title>Highlights - Rome and China: Endpoints of the Ancient Silk Roads - Make it stand out</image:title>
      <image:caption>Fig. 3 Roman cup  China, Nanjing, Xiangshan Glass; height 10.4 cm, rim diameter 9.4 cm, thickness 0.5–0.7 cm Courtesy of the Nanjing Municipal Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/53b93834-f771-44a0-8a46-fb6b8253a84f/4.jpg</image:loc>
      <image:title>Highlights - Rome and China: Endpoints of the Ancient Silk Roads - Make it stand out</image:title>
      <image:caption>Fig. 4 Bowl of possibly Roman origin  China, Nanjing, Xianheguan  Glass; height 7 cm, diameter 9.1 cm, thickness 0.1–0.15 cm Courtesy of the Nanjing Municipal Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ee341400-302f-48d4-8f26-d2e189551889/5.jpg</image:loc>
      <image:title>Highlights - Rome and China: Endpoints of the Ancient Silk Roads - Make it stand out</image:title>
      <image:caption>Fig. 5  Animal-shape object discovered in Feng Sufu’s burial  China, Liaoning province Glass; height 201.5 cm, diameter 5.2 cm After: Liaoning Provincial Museum, 2015, Plate 30</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/907269bc-9e88-4bc3-b193-626799efef3f/6.jpg</image:loc>
      <image:title>Highlights - Rome and China: Endpoints of the Ancient Silk Roads - Make it stand out</image:title>
      <image:caption>Fig. 6 Beads of Roman origin  China, Guangxi province, Hepu county Glass; (oval pieces) height 0.6–0.8 cm, diameter 0.55–0.7 cm; (oblate pieces) diameter 0.5–0.7 cm, thickness 0.3–0.5 cm  After: Xiong, 2014, p. 263</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/07a3e9b0-8a0a-4f20-b5b1-09dbe2308a80/7.jpg</image:loc>
      <image:title>Highlights - Rome and China: Endpoints of the Ancient Silk Roads - Make it stand out</image:title>
      <image:caption>Fig. 7  Roman platter  China, Gansu province, Beitan Silver; height 4.4 cm, diameter 31 cm, weight 3180 g After: Marshak, 2004, p. 184, cat. 90</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/dabf4219-663f-4643-9068-ae7cd261fc10/8.jpg</image:loc>
      <image:title>Highlights - Rome and China: Endpoints of the Ancient Silk Roads - Make it stand out</image:title>
      <image:caption>Fig. 8  Fragments of a Chinese textile Syria, Palmyra (present-day Homs Governorate) Jin silk; (larger piece) 28.7 x 17.2 cm; (smaller piece) 12.2 x 4.4 cm  Photograph: Robert Żukowski</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/327bbcae-f9e9-4f04-94d8-ed7580fc17af/9.jpg</image:loc>
      <image:title>Highlights - Rome and China: Endpoints of the Ancient Silk Roads - Make it stand out</image:title>
      <image:caption>Fig. 9 Tapestry fragments with silk of uncertain origin  Pannonia province (parts of present-day Hungary, Austria, and several Balkan states), Alsóhetény Silk-fibre core, gold thread; 15 x 10 cm Courtesy of the Hungarian National Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/038322b2-469e-4db1-8f22-4ddc1a37a6ae/10.jpg</image:loc>
      <image:title>Highlights - Rome and China: Endpoints of the Ancient Silk Roads - Make it stand out</image:title>
      <image:caption>Fig. 10 Tapestry fragments with silk of uncertain origin, depicting goddess Victoria  Moesia province (present-day southeastern Balkans), Viminacium  Silk-fibre core, gold thread; 11.5 x 6.7 cm Courtesy of the Hungarian National Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fa3cdfe5-14d1-44b9-96be-4b7396fb2658/11a.jpg</image:loc>
      <image:title>Highlights - Rome and China: Endpoints of the Ancient Silk Roads - Make it stand out</image:title>
      <image:caption>Figs 11a–b Scabbard slide of Chinese origin   Bulgaria, Čatalka  Nephrite; 11 x 2.5 x 3 cm After: Kostov and Strack, 2021, p. 67, figs 1–2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4fce9426-fa97-4ecb-973a-744e49fcc286/11b.jpg</image:loc>
      <image:title>Highlights - Rome and China: Endpoints of the Ancient Silk Roads - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/evolution-of-a-museum-an-interview-with-francesco-di-gennaro</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a0843832-b9f3-4add-96e1-24129a77f6f6/Francesco+di+Gennaroserves.jpg</image:loc>
      <image:title>Highlights - Evolution of a Museum: An Interview with Francesco di Gennaro - Make it stand out</image:title>
      <image:caption>Francesco di Gennaro</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a1013bc1-b530-41d7-b1ea-531daefd3fdf/Comb.jpg</image:loc>
      <image:title>Highlights - Evolution of a Museum: An Interview with Francesco di Gennaro - Make it stand out</image:title>
      <image:caption>Comb Iran, Sistan-Baluchistan, Shahr-i-Sokhta, 3rd millennium BCE Wood Maximum height 3.7 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2e6127e3-09e3-43e0-aaf0-4d1adb38831d/Relief+showing+a+scene.jpg</image:loc>
      <image:title>Highlights - Evolution of a Museum: An Interview with Francesco di Gennaro - Make it stand out</image:title>
      <image:caption>Relief showing a scene from Jataka (stories from the previous lives of the Buddha) Pakistan, Swat valley, 2nd century Schist Height 19 cm (Italian Archaeological Mission Excavations)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f399ad87-7db2-48c8-9c67-af3ae7e87bd3/Domenico+Faccenna.jpg</image:loc>
      <image:title>Highlights - Evolution of a Museum: An Interview with Francesco di Gennaro - Make it stand out</image:title>
      <image:caption>Domenico Faccenna (centre), the first director of the MNAO (1958–77)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fe81d134-c1d2-4d18-b53d-a001d5a4f7ba/Former+MNAO+director.jpg</image:loc>
      <image:title>Highlights - Evolution of a Museum: An Interview with Francesco di Gennaro - Make it stand out</image:title>
      <image:caption>Former MNAO director (1977–78 and 1980–2005) Donatella Mazzeo (right) with Antonio Paolucci, Ministry of Italian Cultural Heritage and now Director of the Vatican Museums</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/forging-a-legacy-the-jambiya-yemens-iconic-weapon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/288e50e7-87ad-4fb7-97be-405bd83528bf/1.jpg</image:loc>
      <image:title>Highlights - Forging a Legacy: The Jambiya, Yemen’s Iconic Weapon - Make it stand out</image:title>
      <image:caption>Fig. 1 Dagger (jambiya) with sheath Yemen; 19th century Steel, wood, brass, silver, gold, copper, brass wire; 33.7 x 7.3 cm (with sheath) Metropolitan Museum of Art, New York; Bequest of George C. Stone, 1935 Photo © Metropolitan Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/05468165-cc91-4e05-a0d2-6f8243098d7f/2.jpg</image:loc>
      <image:title>Highlights - Forging a Legacy: The Jambiya, Yemen’s Iconic Weapon - Make it stand out</image:title>
      <image:caption>Fig. 2 Folio depicting weapons, from the Ain-i-Akbari by Abu’l Fazl India; Mughal period (1526–1858), 1621 Opaque watercolour, ink, and gold on paper British Library, London Photo © British Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e40a7fca-2a55-430b-8063-67fa05f8c21d/3.jpg</image:loc>
      <image:title>Highlights - Forging a Legacy: The Jambiya, Yemen’s Iconic Weapon - Make it stand out</image:title>
      <image:caption>Fig. 3 Carsten Niebuhr in traditional Yemeni garb with jambiya  (After Carsten Niebuhr, Reisebeschreibung nach Arabien und andern umliegender Ländern, Copenhagen, 1774–78, Tab. LXXI)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3ecc55ff-d0f0-4c49-91e9-d4956e3f1706/4.jpg</image:loc>
      <image:title>Highlights - Forging a Legacy: The Jambiya, Yemen’s Iconic Weapon - Make it stand out</image:title>
      <image:caption>Fig. 4 Dagger (jambiya) with scabbard Saudi Arabia, Medina; 1876–1909 Steel, silver, wood, gold; 32.4 cm (with scabbard) Metropolitan Museum of Art, New York; Rogers Fund, 1931 Photo © Metropolitan Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0bf32c3c-6434-427c-9d8e-371d9b441098/5.jpg</image:loc>
      <image:title>Highlights - Forging a Legacy: The Jambiya, Yemen’s Iconic Weapon - Make it stand out</image:title>
      <image:caption>Fig. 5 Thomas Edward Lawrence, 1919 Photo: Public domain via Wikimedia Commons</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1cebc148-7e94-4ec6-b56b-137a59750988/6.jpg</image:loc>
      <image:title>Highlights - Forging a Legacy: The Jambiya, Yemen’s Iconic Weapon - Make it stand out</image:title>
      <image:caption>Fig. 6 Dagger (jambiya) with sheath Yemen; 19th century Steel, wood, gold, silver, textile, leather, brass; 34.3 x 7.1 cm (with sheath) Metropolitan Museum of Art, New York; Bequest of George C. Stone, 1935 Photo © Metropolitan Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/86fc4358-85be-42c9-8a2a-b44056d2fccd/7a.jpg</image:loc>
      <image:title>Highlights - Forging a Legacy: The Jambiya, Yemen’s Iconic Weapon - Make it stand out</image:title>
      <image:caption>Fig. 7a Dagger (jambiya) with sheath and belt Yemen; 19th century Steel, silver, wood, leather, iron; 52.4 x 6.4 cm (with sheath) Metropolitan Museum of Art, New York; Bequest of George C. Stone, 1935 Photo © Metropolitan Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/33afd6e4-3fa6-4b4b-98d5-acd04ed25dbb/7b.jpg</image:loc>
      <image:title>Highlights - Forging a Legacy: The Jambiya, Yemen’s Iconic Weapon - Make it stand out</image:title>
      <image:caption>Fig. 7b ‘People from Hejaz, the “Western Province” of Saudi Arabia’ By Pascal Sebah (1823–86) (After Imperial Ottoman Commission, 'Exposition Universelle', Les costumes populaires de la Turquie, Vienna, 1873)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/abe9efd0-1f34-4c36-8a64-fe581bf7d190/8.jpg</image:loc>
      <image:title>Highlights - Forging a Legacy: The Jambiya, Yemen’s Iconic Weapon - Make it stand out</image:title>
      <image:caption>Fig. 8. Dagger (jambiya) with sheath Oman; 19th century Steel, wood, silver, gold, copper foil, pigment, paper, glue; 34 x 6 cm (with sheath) Metropolitan Museum of Art, New York; Bequest of George C. Stone, 1935 Photo © Metropolitan Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fd218e63-0676-45f2-a05b-650bc9344980/9.jpg</image:loc>
      <image:title>Highlights - Forging a Legacy: The Jambiya, Yemen’s Iconic Weapon - Make it stand out</image:title>
      <image:caption>Fig. 9 Dagger (jambiya) with sheath Morocco; 19th century Steel, wood, silver, brass, gold, niello; 42.7 x 26 x 5.7 cm (with sheath) Metropolitan Museum of Art, New York; Bequest of George C. Stone, 1935 Photo © Metropolitan Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/21ba3c6a-50d2-411c-9735-ea4fd67844ac/10.jpg</image:loc>
      <image:title>Highlights - Forging a Legacy: The Jambiya, Yemen’s Iconic Weapon - Make it stand out</image:title>
      <image:caption>Fig. 10 Dagger (jambiya) Iran; Qajar period (1789–1925), 19th century Steel, gold; 39.1 x 0.8 x 3 cm Metropolitan Museum of Art, New York; Collection of Giovanni P. Morosini, presented by his daughter Giulia, 1932 Photo © Metropolitan Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b9b6131e-5ae5-46cf-9d56-58c3f6df643d/11.jpg</image:loc>
      <image:title>Highlights - Forging a Legacy: The Jambiya, Yemen’s Iconic Weapon - Make it stand out</image:title>
      <image:caption>Fig. 11 Dagger (jambiya) (detail) Yemen; 19th century Rhinoceros horn, iron mounts, damascened gold and silver; 41 cm Mengdiexuan Collection Photo © Mengdiexuan Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/the-storrier-stearns-japanese-garden-in-pasadena-california</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d66cbd73-8d2b-463b-93e5-12a987d813ff/1.jpg</image:loc>
      <image:title>Highlights - The Storrier Stearns Japanese Garden in Pasadena, California - Make it stand out</image:title>
      <image:caption>Fig. 1 Niko-an (‘Two-pond Retreat’) Teahouse and pond Storrier Stearns Japanese Garden (Photograph: Deanie Nyman) (Image courtesy of the Storrier Stearns Japanese Garden, Pasadena, CA)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/cba9cbdf-196f-4f94-b62e-265a271459db/2.jpg</image:loc>
      <image:title>Highlights - The Storrier Stearns Japanese Garden in Pasadena, California - Make it stand out</image:title>
      <image:caption>Fig. 2 George and Ellamae Storrier Stearns in their Japanese garden, c. 1940 (Image courtesy of the Storrier Stearns Japanese Garden, Pasadena, CA)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/85f2d5eb-2692-4b91-9fed-ce5ebca4f887/3.jpg</image:loc>
      <image:title>Highlights - The Storrier Stearns Japanese Garden in Pasadena, California - Make it stand out</image:title>
      <image:caption>Fig. 3 Fujii Kinzuchi at work constructing the Storrier Stearns Japanese Garden, c. 1939 (Image courtesy of the Storrier Stearns Japanese Garden, Pasadena, CA)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0e59040f-c63d-45d6-bb9b-009114df2ace/4.jpg</image:loc>
      <image:title>Highlights - The Storrier Stearns Japanese Garden in Pasadena, California - Make it stand out</image:title>
      <image:caption>Fig. 4 Japanese stone lantern and redwood tree Storrier Stearns Japanese Garden (Photograph: Meher McArthur)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/50ff47e8-c7a1-4fa5-93a5-f6f7d96c2734/5.jpg</image:loc>
      <image:title>Highlights - The Storrier Stearns Japanese Garden in Pasadena, California - Make it stand out</image:title>
      <image:caption>Fig. 5 Gamelia Haddad Poulsen, c. 1935 (Image courtesy of the Storrier Stearns Japanese Garden, Pasadena, CA)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b6a49ab0-c795-40e1-a606-ce145937215b/6.jpg</image:loc>
      <image:title>Highlights - The Storrier Stearns Japanese Garden in Pasadena, California - Make it stand out</image:title>
      <image:caption>Fig. 6 Jim and Connie Haddad, c. 2015 (Photograph: Deanie Nyman) (Image courtesy of the Storrier Stearns Japanese Garden, Pasadena, CA)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b0d12da4-683c-4492-a300-c92ab0e81186/7.jpg</image:loc>
      <image:title>Highlights - The Storrier Stearns Japanese Garden in Pasadena, California - Make it stand out</image:title>
      <image:caption>Fig. 7 Koi fish in the small pond Storrier Stearns Japanese Garden (Photograph: Meher McArthur)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fecc1e9a-9a3f-4910-8c43-a5c896ebf544/8.jpg</image:loc>
      <image:title>Highlights - The Storrier Stearns Japanese Garden in Pasadena, California - Make it stand out</image:title>
      <image:caption>Fig. 8 Large pond and Korean grass bank Storrier Stearns Japanese Garden (Photograph: Meher McArthur)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/sigiriya-an-early-designed-landscape-in-sri-lanka</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f6a9c006-1cd7-49ac-9971-3f6f72a38499/1.jpg</image:loc>
      <image:title>Highlights - Sigiriya: An Early Designed Landscape in Sri Lanka - Make it stand out</image:title>
      <image:caption>Fig. 1 Building remains on the summit of Sigiriya rock as seen from the south</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1335c3ed-dcee-4a10-be13-07dc08898927/2.jpg</image:loc>
      <image:title>Highlights - Sigiriya: An Early Designed Landscape in Sri Lanka - Make it stand out</image:title>
      <image:caption>Fig. 2 Paintings conserved in a niche on the western face of Sigiriya rock</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/75cd8459-9a05-4832-8946-7aa5fb243b83/3.jpg</image:loc>
      <image:title>Highlights - Sigiriya: An Early Designed Landscape in Sri Lanka - Make it stand out</image:title>
      <image:caption>Fig. 3 The excavated ‘water gardens’ in the western precinct  (After Google Earth imagery, 7/22/2009, Digital Globe)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/49665af5-d8ed-44f8-bf65-ab419b8f6277/4.jpg</image:loc>
      <image:title>Highlights - Sigiriya: An Early Designed Landscape in Sri Lanka - Make it stand out</image:title>
      <image:caption>Fig. 4 Sigiriya site plan drawn to scale showing the central outcrop, surrounding terraces, two inner precincts, moats and bounding wall of the outer precinct (Drawing by the author)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/eb665386-67fd-4c1a-93ea-782323193515/5.jpg</image:loc>
      <image:title>Highlights - Sigiriya: An Early Designed Landscape in Sri Lanka - Make it stand out</image:title>
      <image:caption>Fig. 5 Sigiriya pleasure garden architecture showing water garden with chahar-bagh form; fountain garden with perforated limestone plate; and water terrace with octagonal terrace and related octagonal pool</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/39331d9f-4670-4293-8850-0041fcbede98/6.jpg</image:loc>
      <image:title>Highlights - Sigiriya: An Early Designed Landscape in Sri Lanka - Make it stand out</image:title>
      <image:caption>Fig. 6 View of Sigiriya rock with Mirror Wall from the main path (Photograph: krivinis/Shutterstock.com)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5161d67f-852c-46ca-85d0-9e19d0e8c964/7.jpg</image:loc>
      <image:title>Highlights - Sigiriya: An Early Designed Landscape in Sri Lanka - Make it stand out</image:title>
      <image:caption>Fig. 7 Distant view of Sigiriya rock and its Mirror Wall from 11 kilometres southwest, taken from the grounds of Heritance Kandalama, a hotel designed by Geoffrey Bawa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1d36e21b-1274-4f36-94f5-9e8b012d7421/8.jpg</image:loc>
      <image:title>Highlights - Sigiriya: An Early Designed Landscape in Sri Lanka - Make it stand out</image:title>
      <image:caption>Fig. 8 Boulder with drip ledge, plastered brick walls and paintings</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9fce0036-c3f9-4cbc-a27e-979398d19af3/9.jpg</image:loc>
      <image:title>Highlights - Sigiriya: An Early Designed Landscape in Sri Lanka - Make it stand out</image:title>
      <image:caption>Fig. 9 Boulders over limestone-inlaid steps</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a33c7b69-f3de-40a6-a698-22478b6c6413/10.jpg</image:loc>
      <image:title>Highlights - Sigiriya: An Early Designed Landscape in Sri Lanka - Make it stand out</image:title>
      <image:caption>Fig. 10 Mirror Wall corridor looking north</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c496e58b-4469-4d73-8013-76fb39682546/11.jpg</image:loc>
      <image:title>Highlights - Sigiriya: An Early Designed Landscape in Sri Lanka - Make it stand out</image:title>
      <image:caption>Fig. 11 Verse fragment etched on the Mirror Wall by an early visitor</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/a-battlefield-of-judgements-ai-weiwei-as-collector</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/50b12614-6c34-4588-8463-258d67d664f8/Ai+Qing%E2%80%99s+jade+seal_A.jpg</image:loc>
      <image:title>Highlights - A Battlefield of Judgements: Ai Weiwei as Collector - Make it stand out</image:title>
      <image:caption>Ai Qing’s jade seal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d87a628a-2b02-44f2-8b7a-3a3588267da0/Ai+Qing%E2%80%99s+jade+seal_B.jpg</image:loc>
      <image:title>Highlights - A Battlefield of Judgements: Ai Weiwei as Collector - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/28158647-200a-4a3b-9ec2-9de64bb178fb/Jades+from+Ai+Weiwei%E2%80%99s+collection%2C+1994.jpg</image:loc>
      <image:title>Highlights - A Battlefield of Judgements: Ai Weiwei as Collector - Make it stand out</image:title>
      <image:caption>Jades from Ai Weiwei’s collection, 1994</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9c83c6af-04eb-44cc-b5b4-8a1291be0468/Dropping_A.jpg</image:loc>
      <image:title>Highlights - A Battlefield of Judgements: Ai Weiwei as Collector - Make it stand out</image:title>
      <image:caption>Dropping a Han Dynasty Urn By Ai Weiwei (b. 1957), 1995 Photographic triptych</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ba74c559-872c-4dc4-b296-00466fde35fb/Dropping_B.jpg</image:loc>
      <image:title>Highlights - A Battlefield of Judgements: Ai Weiwei as Collector - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2db3689f-9e92-477f-97e7-f813d8926c47/Dropping_C.jpg</image:loc>
      <image:title>Highlights - A Battlefield of Judgements: Ai Weiwei as Collector - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/84592168-1a8f-4e2e-b579-705ad1ca5664/Wang+Family+Ancestral+Hall.jpg</image:loc>
      <image:title>Highlights - A Battlefield of Judgements: Ai Weiwei as Collector - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/the-vohemar-necropolis-madagascar-and-the-regional-distribution-of-chinese-ceramics-in-the-swahili-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5706e72f-121c-4634-91b3-b2d28b524fd5/1.jpg</image:loc>
      <image:title>Highlights - The Vohemar Necropolis, Madagascar, and the Regional Distribution of Chinese Ceramics in the Swahili World (13th–17th century) - Make it stand out</image:title>
      <image:caption>Fig. 1 Map showing the location of Vohemar, at the western edge of the Indian Ocean  Photo © Bing Zhao</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e8dda0f0-5df9-4098-bbd7-9d4287996159/2.jpg</image:loc>
      <image:title>Highlights - The Vohemar Necropolis, Madagascar, and the Regional Distribution of Chinese Ceramics in the Swahili World (13th–17th century) - Make it stand out</image:title>
      <image:caption>Fig. 2 Large dish with freely carved floral pattern in the centre  China, Longquan kilns; latter half of the 14th century–early 15th century Green-glazed porcelain; diameter 34.5 cm Musée du Quai Branly–Jacques Chirac, Paris, France Photo © Musée du Quai Branly–Jacques Chirac</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/095854fb-6aa1-47b3-aa23-a211e0ca329a/3.jpg</image:loc>
      <image:title>Highlights - The Vohemar Necropolis, Madagascar, and the Regional Distribution of Chinese Ceramics in the Swahili World (13th–17th century) - Make it stand out</image:title>
      <image:caption>Fig. 3 Dish with flat rim and a pair of stamped fishes in the centre China, Longquan kilns; mid-to-latter 13th century  Green-glazed porcelain; diameter 14.5 cm  Musée d’Histoire Naturelle de Nîmes, France  Photo © Bing Zhao</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/055d1889-d3c4-4f10-a351-df21923a25d4/4.jpg</image:loc>
      <image:title>Highlights - The Vohemar Necropolis, Madagascar, and the Regional Distribution of Chinese Ceramics in the Swahili World (13th–17th century) - Make it stand out</image:title>
      <image:caption>Fig. 4 Large dish with freely carved floral pattern in the centre  China, Longquan kilns; latter half of the 14th century–early 15th century  Green-glazed porcelain; diameter 35.5 cm Musée d’Histoire Naturelle de Nîmes, France  Photo © Bing Zhao</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a35209f4-046d-486b-b42f-6e6601854abe/5.jpg</image:loc>
      <image:title>Highlights - The Vohemar Necropolis, Madagascar, and the Regional Distribution of Chinese Ceramics in the Swahili World (13th–17th century) - Make it stand out</image:title>
      <image:caption>Fig. 5 Bowl with everted sides and everted rim  China, Jingdezhen kilns; late 15th–early 16th century  Blue-and-white porcelain; diameter 15 cm  Musée d’Histoire Naturelle de Nîmes, France  Photo © Bing Zhao</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fba28c79-3677-4e79-ac29-e05218295ad7/6.jpg</image:loc>
      <image:title>Highlights - The Vohemar Necropolis, Madagascar, and the Regional Distribution of Chinese Ceramics in the Swahili World (13th–17th century) - Make it stand out</image:title>
      <image:caption>Fig. 6 Bowl  China, Jingdezhen kilns; 17th century  Porcelain with craquelled greyish glaze; diameter 8 cm  Musée du Quai Branly–Jacques Chirac, Paris, France Photo © Musée du Quai Branly–Jacques Chirac</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9ca42b21-8de3-42a9-b976-33badf500c0e/7.jpg</image:loc>
      <image:title>Highlights - The Vohemar Necropolis, Madagascar, and the Regional Distribution of Chinese Ceramics in the Swahili World (13th–17th century) - Make it stand out</image:title>
      <image:caption>Fig. 7 Dish with qiling in the centre  China, Jingdezhen kilns; early 16th century Blue-and-white porcelain; diameter 20 cm Musée d’Histoire Naturelle de Nîmes, France Photo © Bing Zhao</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/182d0c84-7fb4-4dd1-9992-6a5e0134a1d6/8.jpg</image:loc>
      <image:title>Highlights - The Vohemar Necropolis, Madagascar, and the Regional Distribution of Chinese Ceramics in the Swahili World (13th–17th century) - Make it stand out</image:title>
      <image:caption>Fig. 8 Bowl with everted rim  China, Jingdezhen kilns; latter half of the 16th century  Blue-and-white porcelain; diameter 14 cm  Musée d’Histoire Naturelle de Nîmes, France  Photo © Bing Zhao</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/49471a4d-a02c-4cb8-868d-c3df3d439f11/9.jpg</image:loc>
      <image:title>Highlights - The Vohemar Necropolis, Madagascar, and the Regional Distribution of Chinese Ceramics in the Swahili World (13th–17th century) - Make it stand out</image:title>
      <image:caption>Fig. 9 Jarlet  China, Zhangzhou kilns; latter half of the 16th–early 17th century  Fahua-glazed stoneware; height 9 cm  Musée du Quai Branly–Jacques Chirac, Paris, France Photo © Musée du Quai Branly–Jacques Chirac</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/loaded-histories-the-global-constructions-of-nusra-latif-qureshi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/aa6e5997-47ac-4399-90c8-0a255a3fae17/Allegorical+representation+of+Emperor+Jahangir.jpg</image:loc>
      <image:title>Highlights - Loaded Histories: The Global Constructions of Nusra Latif Qureshi - Make it stand out</image:title>
      <image:caption>Allegorical representation of Emperor Jahangir and Shah Abbas of Persia from the St Petersburg Album From the St Petersburg Album, signed by Abu’l Hasan (act. 1600–30) India, Mughal dynasty, c. 1618 Margins by Muhammad Sadiq, Iran, dated AH 1170/1747–48 CE Opaque watercolour, ink, silver and gold on paper, 23.8 x 15.4 cm Freer Gallery of Art, Smithsonian Institution, Washington, DC (Purchase, F1945.9a)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/840c3a9c-bcfa-4748-b930-a5a0125a2f8e/Considerate+Flying+Objects.jpg</image:loc>
      <image:title>Highlights - Loaded Histories: The Global Constructions of Nusra Latif Qureshi - Make it stand out</image:title>
      <image:caption>Considerate Flying Objects By Nusra Latif Qureshi (b. 1973), 2002 Gouache and acrylic on wasli paper, 26.5 x 36.5 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0aaed8d2-c41c-4d5c-9b91-e1576a9f9ccf/Days+Dreamless%E2%80%94III%2C+2003.jpg</image:loc>
      <image:title>Highlights - Loaded Histories: The Global Constructions of Nusra Latif Qureshi - Make it stand out</image:title>
      <image:caption>Days Dreamless—III, 2003 By Nusra Latif Qureshi (b. 1973) Acrylic, gouache and paper on illustration board, 44 x 32.5 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/947a3e96-a0c5-4697-82aa-d77502148f9b/Self-Portrait%E2%80%94III.jpg</image:loc>
      <image:title>Highlights - Loaded Histories: The Global Constructions of Nusra Latif Qureshi - Make it stand out</image:title>
      <image:caption>Self-Portrait—III By Nusra Latif Qureshi (b. 1973), 2012 Digital print on Clearfilm, 70 x 45 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2a0da339-0457-4ba5-88b9-e810f126242c/Plain+Old+Manifest+Destiny.jpg</image:loc>
      <image:title>Highlights - Loaded Histories: The Global Constructions of Nusra Latif Qureshi - Make it stand out</image:title>
      <image:caption>Plain Old Manifest Destiny By Nusra Latif Qureshi (b. 1973), 2005 Digital print on paper/acrylic and gouache on illustration board, two panels, overall 80 x 200 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b18a4861-8cc6-49e9-a41a-20ef657ef4fc/Precious+Strings+of+Pearls.jpg</image:loc>
      <image:title>Highlights - Loaded Histories: The Global Constructions of Nusra Latif Qureshi - Make it stand out</image:title>
      <image:caption>Precious Strings of Pearls By Nusra Latif Qureshi (b. 1973), 2006 Mixed media on wasli paper, 34 x 26 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d5598342-0a9f-4a50-aa7f-8e51c4629ef9/Red+Silks.jpg</image:loc>
      <image:title>Highlights - Loaded Histories: The Global Constructions of Nusra Latif Qureshi - Make it stand out</image:title>
      <image:caption>Red Silks By Nusra Latif Qureshi (b. 1973), 2007 Digital print on paper, 40 x 30 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/85a3e5fb-a254-4795-a5f6-8a83ede5d3e4/Did+you+come+here+to+find+history%3F.jpg</image:loc>
      <image:title>Highlights - Loaded Histories: The Global Constructions of Nusra Latif Qureshi - Make it stand out</image:title>
      <image:caption>Did you come here to find history? By Nusra Latif Qureshi (b. 1973), 2009 Digital print on clear film, 70 x 900 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/65c46d6e-2e78-4a48-9abe-c7aa3303504a/Substantial+Reflections%E2%80%94III.jpg</image:loc>
      <image:title>Highlights - Loaded Histories: The Global Constructions of Nusra Latif Qureshi - Make it stand out</image:title>
      <image:caption>Substantial Reflections—III By Nusra Latif Qureshi (b. 1973), 2013 Digital print on Clearfilm, 42 x 28 cm</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/saints-and-kings-arts-culture-and-legacy-of-the-sikhs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f3a7ad2a-ed99-493c-830f-fb355690494b/1.jpg</image:loc>
      <image:title>Highlights - ‘Saints and Kings: Arts, Culture and Legacy of the Sikhs’ - Make it stand out</image:title>
      <image:caption>Fig. 1 Guru Nanak India, probably Lucknow or Faizabad, Uttar Pradesh, c. 1770–1800  Opaque watercolour on paper, 49 x 33.7 cm Asian Art Museum of San Francisco Gift of the Kapany Collection (1998.60)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/87c9875b-43a0-453a-8ed5-a23cdb1f8bf4/2.jpg</image:loc>
      <image:title>Highlights - ‘Saints and Kings: Arts, Culture and Legacy of the Sikhs’ - Make it stand out</image:title>
      <image:caption>Fig. 2  Detail of Guru Nanak and the Holy Man Sant Ren, from a manuscript of the Janam Sakhis (Life Stories) India, probably Murshidabad, West Bengal, c. 1750–1800 Opaque watercolour on paper, 20.3 x 16.5 cm Asian Art Museum of San Francisco Gift of the Kapany Collection (1998.58.4)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/cc3d25a5-226e-47e8-9901-afdaf925b1ef/3.jpg</image:loc>
      <image:title>Highlights - ‘Saints and Kings: Arts, Culture and Legacy of the Sikhs’ - Make it stand out</image:title>
      <image:caption>Fig. 3 Guru Nanak’s Wedding Ceremony, from a manuscript of the Janam Sakhis (Life Stories)  Pakistan, Lahore, 1800–1900 Opaque watercolour and gold on paper, 20.3 x 17.8 cm   Asian Art Museum of San Francisco Gift of the Kapany Collection (1998.58.9)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5ae96b1a-c0d6-498d-bc9d-38b8203fcbac/4.jpg</image:loc>
      <image:title>Highlights - ‘Saints and Kings: Arts, Culture and Legacy of the Sikhs’ - Make it stand out</image:title>
      <image:caption>Fig. 4 Guru Nanak and his Disciples Converse with Muslim Clerics, from a manuscript of the Janam Sakhis (Life Stories) India, probably Murshidabad, West Bengal, c. 1750–1800 Opaque watercolour on paper, 20.3 x 17.1 cm Asian Art Museum of San Francisco Gift of the Kapany Collection (1998.58.22)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/10ac78ce-2445-4809-93ca-0e4f69fabe26/5.jpg</image:loc>
      <image:title>Highlights - ‘Saints and Kings: Arts, Culture and Legacy of the Sikhs’ - Make it stand out</image:title>
      <image:caption>Fig. 5 Guru Gobind Singh India, Punjab, c. 1830 Opaque watercolour on paper, 18.4 x 15.2 cm Asian Art Museum of San Francisco Gift of the Kapany Collection (1998.95)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7abf0a3b-88fb-460a-a177-755e6bbc13fd/6.jpg</image:loc>
      <image:title>Highlights - ‘Saints and Kings: Arts, Culture and Legacy of the Sikhs’ - Make it stand out</image:title>
      <image:caption>Fig. 6 The Golden Temple India, Punjab, Amritsar, c. 1875–1900 Albumen silver print, 15.9 x 20.6 cm  Asian Art Museum of San Francisco From the Collection of William K. Ehrenfeld, M. D. (2005.64.478)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/37483d78-7121-4c16-9e86-8741e3cd6b9b/7.jpg</image:loc>
      <image:title>Highlights - ‘Saints and Kings: Arts, Culture and Legacy of the Sikhs’ - Make it stand out</image:title>
      <image:caption>Fig. 7 Ranjit Singh’s Favourite Horse and Some of his Finest Jewels, from ‘Portraits of the Princes and Peoples of India’ By Emily Eden (1797–1869), 1844 Hand-coloured chromolithograph on paper, 21.6 x 17.8 cm Asian Art Museum of San Francisco Gift of the Kapany Collection (1998.63.14)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c28a248e-355d-49c2-baef-7117e4a1f62b/8.jpg</image:loc>
      <image:title>Highlights - ‘Saints and Kings: Arts, Culture and Legacy of the Sikhs’ - Make it stand out</image:title>
      <image:caption>Fig. 8 Maharaja Ranjit Singh and Members of his Court  India, Punjab, c. 1825 Opaque watercolour on paper, 19 x 23.5 cm Asian Art Museum of San Francisco Gift of the Kapany Collection (1998.97)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c0ac7738-137f-437f-8241-e3bce599acbc/9.jpg</image:loc>
      <image:title>Highlights - ‘Saints and Kings: Arts, Culture and Legacy of the Sikhs’ - Make it stand out</image:title>
      <image:caption>Fig. 9 Delhi Coronation Durbar 1st January 1903  By Wiele and Klein (act. from 1882) Photographs (albumen prints) mounted on paper in leather-bound album, 39.1 x 46.4 cm Asian Art Museum of San Francisco From the Collection of William K. Ehrenfeld, M. D. (2005.64.159)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/pursuing-the-aesthetic-an-interview-with-lee-min-te-and-patty-liu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/48bd9a9d-3613-4091-ac40-e3d613ebf9ac/%28From+left%29+Lee+Min_te%2C+Geng+Baochang+Chen+Huasha+and+Patty+Liu.jpg</image:loc>
      <image:title>Highlights - Pursuing the Aesthetic: An Interview with Lee Min-te and Patty Liu - Make it stand out</image:title>
      <image:caption>(From left) Lee Min-te, Geng Baochang, Chen Huasha and Patty Liu</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/64e8a440-fcb6-4498-8c61-9d5c62af5bd9/Bodhisattva.jpg</image:loc>
      <image:title>Highlights - Pursuing the Aesthetic: An Interview with Lee Min-te and Patty Liu - Make it stand out</image:title>
      <image:caption>Bodhisattva China, Song dynasty (960–1279) Wood; height 91.5 cm Peidetang Collection (Image courtesy of Eskenazi Ltd)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5fe654a9-d1dc-4ee9-880b-94c72a30df33/Monk%E2%80%99s+cap+ewer+and+case.jpg</image:loc>
      <image:title>Highlights - Pursuing the Aesthetic: An Interview with Lee Min-te and Patty Liu - Make it stand out</image:title>
      <image:caption>Monk’s cap ewer and case China, Yongle period (1402–24) Ewer: porcelain with tianbai glaze; case: lambskin; height 19 cm, diameter of mouth19.2 cm Peidetang Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9a8bdea8-2257-4cc2-95ab-4fb86970c613/Pair+of+yuhuchun+ping.jpg</image:loc>
      <image:title>Highlights - Pursuing the Aesthetic: An Interview with Lee Min-te and Patty Liu - Make it stand out</image:title>
      <image:caption>Pair of yuhuchun ping China, Northern Song period (960–1127) Ding ware (Each) height 19.5 cm Peidetang Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/dea65eca-b3b2-4aae-90bb-4ed05a8ce8a5/Acrobat+on+Horse.jpg</image:loc>
      <image:title>Highlights - Pursuing the Aesthetic: An Interview with Lee Min-te and Patty Liu - Make it stand out</image:title>
      <image:caption>Acrobat on Horse By Sanyu (1901–66), 1930s Oil on board Height 44.5 cm, width 38 cm Peidetang Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/espadarte-1558-evidence-of-early-portuguese-trade-in-porcelain-via-africa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/84a5351b-95af-4ca4-89a5-31c0c3bf1365/1.jpg</image:loc>
      <image:title>Highlights - Espadarte (1558): Evidence of Early Portuguese Trade in Porcelain via Africa - Make it stand out</image:title>
      <image:caption>Fig. 1 Map of Africa, from the Cape of Good Hope to the equinoctial line, from the Universal Atlas. The Portuguese presence in southern Africa is represented by flags bearing the cross of Christ and by shields with the Portuguese coat of arms.  By Fernão Vaz Dourado (c. 1520–c. 1580); Goa, 1571  Parchment; 40.5 x 53 cm  Direcção-Geral de Arquivos, Portugal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/40124c65-2d44-4276-9eb1-296cd65b8005/2.jpg</image:loc>
      <image:title>Highlights - Espadarte (1558): Evidence of Early Portuguese Trade in Porcelain via Africa - Make it stand out</image:title>
      <image:caption>Fig. 2 Dishes, plates, saucers, bowls, and cups China, Jingdezhen; Ming dynasty (1368–1644), Jiajing reign (1522–66) Recovered from the shipwreck Espadarte (1558) Blue-and-white porcelain Photo © Anya Bartels-Suermondt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f56ed259-6ae7-44d0-a55b-9a85621bb6e5/3a.jpg</image:loc>
      <image:title>Highlights - Espadarte (1558): Evidence of Early Portuguese Trade in Porcelain via Africa - Make it stand out</image:title>
      <image:caption>Figs 3a–b Dish bearing a four-character mark on its base, ‘made in the guichou year’ (guichou nian zao), corresponding to 1553 China, Jingdezhen; Ming dynasty (1368–1644), Jiajing reign (1522–66)  Recovered from the shipwreck Espadarte (1558) Blue-and-white porcelain; diameter 14.8 cm Photo © Manuel Gomes da Costa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/190dbff4-ca0a-4fb0-bf57-39fe0ef0c9db/3b.jpg</image:loc>
      <image:title>Highlights - Espadarte (1558): Evidence of Early Portuguese Trade in Porcelain via Africa - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/33074a8a-47b2-4552-a5c0-3d0b1f197a09/4.jpg</image:loc>
      <image:title>Highlights - Espadarte (1558): Evidence of Early Portuguese Trade in Porcelain via Africa - Make it stand out</image:title>
      <image:caption>Fig. 4 Ewer with a box and cover  China, Jingdezhen; Ming dynasty (1368–1644), Jiajing reign (1522–66) Recovered from the shipwreck Espadarte (1558) White-glazed porcelain; ewer height 13.2 cm; box and cover height (with lid) 5.6 cm, length 12.2 cm, width 9.8 cm  Photo © Manuel Gomes da Costa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/defae674-72e8-40ab-85b0-f167a0f3e90e/5.jpg</image:loc>
      <image:title>Highlights - Espadarte (1558): Evidence of Early Portuguese Trade in Porcelain via Africa - Make it stand out</image:title>
      <image:caption>Fig. 5 Bowl  China, Jingdezhen; Ming dynasty (1368–1644), Jiajing reign (1522–66)  Recovered from the shipwreck Espadarte (1558)  Blue-and-white porcelain; height 6.4 cm, rim diameter 12.2 cm  Photo © Manuel Gomes da Costa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/718c277d-0c2f-497d-b99d-d976c46f655c/6.jpg</image:loc>
      <image:title>Highlights - Espadarte (1558): Evidence of Early Portuguese Trade in Porcelain via Africa - Make it stand out</image:title>
      <image:caption>Fig. 6 Dish  China, Jingdezhen; Ming dynasty (1368–1644), Jiajing reign (1522–66) Recovered from the shipwreck Espadarte (1558) Blue-and-white porcelain; diameter: 21.3 cm Photo © Manuel Gomes da Costa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/53ee1219-92d0-4360-9832-8572193036bf/7.jpg</image:loc>
      <image:title>Highlights - Espadarte (1558): Evidence of Early Portuguese Trade in Porcelain via Africa - Make it stand out</image:title>
      <image:caption>Fig. 7 Cups  China, Jingdezhen; Ming dynasty (1368–1644), Jiajing reign (1522–66)  Recovered from the shipwreck Espadarte (1558) Blue-and-white porcelain; height: 3.4 cm, diameter 5.5–6.7 cm  Photo © Manuel Gomes da Costa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d833b654-c8c8-4608-89c1-ba53c4fef72f/8.jpg</image:loc>
      <image:title>Highlights - Espadarte (1558): Evidence of Early Portuguese Trade in Porcelain via Africa - Make it stand out</image:title>
      <image:caption>Fig. 8 The pyramid-shaped ceiling of the small drawing room, known as Casa das Porcelanas, at the Santos Palace (present-day French Embassy), Lisbon Photo © The French embassy in Portugal—MAEDI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f918ac2b-9300-4ea2-8dbd-5f46d5d8031f/9.jpg</image:loc>
      <image:title>Highlights - Espadarte (1558): Evidence of Early Portuguese Trade in Porcelain via Africa - Make it stand out</image:title>
      <image:caption>Fig. 9 Plate  China, Jingdezhen; Ming dynasty (1368–1644), Jiajing reign (1522–66)  Recovered from the shipwreck Espadarte (1558) Blue-and-white porcelain; diameter: 19.6 cm  Photo © Manuel Gomes da Costa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b7fca857-5991-4216-b588-b753b5b99886/10.jpg</image:loc>
      <image:title>Highlights - Espadarte (1558): Evidence of Early Portuguese Trade in Porcelain via Africa - Make it stand out</image:title>
      <image:caption>Fig. 10 Saucer with anhua decoration  China, Jingdezhen; Ming dynasty (1368–1644), Jiajing reign (1522–66)  Recovered from the shipwreck Espadarte (1558)  Blue-and-white porcelain; diameter: 14.5 cm  Photo © Manuel Gomes da Costa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2e57eb7f-c5e7-4715-bc9e-cefe2756d003/11.jpg</image:loc>
      <image:title>Highlights - Espadarte (1558): Evidence of Early Portuguese Trade in Porcelain via Africa - Make it stand out</image:title>
      <image:caption>Fig. 11 Saucer  China, Jingdezhen; Ming dynasty (1368–1644), Jiajing reign (1522–66)  Recovered from the shipwreck Espadarte (1558)  Blue-and-white porcelain; diameter: 14.7 cm  Photo © Manuel Gomes da Costa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/56102e11-e366-4b7c-a2f2-36e9adc7bf3d/12.jpg</image:loc>
      <image:title>Highlights - Espadarte (1558): Evidence of Early Portuguese Trade in Porcelain via Africa - Make it stand out</image:title>
      <image:caption>Fig. 12 Fragment of a dish bearing a four-character mark on its base: ‘eternal protection and long-lasting spring’ (yong bao chang chun)  China, Jingdezhen; Ming dynasty (1368–1644), Jiajing reign (1522–66)  Recovered from the shipwreck Espadarte (1558)  Blue-and-white porcelain Photo © Manuel Gomes da Costa</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/autumn-viewing-in-the-forbidden-city-an-interview-with-dickson-hall</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/bf28e8b0-8c67-4f39-abda-485d7ee4a008/Dickson+Hall+with+Zhu+Lan.jpg</image:loc>
      <image:title>Highlights - Autumn Viewing in the Forbidden City: An Interview with Dickson Hall - Make it stand out</image:title>
      <image:caption>Dickson Hall with Zhu Lan, director (right), and Wang Conghui, editor (left), of the Painting and Calligraphy Editorial Office at The Forbidden City Publishing House, June 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/031c5251-61c9-430a-8764-b22f98a6b84d/Cover+Chinese+Paintings+in+the+Palace+Museum.jpg</image:loc>
      <image:title>Highlights - Autumn Viewing in the Forbidden City: An Interview with Dickson Hall - Make it stand out</image:title>
      <image:caption>Cover of the new edition of the book Chinese Paintings in the Palace Museum (4th–14th Century) by Dickson Hall showing a detail of the painting Night Revels of Han Xizai by Gu Hongzhong (act. 943–60)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5b01bbda-12ed-4967-9a94-1d2a8fddc663/First+group+of+foreign+students+at+CAFA%2C.jpg</image:loc>
      <image:title>Highlights - Autumn Viewing in the Forbidden City: An Interview with Dickson Hall - Make it stand out</image:title>
      <image:caption>First group of foreign students at CAFA, 1979–80 academic year, on a school outing with staff. Dickson is second from right.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/35bf0b0c-2f29-401d-8599-599887baa56b/Dickson+at+the+Shanghai+Museum.jpg</image:loc>
      <image:title>Highlights - Autumn Viewing in the Forbidden City: An Interview with Dickson Hall - Make it stand out</image:title>
      <image:caption>Dickson at the Shanghai Museum looking at a painting by Sheng Mao (act. c. 1310–60) that was being restored. On the left is Bo Songnian, a professor at CAFA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4182c006-25fc-427c-a47e-74320a7090d0/At+The+Temple+of+the+Sleeping+Buddha.jpg</image:loc>
      <image:title>Highlights - Autumn Viewing in the Forbidden City: An Interview with Dickson Hall - Make it stand out</image:title>
      <image:caption>At The Temple of the Sleeping Buddha in the Fragrant Hills, Beijing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/deaa175d-71a0-4e47-b67b-f081053b26b3/Dickson+at+Democracy+Wall+in+Beijing.jpg</image:loc>
      <image:title>Highlights - Autumn Viewing in the Forbidden City: An Interview with Dickson Hall - Make it stand out</image:title>
      <image:caption>Dickson at Democracy Wall in Beijing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7fc38d23-8ca5-4e2c-86a7-4a92efbd9fb2/Ink%2C+Bamboo+and+Rock.jpg</image:loc>
      <image:title>Highlights - Autumn Viewing in the Forbidden City: An Interview with Dickson Hall - Make it stand out</image:title>
      <image:caption>Ink, Bamboo and Rock By Gao Kegong (1248–1310) Hanging scroll, ink on paper, 122 x 42.3 cm Chinese Paintings in the Palace Museum (4th–14th Century), cat. no. 067</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/30659661-e35e-4dae-a5ee-247f42649301/Waterside+Village.jpg</image:loc>
      <image:title>Highlights - Autumn Viewing in the Forbidden City: An Interview with Dickson Hall - Make it stand out</image:title>
      <image:caption>Waterside Village By Zhao Mengfu (1254–1322) Handscroll, ink on paper, 24.9 x 120.5 cm Chinese Paintings in the Palace Museum (4th–14th Century), cat. no. 059</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/encountering-the-majestic-imperial-portraits-and-qing-court-rites</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6d1028a5-4342-4185-b16a-33d44d29629b/1A.jpg</image:loc>
      <image:title>Highlights - Encountering the Majestic: Imperial Portraits and Qing Court Rites - Make it stand out</image:title>
      <image:caption>Fig. 1 Left to right: Xiaosheng empress, Yongzheng emperor, and Xiaojing empress in court attire China; Qianlong period (1736–95), 1750–77  Hanging scrolls, ink and colour on silk; various dimensions  Palace Museum, Beijing (Gu6455, Gu6431, Gu6450)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/844db359-1686-4a98-a250-9c94c1d3bc0d/1B.jpg</image:loc>
      <image:title>Highlights - Encountering the Majestic: Imperial Portraits and Qing Court Rites - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ef04df0f-6e8b-4a2d-9f42-5e91373f62f0/1C.jpg</image:loc>
      <image:title>Highlights - Encountering the Majestic: Imperial Portraits and Qing Court Rites - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fcfba4a0-c063-4c2e-869c-1771281e7da2/2_L.jpg</image:loc>
      <image:title>Highlights - Encountering the Majestic: Imperial Portraits and Qing Court Rites - Make it stand out</image:title>
      <image:caption>Fig. 2 Left to right: Tongzhi emperor and Xiaozhe empress in court attire  China; Guangxu period (1875–1908), 1875  Hanging scrolls, ink and colour on silk; various dimensions  Palace Museum, Beijing (Gu6604, Gu6614)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c8b6240a-8dfd-46e4-91cd-361f4b5aea58/2_R.jpg</image:loc>
      <image:title>Highlights - Encountering the Majestic: Imperial Portraits and Qing Court Rites - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c73add45-e867-4f9a-a274-2ecbada46499/3.jpg</image:loc>
      <image:title>Highlights - Encountering the Majestic: Imperial Portraits and Qing Court Rites - Make it stand out</image:title>
      <image:caption>Fig. 3 Sketch before conservation of the Xiaozhe empress in court attire China; Guangxu period (1875–1908), 1875 Ink on paper Palace Museum, Beijing (Shu3389)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e5534ab4-7f8d-418d-a326-9ad182025794/4.jpg</image:loc>
      <image:title>Highlights - Encountering the Majestic: Imperial Portraits and Qing Court Rites - Make it stand out</image:title>
      <image:caption>Fig. 4 Details of the sketch and portrait of the Xiaozhe empress in Figures 2 and 3, showing colour codes and final colours</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6305828e-557b-4939-8c19-e08aeac1dc73/5.jpg</image:loc>
      <image:title>Highlights - Encountering the Majestic: Imperial Portraits and Qing Court Rites - Make it stand out</image:title>
      <image:caption>Fig. 5 Sketch of the Xiaozhe empress at 80 per cent transparency overlapped with the final portrait (Graphic by Lyu Zhichao, images courtesy of the Palace Museum, Beijing)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e2c7aba2-770c-49d4-888c-5f22429b6c9d/6.jpg</image:loc>
      <image:title>Highlights - Encountering the Majestic: Imperial Portraits and Qing Court Rites - Make it stand out</image:title>
      <image:caption>Fig. 6 Court vest of empress dowagers and empresses as shown in the Huangchao liqi tu (Leng Jian et al., Beijing) probably from the mid-Qianlong period</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f62051c0-53a2-4010-b837-e3d167195831/7.jpg</image:loc>
      <image:title>Highlights - Encountering the Majestic: Imperial Portraits and Qing Court Rites - Make it stand out</image:title>
      <image:caption>Fig. 7 Interior of the Hall of Imperial Longevity, on or before 1929 (After Gugong Zhoukan 21 [1930], p. 4)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e121c484-2bab-4aeb-8868-f442e209421a/8_updated.jpg</image:loc>
      <image:title>Highlights - Encountering the Majestic: Imperial Portraits and Qing Court Rites - Make it stand out</image:title>
      <image:caption>Fig. 8 Chart indicating the placement of screens and portraits in the Hall of Imperial Longevity for the Lunar New Year ancestral rite during the Guangxu period (1875–1908) (Redrawn by Sonjia Yu, Hong Kong Palace Museum, after Kungang et al., eds, Qinding da Qing huidian tu: Guangxu chao, Beijing, 1899, vol. 9, pp. 27b–28a)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e3abba43-8f60-47eb-ad52-e676920e9f29/9+Qing+imperial+family+tree_Updated.jpg</image:loc>
      <image:title>Highlights - Encountering the Majestic: Imperial Portraits and Qing Court Rites - Make it stand out</image:title>
      <image:caption>Fig. 9 Qing imperial lineage of Lunar New Year portrait worship during the Guangxu period  (1875–1908) (Content by Yang Xu and graphic design by Sonjia Yu, Hong Kong Palace Museum)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/df7b3ca1-71c5-4970-9459-84ecd8e708e6/10_L.jpg</image:loc>
      <image:title>Highlights - Encountering the Majestic: Imperial Portraits and Qing Court Rites - Make it stand out</image:title>
      <image:caption>Fig. 10 A frame from the multimedia exhibit ‘The Hall of Imperial Longevity: Venerating Ancestor Portraits on Lunar New Year’s Day’  (Provided by Sarah Kenderdine, Jeffrey Shaw, and Victor Wong and vfxNova digital productions Ltd, after images from the Palace Museum and measured drawings by the School of Architecture, Tianjin University)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b1bbce35-6654-420f-8965-9709a980e16c/10_R.jpg</image:loc>
      <image:title>Highlights - Encountering the Majestic: Imperial Portraits and Qing Court Rites - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/woven-languages-an-interview-with-peter-ten-hoopen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a90c6144-6b31-413d-97a1-e520a67bb872/Peter+ten+Hoopen.jpg</image:loc>
      <image:title>Highlights - Woven Languages: An Interview with Peter ten Hoopen - Make it stand out</image:title>
      <image:caption>Peter ten Hoopen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0c582b8e-45be-414d-abda-5627b4808c1a/Dula+banga+%28men%E2%80%99s+shawl%29.jpg</image:loc>
      <image:title>Highlights - Woven Languages: An Interview with Peter ten Hoopen - Make it stand out</image:title>
      <image:caption>Dula banga (men’s shawl) Roti, Indonesia, 1930 Cotton, 74 x 151 cm Pusaka Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5ac70ecf-c1cb-460e-83ee-a37d0b014fac/Detail+of+homnon+%28sarong%29.jpg</image:loc>
      <image:title>Highlights - Woven Languages: An Interview with Peter ten Hoopen - Make it stand out</image:title>
      <image:caption>Detail of homnon (sarong) Kisar, Moluccas, 1925–40 Cotton, 64 x 145 cm Pusaka Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9fad8918-2e04-4df8-a903-3acf17a1a18f/Detail+of+lawar+%28sarong%29.jpg</image:loc>
      <image:title>Highlights - Woven Languages: An Interview with Peter ten Hoopen - Make it stand out</image:title>
      <image:caption>Detail of lawar (sarong) Luang, Moluccas, 1925–40 Cotton, 62 x 139 cm Pusaka Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/41ea0786-2543-429a-b883-49d06c14f342/Hinggi+%28blanket%29.jpg</image:loc>
      <image:title>Highlights - Woven Languages: An Interview with Peter ten Hoopen - Make it stand out</image:title>
      <image:caption>Hinggi (blanket) East Sumba, Indonesia, 1960 Cotton, 107 x 270 cm Pusaka Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9920ac01-c59c-4e4b-b5da-b0c83b577583/Elephant+patolu.jpg</image:loc>
      <image:title>Highlights - Woven Languages: An Interview with Peter ten Hoopen - Make it stand out</image:title>
      <image:caption>Elephant patolu Gujarat, India, 1750–1800 Silk, 104 x 451 cm Pusaka Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ed9e071f-2f07-4e6f-9fb5-424a0659216f/Ulos+%28shawl%29.jpg</image:loc>
      <image:title>Highlights - Woven Languages: An Interview with Peter ten Hoopen - Make it stand out</image:title>
      <image:caption>Ulos (shawl) Batak, Sumatra, Indonesia, early 20th century Cotton, 75 x 206 cm Pusaka Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3751f497-8040-4d2c-937a-13721ee1ceed/Ikat+weaving+on+Sumba.jpg</image:loc>
      <image:title>Highlights - Woven Languages: An Interview with Peter ten Hoopen - Make it stand out</image:title>
      <image:caption>Ikat weaving on Sumba</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/stitches-empowered-korean-embroidery-arts-from-the-joseon-dynasty</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f2a6883a-e6f2-49c2-a309-e5851386eeb4/1.jpg</image:loc>
      <image:title>Highlights - Stitches Empowered: Korean Embroidery Arts from the Joseon Dynasty - Make it stand out</image:title>
      <image:caption>Fig. 1 Wrapping cloth Korea, Joseon dynasty (1392−1910), early 1900s Embroidery on cotton, 49 x 49 cm Seoul Museum of Craft Art (2018-D-Huh-1559) (Image courtesy of Seoul Museum of Craft Art)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/488aa835-a059-454b-a3f5-803465e7f338/2.jpg</image:loc>
      <image:title>Highlights - Stitches Empowered: Korean Embroidery Arts from the Joseon Dynasty - Make it stand out</image:title>
      <image:caption>Fig. 2 Wrapping cloth Korea, Joseon dynasty (1392–1910), early 1900s Embroidery on silk with cotton, 35 x 34 cm Seoul Museum of Craft Art (2018-D-Huh-1562) (Image courtesy of Seoul Museum of Craft Art)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/026a4d8d-d232-488c-b3eb-6407b766f0c8/3.jpg</image:loc>
      <image:title>Highlights - Stitches Empowered: Korean Embroidery Arts from the Joseon Dynasty - Make it stand out</image:title>
      <image:caption>Fig. 3 Bridal gown (reverse) Korea, Joseon dynasty (1392–1910), late 1800s Embroidery on silk with paper, 114.3 x 174 cm The Cleveland Museum of Art (1918.552)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7ece40e6-b496-446e-8cab-4187c00caf09/4.jpg</image:loc>
      <image:title>Highlights - Stitches Empowered: Korean Embroidery Arts from the Joseon Dynasty - Make it stand out</image:title>
      <image:caption>Fig. 4 Thimbles Korea, Joseon dynasty (1392–1910), early 1900s Embroidery on silk and cotton, overall 2.8 x 2.5 x 1.5 cm Seoul Museum of Craft Art (2018-D-Huh-3025–3056) (Image courtesy of Seoul Museum of Craft Art)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1752a86e-794f-498a-854d-a40326bf1bc8/5.jpg</image:loc>
      <image:title>Highlights - Stitches Empowered: Korean Embroidery Arts from the Joseon Dynasty - Make it stand out</image:title>
      <image:caption>Fig. 5 Sewing tray Korea, Joseon dynasty (1392–1910), 1800s Lacquer with mother-of-pearl inlay, diameter 33.1 cm  The Cleveland Museum of Art (1987.42)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ba570f0d-7c4f-435f-bf14-6ce5e0c816f0/6.jpg</image:loc>
      <image:title>Highlights - Stitches Empowered: Korean Embroidery Arts from the Joseon Dynasty - Make it stand out</image:title>
      <image:caption>Fig. 6 Birds and Flowers (detail) Korea, Joseon dynasty (1392–1910), late 19th/early 20th century Eight-panel folding screen, embroidery on silk, each panel: 153.5 x 49.5 cm  Seoul Museum of Craft Art (2018-D-Huh-0044) (Image courtesy of Seoul Museum of Craft Art)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/579b2de0-abe4-464c-849a-ae9bd555a6d5/7.jpg</image:loc>
      <image:title>Highlights - Stitches Empowered: Korean Embroidery Arts from the Joseon Dynasty - Make it stand out</image:title>
      <image:caption>Fig. 7 Ancient Bronze Vessels Korea, Joseon dynasty (1392–1910), late 1800s Ten-panel folding screen, embroidery on silk, each panel: 147.3 x 34.5 cm  Private collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3399441c-5239-44e5-9882-2be166b8544f/8.jpg</image:loc>
      <image:title>Highlights - Stitches Empowered: Korean Embroidery Arts from the Joseon Dynasty - Make it stand out</image:title>
      <image:caption>Fig. 8 Ten Longevity Symbols Korea, Joseon dynasty (1392−1910), 1700s Eight-panel folding screen, embroidery on silk, each panel: 141 × 45.7 cm  Detroit Institute of Arts (1985.14) (Image courtesy of Detroit Institute of Arts)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d20ec60a-b64b-4316-b06b-c64b95d10815/9.jpg</image:loc>
      <image:title>Highlights - Stitches Empowered: Korean Embroidery Arts from the Joseon Dynasty - Make it stand out</image:title>
      <image:caption>Fig. 9 Detail of Geese and Reeds showing the last three panels of the left screen Design by Yang Gi-hun (1843–1919?), Korea, Joseon dynasty (1392−1910), 1905 One of a pair of twelve-panel folding screens, embroidery on silk, each panel: 200.5 x 33.5 cm  Seoul Museum of Craft Art (2018-D-Huh-0046) (Image courtesy of Seoul Museum of Craft Art)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/89456fe6-9547-4a8a-8cef-61dc11a7e913/10.jpg</image:loc>
      <image:title>Highlights - Stitches Empowered: Korean Embroidery Arts from the Joseon Dynasty - Make it stand out</image:title>
      <image:caption>Fig. 10 Geese and Reeds By Yang Gi-hun (1843–1919?), Korea, Joseon dynasty (1392−1910), 1905 Ten-panel folding screen, ink on silk, each panel: 125 x 43.7 cm  National Palace Museum of Korea (Changdeok 6556) (Image courtesy of National Palace Museum of Korea)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/fringe-benefit-the-margins-of-islamic-art-at-shangri-la</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/12136769-81ae-41fc-b4e1-1b743af9ee8b/1.jpg</image:loc>
      <image:title>Highlights - Fringe Benefit: The Margins of Islamic Art at Shangri La - Make it stand out</image:title>
      <image:caption>Fig. 1 Table painted with scenes of princely leisure and inscribed with Persian poetry Iran, late 19th to early 20th century Wood, paint, gold leaf or powder, varnish, 28.9 x 157.5 x 82.9 cm Shangri La (65.9) Doris Duke Foundation for Islamic Art, Honolulu, Hawai‘i  (Photograph: David Franzen, 2010)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/765027e1-0688-4c65-9441-30b467945a92/2.jpg</image:loc>
      <image:title>Highlights - Fringe Benefit: The Margins of Islamic Art at Shangri La - Make it stand out</image:title>
      <image:caption>Fig. 2 View of the Mughal Suite master bathroom showing inlaid marble panelling Commissioned from C. G. and F. B. Blomfield, India (Delhi and Agra), 1935–38 Marble, semi-precious stones Shangri La © 2014, Linny Morris, courtesy of the Doris Duke Foundation for Islamic Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fdd48267-72af-48e8-9fd4-3528f1883422/3.jpg</image:loc>
      <image:title>Highlights - Fringe Benefit: The Margins of Islamic Art at Shangri La - Make it stand out</image:title>
      <image:caption>Fig. 3 Wall panel with inlaid floral motif Commissioned from C. G. and F. B. Blomfield, India (Delhi and Agra), 1935–38 Marble, semi-precious stones, 76.2 x 30.5 cm Shangri La (41.49n–p) Doris Duke Foundation for Islamic Art, Honolulu, Hawai‘i  (Photograph: David Franzen, 2008)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9d876bf7-5c5b-431e-9aa8-d55e464ce0be/4.jpg</image:loc>
      <image:title>Highlights - Fringe Benefit: The Margins of Islamic Art at Shangri La - Make it stand out</image:title>
      <image:caption>Fig. 4 View of the foyer showing architectural elements commissioned in Morocco in 1937 Shangri La Doris Duke Foundation for Islamic Art, Honolulu, Hawai‘i  (Photograph: David Franzen, 2010)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7e44ed63-b58c-4447-b2a7-8350a5c9d43f/5.jpg</image:loc>
      <image:title>Highlights - Fringe Benefit: The Margins of Islamic Art at Shangri La - Make it stand out</image:title>
      <image:caption>Fig. 5 View of the main residence exterior, oceanside Shangri La  Doris Duke Foundation for Islamic Art, Honolulu, Hawai‘i   (Photograph: David Franzen, 2011)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8fc4ef2d-85d0-4f79-a577-2e04cbf875f0/6.jpg</image:loc>
      <image:title>Highlights - Fringe Benefit: The Margins of Islamic Art at Shangri La - Make it stand out</image:title>
      <image:caption>Fig. 6 Door surround composed of historic lustre star tiles and modern turquoise cross tiles Shangri La Doris Duke Foundation for Islamic Art, Honolulu, Hawai‘i  (Photograph: David Franzen, 2010)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1289d22f-c449-4249-88b8-2a5cf343fd45/7.jpg</image:loc>
      <image:title>Highlights - Fringe Benefit: The Margins of Islamic Art at Shangri La - Make it stand out</image:title>
      <image:caption>Fig. 7 Page from an illustrated manuscript of Jāmī’s Yusuf and Zulaykha Transcribed by Mīr ‘Alī al-Kāteb al-Soltāni (c. 1465–1544) Uzbekistan (Bukhara), dated 944 A.H. (1537–38) Ink, opaque watercolour and gold on paper, gilded leather binding, 31.1 x 21 cm Shangri La (10.6) Doris Duke Foundation for Islamic Art, Honolulu, Hawai‘i  (Photograph: David Franzen, 2010)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f9a65b14-fe42-43ce-90bc-9bd7e64ca336/8.jpg</image:loc>
      <image:title>Highlights - Fringe Benefit: The Margins of Islamic Art at Shangri La - Make it stand out</image:title>
      <image:caption>Fig. 8 Armchair Syria, 19th century Wood, mother-of-pearl, bone, paint and tin wire inlay, 71.1 x 71.1 x 71.1 cm Shangri La (65.118) Doris Duke Foundation for Islamic Art, Honolulu, Hawai‘i  (Photograph: David Franzen, 2014)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/477db9d1-9ad4-43e7-b7c9-cee5e306549e/9.jpg</image:loc>
      <image:title>Highlights - Fringe Benefit: The Margins of Islamic Art at Shangri La - Make it stand out</image:title>
      <image:caption>Fig. 9 View of the central courtyard showing Iranian tile panels from the 13th to 20th century Shangri La Doris Duke Foundation for Islamic Art, Honolulu, Hawai‘i  (Photograph: David Franzen, 2011)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/bridging-the-distance-forging-connections-with-islamic-art-at-the-walters-art-museum-baltimore</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d2085ed2-f15b-4747-acd7-88bde7e7e21f/1.jpg</image:loc>
      <image:title>Highlights - Bridging the Distance: Forging Connections with Islamic Art at the Walters Art Museum, Baltimore - Make it stand out</image:title>
      <image:caption>Fig. 1 Ewer with rooster-head spout Iran; 13th century Ceramic with glaze and underglaze; 25.3 x 14.6 cm Walters Art Museum, Baltimore  Acquired by Henry Walters, before 1931</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/18630dd5-a731-4929-a51c-9ea6d7d6a4db/2.jpg</image:loc>
      <image:title>Highlights - Bridging the Distance: Forging Connections with Islamic Art at the Walters Art Museum, Baltimore - Make it stand out</image:title>
      <image:caption>Fig. 2 Incense burner Turkey; 19th century Bronze with enamel; 17.3 x 21.3 cm Walters Art Museum, Baltimore  Acquired by Henry Walters, before 1931</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0cb41766-33fb-402b-8733-bcd7f9478737/3.jpg</image:loc>
      <image:title>Highlights - Bridging the Distance: Forging Connections with Islamic Art at the Walters Art Museum, Baltimore - Make it stand out</image:title>
      <image:caption>Fig. 3 Album (muraqqa') of calligraphy  By Şeyh Hamdullah (1436–1520) Turkey; calligraphy from the 16th century, bound in the 18th century Opaque watercolour and ink on paper mounted on thin pasteboard, bound between sheepskin-covered boards with cold and chamois leather; each folio: 30 x 23 cm Walters Art Museum, Baltimore  Acquired by Henry Walters, before 1931</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c1e6900e-0f9b-49c8-9bc7-398d0bbb9ad5/4.jpg</image:loc>
      <image:title>Highlights - Bridging the Distance: Forging Connections with Islamic Art at the Walters Art Museum, Baltimore - Make it stand out</image:title>
      <image:caption>Fig. 4 Standard (‘alam) By Muhammad Taqi Ordubadi (act. c. 1660s), Iran; 1664–65 Cast, hammered, and pierced iron; 125.5 x 42.2 x 1 cm Walters Art Museum, Baltimore Museum Purchase 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/92b5b633-cec9-4ad6-a35f-21353c9fee5a/5.jpg</image:loc>
      <image:title>Highlights - Bridging the Distance: Forging Connections with Islamic Art at the Walters Art Museum, Baltimore - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/an-interview-with-amna-naqvi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/670dbc13-3850-41c5-bec6-a14e761e561b/1.jpg</image:loc>
      <image:title>Highlights - An Interview with Amna Naqvi - Make it stand out</image:title>
      <image:caption>Amna Naqvi and Oyster, 2015 Oyster: by Naiza Khan (b. 1968), 2014 Bronze, 28 x 28 x 13 cm AAN Collection (Image courtesy of AAN Collection &amp; Sakshi Verma Photography)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ca8c6275-cdde-41c2-9ec9-ef7b85488052/2.jpg</image:loc>
      <image:title>Highlights - An Interview with Amna Naqvi - Make it stand out</image:title>
      <image:caption>The bodhisattva Siddhartha Gandhara, 2nd/3rd century Grey schist, height 70 cm AAN Collection (Image courtesy of Sotheby’s)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e429dc95-56cb-4180-8bc1-b3bf74ebf9bb/3.jpg</image:loc>
      <image:title>Highlights - An Interview with Amna Naqvi - Make it stand out</image:title>
      <image:caption>Everything and Nothing By Rashid Rana (b. 1968), 2011 LightJet print + Diasec, each: 206 x 305 cm AAN Collection (Image courtesy of Rashid Rana Studio)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/bed3c7ab-1305-4c16-ba8d-350e765ca72c/4.jpg</image:loc>
      <image:title>Highlights - An Interview with Amna Naqvi - Make it stand out</image:title>
      <image:caption>Shah Abbas Receiving the Mughal Mission at Isfahan India, Lucknow or Faizabad, late 18th/early 19th century Opaque watercolour and gold on paper, 40.5 x 27.3 cm AAN Collection (Image courtesy of Sotheby’s)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/hariti-domesticated</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ea8fcad1-4e38-478e-ad8a-56a44a3c3e26/1.jpg</image:loc>
      <image:title>Highlights - Hariti Domesticated: Re-evaluating Structures of Patronage in Gandharan Art - Make it stand out</image:title>
      <image:caption>Fig. 1 Hariti Gandhara, Kushan period, 2nd–3rd century Grey schist; height 77 cm, width 42 cm, diameter 14 cm British Museum (1886,0611.1) (Image © The Trustees of the British Museum)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/14c9f2be-7d90-4a30-9e60-540c59497442/2.jpg</image:loc>
      <image:title>Highlights - Hariti Domesticated: Re-evaluating Structures of Patronage in Gandharan Art - Make it stand out</image:title>
      <image:caption>Fig. 2 Stupa drum panel with a framing element containing a female figure, presumably a yakshi Gandhara, Kushan period, 2nd–3rd century Grey schist; height 23.5 cm, width 14 cm, diameter 6.7 cm British Museum (1899,0609.3) (Image © The Trustees of the British Museum)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2d09e19b-1775-47fd-bbe6-f7e63f8fd6c1/3.jpg</image:loc>
      <image:title>Highlights - Hariti Domesticated: Re-evaluating Structures of Patronage in Gandharan Art - Make it stand out</image:title>
      <image:caption>Fig. 3 Relief depicting two deities with a staff, purse and cornucopia, possibly Pharro and Ardochsho Gandhara, Kushan period, 2nd–3rd century Grey schist; height 18 cm, width 17 cm, depth 4.5 cm Ashmolean Museum of Art and Archaeology, University of Oxford  Presented by Major P. C. Hailey, 1962 (EA1962.42)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3d99e41d-1cdb-42da-a708-6cdeb36ca70a/4.jpg</image:loc>
      <image:title>Highlights - Hariti Domesticated: Re-evaluating Structures of Patronage in Gandharan Art - Make it stand out</image:title>
      <image:caption>Fig. 4 Panchika and Hariti Gandhara, Kushan period, 2nd–3rd century Grey schist; height 30.48 cm, width 29.84 cm, depth 8.25 cm Los Angeles County Museum of Art  Gift of Tom and Nancy Juda (M.83.66) (Image © 2014 Museum Associates/LACMA)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/62ff0acf-3e64-474d-8b1a-7b2e3a595a18/5.jpg</image:loc>
      <image:title>Highlights - Hariti Domesticated: Re-evaluating Structures of Patronage in Gandharan Art - Make it stand out</image:title>
      <image:caption>Fig. 5 Tutelary couple, possibly Panchika and Hariti Gandhara, Kushan period, 2nd–3rd century Grey schist; height 27 cm, width 24.7 cm, depth 10.3 cm British Museum (1950,0726.2) (Image © The Trustees of the British Museum)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/an-interview-with-trickie-lopa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d0d6cec9-bc5f-4574-881a-4ada26e89314/1.jpg</image:loc>
      <image:title>Highlights - An Interview with Trickie Lopa - Make it stand out</image:title>
      <image:caption>Trickie Lopa at home Painting by Yasmin Sison-Ching (b. 1972); sculpture by Ronald Ventura (b. 1973) (Photograph: Jojo Gloria)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5e591c02-a03c-484d-894d-998fe6863211/2.jpg</image:loc>
      <image:title>Highlights - An Interview with Trickie Lopa - Make it stand out</image:title>
      <image:caption>Living room: (from left) Standing sculpture by Junyee (b. 1942); paintings by Arturo Sanchez Jr. (b. 1980), National Artist Vicente Manansala (b. 1910) and Rodel Tapaya (b. 1980) (Photograph: Jar Concengco)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8c55fe98-2994-49b8-9d6d-3ef19c045bad/3.jpg</image:loc>
      <image:title>Highlights - An Interview with Trickie Lopa - Make it stand out</image:title>
      <image:caption>Living room: (from left) Paintings by Rodel Tapaya (b. 1980), Yasmin Sison-Ching (b. 1972), Jose John Santos III (b. 1970), Geraldine Javier (b. 1970) and Joven Mansit (b. 1984); wooden tower Kareton Katedral: Kambal Dos by Jose Tence Ruiz (b. 1958), 2004; bronze chandelier by Michael Cacnio (b. 1969) (Photograph: Jar Concengco)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7c2caae8-cc9b-4ce4-bd90-f60a4fb2a8d2/4.jpg</image:loc>
      <image:title>Highlights - An Interview with Trickie Lopa - Make it stand out</image:title>
      <image:caption>Dining room: (wall) The Origin of the Mountains, by Rodel Tapaya (b. 1980), 2008 and (floor) cold-cast marble piece by sculptress Julie Lluch (b. 1946) (Photograph: Jar Concengco)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c3c695a4-2811-49b1-a467-9ecff2a8c9a2/5.jpg</image:loc>
      <image:title>Highlights - An Interview with Trickie Lopa - Make it stand out</image:title>
      <image:caption>Dining room: Untitled wall-bound assemblage by Gabriel Barredo (b. 1957), 2011—a favourite piece; table-top sculptures by Leeroy New (b. 1986) (Photograph: Jar Concengco)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/00569523-13d6-433a-bbe1-86a54e121d5b/6.jpg</image:loc>
      <image:title>Highlights - An Interview with Trickie Lopa - Make it stand out</image:title>
      <image:caption>Dining table: Sculpture by Riel Hilario (b. 1976) (Photograph: Jar Concengco)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2c4db17b-d4d3-4f5f-8d3b-663ddfff5f06/7.jpg</image:loc>
      <image:title>Highlights - An Interview with Trickie Lopa - Make it stand out</image:title>
      <image:caption>Corridor overlooking the dining room: (from left) Early paintings on burlap by Rodel Tapaya (b. 1980) and wall-bound thread-on-fabric piece by Raffy Napay (b. 1986); overhanging the dining room: painting by Alfredo Esquillo Jr (b. 1972) (Photograph: Jar Concengco)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/16a987cb-d666-46ae-86b5-c00e5d944753/8.jpg</image:loc>
      <image:title>Highlights - An Interview with Trickie Lopa - Make it stand out</image:title>
      <image:caption>Corridor overlooking the dining room: Wall-bound thread-on-fabric piece by Raffy Napay (b. 1986) and set of portraits by Buen Calubayan (b. 1980) (Photograph: Jar Concengco)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/14bb4ce4-06cf-4027-bdb2-628a055af299/9.jpg</image:loc>
      <image:title>Highlights - An Interview with Trickie Lopa - Make it stand out</image:title>
      <image:caption>Den: (from left) Paintings by young artists Luis Antonio Santos (b. 1985) and Kaloy Sanchez (b. 1982) (Photograph: Jar Concengco)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/philippine-gold-southeast-asian-trade-and-transmission</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9dba4545-5bae-45f1-9abe-8b1a59ed0869/1.jpg</image:loc>
      <image:title>Highlights - Philippine Gold: Southeast Asian Trade and Transmission - Make it stand out</image:title>
      <image:caption>Fig. 1 Kamagi  Surigao Treasure, Surigao del Sur province Gold, length 453 cm Bangko Sentral ng Pilipinas (G2P-1981-0023) (Image courtesy of the lender; photograph: Wig Tysmans)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b62af37c-ea2e-4cc9-9b49-bac95fb88c47/2.jpg</image:loc>
      <image:title>Highlights - Philippine Gold: Southeast Asian Trade and Transmission - Make it stand out</image:title>
      <image:caption>Fig. 2 Funerary mask Butuan, Agusan del Norte province, c. 10th–13th century Gold, 21.5 x 16 cm Ayala Museum (76.4795)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/329234bc-3fde-460f-a985-cbfc490cfcc5/3.jpg</image:loc>
      <image:title>Highlights - Philippine Gold: Southeast Asian Trade and Transmission - Make it stand out</image:title>
      <image:caption>Fig. 3 Kinnari Surigao Treasure, Surigao del Sur province, c. 10th–13th century Gold, 12.3 x 7.3 cm Ayala Museum (81.5189)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/163a9cbd-db49-4832-ad8e-6349e16bffed/4.jpg</image:loc>
      <image:title>Highlights - Philippine Gold: Southeast Asian Trade and Transmission - Make it stand out</image:title>
      <image:caption>Fig. 4 Pubic plaque Northeast Mindanao, 10th century Gold, 6.6 X 6.4 cm Ayala Museum (77.4954)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5aef4364-0ec0-4a56-9b07-aeb56dbcdd81/5.jpg</image:loc>
      <image:title>Highlights - Philippine Gold: Southeast Asian Trade and Transmission - Make it stand out</image:title>
      <image:caption>Fig. 5 Pubic plaque Northeast Mindanao, 10th century Gold, 8 x 7.2 cm Ayala Museum (77.4862)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/db3208b3-44d2-43fb-9365-eb8b3d8afffa/6.jpg</image:loc>
      <image:title>Highlights - Philippine Gold: Southeast Asian Trade and Transmission - Make it stand out</image:title>
      <image:caption>Fig. 6 Pubic plaque Excavated from the Intan shipwreck, Java Sea in 1997 10th century Gold, 6.4 x 6.4 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d2bbb4da-afae-4964-b7df-1baffd3673c0/7+front.jpg</image:loc>
      <image:title>Highlights - Philippine Gold: Southeast Asian Trade and Transmission - Make it stand out</image:title>
      <image:caption>Fig. 7 Vajralasya Excavated in Agusan in 1917  Late 10th–11th century  Gold The Field Museum  (Image © The Field Museum, photo ID no. A114678_006Ad, cat. no. 109928; after Lance Grande and Allison Augustyn, Gems and Gemstones: Timeless Natural Beauty of the Mineral World, Chicago, 2009) (Photograph: John Weinstein)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4af59df2-cee7-4594-95a8-e4f266ddd05e/7+back.jpg</image:loc>
      <image:title>Highlights - Philippine Gold: Southeast Asian Trade and Transmission - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d09b219e-2328-462b-8411-0336a80af25e/8.jpg</image:loc>
      <image:title>Highlights - Philippine Gold: Southeast Asian Trade and Transmission - Make it stand out</image:title>
      <image:caption>Fig. 8 Vajraraga Excavated from the Nanhan-Cirebon shipwreck, Java Sea in 2004  Late 10th century Gold (Image: Cosmix Underwater Research and Recovery Ltd by Luc Heymans)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/an-interview-with-kjeld-von-folsach-director-of-the-david-collection</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/bc8fc26e-f1a8-4005-ad3d-066b9599fe93/Kjeld+von+Folsach.jpg</image:loc>
      <image:title>Highlights - An Interview with Kjeld von Folsach, Director of the David Collection - Make it stand out</image:title>
      <image:caption>Kjeld von Folsach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5ddb126c-fa70-4d1c-b13e-91cf51b4d10b/The+David+Collection.jpg</image:loc>
      <image:title>Highlights - An Interview with Kjeld von Folsach, Director of the David Collection - Make it stand out</image:title>
      <image:caption>The David Collection Photograph: Pernille Klemp</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3b56d582-337f-476a-9d56-191244c55ac0/European+18th.jpg</image:loc>
      <image:title>Highlights - An Interview with Kjeld von Folsach, Director of the David Collection - Make it stand out</image:title>
      <image:caption>European 18th century art, English furniture, Meissen porcelain and French faience  Photograph: Pernille Klemp</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2200872c-e57b-4e1b-b28b-002ab27e504f/Carpet+weight.jpg</image:loc>
      <image:title>Highlights - An Interview with Kjeld von Folsach, Director of the David Collection - Make it stand out</image:title>
      <image:caption>Carpet weight China, around 1700 Porcelain, painted dark blue under a transparent glaze and covered with famille verte enamels in black, green, red, yellow, and blue as well as with gilding, height 14.2 cm, width 12.4 cm, diameter of dome 8.4 cm The David Collection (5/2019)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ba6149dc-e91d-486d-b2a7-415f0e61c1ca/Medallion.jpg</image:loc>
      <image:title>Highlights - An Interview with Kjeld von Folsach, Director of the David Collection - Make it stand out</image:title>
      <image:caption>Medallion Iraq or western Iran, 1st half of 14th century Tapestry, silk and gilded lamella of animal substrate spun around cotton, diameter 69 cm The David Collection (30/1995)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a648dc53-cbec-4020-900d-1064670db84e/Islamic+collection%2C+Muslim.jpg</image:loc>
      <image:title>Highlights - An Interview with Kjeld von Folsach, Director of the David Collection - Make it stand out</image:title>
      <image:caption>Islamic collection, Muslim Spain and North Africa Photograph: Pernille Klemp</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8f72bc8e-379b-471e-8a40-745d71214d8d/Islamic+collection.jpg</image:loc>
      <image:title>Highlights - An Interview with Kjeld von Folsach, Director of the David Collection - Make it stand out</image:title>
      <image:caption>Islamic collection, Open repository</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/hwlush38moqfp7lhum7klblb2asssj</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2547dc26-36d2-4c66-bff3-b61f005a0fe2/1.jpg</image:loc>
      <image:title>Highlights - Muslim Blue, Chinese White: Islamic Calligraphy on Ming Blue-and-white Porcelain - Make it stand out</image:title>
      <image:caption>Fig. 1 Square vase with Persian inscriptions China, Ming dynasty (1368–1644), Zhengde period (1506–21) Porcelain with underglaze cobalt-blue decoration, height 11.4 cm James D. Frankel Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f0bec3c9-5176-4519-8af4-6e78b66e5302/2.jpg</image:loc>
      <image:title>Highlights - Muslim Blue, Chinese White: Islamic Calligraphy on Ming Blue-and-white Porcelain - Make it stand out</image:title>
      <image:caption>Fig. 2 Inkstone with Persian inscriptions China, Ming dynasty (1368–1644), Zhengde period (1506–21) Porcelain with underglaze cobalt-blue decoration, length 23.5 cm James D. Frankel Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d9ed5eaf-009b-4a13-b292-98a515e1abed/3.jpg</image:loc>
      <image:title>Highlights - Muslim Blue, Chinese White: Islamic Calligraphy on Ming Blue-and-white Porcelain - Make it stand out</image:title>
      <image:caption>Fig. 3 Writing box with Persian and Arabic inscriptions China, Ming dynasty (1368–1644), Zhengde period (1506–21) Porcelain with underglaze cobalt-blue decoration, dimensions unknown Musée Guimet (Photograph: World Imaging/Wikimedia Commons)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f07994b7-cdb9-49d3-b389-d9a208808219/4.jpg</image:loc>
      <image:title>Highlights - Muslim Blue, Chinese White: Islamic Calligraphy on Ming Blue-and-white Porcelain - Make it stand out</image:title>
      <image:caption>Fig. 4 Footed censer with Persian inscriptions China, Ming dynasty (1368–1644), Zhengde period (1506–21) Porcelain with underglaze cobalt-blue decoration, height 10.8 cm James D. Frankel Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/486b471f-1aa9-44b3-8d37-207c39e15d55/5.jpg</image:loc>
      <image:title>Highlights - Muslim Blue, Chinese White: Islamic Calligraphy on Ming Blue-and-white Porcelain - Make it stand out</image:title>
      <image:caption>Fig. 5 Globular vase with Arabic inscriptions China, Ming dynasty (1368–1644), Zhengde period (1506–21) Porcelain with underglaze cobalt-blue decoration, height 11.4 cm James D. Frankel Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2d97aab0-a745-4345-86b2-b54184831849/6.jpg</image:loc>
      <image:title>Highlights - Muslim Blue, Chinese White: Islamic Calligraphy on Ming Blue-and-white Porcelain - Make it stand out</image:title>
      <image:caption>Fig. 6 Vase with Arabic inscriptions China, Ming dynasty (1368–1644), Zhengde period (1506–21) Porcelain with underglaze cobalt-blue decoration, height 11.4 cm James D. Frankel Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f9950517-e653-4d42-9703-523f44a3668a/7.jpg</image:loc>
      <image:title>Highlights - Muslim Blue, Chinese White: Islamic Calligraphy on Ming Blue-and-white Porcelain - Make it stand out</image:title>
      <image:caption>Fig. 7 Covered jar with Arabic inscriptions China, Ming dynasty (1368–1644), Zhengde period (1506–21) Porcelain with underglaze cobalt-blue decoration, height 10.2 cm James D. Frankel Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/74a55e86-c52d-4752-aa60-043d05843155/8.jpg</image:loc>
      <image:title>Highlights - Muslim Blue, Chinese White: Islamic Calligraphy on Ming Blue-and-white Porcelain - Make it stand out</image:title>
      <image:caption>Fig. 8 Three-legged censer with Arabic and Persian inscriptions China, Ming dynasty (1368–1644), probably mid- to late 16th century Porcelain with underglaze cobalt-blue decoration, height 17.2 cm James D. Frankel Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/the-making-of-eternal-offerings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9d242a15-223b-40f5-a9ec-92c79db100ad/1.jpg</image:loc>
      <image:title>Highlights - The Making of ‘Eternal Offerings’: A Collaboration - Make it stand out</image:title>
      <image:caption>Fig. 1 Alfred F. Pillsbury (1869–1950) Photo © Minneapolis Institute of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/efbca901-81bd-48e6-8162-80b484953b75/2.jpg</image:loc>
      <image:title>Highlights - The Making of ‘Eternal Offerings’: A Collaboration - Make it stand out</image:title>
      <image:caption>Fig. 2 Liu Yang Photo © Minneapolis Institute of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/30daafca-8c3e-4963-9058-fffc1c39683c/3.jpg</image:loc>
      <image:title>Highlights - The Making of ‘Eternal Offerings’: A Collaboration - Make it stand out</image:title>
      <image:caption>Fig. 3 Tim Yip</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e261f911-13fe-4e50-acd1-a2028ceea4b4/4.jpg</image:loc>
      <image:title>Highlights - The Making of ‘Eternal Offerings’: A Collaboration - Make it stand out</image:title>
      <image:caption>Fig. 4 View of the exhibition ‘Guillermo del Toro: At Home with Monsters’, Minneapolis Institute of Art (5 March–28 May 2017) Photo © Minneapolis Institute of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8c13bf9d-ff7f-4f60-8d9d-84b959b12245/5.jpg</image:loc>
      <image:title>Highlights - The Making of ‘Eternal Offerings’: A Collaboration - Make it stand out</image:title>
      <image:caption>Fig. 5 View of the exhibition ‘New Pictures: The Propeller Group, Reincarnations’ at the Minneapolis Institute of Art (22 April–10 September 2017)  Photo © Minneapolis Institute of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2193eed9-4adc-4847-bf77-b917a248e74e/6.jpg</image:loc>
      <image:title>Highlights - The Making of ‘Eternal Offerings’: A Collaboration - Make it stand out</image:title>
      <image:caption>Fig. 6 View of the exhibition ‘Hearts of Our People: Native Women Artists’ at the Minneapolis Institute of Art (2 June–18 August 2019) Photo © Minneapolis Institute of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e1378559-6909-45a9-8280-51a6cb61c6b3/7.jpg</image:loc>
      <image:title>Highlights - The Making of ‘Eternal Offerings’: A Collaboration - Make it stand out</image:title>
      <image:caption>Fig. 7 Digital visualization of an installation for ‘Eternal Offerings’ Photo © Tim Yip Studios</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/ya-chou-lei-a-unique-shang-wine-vessel-at-mia-from-the-former-qing-imperial-collection</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/119feddc-ced3-4a84-a7e9-e83b931190e4/1.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 1  Ya Chou lei China; Late Shang Dynasty (c. 1300–1046 BCE), c. mid-12th century BCE Bronze; 36.4 x 28.4 x 23.2 cm Minneapolis Institute of Art, Bequest of Alfred F. Pillsbury (50.46.3a,b)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/67e1c724-95e0-4328-a38d-ea45032f2dd8/2.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 2 Ya Chou lei China; Late Shang Dynasty (c. 1300–1046 BCE), c. mid-12th century BCE Bronze; 36.4 x 28.4 x 23.2 cm Minneapolis Institute of Art, Bequest of Alfred F. Pillsbury (50.46.3a,b)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8546628b-d423-4992-8540-c1f9130f088c/3.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 3 Ya Chou lei China; Late Shang Dynasty (c. 1300–1046 BCE), c. mid-12th century BCE Bronze; 36.4 x 28.4 x 23.2 cm Minneapolis Institute of Art, Bequest of Alfred F. Pillsbury (50.46.3a,b)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6438fc88-d01d-4d6f-b15c-8ac1aabfc5a4/4.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 4 Fu Hao fanglei  China, Late Shang Dynasty (c. 1300–1046 BCE), late 13th century BCE Bronze; 51.4  x 13.6 x 15.6 cm diameter at mouth  Excavated from M5 at Xiaotun, Anyang, Henan province; Institute of Archaeology CASS (M5:866)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e148f1a6-c414-430e-b3e8-ef4f8cf8aba3/5.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 5 Lei  China, Middle Shang Dynasty, Phase 1 (early 14th century BCE)  Bronze; 25 x 13 cm diameter Excavated from Tomb M2 at Baijiazhuang, Zhengzhou, Henan province; Henan Provincial Museum (M2:1)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8eda73d6-e485-418f-9296-5fb348c67772/6.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 6 Lei  China; Late Shang Dynasty (c. 1300–1046 BCE), first half of 13th century BCE Bronze; 24.4 x 16.6 cm diameter at mouth  Institute of History and Philology, Academia Sinica (YM388: R2061)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/85711be3-31d5-44ae-8492-096248a25005/7.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 7 Lei  China, Late Shang Dynasty (c. 1300–1046 BCE), late 13th century BCE Bronze; 33 x 11.6 cm diameter Excavated from Tomb M18 at Xiaotun in Anyang, Henan province; Institute of Archaeology, CASS (M18:37)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b2432f95-ea7e-4e61-be10-cabcb36c83f7/8.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 8 Lei  China, Late Shang Dynasty (c. 1300–1046 BCE), late 13th century BCE Bronze 36.5 x 14.7 cm diameter Excavated from YM238 at Xiaotun, Anyang, Henan province; Institute of History and Philology, Academia Sinica (YM238: R2067)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/03c0df41-02da-4755-a6d3-d8c9dea872dc/9.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 9 Lei  China, Late Shang Dynasty (c. 1300–1046 bce), late 12th century BCE Bronze; 44.8 x 17.5 cm diameter Excavated from Tomb M160 at Guojiazhuang, Anyang, Henan province; Institute of Archaeology, CASS (M160:140)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0b8e8ddd-d10b-48af-86d9-f9aeac4fe36f/10.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 10 Ma Wei lei  China, Late Shang Dynasty (c. 1300–1046 bce), late 12th century BCE Bronze; 42.5 cm high Excavated from Tomb M303 at Dasikong, Anyang, Henan province; Institute of Archaeology, CASS (M303:59)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/539ecb76-318e-4236-a53a-27dcef869cdb/11.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 11  Ink rubbings showing details of the Ya Chou lei in Figs 1–3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7456ad96-e746-4a8c-8bdf-4cb128f8dbc6/12.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 12 Ink rubbings showing details of the Ya Chou lei in Figs 1–3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2cde45c4-8c01-4716-9b55-bfe4e55f3006/13.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 13 Ink rubbings showing details of the Ya Chou lei in Figs 1–3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/794d58b6-682a-47e9-9daf-71e731a3d819/14.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 14 Ink rubbings showing details of the Ya Chou lei in Figs 1–3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5612f77d-56b5-439d-9021-1842d6b92775/15.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 15 Detail of line drawing of Ou fangyi China, Late Shang Dynasty (c. 1300–1046 BCE), late 13th century BCE Bronze; 60 cm high Excavated from M5 at Xiaotun, Anyang, Henan province; Institute of Archaeology, CASS (M5:791)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/103be79c-371a-4d2e-89a8-d9a68ec02104/16.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 16 Detail of Yuan fangding China, Late Shang Dynasty (c. 1300–1046 BCE), mid 12th century BCE Bronze; 22.5 cm high Excavated from M269 at Qijiazhuang East, Anyang, Henan province; Institute of Archaeology, CASS (M269:41)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/cc1e9b56-5bb9-4e89-9070-ed59e7672a8b/17.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 17 Detail of a rubbing made of Fu Wu Ning Zhi fangding China, Late Shang Dynasty (c. 1300–1046 BCE), late 12th century BCE Bronze; 21.1 cm high Excavated from Tomb M41 at Miaopu Locus North, Anyang, Henan province; Institute of Archaeology, CASS (M41:11)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fc5b5dc0-0a24-46f5-a740-c8af4a2a10cc/18.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 18 A two-character inscription cast on the underside of the lid of the Ya Chou lei in Figs 1–3.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a392498b-eca5-4f2f-8fa8-2f55732debbd/19.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 19 Mold joins on Ya Chou lei</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9eb01ab2-106c-4557-800f-75a8cf48464d/20.jpg</image:loc>
      <image:title>Highlights - Ya Chou lei: A Unique Shang Wine Vessel at Mia from the Former Qing Imperial Collection - Make it stand out</image:title>
      <image:caption>Fig. 20 Detail of the ear and the decorative pattern on the body of Ya Chou lei</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/conversation-with-a-collector</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9a55b3b7-929d-4903-8bb4-cc3c26610e05/Acr75854157070784-815428.jpg</image:loc>
      <image:title>Highlights - Conversation with a Collector - Make it stand out</image:title>
      <image:caption>Vase and cover Qianlong period (1736-95) Porcelain with underglaze cobalt-blue decoration Height 59 cm Wangxing Lou collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5678cb04-a55e-47bf-a322-4f44dadcff4f/Acr758541570707842588130.jpg</image:loc>
      <image:title>Highlights - Conversation with a Collector - Make it stand out</image:title>
      <image:caption>Bowl Yongzheng period (1723-35) Porcelain with polychrome enamels Height 7.1 cm Wangxing Lou Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/829ec88a-a4d7-4385-9b33-0e55c048624b/Acr758541570707842588130.jpg</image:loc>
      <image:title>Highlights - Conversation with a Collector - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/792375a0-3232-45e4-98c5-a7085b3546bd/Acr758541570707842971244.jpg</image:loc>
      <image:title>Highlights - Conversation with a Collector - Make it stand out</image:title>
      <image:caption>Censer and cover Qianlong period (1736-95) Celadon-glazed porcelain Height 46.3 cm Wangxing Lou Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ebc1150c-00cf-4475-a8d8-51f9fe595697/Acr75854157070784-3088046.jpg</image:loc>
      <image:title>Highlights - Conversation with a Collector - Make it stand out</image:title>
      <image:caption>A pair of vases Qianlong period (1736-95) Porcelain with polychrome enamels on a turquoise ground Height 22.7 cm Wangxing Lou Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/the-origins-of-guyue-xuan-enamelled-glass-wares-a-documentary-group-of-qing-imperial-enamels-produced-in-the-inner-palace-between-1767-and-the-1770s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d45cac93-793d-4851-a447-f9624e56cafd/1a.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9f1e29ae-a3c7-4fab-bc16-1b3007a17087/1b.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/61811230-8bdd-4e30-9119-790e7cb8e547/1c.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Fig. 1 Guyue xuan snuff bottle China; Qing dynasty (1644–1911), Qianlong reign (1736–95), c. 1767–80 Painted enamel on glass; dimensions unknown Private collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/50b44d7a-386f-428d-9f0f-fdde93194dd6/2b.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5f006755-da2a-4273-a879-6c32358ea310/2a.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7690c9f4-3273-4499-b183-6e8c0324fee2/2c.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Fig. 2 Guyue xuan snuff bottle China; Qing dynasty (1644–1911), c. 1770s Painted enamel on glass; height 5.8 cm, excluding stopper Marakovic Collection, Vienna</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/994d3200-aa17-498b-8099-12b5976e56fd/3b.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e63f7887-fbc5-4d22-9d45-3826fa21bad7/3a.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/985405db-4a3a-4457-a552-8788e12f705b/3c.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Fig. 3 Guyue xuan snuff bottle China; Qing dynasty (1644–1911), c. 1770s Painted enamel on glass; height 5.49 cm, excluding stopper Formerly Mary and George Bloch Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7174b90a-fbc8-44b3-ad2c-c1b4d7614ced/4c.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Fig. 4 Guyue xuan snuff bottle China; Qing dynasty (1644–1911), probably 1770–80 Painted enamel on glass; height 5.25 cm, excluding stopper Formerly Mary and George Bloch Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2649e64e-04e5-41e1-8742-4ea8525d1ea3/4a.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1424281d-576a-4119-93e9-d29ea10c3cbc/4b.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d231275f-03ef-4a67-9ea2-1c41d0139661/5c.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Fig. 5 Guyue xuan snuff bottle China; Qing dynasty (1644–1911), probably 1770–99 Painted enamel on glass; height 4.65 cm, excluding stopper Water, Pine and Stone Retreat Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4db3dce1-570c-4d86-8e69-bdf9ccc10133/5a.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ef0926a1-e6b0-4db5-bed2-0a5c8c2a63b5/5b.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/dd4b062a-3f9c-4b26-aea5-da3020a8f142/6a.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e2dc016d-53b6-450d-a192-9b9cb34d0db1/6b.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f46ea15f-2e5c-46d3-abad-9ec343572969/6c.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Fig. 6 Guyue xuan snuff bottle China; Qing dynasty (1644–1911), Qianlong reign (1736–95), c. 1770s–99 Painted enamel on glass; height 5.4 cm, excluding stopper Water, Pine and Stone Retreat Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/58d8dc43-f6c3-4c91-814c-392380dba733/7a.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/c9aaf47b-c09d-4686-b11a-146981b7d228/7b.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/eed6c65d-0808-43f1-acb2-1f77cae5386e/7c.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Fig. 7 Guyue xuan snuff bottle China; Qing dynasty (1644–1911) Painted enamel on glass; height 5.64 cm    Water, Pine and Stone Retreat Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a0a57a63-955d-4f73-bce9-becf12f3a5b8/8c.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Fig. 8 Guyue xuan snuff bottle China; Qing dynasty (1644–1911) Painted enamel on glass; height 6.6 cm, excluding stopper Water, Pine and Stone Retreat Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9c4b4500-bb5c-481a-ba27-a37aef261bb8/8a.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f30ca40f-cf52-4356-9c6e-7fdcc5f17626/8b.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/14304816-c196-4d00-afb9-1aea68f65a06/9c.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Fig. 9 Guyue xuan snuff bottle China; Qing dynasty (1644–1911), late Qianlong reign (1736–95) Painted enamel on glass; height 6.8 cm, excluding stopper Water, Pine and Stone Retreat Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/bcd965f3-83d5-4f01-9e45-113276f856e0/9a.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/325c4921-054b-4ee1-8d1e-f625af3696dc/9b.jpg</image:loc>
      <image:title>Highlights - The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/an-interview-with-dr-katherine-crawford-luber</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ce4cd5dc-f421-4678-b5de-d94dd4daa746/Dr.+Katherine+Crawford+Luber.jpg</image:loc>
      <image:title>Highlights - An Interview with Dr. Katherine Crawford Luber - Make it stand out</image:title>
      <image:caption>Dr. Katherine Crawford Luber</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/be6a1c4d-f4ea-4d0d-a2dd-8039a6250b5a/Interior+View+of+Mia.jpg</image:loc>
      <image:title>Highlights - An Interview with Dr. Katherine Crawford Luber - Make it stand out</image:title>
      <image:caption>Interior View of Mia</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/decolonizing-chinese-porcelain-ernest-grandidiers-collecting-and-display-at-the-19th-century-louvre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9d332fd2-dfc6-44a4-8c01-4d9a69116ccd/1.jpg</image:loc>
      <image:title>Highlights - ‘Decolonizing’ Chinese Porcelains: Ernest Grandidier’s Collecting and Display at the 19th Century Louvre - Make it stand out</image:title>
      <image:caption>Fig. 1 La céramique chinoise, 1894 By Ernest Grandidier Image courtesy of Bibliothèque nationale de France (Gallica) http://gallica.bnf.fr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e34d148d-d695-48e6-94d0-9363bba44f7f/2.jpg</image:loc>
      <image:title>Highlights - ‘Decolonizing’ Chinese Porcelains: Ernest Grandidier’s Collecting and Display at the 19th Century Louvre - Make it stand out</image:title>
      <image:caption>Fig. 2 Louvre Museum in Paris—the Grandidier collection was located in the Denon Wing, on right Photograph; c. 1875–1900 Image courtesy of the Rijksmuseum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ee1a94da-7b3f-48f2-8822-0c068291d8cb/3.jpg</image:loc>
      <image:title>Highlights - ‘Decolonizing’ Chinese Porcelains: Ernest Grandidier’s Collecting and Display at the 19th Century Louvre - Make it stand out</image:title>
      <image:caption>Fig. 3 Plan of the entresol and ground floors of the Louvre where the Denon Wing was located Photograph in print; 1914 (After Mayer, The Louvre Up-To-Date, Paris, 1914) Image courtesy of Bibliothèque nationale de France (Gallica) http://gallica.bnf.fr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e8756194-9408-4d35-97fb-48a474a827de/4.jpg</image:loc>
      <image:title>Highlights - ‘Decolonizing’ Chinese Porcelains: Ernest Grandidier’s Collecting and Display at the 19th Century Louvre - Make it stand out</image:title>
      <image:caption>Fig. 4 Statuettes, vases, and cups from the Grandidier collection Photograph in print; by 1920 (After Geffroy, Le Louvre: architecture, mobilier, objet, Paris, 1920, p. 105) Image courtesy of Bibliothèque nationale de France (Gallica) http://gallica.bnf.fr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/36f65a16-7c5c-414f-af75-4c299f05f97b/5.jpg</image:loc>
      <image:title>Highlights - ‘Decolonizing’ Chinese Porcelains: Ernest Grandidier’s Collecting and Display at the 19th Century Louvre - Make it stand out</image:title>
      <image:caption>Fig. 5 Vase with floral design (shown on lowest shelf in Fig. 4) China; Kangxi period (1662–1722) Porcelain with ‘five-colour’ decoration; height 40.5 cm, diameter 20.4 cm Collection Ernest Grandidier, (G1966)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/45b2035a-8741-4fd4-9fe7-97d3346cb719/6.jpg</image:loc>
      <image:title>Highlights - ‘Decolonizing’ Chinese Porcelains: Ernest Grandidier’s Collecting and Display at the 19th Century Louvre - Make it stand out</image:title>
      <image:caption>Fig. 6 Meiping vase (shown on lowest shelf in Fig. 4) China; Kangxi period (1662–1722) Porcelain; height 30 cm, diameter 18 cm Collection Ernest Grandidier, Musée Guimet (G4524)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/351b718c-41ae-4b47-8f0f-f597dfca2374/7.jpg</image:loc>
      <image:title>Highlights - ‘Decolonizing’ Chinese Porcelains: Ernest Grandidier’s Collecting and Display at the 19th Century Louvre - Make it stand out</image:title>
      <image:caption>Fig. 7 View of a pair of mounted celadons on a commode in the Louis XVI Room at the Louvre Photograph in print; by 1920  (After Geffroy, Le Louvre: architecture, mobilier, objet, Paris, 1920, p. 152) Image courtesy of Bibliothèque nationale de France (Gallica) http://gallica.bnf.fr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3c24d82d-b45e-42d1-933f-985ae4dbd26b/8.jpg</image:loc>
      <image:title>Highlights - ‘Decolonizing’ Chinese Porcelains: Ernest Grandidier’s Collecting and Display at the 19th Century Louvre - Make it stand out</image:title>
      <image:caption>Fig. 8 Vase in celadon glaze with gilt-bronze decoration  Chinese with French mounts; c. 1786 Porcelain, gilt-bronze mounts; height 56 cm, diameter 26 cm Département des Objets d’art, Musée du Louvre (OA 5497/5213)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/an-interview-with-ulrike-al-khamis-interim-director-and-ceo-aga-khan-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/60ddfb8f-e9b9-4db3-9051-b4e037ec12a9/Dr+Ulrike.jpg</image:loc>
      <image:title>Highlights - An Interview with Dr Ulrike Al-Khamis: Interim Director and CEO, Aga Khan Museum - Make it stand out</image:title>
      <image:caption>Dr Ulrike Al-Khamis</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/289d8c00-61f1-451b-b006-ad526b96e70e/21.jpg</image:loc>
      <image:title>Highlights - An Interview with Dr Ulrike Al-Khamis: Interim Director and CEO, Aga Khan Museum - Make it stand out</image:title>
      <image:caption>A look inside the Aga Khan Museum’s main gallery, where approximately 200 pieces of the museum’s 1,200-object permanent collection are on display at any given time (Image © Janet Kimber/Aga Khan Museum)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8e1a73b6-8887-40f7-b181-c5de2ce4d9d8/22_top.jpg</image:loc>
      <image:title>Highlights - An Interview with Dr Ulrike Al-Khamis: Interim Director and CEO, Aga Khan Museum - Make it stand out</image:title>
      <image:caption>Serviceberry trees bloom in the spring across from the main, west-facing entrance of the Aga Khan Museum in Toronto (Image © Janet Kimber/Aga Khan Museum)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5321b2ef-75b8-4f6a-822a-e5fc8c6714be/22_bottom.jpg</image:loc>
      <image:title>Highlights - An Interview with Dr Ulrike Al-Khamis: Interim Director and CEO, Aga Khan Museum - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/02b7c5e3-65a7-4676-a414-8a309e000586/Planispheric+astrolabe.jpg</image:loc>
      <image:title>Highlights - An Interview with Dr Ulrike Al-Khamis: Interim Director and CEO, Aga Khan Museum - Make it stand out</image:title>
      <image:caption>Planispheric astrolabe featuring inscriptions in three languages: Arabic, Hebrew, and Latin Spain, probably Toledo, 14th century Bronze, engraved and inlaid with silver, 13.5 cm Aga Khan Museum (AKM611) (Image © Aga Khan Museum)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a5a0f87b-d4dd-493b-a5af-3b92c459c2ba/Kumbi+Saleh.jpg</image:loc>
      <image:title>Highlights - An Interview with Dr Ulrike Al-Khamis: Interim Director and CEO, Aga Khan Museum - Make it stand out</image:title>
      <image:caption>Kumbi Saleh 3020 CE, an Afrofuturistic re-imagining of the capital of the medieval kingdom of Ghana, one of the most recent works of contemporary art to join the museum’s permanent collection By Ekow Nimako (Ghanian-Canadian), 2019 Aga Khan Museum (Image © Connie Tsang/Aga Khan Museum)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/203e0a37-c691-4e5a-b6df-17e0f3fc66a1/Fountain.jpg</image:loc>
      <image:title>Highlights - An Interview with Dr Ulrike Al-Khamis: Interim Director and CEO, Aga Khan Museum - Make it stand out</image:title>
      <image:caption>Fountain Egypt, Cairo, 16th century and later Marble and sandstone mosaic, 430 x 430 cm Aga Khan Museum (AKM960) (Image © Janet Kimber/Aga Khan Museum)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/an-oriental-collector-calouste-gulbenkians-taste-for-arts-of-the-islamic-world-and-china</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-23</lastmod>
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      <image:title>Highlights - ‘An Oriental Collector’: Calouste Gulbenkian’s Taste for Arts of the Islamic World and China - Make it stand out</image:title>
      <image:caption>Fig. 1 Exterior of the Calouste Gulbenkian Museum Calouste Gulbenkian Foundation, Lisbon Photo © Catarina Gomes Ferreira</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/8cf28d83-ab12-49a9-9e94-6a2a3958822a/02.jpg</image:loc>
      <image:title>Highlights - ‘An Oriental Collector’: Calouste Gulbenkian’s Taste for Arts of the Islamic World and China - Make it stand out</image:title>
      <image:caption>Fig. 2 Calouste Sarkis Gulbenkian (1869-1955) Photo © Calouste Gulbenkian Foundation, Lisbon</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/585f8ac6-d85b-4a65-bdb5-0fc96506ded0/03.jpg</image:loc>
      <image:title>Highlights - ‘An Oriental Collector’: Calouste Gulbenkian’s Taste for Arts of the Islamic World and China - Make it stand out</image:title>
      <image:caption>Fig. 3 Tankard Made for Ulugh Beg (1394-1449) Uzbekistan, Samarqand; Timurid period, c. 1447-49 White jade (nephrite); height 14.5 cm, width (base) 16 cm Calouste Gulbenkian Foundation, Lisbon - Calouste Gulbenkian Museum (328) Photo © Catarina Gomes Ferreira</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/65dc3b4c-288d-4192-bdab-0daa9b382c08/04.jpg</image:loc>
      <image:title>Highlights - ‘An Oriental Collector’: Calouste Gulbenkian’s Taste for Arts of the Islamic World and China - Make it stand out</image:title>
      <image:caption>Fig 4. Mosque lamp Made for Amir Ali inb Baktamur (d. 1329) Egypt or Syria; Mamluk period, 14th century, c. 1321-29 Enamelled and gilded glass; height 31 cm, diameter (max) 20.5 cm Calouste Gulbenkian Foundation, Lisbon - Calouste Gulbenkian Museum (1033) Photo © Catarina Gomes Ferreira</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2f9ae1d5-8d8c-492a-9194-c8de8d66d222/05.jpg</image:loc>
      <image:title>Highlights - ‘An Oriental Collector’: Calouste Gulbenkian’s Taste for Arts of the Islamic World and China - Make it stand out</image:title>
      <image:caption>Fig. 5 Plate Turkey; Ottoman period, c. 1545 Stonepaste with underglaze painting; height 31 cm, diameter 35.5 cm Calouste Gulbenkian Foundation, Lisbon - Calouste Gulbenkian Museum (818) Photo © Catarina Gomes Ferreira</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0ef15e76-79cc-4165-9463-1411cb952585/06.jpg</image:loc>
      <image:title>Highlights - ‘An Oriental Collector’: Calouste Gulbenkian’s Taste for Arts of the Islamic World and China - Make it stand out</image:title>
      <image:caption>Fig. 6 Dish with gazelle Iran, Kashan; Ilkhanid period, late 13th-early 14th century, c. 1321-29 Stonepaste with underglaze painting; height 31 cm, diameter 22 cm Calouste Gulbenkian Foundation, Lisbon - Calouste Gulbenkian Museum (882) Photo © Catarina Gomes Ferreira</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5abbff6e-be31-48c9-9c9d-554c8f9fcdba/07.jpg</image:loc>
      <image:title>Highlights - ‘An Oriental Collector’: Calouste Gulbenkian’s Taste for Arts of the Islamic World and China - Make it stand out</image:title>
      <image:caption>Fig. 7 Plate with qilin China; Qing dynasty, Kangxi period (1662-1722), early 18th century Porcelain with famille verte enamels; diameter 36 cm Calouste Gulbenkian Foundation, Lisbon - Calouste Gulbenkian Museum (1033) Photo © Catarina Gomes Ferreira</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9c1d9f48-c30c-4e3b-b2ce-287bd6651ccf/08.jpg</image:loc>
      <image:title>Highlights - ‘An Oriental Collector’: Calouste Gulbenkian’s Taste for Arts of the Islamic World and China - Make it stand out</image:title>
      <image:caption>Fig. 8 Footed basin Turkey, Iznik; Ottoman period, c. 1510 Stonepaste with underglaze painting; height 22 cm, diameter 42 cm Calouste Gulbenkian Foundation, Lisbon - Calouste Gulbenkian Museum (821) Photo © Catarina Gomes Ferreira</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9265eefb-b457-49d8-987f-cb681def1716/09.jpg</image:loc>
      <image:title>Highlights - ‘An Oriental Collector’: Calouste Gulbenkian’s Taste for Arts of the Islamic World and China - Make it stand out</image:title>
      <image:caption>Fig. 9 Plate with a pair of peonies China; Ming dynasty (1368-1911), early 15th century Porcelain with underglaze cobalt-blue decoration; diameter 40.3 cm, height 7 cm Calouste Gulbenkian Foundation, Lisbon - Calouste Gulbenkian Museum (2374) Photo © Catarina Gomes Ferreira</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7bb3593b-d59a-4109-81e4-0951908d52d5/10.jpg</image:loc>
      <image:title>Highlights - ‘An Oriental Collector’: Calouste Gulbenkian’s Taste for Arts of the Islamic World and China - Make it stand out</image:title>
      <image:caption>Fig 10. Anthology of Iskandar Sultan (1384-1415) Copied by Mahmud ibn Murtaza al-Husayni and Hasan al-Hafiz Iran, Shiraz; Timurid period, dated 813 AH/1411 CE Opaque watercolour, ink, and gold on paper; 27.4 x 17.2 cm Calouste Gulbenkian Foundation, Lisbon - Calouste Gulbenkian Museum (LA161) Photo © Catarina Gomes Ferreira</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e50d6c12-3974-400d-8850-d308be734e15/11.jpg</image:loc>
      <image:title>Highlights - ‘An Oriental Collector’: Calouste Gulbenkian’s Taste for Arts of the Islamic World and China - Make it stand out</image:title>
      <image:caption>Fig 11. Medallion carpet with ‘animal combat’ scenes Iran, Kashan (?); Safavid period, mid-16th century Silk-knotted pile, silk warp and weft; 230 x 180 cm Calouste Gulbenkian Foundation, Lisbon - Calouste Gulbenkian Museum (T100) Photo © Carlos Azevedo</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/477650dd-3179-46de-9c38-bb5082d40ef5/12.jpg</image:loc>
      <image:title>Highlights - ‘An Oriental Collector’: Calouste Gulbenkian’s Taste for Arts of the Islamic World and China - Make it stand out</image:title>
      <image:caption>Fig. 12 Salon of Calouste Gulbenkian’s home on Avenue d’Iéna, Paris Calouste Gulbenkian Foundation, Lisbon Photo © KEURHADJIAN</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9367dcd0-6841-445a-986e-a54afc6b0730/13.jpg</image:loc>
      <image:title>Highlights - ‘An Oriental Collector’: Calouste Gulbenkian’s Taste for Arts of the Islamic World and China - Make it stand out</image:title>
      <image:caption>Fig. 13 Bottle with Chinese lions Egypt or Syria; Mamluk period, 14th century Enamel and gilded glass; height 40.5 cm, diameter (max) 27cm Calouste Gulbenkian Foundation, Lisbon - Calouste Gulbenkian Museum (2370) Photo © Catarina Gomes Ferreira</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/74278fff-fcae-454e-8825-3f9ac61ead63/14.jpg</image:loc>
      <image:title>Highlights - ‘An Oriental Collector’: Calouste Gulbenkian’s Taste for Arts of the Islamic World and China - Make it stand out</image:title>
      <image:caption>Fig. 14 Cup with pedestal foot China, Yuan Dynasty (1272–1368), 14th century Porcelain with qingbai glaze; height 10 cm, rim diameter 9.5 cm Calouste Gulbenkian Foundation, Lisbon - Calouste Gulbenkian Museum (2372) Photo © Catarina Gomes Ferreira</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/an-interview-with-japanese-painting-collectors-robert-and-betsy-feinberg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/775bf4d5-8729-4a8b-a64c-e48c01a3630a/2.jpg</image:loc>
      <image:title>Highlights - An Interview with Japanese Painting Collectors Robert and Betsy Feinberg - Make it stand out</image:title>
      <image:caption>Betsy and Bob Feinberg in Kyoto, c. 1989 (Image courtesy of Robert and Betsy Feinberg)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f4bbbb0e-84ee-40d9-aa44-ea120ee7ddaf/1a.jpg</image:loc>
      <image:title>Highlights - An Interview with Japanese Painting Collectors Robert and Betsy Feinberg - A Portuguese Trading Ship Arrives in Japan Artist unknown, Japan, Edo period (1603-1868), early 17th century Pair of six-panel folding screens, ink, colour and gold on paper, each: 142.7 x 350.4 cm Feinberg Collection (Image © President and Fellows of Harvard College)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f78530fe-f04b-4325-a6e7-b6dfd42afd8d/1b.jpg</image:loc>
      <image:title>Highlights - An Interview with Japanese Painting Collectors Robert and Betsy Feinberg</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/44a31788-1d86-45f5-8e08-9456cc3c5976/3a.jpg</image:loc>
      <image:title>Highlights - An Interview with Japanese Painting Collectors Robert and Betsy Feinberg - Cranes By Suzuki Kiitsu (1796-1858), Japan, Edo period (1603-1868), c. 1825-30 Pair of two-panel folding screens, ink, colour and gold on paper, each: 178 x 188.4 cm Feinberg Collection (Image © President and Fellows of Harvard College)</image:title>
      <image:caption>Hanfang teapot Hua Fengxiang (1662–1735), China, Jiangsu province; Qing dynasty, Kangxi reign (1662–1722) Zisha stoneware with Lujun glaze 21.8 x 13.3 cm Nanjing Museum</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9a306e68-22c9-4649-9d2a-79cb2fdf525e/3b.jpg</image:loc>
      <image:title>Highlights - An Interview with Japanese Painting Collectors Robert and Betsy Feinberg</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f81aa446-a725-49ac-b8f0-53a599fe4db6/4.jpg</image:loc>
      <image:title>Highlights - An Interview with Japanese Painting Collectors Robert and Betsy Feinberg - Make it stand out</image:title>
      <image:caption>Grasses and Moon By Tani Bunchō (1783-1841), Japan, Edo period (1603-1868), 1817 Hanging scroll, ink on silk, 82.8 x 168 cm Feinberg Collection (Image © President and Fellows of Harvard College)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/17b29b4c-6d62-4442-b091-fdb042fd6c7c/5.jpg</image:loc>
      <image:title>Highlights - An Interview with Japanese Painting Collectors Robert and Betsy Feinberg - Make it stand out</image:title>
      <image:caption>Kobayashi Tadashi (seated) with his wife Yasuko and Professor Kawai Masatomo working in the Feinberg residence, c. 1998-99 (Image courtesy of Robert and Betsy Feinberg)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/eed33ff1-5227-4b01-9b08-50407c2d5f8c/6.jpg</image:loc>
      <image:title>Highlights - An Interview with Japanese Painting Collectors Robert and Betsy Feinberg - Make it stand out</image:title>
      <image:caption>The Ivy Way through Mount Utsu By Sakai Hōitsu (1761-1828), Japan, Edo period (1603-1868), c. 1815 Two-panel folding screen, ink, colour and gold on paper, 157.5 x 164.5 cm Harvard Art Museums/ Arthur M. Sackler Museum Gift of Robert S. and Betsy G. Feinberg (2016.235) (Image © President and Fellows of Harvard College)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d1b0ce2a-7bdc-4798-865b-327aa028297a/7.jpg</image:loc>
      <image:title>Highlights - An Interview with Japanese Painting Collectors Robert and Betsy Feinberg - Make it stand out</image:title>
      <image:caption>Manzai Performance By Yokoi Kinkoku (1761-1832), Japan, Edo period (1603-1868), late 18th- early 19th century Hanging scroll, ink and light colour on paper, 55.5 x 82.5 cm Feinberg Collection (Image © President and Fellows of Harvard College)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/81495530-cf0f-4d72-aa7a-a87579d2cecb/8a.jpg</image:loc>
      <image:title>Highlights - An Interview with Japanese Painting Collectors Robert and Betsy Feinberg - Make it stand out</image:title>
      <image:caption>Views of Lake Biwa at Sakamoto By Yokoi Kinkoku (1761-1832), Japan, Edo period (1603-1868), late 18th- early 19th century Pair of six-panel folding screens, ink and colour on paper, 156 x 348 cm Feinberg Collection (Image © President and Fellows of Harvard College)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e84a57c2-1254-4072-b8d0-5906b4e1b5b7/8b.jpg</image:loc>
      <image:title>Highlights - An Interview with Japanese Painting Collectors Robert and Betsy Feinberg - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/dca435d7-9a5a-43e3-80bd-ea62b27f1287/9.jpg</image:loc>
      <image:title>Highlights - An Interview with Japanese Painting Collectors Robert and Betsy Feinberg - Make it stand out</image:title>
      <image:caption>Mount Fuji, Miho Pine Forest and Seikenji Temple By Takada Keiho (1674-1755), Japan, Edo period (1603-1868), 1746 Hanging scroll, ink on paper, 52.4 x 82.8 cm Feinberg Collection (Image © President and Fellows of Harvard College)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7c19e7a4-86a1-408e-925b-f9587dc8fca4/10.jpg</image:loc>
      <image:title>Highlights - An Interview with Japanese Painting Collectors Robert and Betsy Feinberg - Make it stand out</image:title>
      <image:caption>Ink Landscape By Soga Shōhaku (1730-81), Japan, Edo period (1603-1868), c. 1770-81 Hanging scroll, ink on paper, 128 x 53.6 cm Feinberg Collection (Image © President and Fellows of Harvard College)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/the-namzu-e-album-at-the-royal-ontario-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-16</lastmod>
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      <image:title>Highlights - The Namazu-e Album at the Royal Ontario Museum and Its Online Exhibition - Album of Earthquake Prints, preface Japan, Edo period (1603-1868), 1855-56 Colour woodblock print; 55.4 x 35.7 cm (open) Royal Ontario Museum (2004.38.1.2) Courtesy of ROM (Royal Ontario Museum), Toronto, Canada. ©ROM</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f9e00c4d-18ae-4db5-900b-0b24c6060fd4/2_ROM2022_18432_48.jpg</image:loc>
      <image:title>Highlights - The Namazu-e Album at the Royal Ontario Museum and Its Online Exhibition - Untitled (Kashima deity pinning down catfish with kaname-ishi) Japan, Edo period (1603-1868), 1855-56 Colour woodblock print; 25.1 x 37.2 cm Royal Ontario Museum (2004.38.1.48) Courtesy of ROM (Royal Ontario Museum), Toronto, Canada. ©ROM</image:title>
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      <image:title>Highlights - The Namazu-e Album at the Royal Ontario Museum and Its Online Exhibition - Make it stand out</image:title>
      <image:caption>Untitled (Magic mallet of Daikoku, god of wealth) Japan, Edo period (1603-1868), 1855-56 Colour woodblock print; 35.6 x 26 cm Royal Ontario Museum (2004.38.1.3) Courtesy of ROM (Royal Ontario Museum), Toronto, Canada. ©ROM</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/19d83897-d865-4b8a-8a85-26e225ba3ece/4%28L%29_ROM2022_18432_44.jpg</image:loc>
      <image:title>Highlights - The Namazu-e Album at the Royal Ontario Museum and Its Online Exhibition - People Who Gained (left) and People Who Lost (right) Japan, Edo period (1603-1868), 1855-56 Colour woodblock print; 24.9 x 37.2 cm and 25.1 x 36.6 cm Royal Ontario Museum (2004.38.1.44 and 2004.38.1.59) Courtesy of ROM (Royal Ontario Museum), Toronto, Canada. ©ROM</image:title>
      <image:caption>Hanfang teapot Hua Fengxiang (1662–1735), China, Jiangsu province; Qing dynasty, Kangxi reign (1662–1722) Zisha stoneware with Lujun glaze 21.8 x 13.3 cm Nanjing Museum</image:caption>
    </image:image>
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      <image:title>Highlights - The Namazu-e Album at the Royal Ontario Museum and Its Online Exhibition</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6c11b031-0de4-4b67-b38a-5273909d832a/5_ROM2022_18432_58.jpg</image:loc>
      <image:title>Highlights - The Namazu-e Album at the Royal Ontario Museum and Its Online Exhibition - Make it stand out</image:title>
      <image:caption>Bird of Hardship Japan, Edo period (1603-1868), 1855-56 Colour woodblock print; 24.6 x 37.2 cm Royal Ontario Museum (2004.38.1.58) Courtesy of ROM (Royal Ontario Museum), Toronto, Canada. ©ROM</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/80f5d04d-efe4-4c1b-bba7-befcb86c6193/6_ROM2022_18432_78.jpg</image:loc>
      <image:title>Highlights - The Namazu-e Album at the Royal Ontario Museum and Its Online Exhibition - Make it stand out</image:title>
      <image:caption>Dialogue Between Earthquake Catfish and Commodore Perry Japan, Edo period (1603-1868), 1855-56 Colour woodblock print; 36.4 x 25.2 cm Royal Ontario Museum (2004.38.1.78) Courtesy of ROM (Royal Ontario Museum), Toronto, Canada. ©ROM</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ce43a87a-e7df-4405-9cc2-d088dae71257/7_ROM2022_18432_32.jpg</image:loc>
      <image:title>Highlights - The Namazu-e Album at the Royal Ontario Museum and Its Online Exhibition - Make it stand out</image:title>
      <image:caption>Untitled (Damage of the disaster) Japan, Edo period (1603-1868), 1855-56 Colour woodblock print; 51.8 x 37.4 cm Royal Ontario Museum (2004.38.1.32) Courtesy of ROM (Royal Ontario Museum), Toronto, Canada. ©ROM</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/dc0ff213-79fa-4d5d-9678-fa7341eca6c0/8_ROM2022_18432_35.jpg</image:loc>
      <image:title>Highlights - The Namazu-e Album at the Royal Ontario Museum and Its Online Exhibition - Make it stand out</image:title>
      <image:caption>Untitled (Edo catfish and Shinshu catfish) Japan, Edo period (1603-1868), 1855-56 Colour woodblock print; 50 x 36.1 cm Royal Ontario Museum (2004.38.1.35) Courtesy of ROM (Royal Ontario Museum), Toronto, Canada. ©ROM</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/44162b86-88b4-4042-9714-ad39438ac719/9_ROM2022_18432_6.jpg</image:loc>
      <image:title>Highlights - The Namazu-e Album at the Royal Ontario Museum and Its Online Exhibition - Make it stand out</image:title>
      <image:caption>Untitled (Funny ensemble of people) Japan, Edo period (1603-1868), 1855-56 Colour woodblock print; 24.8 x 37.5 cm Royal Ontario Museum (2004.38.1.6) Courtesy of ROM (Royal Ontario Museum), Toronto, Canada. ©ROM</image:caption>
    </image:image>
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      <image:title>Highlights - The Namazu-e Album at the Royal Ontario Museum and Its Online Exhibition - Make it stand out</image:title>
      <image:caption>Mercy of Social-Mending Catfish Japan, Edo period (1603-1868), 1855-56 Colour woodblock print; 23.6 x 36.7 cm Royal Ontario Museum (2004.38.1.84) Courtesy of ROM (Royal Ontario Museum), Toronto, Canada. ©ROM</image:caption>
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      <image:title>Highlights - The Namazu-e Album at the Royal Ontario Museum and Its Online Exhibition - Make it stand out</image:title>
      <image:caption>Rich is Less Rich, Artisan is Richer Japan, Edo period (1603-1868), 1855-56 Colour woodblock print; 24.9 x 37.4 cm Royal Ontario Museum (2004.38.1.18) Courtesy of ROM (Royal Ontario Museum), Toronto, Canada. ©ROM</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6a8ef800-2fea-43fa-a341-fdb6eb8db64d/12_ROM2022_18504_1.jpg</image:loc>
      <image:title>Highlights - The Namazu-e Album at the Royal Ontario Museum and Its Online Exhibition - Make it stand out</image:title>
      <image:caption>Cherry Blossoms on the Banks of the Tama River, no. 42 from the series One Hundred Famous Views of Edo By Utagawa Hiroshige (1797-1858); Edo period (1603-1868), 1856-59 Woodblock print on paper; 33.3 x 22 cm Royal Ontario Museum (973x57.18.34) Courtesy of ROM (Royal Ontario Museum), Toronto, Canada. ©ROM</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/the-secret-of-colours-ceramics-in-china-and-europe-from-the-18th-century-to-the-present</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/dcbf3aa8-2906-42be-8554-1c57986804bc/1a.jpg</image:loc>
      <image:title>Highlights - The Secret of Colours: Ceramics in China and Europe from the 18th Century to the Present - Pair of vases with butterfly and floral decoration on a carmine ground China, Jingdezhen, Qing Dynasty, Qianlong mark and period (1736–95) Yangcai porcelain with overglaze polychrome enamels and gold; 14 cm high Baur Foundation, Museum of Far Eastern Arts, Geneva (CB-CC-1930-626) Photograph: Marian Gérard. © The Baur Foundation, Museum of Far Eastern Art</image:title>
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      <image:title>Highlights - The Secret of Colours: Ceramics in China and Europe from the 18th Century to the Present</image:title>
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      <image:title>Highlights - The Secret of Colours: Ceramics in China and Europe from the 18th Century to the Present - Lighter box Limoges, China, Qing dynasty (1644–1911),  end of the 17th century–beginning  of the 18th century Flint case inlaid with  European painted enamel  portraits on copper; 8.2 x 5.8 cm The National Palace Museum,  Taipei (gu-za 1055)</image:title>
      <image:caption>Hanfang teapot Hua Fengxiang (1662–1735), China, Jiangsu province; Qing dynasty, Kangxi reign (1662–1722) Zisha stoneware with Lujun glaze 21.8 x 13.3 cm Nanjing Museum</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9d2ca667-e5ad-498f-aca1-4676d00eff74/3.jpg</image:loc>
      <image:title>Highlights - The Secret of Colours: Ceramics in China and Europe from the 18th Century to the Present - Pair of cups with handles China, Qing dynasty, Kangxi period (1662–1722) Porcelain with polychrome enamels over a wucai glaze;  4.6 x 13.4 cm Musée national des arts asiatiques – Guimet, Paris (G 4551 a, b) Photograph: Richard Lambert. © MNAAG, Paris,  Dist. RMN-Grand Palais</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4a1cefc9-aa2e-441a-b6c7-37d44cce8d70/4.jpg</image:loc>
      <image:title>Highlights - The Secret of Colours: Ceramics in China and Europe from the 18th Century to the Present - Make it stand out</image:title>
      <image:caption>Bowl with floral and leaf scroll decoration on a yellow ground China, Qing dynasty, Kangxi mark and period (1662–1722) Porcelain with overglaze polychrome enamels; 12.5 cm high Baur Foundation, Museum of Far Eastern Art,  Geneva (CB-CC-1933-672) Photograph: Marian Gérard.  © The Baur Foundation, Museum of Far Eastern Art</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/e1cff4f9-60d9-4b9f-8fab-52a9fb42f8aa/HC363_3.jpg</image:loc>
      <image:title>Highlights - The Secret of Colours: Ceramics in China and Europe from the 18th Century to the Present - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/24db3fb1-3d2a-4a26-8998-00d82568a3a6/5.jpg</image:loc>
      <image:title>Highlights - The Secret of Colours: Ceramics in China and Europe from the 18th Century to the Present - Make it stand out</image:title>
      <image:caption>Cup with rose-pink ground and floral decoration China, Qing dynasty, mark and reign of Yongzheng (1723–35) Porcelain with polychrome overglaze enamels; 9 cm diam. The Baur Foundation, Museum of Far Eastern Art, Geneva (CB-CC-1934-600) Photograph: Marian Gérard. © The Baur Foundation, Museum of Far Eastern Art</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6c5fa975-e8d2-4398-8ad2-95d49900d33e/A600_3.jpg</image:loc>
      <image:title>Highlights - The Secret of Colours: Ceramics in China and Europe from the 18th Century to the Present - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/030c95a3-1f55-4d17-b4a2-0b14ec746340/6.jpg</image:loc>
      <image:title>Highlights - The Secret of Colours: Ceramics in China and Europe from the 18th Century to the Present - Make it stand out</image:title>
      <image:caption>Album of labels of samples sent by Father Joseph Ly to  the manufactory of Sèvres, p. 2 c. 1844 ink on paper; 35 x 23.5 cm Sèvres – Manufacture et Musée nationaux, Archives du musée céramique de Sèvres, Missions, Asie, Chine (4W388) © Pauline d’Abrigeon</image:caption>
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      <image:title>Highlights - The Secret of Colours: Ceramics in China and Europe from the 18th Century to the Present - Make it stand out</image:title>
      <image:caption>Advertising Leaflet for Deng Yongji’s shop China, Jingdezhen, Qing dynasty,  Daoguang period (1821–50), c. 1844 Detail taken from the album of labels of samples sent by  Father Joseph Ly to the manufactory of Sèvres, p. 27 ink on paper Archives du musée céramique de Sèvres,  Missions, Asie, Chine (4W388) © Pauline d’Abrigeon</image:caption>
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      <image:title>Highlights - The Secret of Colours: Ceramics in China and Europe from the 18th Century to the Present - Make it stand out</image:title>
      <image:caption>Vase with an ovoid belly and tubular neck China, Qing dynasty, Tongzhi mark and  period (1861–75) Porcelain with eel-yellow glaze; 34 cm high Sent to the Manufacture de Sèvres by  Anatole Billequin in October 1878 Sèvres, Manufacture et musée nationaux  (MNC 8623.1) Photograph: Stéphane Maréchalle.  © RMN-Grand Palais (Sèvres – Manufacture  et musée nationaux)</image:caption>
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      <image:title>Highlights - The Secret of Colours: Ceramics in China and Europe from the 18th Century to the Present - Make it stand out</image:title>
      <image:caption>Stem cup China, Jingdezhen, Yuan Dynasty (1260–1368), second half of the 14th century Porcelain with copper red glaze; 8.5 x 9 cm The Baur Foundation, Museum of Far Eastern Art, Geneva (CB-CC-1939-138) Photograph: Marian Gérard. © The Baur Foundation, Museum of Far Eastern Art</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0fba939c-dc13-47fa-8de8-e23c84fa08e6/10.jpg</image:loc>
      <image:title>Highlights - The Secret of Colours: Ceramics in China and Europe from the 18th Century to the Present - Large dish Thomas Bohle (Austrian, b. 1958) Double-walled stoneware with oxblood enamel exterior and feldspathic matte-black glaze (cobalt, chrome, iron, copper); 17.8 x 65.5 cm Musée Ariana, Geneva (AR 2015-166) © Frigesch Lampelmayer</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/seeing-zen-in-prague-a-unique-collection-of-japanese-zen-art-nk6f2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d7455558-ff0c-43fb-b8cf-6fc1331dd9d3/Figure+1.jpg</image:loc>
      <image:title>Highlights - Hua Fengxiang and His Three-hundred-Year Zisha Tradition - Clay sheet for making the body of a Zisha pot</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/412250db-c81e-4157-b5f9-a12b98f10288/Figure+2.jpg</image:loc>
      <image:title>Highlights - Hua Fengxiang and His Three-hundred-Year Zisha Tradition - Body of a Zisha pot made by enclosure with a clay sheet</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9a18b073-857e-4b1d-95d3-096102af84eb/1%5C243%5C2722965.jpg</image:loc>
      <image:title>Highlights - Hua Fengxiang and His Three-hundred-Year Zisha Tradition</image:title>
      <image:caption>Hanfang teapot Hua Fengxiang (1662–1735), China, Jiangsu province; Qing dynasty, Kangxi reign (1662–1722) Zisha stoneware with Lujun glaze 21.8 x 13.3 cm Nanjing Museum</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d571973d-5083-4aca-b873-1a806cdc80be/Figure4+%5C313%5C352%5C272%5C256%5C310%5C375%5C323%5C321.jpg</image:loc>
      <image:title>Highlights - Hua Fengxiang and His Three-hundred-Year Zisha Tradition - Make it stand out</image:title>
      <image:caption>Teapot With The Three Friends of Winter Guanqun Hua (1931–98), China, 1970 Raw ore Zisha purple clay, dark green clay, black clay, and satin clay 9.5 x 19 x 10 cm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3ecd7293-10cc-4a4d-80e1-db28e3ac025e/Figure+5+%5C317%5C262%5C310%5C265%5C265%5C307%5C303%5C267.jpg</image:loc>
      <image:title>Highlights - Hua Fengxiang and His Three-hundred-Year Zisha Tradition - Make it stand out</image:title>
      <image:caption>Teapot with Magpie and Plum Blossoms Qiuhong Qian (b. 1963), China, 2010 Raw ore Zisha satin clay, black clay, red clay, and green clay 9 x 17.8 x 11.5 cm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4f9ffc0b-6cb0-4aad-a93a-6729a378fa3d/Figure+6.jpg</image:loc>
      <image:title>Highlights - Hua Fengxiang and His Three-hundred-Year Zisha Tradition - Make it stand out</image:title>
      <image:caption>Teapot in the shape of plum tree stump Qiuhong Qian (b. 1963), China, 1990 Raw ore Zisha purple clay, and satin clay    10.5 x 14 x 10 cm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f4d09d58-1b20-4efb-bc33-28ab4697d833/Figure7.jpg</image:loc>
      <image:title>Highlights - Hua Fengxiang and His Three-hundred-Year Zisha Tradition - Make it stand out</image:title>
      <image:caption>Teapot in the shape of Aladdin’s lamp Yingying Qian (b. 1984), China, 2010 9 x 15 x 11 cm Raw ore Zisha purple clay    Victoria and Albert Museum, London</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/seeing-zen-in-prague-a-unique-collection-of-japanese-zen-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/10583bd6-1c35-4b10-a83c-48209ec1b28a/Fig.1.jpg</image:loc>
      <image:title>Highlights - Seeing Zen in Prague: A Unique Collection of Japanese Zen Art - ‘Zenga: Japanese Zen Paintings from the Kaeru-An Collection’, exhibition view, Salm Palace, National Gallery in Prague Image © National Gallery in Prague 2022 Photo: Adéla Márová</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ff068e0f-58ac-4bb7-bd51-8a206d062c3c/Fig.2.jpg</image:loc>
      <image:title>Highlights - Seeing Zen in Prague: A Unique Collection of Japanese Zen Art - ‘Zenga: Japanese Zen Paintings from the Kaeru-An Collection’, exhibition view, Salm Palace, National Gallery in Prague Image © National Gallery in Prague 2022 Photo: Adéla Márová</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f2129473-198a-4d50-88d0-038d4ac5cddd/Fig.3.jpg</image:loc>
      <image:title>Highlights - Seeing Zen in Prague: A Unique Collection of Japanese Zen Art - I’ve Got My Eye on You! (Side View Daruma) By Hakuin Ekaku (1685–1769), 1745–69 Hanging scroll, ink on paper; 84.5 x 24.5 cm Kaeru-An Collection, National Gallery in Prague (Vm 6900) Image © National Gallery in Prague 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/31b382a7-4dae-460e-8660-0b66ed4a9b2d/Fig.4.jpg</image:loc>
      <image:title>Highlights - Seeing Zen in Prague: A Unique Collection of Japanese Zen Art - I’ve Got My Eyes on You: Daruma By Reigen Etō (1721–85), 1770–85 Hanging scroll, ink on paper; 52.7 x 26.4 cm Kaeru-An Collection, National Gallery in Prague (Vm 7208) Image © National Gallery in Prague 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/bd3ebba3-df2e-4700-b1eb-55f1ce3b3b50/Fig.5.jpg</image:loc>
      <image:title>Highlights - Seeing Zen in Prague: A Unique Collection of Japanese Zen Art - Daruma By Baisaō/Kō Yūgai (1675–1763), 1730–63 Hanging scroll, ink on paper; 106.5 x 24.4 cm Kaeru-An Collection, National Gallery in Prague (Vm 7062) Image © National Gallery in Prague 2022</image:title>
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      <image:title>Highlights - Seeing Zen in Prague: A Unique Collection of Japanese Zen Art - Make it stand out</image:title>
      <image:caption>Zen Circle with Calligraphy By Fuyō Rōran (1724–1805), 1770–1805 Hanging scroll, ink on paper; 47.5 x 56 cm Kaeru-An Collection, National Gallery in Prague (Vm 7069) Image © National Gallery in Prague 2022</image:caption>
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      <image:title>Highlights - Seeing Zen in Prague: A Unique Collection of Japanese Zen Art - Make it stand out</image:title>
      <image:caption>Kanzan and Jittoku By Sengai Gibon (1750–1838), 1810–37 Hanging scroll, ink on paper; 86.4 x 26.8 cm Kaeru-An Collection, National Gallery in Prague (Vm 7227) Image © National Gallery in Prague 2022</image:caption>
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      <image:title>Highlights - Seeing Zen in Prague: A Unique Collection of Japanese Zen Art - Make it stand out</image:title>
      <image:caption>Moon Landscape By Mokuan Shōtō (1611–84), 1650–84 Hanging scroll, ink on paper; 134.5 x 34.5 cm Kaeru-An Collection, National Gallery in Prague (Vm 7146) Image © National Gallery in Prague 2022</image:caption>
    </image:image>
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      <image:title>Highlights - Seeing Zen in Prague: A Unique Collection of Japanese Zen Art - Make it stand out</image:title>
      <image:caption>One! By Takuan Sōhō (1573–1645), 1630–45 Hanging scroll, ink on paper; 25.4 x 43.3 cm Kaeru-An Collection, National Gallery in Prague (Vm 6956) Image © National Gallery in Prague 2022</image:caption>
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      <image:title>Highlights - Seeing Zen in Prague: A Unique Collection of Japanese Zen Art - Make it stand out</image:title>
      <image:caption>Magic Dragon By Gansui, 19th century Hanging scroll, ink on paper; 114 x 51.6 cm Kaeru-An Collection, National Gallery in Prague (Vm 6937) Image © National Gallery in Prague 2022</image:caption>
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      <image:title>Highlights - Seeing Zen in Prague: A Unique Collection of Japanese Zen Art - Make it stand out</image:title>
      <image:caption>Snowman By Deiryū Kutsu (1895–1954), 1930–54 Hanging scroll, ink on paper; 31.6 x 33 cm Kaeru-An Collection, National Gallery in Prague (Vm 7178) Image © National Gallery in Prague 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3da92e67-ea77-4ba5-a113-3b4570653d65/Fig.12.jpg</image:loc>
      <image:title>Highlights - Seeing Zen in Prague: A Unique Collection of Japanese Zen Art - Teacup with Sculpted Frog Décor and Calligraphy By Ōtagaki Rengetsu (1791–1875), 1860–75 Pottery; 5.3 cm x 10.3 cm x 9.4 cm Kaeru-An Collection, National Gallery in Prague (Vu 4375) Image © National Gallery in Prague 2022</image:title>
      <image:caption>Fig. 12 Teacup with Sculpted Frog Décor and Calligraphy By Ōtagaki Rengetsu (1791–1875), 1860–75 Pottery; 5.3 cm x 10.3 cm x 9.4 cm Kaeru-An Collection, National Gallery in Prague (Vu 4375) Image © National Gallery in Prague 2022</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/matthew-wong-blue-view-at-the-art-gallery-of-ontario-canada-13-august-202118-april-2022-hch3r</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9c29b552-8a99-4601-b494-f70ff3c7bbc8/1_A.+Krishna+Manandhar_Overlapping+series_1985_31+inches+x+31+inches++.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 1. Overlapping Series Krishna Manandhar (b. 1947), 1985 Oil on canvas; 78.74 x 78.74 cm Image © The Kathmandu Triennale 2077</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/33875fde-a0e4-425d-bd01-f12a43d7e637/2_B.+Krishna+Manandhar_Overlapping+series_1972_+104.3+cm+%28l%29+x+89.3+cm+%28b%29.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 2. Overlapping Series Krishna Manandhar (b. 1947), 1972 Oil on canvas; 104.3 x 89.3 cm Image © The Kathmandu Triennale 2077</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9a4b413d-3a10-4520-811b-dbf65eb10fec/3_A.+Puran+Khadka%EF%BF%BDWholeness%EF%BF%BD2018%EF%BF%BD41.5+cm+%28l%29+x+31+cm+%28b%29.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 3. Wholeness Puran Khadka (1956–2016), 2018 Acrylic on paper; 41.5 x 31 cm Image © The Kathmandu Triennale 2077</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1746e1ff-5960-4b4f-9b0a-a5a139490781/4_B.+Puran+Khadka_2014_19+cm+x+14.5+cm.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 4. Wholeness Puran Khadka (1956–2016), 2014 Acrylic on paper; 19 x 14.5 cm Image © The Kathmandu Triennale 2077</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7aeb30a8-7291-4601-a4a2-df0ec5a8ff07/5_C+Puran+Khadka_2010_27+cm+x+18.5+cm.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 5. Wholeness Puran Khadka (1956–2016), 2010 Acrylic on paper; 27 x18.45 cm Image © The Kathmandu Triennale 2077</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f0767b80-7d38-4bc4-acb2-2efbcc592047/6_A.+Subas+Tamang_bygani+Rakam.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 6. Baigani Rakam Subas Tamang (b. 1990), 2021 Acrylic and ink on Lokta paper; 59 x 98 cm [mangoes] Image © The Kathmandu Triennale 2077</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/05f0ea38-ae3a-4019-94ee-afd7e30bf8ea/7_B.+Subas+Tamang_kagaji+Rakam.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 7. Kagaji Rakam Subas Tamang (b. 1990), 2021 Acrylic and ink on Lokta paper; 79 x 98 cm [flowers] Image © The Kathmandu Triennale 2077</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/ed8d1def-d961-4518-b295-079c89fbc9d6/8_A.Dedron%2CWe+are+the+Nearest+to+the+Sun.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 8. We are Nearest to the Sun Langdun Dedron (b. 1976), 2009 Digital print on canvas Image © The Kathmandu Triennale 2077</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0f63a05e-e48b-4f13-a5b0-8b0078e935a5/9_B.+Dedron%2CThe+Coquered+Enchantress%2C+2009.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 9. The Conquered Enchantress Langdun Dedron (b. 1976), 2009 Digital print on canvas; 80 x 180 cm Image © The Kathmandu Triennale 2077</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/a785c72a-1508-4549-9e10-6fbde17521c8/10_A.+Wang+and+Pan%2C+video+sitll+image+of+export+painting+.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 10 Still from Miasma, Plants, Export Paintings, showing export painting by Chinese painters Wang Bo (b. 1982) and Pan Lu (b.1981), 2017 Two-channel video; 28:32 min. https://vimeo.com/248609674, password: miasma Image © The Kathmandu Triennale 2077 and the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f367c612-7218-4d42-b4f9-20ebe61a2535/11_Wang+and+Pan%3A+Video+still++image+of+Whampoa+Pagoda+in+Canton.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 11 Still from Miasma, Plants, Export Paintings, showing Whampoa pagoda in Canton Wang Bo (b. 1982) and Pan Lu (b. 1981), 2017 Two-channel video; 28:32 min. https://vimeo.com/248609674, password: miasma Image © The Kathmandu Triennale 2077 and the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/6c6071de-3b94-45bc-96b6-1cbf2bc41de5/13_A.+Seema+Sharma+Shah%EF%BF%BDKrishna+Leela%EF%BF%BD2018%EF%BF%BD99cm+x+99cm.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 12 Krishna Leela Seema Sharma Shah (b. 1964), 2018 Monoprint; 99 x 99 cm [green] Image © The Kathmandu Triennale 2077</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/25e680a5-8f74-41a0-9ae0-451e65c2c9ed/14_B.+Seema+Sharma+Shah+Shakti+Svaroopa-3++2019%EF%BF%BD40x40+inches.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 13 Shaktisvaroopa-3 Seema Sharma Shah (b. 1964), 2019 Monoprint; 40 x 40 cm [orange] Image © The Kathmandu Triennale 2077</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/09653edd-842b-4d24-bd79-e57a8b8ed6d2/15_A.Tsherin+Sherpa+%2C+The+Giant+ego-lessness%2C+2022.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 14 The Giant Ego-lessness Tsherin Sherpa (b. 1968) in collaboration with Mt Refuge, Karma Lama, Pasang Lama, and Phurba Hyolmo, 2022 Highland Tibetan wool and Chinese silk with cotton warp; 243.84 x 304.80 cm Image © the artist and Mt Refuge</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/32fefedb-9fac-40e6-9314-f98dc8d96079/16_B.+Tsherin+Sherpa%2C+teh+Way+for+the+Dragon.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 15 The Way of the Dragon Tsherin Sherpa (b. 1968) in collaboration with Mt Refuge, Karma Lama, Pasang Lama, and Phurba Hyolmo, 2022 Highland Tibetan wool and Chinese silk with cotton warp; 243.84 x 304.80 cm Image © the artist and Mt Refuge</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/9056594c-652c-4f63-85e4-2abb20fc2553/17_C.+Tsherin+Sherpa+24-Views-of-Luxation.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 16 24 Views of Luxation Tsherin Sherpa (b. 1968) in collaboration with Karma Lama, Pang Lama, and Phurba Hyolo, 2022 Acrylic on canvas; each panel: 50.8 x 50.8 cm Image © Chhiring Dorje Hurung, the artist, and Rossi &amp; Rossi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/d85d3fb7-4f92-4326-92ea-9f33493852f4/18_D.+Tsherin+Sherpa+Venice+Sculpture.+jpg.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 17 Muted Expressions Tsherin Sherpa (b. 1968) in collaboration with Metalsmith Bijay Maharjan, 2022 Bronze; 7 x 3.5 x 3.5 cm Image © the artist and Rossi &amp; Rossi Photograph: Riccardo Tosetto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0e46f498-531e-4e2d-8469-c547ae1a598c/19_A.+Sara++Koinch+%2CProminent+Patterns+1%2C+2022.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 18 Prominent Patterns #1 Sara Tunich Koinch (b. 1991), 2022 Acrylic on recharge cards; 3.3 x 4.1 cm Image © the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5c32dc3f-7732-4e1f-bfa3-1e0b312d3ea7/20_B.+Sara+Koinch%2C+Promient+Patterns+2%2C+2022.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 19 Prominent Patterns #2 Sara Tunich Koinch (b. 1991), 2022 Acrylic on recharge cards; 6.5 x 4 cm Image © the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2eb137a1-f0ee-4cfa-ae2e-443b9ad1ac8c/21_C.++Sara+Koinch%2C+Promient+Patterns+3%2C+2022.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 20 Prominent Patterns #3 Sara Tunich Koinch (b. 1991), 2022 Acrylic on recharge cards; 3.7 x 6.4 cm Image © the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/b39bf6fe-bf82-4a72-aa9b-865cde8f4246/22_D.+Sara+Koinch%2C+Promient+Patterns+4%2C+2022+.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 21 Prominent Patterns #4 Sara Tunich Koinch (b. 1991), 2022 Acrylic on recharge cards; 4.2 x 5 cm Image © the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4816d182-825e-49e4-9096-56f96167013d/23_E.+Sara+Koinch%2C+Promient+Patterns+5%2C+2022.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 22 Prominent Patterns #5 Sara Tunich Koinch (b. 1991), 2022 Acrylic on recharge cards; 9.5 x 10.5 cm Image © the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0762dc36-1f69-4a23-a14c-f1f77b1209e4/24_F.++Sara+Kionch%2C+Promient+Patterns+6%2C+2022.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 23 Prominent Patterns #6 Sara Tunich Koinch (b. 1991), 2022 Acrylic on recharge cards; 10.5 x 12 cm Image © the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/2826a546-5609-4d2d-852f-f27c64e05a1c/25_G.+Sara+Koinch%2C+Promient+Patterns+7%2C+2022.jpg</image:loc>
      <image:title>Highlights - The Kathmandu Triennale 2077 - Make it stand out</image:title>
      <image:caption>Fig. 24 Prominent Patterns #7 Sara Tunich Koinch (b. 1991), 2022 Acrylic on recharge cards; 6.6 x 6.5 cm Image © the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/sir-joseph-hotung-19302021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0246112c-b3c3-4941-805d-8e512c50aecf/1.jpg</image:loc>
      <image:title>Highlights - Sir Joseph Hotung (1930–2021) - Make it stand out</image:title>
      <image:caption>Sir Joseph Hotung with Queen Elizabeth, 1992</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3e13bf26-db6b-46d4-8bf9-1472d610801d/2.jpg</image:loc>
      <image:title>Highlights - Sir Joseph Hotung (1930–2021) - Make it stand out</image:title>
      <image:caption>Cong China; Liangzhu culture (3300–2200 BC) Jade; height 49.5 cm Hotung Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1647917586262-7S1EQSSKROCCUSD9E0LI/3.jpg</image:loc>
      <image:title>Highlights - Sir Joseph Hotung (1930–2021) - Make it stand out</image:title>
      <image:caption>Brushpot China; 18th century Jade; diameter 19 cm Hotung Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1647917590249-XA2CFW8Q9IHNRP1Y144D/4.jpg</image:loc>
      <image:title>Highlights - Sir Joseph Hotung (1930–2021) - Make it stand out</image:title>
      <image:caption>Pair of dragon pendants China; Warring States period (475–221 BC) Jade; 7.6 x 12.4 cm, 7.8 x 11.8 cm Hotung Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/matthew-wong-blue-view-at-the-art-gallery-of-ontario-canada-13-august-202118-april-2022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/420cafad-5879-4a18-94ee-45be164e9dc6/1.jpg</image:loc>
      <image:title>Highlights - ‘Matthew Wong: Blue View’ at the Art Gallery of Ontario, Canada, 13 August, 2021–18 April, 2022 - Make it stand out</image:title>
      <image:caption>Fig. 1 Autumn Nocturne  By Matthew Wong; 2018 Oil on canvas; 121.9 x 182.9 cm © 2018 Matthew Wong Foundation/Artists Rights Society (ARS) New York Image courtesy of Karma, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5530577f-bae7-4ea3-8d02-585a415adfed/2.jpg</image:loc>
      <image:title>Highlights - ‘Matthew Wong: Blue View’ at the Art Gallery of Ontario, Canada, 13 August, 2021–18 April, 2022 - Make it stand out</image:title>
      <image:caption>Fig. 2 Starry Night By Matthew Wong; 2019 Oil on canvas; 152.4 x 177.8 cm © 2019 Matthew Wong Foundation/Artists Rights Society (ARS) New York  Image courtesy of Karma, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/fb66c944-4c5a-4879-9c96-44c6ffa5f26c/3.jpg</image:loc>
      <image:title>Highlights - ‘Matthew Wong: Blue View’ at the Art Gallery of Ontario, Canada, 13 August, 2021–18 April, 2022 - Make it stand out</image:title>
      <image:caption>Fig. 3 Starry Night over the Rhône (Nuit étoilée sur le Rhône) By Vincent van Gogh; 1888 Oil on canvas; 72.5 x 92 cm Musée d’Orsay, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/07df9015-e318-4b28-a6be-332b0e57a19c/4.jpg</image:loc>
      <image:title>Highlights - ‘Matthew Wong: Blue View’ at the Art Gallery of Ontario, Canada, 13 August, 2021–18 April, 2022 - Make it stand out</image:title>
      <image:caption>Fig. 4 Unknown Pleasures By Matthew Wong; 2019 Oil on canvas; 165.1 x 165.1 cm Museum of Modern Art, New York © 2022 Matthew Wong Foundation / Artists Rights Society (ARS), New York / SOCAN, Montreal   Image courtesy of MoMA/Art Resource, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f800ba40-3a52-4dfe-9197-c3eae049357b/5.jpg</image:loc>
      <image:title>Highlights - ‘Matthew Wong: Blue View’ at the Art Gallery of Ontario, Canada, 13 August, 2021–18 April, 2022 - Make it stand out</image:title>
      <image:caption>Fig. 5 Untitled By Matthew Wong; 2019 Gouache on paper; 22.9 x 30.5 cm © 2019 Matthew Wong Foundation/Artists Rights Society (ARS) New York   Image courtesy of Karma, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/from-lion-to-idol-an-early-reception-of-chinese-sculpture-in-america</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/473c19d0-bdcb-4e92-884e-e4ff3bda79f7/Idol_1880.jpg</image:loc>
      <image:title>Highlights - From Lion to ‘Idol’: An Early Reception of Chinese Sculpture in America - Fig. 1 Stone lion, Union College, 1880  Courtesy Union College Special Collections</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/0e8d25d3-48b2-49b2-a547-b501de3b1d9d/painted+stone+lion.jpg</image:loc>
      <image:title>Highlights - From Lion to ‘Idol’: An Early Reception of Chinese Sculpture in America - Fig. 2 ‘The Idol’, spring 2021  Photograph: Sheri A. Lullo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1f660d65-255a-4caa-b879-1cb39225f513/image3.png</image:loc>
      <image:title>Highlights - From Lion to ‘Idol’: An Early Reception of Chinese Sculpture in America - Fig. 3 Lions fronting the tomb of Gao Yi  China, Sichuan province; Eastern Han dynasty (25–220 CE), 209 CE</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/f0c7ded7-cb9d-4d1c-8196-5dca3833abfe/image4.png</image:loc>
      <image:title>Highlights - From Lion to ‘Idol’: An Early Reception of Chinese Sculpture in America - Fig. 4 Stone lion at Qianling mausoleum  China, Shaanxi province; Tang dynasty (618–907)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/5aabe7c4-69bc-4c10-9fd9-edc1c2386dfc/image5.png</image:loc>
      <image:title>Highlights - From Lion to ‘Idol’: An Early Reception of Chinese Sculpture in America - Fig. 5 Lions along the Marco Polo Bridge, Beijing, China</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/renaissance-venice-life-and-luxury-at-the-crossroads</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/cd51ac1b-a602-4b38-923c-98f39fb749d4/1B.jpg</image:loc>
      <image:title>Highlights - ‘Renaissance Venice: Life and Luxury at the Crossroads’ at Gardiner Museum, Toronto 14 October 2021–9 January 2022 - Make it stand out</image:title>
      <image:caption>Fig. 1 Exhibition view of ‘Renaissance Venice: Life and Luxury at the Crossroads’ Photograph: Toni Hafkenscheid</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/4c1a5573-5469-45bf-b24f-916244087b7e/2.jpg</image:loc>
      <image:title>Highlights - ‘Renaissance Venice: Life and Luxury at the Crossroads’ at Gardiner Museum, Toronto 14 October 2021–9 January 2022 - Make it stand out</image:title>
      <image:caption>Fig. 2 Charger with townscape Venice; attributed to the workshop of Jacomo da Pesaro, c. 1545–50 Tin-glazed earthenware (majolica) Metropolitan Museum of Art, New York (2017.129) Image courtesy of Metropolitan Museum of Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/7264913b-5f2d-4f6f-acaa-097b750d7873/3.jpg</image:loc>
      <image:title>Highlights - ‘Renaissance Venice: Life and Luxury at the Crossroads’ at Gardiner Museum, Toronto 14 October 2021–9 January 2022 - Make it stand out</image:title>
      <image:caption>Fig. 3 Candlestick Syria or Egypt; Mamluk period (1250–1517), 1293–1340 or 1347–61 Engraved brass with gold and silver inlay Royal Ontario Museum, Toronto (969.118.2) With permission of the Royal Ontario Museum ©ROM</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/3f89862a-8bfd-4db1-b890-d2ee5d2e28b2/4.jpg</image:loc>
      <image:title>Highlights - ‘Renaissance Venice: Life and Luxury at the Crossroads’ at Gardiner Museum, Toronto 14 October 2021–9 January 2022 - Make it stand out</image:title>
      <image:caption>Fig. 4 Dish with lotus scrolls China, Jingdezhen; Ming dynasty (1368–1644), Yongle period (1403–24) Porcelain, underglaze cobalt blue Collection of Dr. Michael Yuen Photograph: Toni Hafkenscheid, reproduced with permission of Dr. Michael Yuen</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/highlights/lisa-and-robert-kessler-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-17</lastmod>
  </url>
  <url>
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      <image:title>Past Issues - MAR/APR 2024</image:title>
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      <image:title>Past Issues - JAN/FEB 2024</image:title>
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      <image:title>Past Issues - NOV/DEC 2023</image:title>
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      <image:title>Past Issues - SEP/OCT 2023</image:title>
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  <url>
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    <lastmod>2023-06-26</lastmod>
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      <image:title>Past Issues - JUL/AUG 2023</image:title>
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  <url>
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    <lastmod>2023-10-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1682050730751-QEXD92NVSM2PVV7TQ185/MayJune+2023+cover_bowls.jpg</image:loc>
      <image:title>Past Issues - MAY/JUN 2023</image:title>
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  <url>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1677133425435-BTK640OXEI968TMQA7C8/MarApr+2023+cover_Walters.jpg</image:loc>
      <image:title>Past Issues - MAR/APR 2023</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/janfeb-2023</loc>
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    <lastmod>2023-10-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1671609570120-YX5IDHH0VV2AA08YNZH4/JanFeb+2023+cover_crop.jpg</image:loc>
      <image:title>Past Issues - JAN/FEB 2023</image:title>
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  <url>
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    <lastmod>2023-10-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1667205481641-QUZAOC0781GHCZEEVIX1/C1_NovDec+2022+cover.jpg</image:loc>
      <image:title>Past Issues - NOV/DEC 2022</image:title>
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      <image:title>Past Issues - SEP/OCT 2022</image:title>
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      <image:title>Past Issues - JUL/AUG 2022</image:title>
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      <image:title>Past Issues - MAY/JUN 2022</image:title>
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    <image:image>
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      <image:title>Past Issues - MAR/APR 2022</image:title>
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      <image:title>Past Issues - SEP/OCT 2021</image:title>
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  <url>
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      <image:title>Past Issues - NOV/DEC 2021</image:title>
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      <image:title>Past Issues - JAN/FEB 2022</image:title>
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      <image:title>Past Issues - JUL/AUG 2021</image:title>
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  <url>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627733376051-O2FV1VPF8XLQPJKVPRIX/cover_final.jpg</image:loc>
      <image:title>Past Issues - MAY/JUN 2021</image:title>
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  <url>
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      <image:title>Past Issues - MAR/APR 2021</image:title>
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  <url>
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      <image:title>Past Issues - JAN/FEB 2021</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627732648779-0TJ7FZNY8L88GU79GPSG/Nov-Dec-2020-cover-F.jpg</image:loc>
      <image:title>Past Issues - NOV/DEC 2020</image:title>
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    <lastmod>2023-10-17</lastmod>
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      <image:title>Past Issues - SEP-OCT 2020</image:title>
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  <url>
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    <image:image>
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      <image:title>Past Issues - JUL/AUG 2020</image:title>
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  <url>
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      <image:title>Past Issues - MAY/JUN 2020</image:title>
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  <url>
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      <image:title>Past Issues - MAR/APR 2020</image:title>
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    <image:image>
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      <image:title>Past Issues - JAN/FEB 2020</image:title>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
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      <image:title>Past Issues - NOV/DEC 2019</image:title>
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      <image:title>Past Issues - SEP/OCT 2019</image:title>
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  <url>
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      <image:title>Past Issues - JUL/AUG 2019</image:title>
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      <image:title>Past Issues - MAY/JUNE 2019</image:title>
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  <url>
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      <image:title>Past Issues - MAR/APR 2019</image:title>
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  <url>
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      <image:title>Past Issues - JAN/FEB 2019</image:title>
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      <image:title>Past Issues - NOV/DEC 2018</image:title>
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      <image:title>Past Issues - SEP-OCT 2018</image:title>
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  <url>
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      <image:title>Past Issues - JUL/AUG 2018</image:title>
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  <url>
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      <image:title>Past Issues - MAY/JUN 2018</image:title>
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  <url>
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    <image:image>
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      <image:title>Past Issues - MAR/APR 2018</image:title>
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  <url>
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    <image:image>
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      <image:title>Past Issues - JAN/FEB 2018</image:title>
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      <image:title>Past Issues - NOV/DEC 2017</image:title>
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      <image:title>Past Issues - SEP/OCT 2017</image:title>
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  <url>
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    <lastmod>2023-10-13</lastmod>
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      <image:title>Past Issues - JUL/AUG 2017</image:title>
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  <url>
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    <changefreq>monthly</changefreq>
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      <image:title>Past Issues - MAY/JUN 2017</image:title>
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  <url>
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    <changefreq>monthly</changefreq>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627717616334-3UWKZ9L7IC0BA38WJ5F2/Mar-Apr-2017-cover_1.jpg</image:loc>
      <image:title>Past Issues - MAR/APR 2017</image:title>
    </image:image>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/janfeb-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627716537658-ELQR7BLXLA1KJ1MWZNZA/Jan-Feb-2017-cover.jpg</image:loc>
      <image:title>Past Issues - JAN/FEB 2017</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/novdec-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627716299888-E8IG57AABXNIJWSGY8NV/Nov-Dec-2016-cover.jpg</image:loc>
      <image:title>Past Issues - NOV/DEC 2016</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/oct-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627716089062-6ROXR5TVKIRG8HVJ29E3/Oct-2016-cover1.jpg</image:loc>
      <image:title>Past Issues - OCT 2016</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/sep-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627715608962-A5X6WKIF1L2AJIC4CQE4/Sept-2016-cover.jpg</image:loc>
      <image:title>Past Issues - SEP 2016</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jun-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627715378429-28XZK7814IWJSZUH0BDT/June-2016-cover.jpg</image:loc>
      <image:title>Past Issues - JUN 2016</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/may-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627715164292-CYMWRDS6YE4ETN74NE53/May-cover-2016.jpg</image:loc>
      <image:title>Past Issues - MAY 2016</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/apr-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627714964449-EVPF4WA7D1E49F9LO9SR/April-cover-2016.jpg</image:loc>
      <image:title>Past Issues - APR 2016</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/mar-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627714762198-RL8R6K0W5EGCBPMV4EKI/Mar-cover-2016.jpg</image:loc>
      <image:title>Past Issues - MAR 2016</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/janfeb-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627714555519-KEPB0JF8ILX07UYIBRGL/Jan-Feb-cover.jpg</image:loc>
      <image:title>Past Issues - JAN/FEB 2016</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/novdec-2015</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627714362117-VWAULHELYI3LS8VAXFO1/Nov_Dec-2015-cover.jpg</image:loc>
      <image:title>Past Issues - NOV/DEC 2015</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/oct-2015</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627714190145-EQGYGJS817TCJYWYUL4C/Oct-2015-cover.jpg</image:loc>
      <image:title>Past Issues - OCT 2015</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/sep-2015</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627713757126-85WQ5RB4EJ21KWUYQ75B/2015-Sept-cover_4.jpg</image:loc>
      <image:title>Past Issues - SEP 2015</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jun-2015</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627713344239-L5OGN8PK94DPZWCFCEV8/june-cover.jpg</image:loc>
      <image:title>Past Issues - JUN 2015</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/may-2015</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627713157056-HQB5299K7UW6DHUWLRGM/May-cover.jpg</image:loc>
      <image:title>Past Issues - MAY 2015</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/apr-2015</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627712949314-O7K0FVOCTE5QSSNM7DRN/April-2015-cover.jpg</image:loc>
      <image:title>Past Issues - APR 2015</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/mar-2015</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627712770113-L0HSXATEAZ56HITAERLP/Mar-2015-cover-Jan-16.jpg</image:loc>
      <image:title>Past Issues - MAR 2015</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/janfeb-2015</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627712461888-VEIAB6N9ONZ2DO1202UL/Jan-Feb-2015-cover-s.jpg</image:loc>
      <image:title>Past Issues - JAN/FEB 2015</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/novdec-2014</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627712218834-I3M70IG2H43MREKS25S1/Nov-Dec-2014-cover-s.jpg</image:loc>
      <image:title>Past Issues - NOV/DEC 2014</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/oct-2014</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627712053968-XWTR5YOYEJUVM22NYEYM/October-2014-cover.jpg</image:loc>
      <image:title>Past Issues - OCT 2014</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/sep-2014</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627711849654-D8O1JWK57DF2JU4KSWV8/Sept-2014-cover-Fs.jpg</image:loc>
      <image:title>Past Issues - SEP 2014</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jun-2014</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627711647678-J2XG3J1L923URZ1YQZUR/June-2014-cover.jpg</image:loc>
      <image:title>Past Issues - JUN 2014</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/may-2014</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627711413375-AD5WW4ZWGXTGG3ZXIOEY/May-2014-cover-Fs.jpg</image:loc>
      <image:title>Past Issues - MAY 2014</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/apr-2014</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627710718607-U6XAVUPO9U79D0YOM0A0/April-2014-cover-Fs.jpg</image:loc>
      <image:title>Past Issues - APR 2014</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/mar-2014</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627710431979-3YH6LWE1BNEGB048XJXN/Mar-2014-cover-Fs.jpg</image:loc>
      <image:title>Past Issues - MAR 2014</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/janfeb-2014</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627710196812-MN6UYO8XBY9VKGOZB2O0/Jan-Feb-2014-coverFs.jpg</image:loc>
      <image:title>Past Issues - JAN/FEB 2014</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/novdec-2013</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627710004353-W3IRON7MVX7W0SLZ8KQN/Nov-Dec-2013-cover.jpg</image:loc>
      <image:title>Past Issues - NOV/DEC 2013</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/oct-2013</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627709778673-YTT299KFKY9IKDEK4DXT/Oct-2013-cover.jpg</image:loc>
      <image:title>Past Issues - OCT 2013</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/sep-2013</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627709519470-03ICJW3MQCXLD8MHVO48/Sep-2013.jpg</image:loc>
      <image:title>Past Issues - SEP 2013</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jun-2013</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627709196684-RZVWPQ2DW1TYJZVOH3W6/June-2013-cover-e1371444137717.jpg</image:loc>
      <image:title>Past Issues - JUN 2013</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/may-2013</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627708791688-LLAAMNK2QDAP86RSYEML/May-2013-cover.jpg</image:loc>
      <image:title>Past Issues - MAY 2013</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/apr-2013</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627708142180-XTF5FH7EQVR8XEOOVS73/April-2013-cover.jpg</image:loc>
      <image:title>Past Issues - APR 2013</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/mar-2013</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627707374802-6VLETBIVI69HLJJD0LDH/Mar13-cover.jpg</image:loc>
      <image:title>Past Issues - MAR 2013</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/janfeb-2013</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627707170098-K37DTEZ7G9D0ONBKX2MP/2013-Jan-Feb-cover.jpg</image:loc>
      <image:title>Past Issues - JAN/FEB 2013</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/novdec-2012</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627706212485-GC2YU3T527HLQVQS78O9/2012-Nov-Dec-cover.jpg</image:loc>
      <image:title>Past Issues - NOV/DEC 2012</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/oct-2012</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627705924812-7D1PMVWJP8YEVO67Y5ZE/2012-Oct-cover.jpg</image:loc>
      <image:title>Past Issues - OCT 2012</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/sep-2012</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627704931870-Y0PX631N0G57KF1CNGXB/2012-Sept-cover.jpg</image:loc>
      <image:title>Past Issues - SEP 2012</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jun-2012</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627705706981-7FM8JL0Y77OZE0211HGE/2012-June-cover.jpg</image:loc>
      <image:title>Past Issues - JUN 2012</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/may-2012</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627649278702-YN9TIZM3Z0UN89VCPQLA/2012-May-cover.jpg</image:loc>
      <image:title>Past Issues - MAY 2012</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/apr-2012</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627647026001-GV0GSVTAX29A9W84PN7P/2012-Apr-cover.jpg</image:loc>
      <image:title>Past Issues - APR 2012</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/mar-2012</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627646680459-CY8QYN8L43UWMWMK5NMB/2012-Mar-cover.jpg</image:loc>
      <image:title>Past Issues - MAR 2012</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/janfeb-2012</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627646424464-9MIB4YYD9U9MAFLWVZ84/2012-Jan-Feb-cover.jpg</image:loc>
      <image:title>Past Issues - JAN/FEB 2012</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/novdec-2011</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627646114503-LYG2LKW4GHJPUZOJ1TSK/2011-Nov-Dec-cover.jpg</image:loc>
      <image:title>Past Issues - NOV/DEC 2011</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/oct-2011</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627645671728-6HEFLXRR5RVZ3YEF84OA/2011-Oct-cover.jpg</image:loc>
      <image:title>Past Issues - OCT 2011</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/sep-2011</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627645152474-QUGJ55RADGB3UA4OWGCU/2011-Sept-cover.jpg</image:loc>
      <image:title>Past Issues - SEP 2011</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jun-2011</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627644420658-I6SQ0DO2A04CS2KS6OSU/2011-June-cover.jpg</image:loc>
      <image:title>Past Issues - JUN 2011</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/may-2011</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627644164635-OU165X2SG4N5CX0CU739/2011-May-cover.jpg</image:loc>
      <image:title>Past Issues - MAY 2011</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/apr-2011</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627643923405-MSBKZ3TC6SZHBWLEVE29/2011-Apr-cover.jpg</image:loc>
      <image:title>Past Issues - APR 2011</image:title>
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  </url>
  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627643545573-LDSP4WINKTK8V794PNL8/2011-Mar-cover.jpg</image:loc>
      <image:title>Past Issues - MAR 2011</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jan-2011</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627643308865-HY5APPKLEABKJD03Y9B8/2011-Jan-Feb-cover.jpg</image:loc>
      <image:title>Past Issues - JAN/FEB 2011</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/novdec-2010</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627643058177-4HKAGD0VLDVON9BWXIWU/2010-Nov-Dec-cover.jpg</image:loc>
      <image:title>Past Issues - NOV/DEC 2010</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/oct-2010</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627642847959-7E54QG5BYM1KD27DGQME/2010-Oct-cover.jpg</image:loc>
      <image:title>Past Issues - OCT 2010</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/sep-2010</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627641936106-BJJD2VZGCLUJQY811WTB/2010-Sept-cover.jpg</image:loc>
      <image:title>Past Issues - SEP 2010</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jun-2010</loc>
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    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627629986326-G5PP6S694ZVEZEXFOA13/2010-June-cover.jpg</image:loc>
      <image:title>Past Issues - JUN 2010</image:title>
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  </url>
  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627629658602-G2MHS5EDT3DQBOKEMFDS/2010-May-cover.jpg</image:loc>
      <image:title>Past Issues - MAY 2010</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627628190113-QR931VTAM6MST8Z6E5WN/2010-Apr-cover.jpg</image:loc>
      <image:title>Past Issues - APR 2010</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/janfeb-2010</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627627825452-2IJAGML0XY45NPXLUSD0/2010-Jan-Feb-cover.jpg</image:loc>
      <image:title>Past Issues - JAN/FEB 2010</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/mar-2010</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627627736192-V95PSPAUXAHA1YXM1S78/2010-Mar-cover.jpg</image:loc>
      <image:title>Past Issues - MAR 2010</image:title>
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  </url>
  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627626844588-8QU1VRVYY2AZNBRMTR7J/2009-Nov-Dec-cover.jpg</image:loc>
      <image:title>Past Issues - NOV/DEC 2009</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/oct-2009</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627625547041-83MVO9WVVNZ3MWRMNCDB/2009-Oct-cover.jpg</image:loc>
      <image:title>Past Issues - OCT 2009</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627624563340-FVA9H3ARX0ES6LSJT1RS/2009-Sept-cover.jpg</image:loc>
      <image:title>Past Issues - SEP 2009</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627624313337-7EG82RCSIF4GPKODPKX9/2009-June-cover.jpg</image:loc>
      <image:title>Past Issues - JUN 2009</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627624129853-RB97ZMA4TTMI89O0A6FM/2009-May-cover.jpg</image:loc>
      <image:title>Past Issues - MAY 2009</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627623880016-Z6NORRYS99H7IP03R25Y/2009-Apr-cover.jpg</image:loc>
      <image:title>Past Issues - APR 2009</image:title>
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  </url>
  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627622389606-BSS7SC8VXJI4E40D1BO4/2009-Mar-cover.jpg</image:loc>
      <image:title>Past Issues - MAR 2009</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/janfeb-2009</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627621729941-VSOULVPPF60N77UBXJMN/2009-Jan-Feb-cover.jpg</image:loc>
      <image:title>Past Issues - JAN/FEB 2009</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/novdec-2008</loc>
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    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627621446518-Q2AYS5TY431ACF48ANXV/2008-Nov-Dec-cover.jpg</image:loc>
      <image:title>Past Issues - NOV/DEC 2008</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/oct-2008</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627621169239-77VIH4W5RL56VN2W8L6T/2008-Oct-cover.jpg</image:loc>
      <image:title>Past Issues - OCT 2008</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627620620544-29TZ6LGVFQ183WLC71HY/2008-Sept-cover.jpg</image:loc>
      <image:title>Past Issues - SEP 2008</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627620275776-HQ0QRR7E1IH2QBQGL7TK/2008-June-cover.jpg</image:loc>
      <image:title>Past Issues - JUN 2008</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627619981707-4T8O66AT9197NQ271JZY/2008-May-cover.jpg</image:loc>
      <image:title>Past Issues - MAY 2008</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627619538429-OLS44OHGXI7CTOW1XOQH/2008-April-cover.jpg</image:loc>
      <image:title>Past Issues - APR 2008</image:title>
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  </url>
  <url>
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    <changefreq>monthly</changefreq>
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    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627619214589-EELVR68NDTX3II9MD3GY/2008-March-cover.jpg</image:loc>
      <image:title>Past Issues - MAR 2008</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/janfeb-2008</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627618607147-KMU2PAEKVL7K9TOKOL4L/2008-Jan-Feb-cover.jpg</image:loc>
      <image:title>Past Issues - JAN/FEB 2008</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/novdec-2007</loc>
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    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627562639866-UHRFO8I0MD5KR8HUMP6E/2007-NovDec-cover.jpg</image:loc>
      <image:title>Past Issues - NOV/DEC 2007</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/oct-2007</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627562066670-BVRI5S79N8CGVJ9JA21B/2007-Oct-cover.jpg</image:loc>
      <image:title>Past Issues - OCT 2007</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627561618938-9R9VIT52TUAFO0DA0T98/2007-Sept-cover.jpg</image:loc>
      <image:title>Past Issues - SEP 2007</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jun-2007</loc>
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    <priority>0.5</priority>
    <lastmod>2024-06-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627561262819-14BES5997RLJFQ5AU7P1/2007-June-cover.jpg</image:loc>
      <image:title>Past Issues - JUN 2007</image:title>
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  </url>
  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627561009678-UHLMFHD4JHGH9E6KUO7K/2007-May-cover.jpg</image:loc>
      <image:title>Past Issues - MAY 2007</image:title>
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  </url>
  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627560739949-GY8FK9IGODKSNIA0TRLK/2007-March-cover.jpg</image:loc>
      <image:title>Past Issues - MAR 2007</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/novdec-2006</loc>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627560425055-X4ZT5SN787OX24YKDV7B/2006-Nov-Dec-cover.jpg</image:loc>
      <image:title>Past Issues - NOV/DEC 2006</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/oct-2006</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627560133259-1R2G6Q3AG1P7OVTR1MWT/2006-Oct-cover.jpg</image:loc>
      <image:title>Past Issues - OCT 2006</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/sep-2006</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627558823469-JD9I9JRNVQOUACIFJT7U/2006-Sept-cover.jpg</image:loc>
      <image:title>Past Issues - SEP 2006</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jun-2006</loc>
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    <priority>0.5</priority>
    <lastmod>2023-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627558547717-H4OPFKFNUW0IFAEMMN0F/2006-June-cover.jpg</image:loc>
      <image:title>Past Issues - JUN 2006</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/may-2006</loc>
    <changefreq>monthly</changefreq>
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    <image:image>
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      <image:title>Past Issues - MAY 2006</image:title>
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  <url>
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      <image:title>Past Issues - APR 2006</image:title>
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  <url>
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      <image:title>Past Issues - APR 2007</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/mar-2006</loc>
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      <image:title>Past Issues - MAR 2006</image:title>
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  <url>
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      <image:title>Past Issues - JAN/FEB 2006</image:title>
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  <url>
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      <image:title>Past Issues - JAN/FEB 2007</image:title>
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  <url>
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      <image:title>Past Issues - NOV/DEC 2005</image:title>
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  <url>
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      <image:title>Past Issues - OCT 2005</image:title>
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  <url>
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      <image:title>Past Issues - SEP 2005</image:title>
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  <url>
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      <image:title>Past Issues - JUN 2005</image:title>
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  <url>
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      <image:title>Past Issues - MAY 2005</image:title>
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    <image:image>
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      <image:title>Past Issues - APR 2005</image:title>
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  <url>
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      <image:title>Past Issues - MAR 2005</image:title>
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      <image:title>Past Issues - JAN/FEB 2005</image:title>
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      <image:title>Past Issues - NOV/DEC 2004</image:title>
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  <url>
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      <image:title>Past Issues - OCT 2004</image:title>
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  <url>
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      <image:title>Past Issues - SEP 2004</image:title>
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      <image:title>Past Issues - JUN 2004</image:title>
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  <url>
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      <image:title>Past Issues - MAY 2004</image:title>
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  <url>
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    <image:image>
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      <image:title>Past Issues - APR 2004</image:title>
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  <url>
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      <image:title>Past Issues - MAR 2004</image:title>
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  <url>
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      <image:title>Past Issues - JAN/FEB 2004</image:title>
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  <url>
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      <image:title>Past Issues - NOV 2003</image:title>
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  <url>
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      <image:title>Past Issues - DEC  2003</image:title>
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  <url>
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      <image:title>Past Issues - OCT 2003</image:title>
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  <url>
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      <image:title>Past Issues - SEP 2003</image:title>
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      <image:title>Past Issues - JUN 2003</image:title>
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      <image:title>Past Issues - MAY 2003</image:title>
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      <image:title>Past Issues - APR 2003</image:title>
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  <url>
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      <image:title>Past Issues - MAR 2003</image:title>
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      <image:title>Past Issues - FEB 2003</image:title>
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      <image:title>Past Issues - JAN 2003</image:title>
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      <image:title>Past Issues - DEC 2002</image:title>
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  <url>
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      <image:title>Past Issues - OCT 2002</image:title>
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  <url>
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      <image:title>Past Issues - SEP 2002</image:title>
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  <url>
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      <image:title>Past Issues - JUN 2002</image:title>
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      <image:title>Past Issues - MAY 2002</image:title>
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    <image:image>
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      <image:title>Past Issues - APR 2002</image:title>
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  <url>
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      <image:title>Past Issues - MAR 2002</image:title>
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      <image:title>Past Issues - FEB 2002</image:title>
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  <url>
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    <image:image>
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      <image:title>Past Issues - JAN 2002</image:title>
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  <url>
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      <image:title>Past Issues - DEC 2001</image:title>
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      <image:title>Past Issues - NOV 2001</image:title>
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      <image:title>Past Issues - OCT 2001</image:title>
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      <image:title>Past Issues - SEP 2001</image:title>
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      <image:title>Past Issues - MAY 2001</image:title>
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      <image:title>Past Issues - APR 2001</image:title>
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      <image:title>Past Issues - MAR 2001</image:title>
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      <image:title>Past Issues - DEC 2000</image:title>
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      <image:title>Past Issues - APR 1998</image:title>
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      <image:title>Past Issues - MAR 1998</image:title>
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      <image:title>Past Issues - JAN 1998</image:title>
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      <image:title>Past Issues - DEC 1997</image:title>
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  <url>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627464959584-F4BLFBIG63YQLZ7DRYTI/1997-Nov-cover.jpg</image:loc>
      <image:title>Past Issues - NOV 1997</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/dw55buf8p94km3ztq0dce33ggorfba</loc>
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      <image:title>Past Issues - OCT 1997</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/6zx9tmj9uk9ccke08c9ja3a90fb1qp</loc>
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    <lastmod>2023-10-12</lastmod>
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      <image:title>Past Issues - SEP 1997</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/julaug-1997</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627463413660-G9U3T3R1YNYP4U011NGJ/1997-Jul-Aug-cover.jpg</image:loc>
      <image:title>Past Issues - JUL/AUG 1997</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jun-1997</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627463111636-AU600RXC9LCOVBE7KBTR/1997-June-cover.jpg</image:loc>
      <image:title>Past Issues - Jun 1997</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/may-1997</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627462800050-1ERTYPHSMZSLPAJP1EPI/1997-May-cover.jpg</image:loc>
      <image:title>Past Issues - May 1997</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/apr-1997</loc>
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    <image:image>
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      <image:title>Past Issues - Apr 1997</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/mar-1997</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627461897014-I3VO3VQW8E454EJEMND3/1997-March-cover.jpg</image:loc>
      <image:title>Past Issues - Mar 1997</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627461553641-E1ZYHJ9QU3TZ2JUYVVVW/1997-Feb-cover.jpg</image:loc>
      <image:title>Past Issues - Feb 1997</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jan-1997</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627461292469-C38FVOREUG1ZCSVCMPLO/1997-Jan-cover.jpg</image:loc>
      <image:title>Past Issues - Jan 1997</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/dec-1996</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627461000793-SV1J5URG1UF1RI0BOESA/1996-Dec-cover.jpg</image:loc>
      <image:title>Past Issues - Dec 1996</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627460740288-K2QA09DPOV9CMSY89GBV/1996-Nov-cover.jpg</image:loc>
      <image:title>Past Issues - Nov 1996</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/oct-1996</loc>
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      <image:title>Past Issues - Oct 1996</image:title>
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  <url>
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    <image:image>
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      <image:title>Past Issues - Sep 1996</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627456352454-R6I21VUO4N4B71HNQC4C/1996-Jul-Aug-cover.jpg</image:loc>
      <image:title>Past Issues - Jul/Aug 1996</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jun-1996</loc>
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      <image:title>Past Issues - Jun 1996</image:title>
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  <url>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627455606123-X7FLAND438ET0FGM2MMC/1996-May-cover.jpg</image:loc>
      <image:title>Past Issues - May 1996</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/apr-1996</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627455388673-9ADNASD0FG8M1X04PFQH/1996-Apr-cover.jpg</image:loc>
      <image:title>Past Issues - Apr 1996</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/mar-1996</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627455157800-S0XGULRQP45NBXZ6FVIH/1996-Mar-cover.jpg</image:loc>
      <image:title>Past Issues - Mar 1996</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/feb-1996</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627455006283-FO1HWBH95QL7HFOCAPQF/1996-Feb-cover.jpg</image:loc>
      <image:title>Past Issues - Feb 1996</image:title>
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  </url>
  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627454694092-FR85U8X69K1T0V0N4ORE/1996-Jan-cover.jpg</image:loc>
      <image:title>Past Issues - Jan 1996</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/dec-1995</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627454215840-ZPKJCFOKXPI2WGYM3ZHY/1995-Dec-cover.jpg</image:loc>
      <image:title>Past Issues - Dec 1995</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627453879277-K0FQG8K651D4QMHDLFA0/1995-Nov-cover.jpg</image:loc>
      <image:title>Past Issues - Nov 1995</image:title>
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  </url>
  <url>
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    <image:image>
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      <image:title>Past Issues - Oct 1995</image:title>
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  <url>
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    <image:image>
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      <image:title>Past Issues - Sep 1995</image:title>
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  <url>
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    <image:image>
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      <image:title>Past Issues - Jul/Aug 1995</image:title>
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  <url>
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      <image:title>Past Issues - Jun 1995</image:title>
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  <url>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627452662727-BHNAZL6N4XXJBQMOFMKE/1995-May-cover.jpg</image:loc>
      <image:title>Past Issues - May 1995</image:title>
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  <url>
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    <image:image>
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      <image:title>Past Issues - Apr 1995</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627452200727-TCAWQ8NKCHKWQ2ZQHKYF/1995-Mar-cover.jpg</image:loc>
      <image:title>Past Issues - Mar 1995</image:title>
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  <url>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627451902996-G80MA5K1BWC2ZJ95Z01Y/1995-Feb-cover.jpg</image:loc>
      <image:title>Past Issues - Feb 1995</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627451624088-2WONTL7EZSJH333Q5ERO/1995-Jan-cover.jpg</image:loc>
      <image:title>Past Issues - Jan 1995</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627451395229-0JQWXV7KBYHUB8U81EDP/1994-Dec-cover.jpg</image:loc>
      <image:title>Past Issues - Dec 1994</image:title>
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  <url>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627451176296-IUOFU0CG2GCE6KQ71YBE/1994-Nov-cover.jpg</image:loc>
      <image:title>Past Issues - Nov 1994</image:title>
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  <url>
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    <image:image>
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      <image:title>Past Issues - Oct 1994</image:title>
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  <url>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627450595493-SUIXODI64VFUMVYOR3GB/1994-09-cover.jpg</image:loc>
      <image:title>Past Issues - Sep 1994</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/aug-1994</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627450116973-6IHY9DQLAO4329YS6ARL/1994-Aug-cover.jpg</image:loc>
      <image:title>Past Issues - Aug 1994</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627449796539-UL55JH61V0I69MASWTNA/1994-Jul-cover.jpg</image:loc>
      <image:title>Past Issues - Jul 1994</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jun-1994</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627449504597-PFDJITWK8QL61BNJF449/1994-June-cover.jpg</image:loc>
      <image:title>Past Issues - Jun 1994</image:title>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627449265561-WDTZCK254R475B3KCN8E/1994-May-cover.jpg</image:loc>
      <image:title>Past Issues - May 1994</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/apr-1994</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627449060569-C71F2KG91WW3JYDCCB5I/1994-Apr-cover.jpg</image:loc>
      <image:title>Past Issues - Apr 1994</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/mar-1994</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627448682767-V9R8B44OPKD7ASS6KG6R/1994-Mar-cover.jpg</image:loc>
      <image:title>Past Issues - Mar 1994</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/feb-1994</loc>
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      <image:title>Past Issues - Feb 1994</image:title>
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  <url>
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      <image:title>Past Issues - Jan 1994</image:title>
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  <url>
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      <image:title>Past Issues - Dec 1993</image:title>
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  <url>
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      <image:title>Past Issues - Nov 1993</image:title>
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  <url>
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      <image:title>Past Issues - Oct 1993</image:title>
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  <url>
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      <image:title>Past Issues - Sep 1993</image:title>
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      <image:title>Past Issues - Aug 1993</image:title>
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      <image:title>Past Issues - Jul 1993</image:title>
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      <image:title>Past Issues - Jun 1993</image:title>
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      <image:title>Past Issues - May 1993</image:title>
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  <url>
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      <image:title>Past Issues - Apr 1993</image:title>
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  <url>
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      <image:title>Past Issues - Mar 1993</image:title>
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  <url>
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      <image:title>Past Issues - Feb 1993</image:title>
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      <image:title>Past Issues - Jan 1993</image:title>
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  <url>
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      <image:title>Past Issues - Dec 1992</image:title>
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      <image:title>Past Issues - Nov 1992</image:title>
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  <url>
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      <image:title>Past Issues - Oct 1992</image:title>
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  <url>
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      <image:title>Past Issues - Sep 1992</image:title>
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  <url>
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      <image:title>Past Issues - Aug 1992</image:title>
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  <url>
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      <image:title>Past Issues - Jul 1992</image:title>
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  <url>
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      <image:title>Past Issues - Jun 1992</image:title>
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  <url>
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      <image:title>Past Issues - May 1992</image:title>
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  <url>
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      <image:title>Past Issues - Apr 1992</image:title>
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      <image:title>Past Issues - Mar 1992</image:title>
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  <url>
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      <image:title>Past Issues - Feb 1992</image:title>
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  <url>
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      <image:title>Past Issues - JAN 1992</image:title>
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      <image:title>Past Issues - Dec 1991</image:title>
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      <image:title>Past Issues - Nov 1991</image:title>
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  <url>
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      <image:title>Past Issues - Oct 1991</image:title>
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      <image:title>Past Issues - Sep 1991</image:title>
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      <image:title>Past Issues - Aug 1991</image:title>
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      <image:title>Past Issues - Jul 1991</image:title>
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      <image:title>Past Issues - Jun 1991</image:title>
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      <image:title>Past Issues - May 1991</image:title>
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      <image:title>Past Issues - Apr 1991</image:title>
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  <url>
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      <image:title>Past Issues - Mar 1991</image:title>
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  <url>
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      <image:title>Past Issues - Feb 1991</image:title>
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  <url>
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      <image:title>Past Issues - Jan 1991</image:title>
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      <image:title>Past Issues - Dec 1990</image:title>
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  <url>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627018896027-W0VACJTUCO0AIN0TO4RO/1990-Nov-cover.jpg</image:loc>
      <image:title>Past Issues - Nov 1990</image:title>
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  <url>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627018691104-ZV5H8HPTDD8T2C7W2WHB/1990-Oct-cover.jpg</image:loc>
      <image:title>Past Issues - Oct 1990</image:title>
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  <url>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1627018431579-6J2QJZYFPL3KAIVK9C03/1990-Sept-cover.jpg</image:loc>
      <image:title>Past Issues - Sep 1990</image:title>
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  <url>
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      <image:title>Past Issues - Aug 1990</image:title>
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  <url>
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      <image:title>Past Issues - Jul 1990</image:title>
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  <url>
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      <image:title>Past Issues - Jun 1990</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/may-1990</loc>
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      <image:title>Past Issues - May 1990</image:title>
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  <url>
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      <image:title>Past Issues - Apr 1990</image:title>
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  <url>
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      <image:title>Past Issues - Mar 1990</image:title>
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      <image:title>Past Issues - Feb 1990</image:title>
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  <url>
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      <image:title>Past Issues - Jan 1990</image:title>
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  <url>
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      <image:title>Past Issues - Dec 1989</image:title>
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  <url>
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      <image:title>Past Issues - Nov 1989</image:title>
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  <url>
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      <image:title>Past Issues - Oct 1989</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/sep-1989</loc>
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      <image:title>Past Issues - Sep 1989</image:title>
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  <url>
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      <image:title>Past Issues - Aug 1989</image:title>
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  <url>
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      <image:title>Past Issues - Jul 1989</image:title>
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  <url>
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      <image:title>Past Issues - Jun 1989</image:title>
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      <image:title>Past Issues - May 1989</image:title>
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  <url>
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      <image:title>Past Issues - Apr 1989</image:title>
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  <url>
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      <image:title>Past Issues - Mar 1989</image:title>
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  <url>
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      <image:title>Past Issues - Feb 1989</image:title>
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  <url>
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      <image:title>Past Issues - Jan 1989</image:title>
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  <url>
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      <image:title>Past Issues - Dec 1988</image:title>
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  <url>
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      <image:title>Past Issues - Nov 1988</image:title>
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  </url>
  <url>
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      <image:title>Past Issues - Oct 1988</image:title>
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  <url>
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      <image:title>Past Issues - Sep 1988</image:title>
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      <image:title>Past Issues - Aug 1988</image:title>
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      <image:title>Past Issues - Jul 1988</image:title>
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      <image:title>Past Issues - Jun 1988</image:title>
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      <image:title>Past Issues - May 1988</image:title>
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  <url>
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      <image:title>Past Issues - Apr 1988</image:title>
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  <url>
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      <image:title>Past Issues - Mar 1988</image:title>
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      <image:title>Past Issues - Feb 1988</image:title>
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  <url>
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      <image:title>Past Issues - Jan 1988</image:title>
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      <image:title>Past Issues - Dec 1987</image:title>
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      <image:title>Past Issues - Nov 1987</image:title>
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  <url>
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      <image:title>Past Issues - Oct 1987</image:title>
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  <url>
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      <image:title>Past Issues - Sep 1987</image:title>
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  <url>
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      <image:title>Past Issues - Aug 1987</image:title>
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  <url>
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      <image:title>Past Issues - Jul 1987</image:title>
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  <url>
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      <image:title>Past Issues - Jun 1987</image:title>
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  <url>
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      <image:title>Past Issues - May 1987</image:title>
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  <url>
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    <image:image>
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      <image:title>Past Issues - Apr 1987</image:title>
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  <url>
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      <image:title>Past Issues - Mar 1987</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/feb-1987</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626770415477-3JK0INVX1N2RACEYHKL4/1987-Feb-cover.jpg</image:loc>
      <image:title>Past Issues - Feb 1987</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jan-1987</loc>
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    <lastmod>2022-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626770234710-I3WECWI6EU7I43AAD1F5/1987-Jan-cover.jpg</image:loc>
      <image:title>Past Issues - Jan 1987</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/dec-1986</loc>
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    <lastmod>2022-12-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626770087777-4ACQ615XQ32O45EPSRWH/1986-Dec-cover.jpg</image:loc>
      <image:title>Past Issues - Dec 1986</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/nov-1986</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626769954149-4YHNEIMROMY69OM2P25U/1986-Nov-cover.jpg</image:loc>
      <image:title>Past Issues - Nov 1986</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/oct-1986</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626769794894-CRDULU7EW3IL26WCMY01/1986-Oct-cover.jpg</image:loc>
      <image:title>Past Issues - Oct 1986</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/sep-1986</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626769567888-10WU29OAI5JEGFWONXMZ/1986-Sept-cover.jpg</image:loc>
      <image:title>Past Issues - Sep 1986</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/aug-1986</loc>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626769377657-OGH1HHW7AZ3ZBRKS6KNU/1986-Aug-cover.jpg</image:loc>
      <image:title>Past Issues - Aug 1986</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jul-1986</loc>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626769055729-PK9XH2ECK3YFLXZNYR4M/1986-Jul-cover.jpg</image:loc>
      <image:title>Past Issues - Jul 1986</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jun-1986</loc>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626768805582-1LXQW1YX3V6I6VHOR5VG/1986-June-cover.jpg</image:loc>
      <image:title>Past Issues - Jun 1986</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/may-1986</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626768658677-S3PMCKOTUKEPMKLC9OUQ/1986-May-cover.jpg</image:loc>
      <image:title>Past Issues - May 1986</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/apr-1986</loc>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626768514723-RX45QLC0Q67HF964Z8DE/1986-Apr-cover.jpg</image:loc>
      <image:title>Past Issues - Apr 1986</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/mar-1986</loc>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626768346014-K79Z0FJFHNQY8KNSV665/1986-Mar-cover.jpg</image:loc>
      <image:title>Past Issues - Mar 1986</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/feb-1986</loc>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626768136322-GZT3ZQ5NBBAMAMDOIDVW/1986-Feb-cover.jpg</image:loc>
      <image:title>Past Issues - Feb 1986</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jan-1986</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626767343470-LHFGF8P1BLEYHZX0JTXQ/1986-Jan-cover.jpg</image:loc>
      <image:title>Past Issues - Jan 1986</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/dec-1985</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626767184423-BM6TFTE4PO8G44PBMR6V/1985-Dec-cover.jpg</image:loc>
      <image:title>Past Issues - Dec 1985</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/nov-1985</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626767059754-UBWAW5E1AVJV29FMCJCF/1985-Nov-cover.jpg</image:loc>
      <image:title>Past Issues - Nov 1985</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/oct-1985</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626766604207-IS4KZ0WOOWIEXWT98ZZQ/1985-Oct-cover.jpg</image:loc>
      <image:title>Past Issues - Oct 1985</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/sep-1985</loc>
    <changefreq>monthly</changefreq>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626766371667-BFYJ6TWM79OMWVR4ZIW0/1985-Sept-cover.jpg</image:loc>
      <image:title>Past Issues - Sep 1985</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/aug-1985</loc>
    <changefreq>monthly</changefreq>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626765896257-P3B25HNHKWIY0WZLEWUA/1985-Aug-cover.jpg</image:loc>
      <image:title>Past Issues - Aug 1985</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jul-1985</loc>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626765674034-210T43X1B966BM1KIS1D/1985-Jul-cover.jpg</image:loc>
      <image:title>Past Issues - Jul 1985</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jun-1985</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626765534477-NJ8VTZ7J0ILHVYOE6CI2/1985-June-cover.jpg</image:loc>
      <image:title>Past Issues - Jun 1985</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/may-1985</loc>
    <changefreq>monthly</changefreq>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626764824329-4TCMOWXCPTW2UYUJFW5X/1985-May-cover.jpg</image:loc>
      <image:title>Past Issues - May 1985</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/apr-1985</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626764715700-7YTF51CJTQ9KY62TTMSL/1985-Apr-cover.jpg</image:loc>
      <image:title>Past Issues - Apr 1985</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/mar-1985</loc>
    <changefreq>monthly</changefreq>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626764559990-O1EVKYB0I5S327171WMA/1985-Mar-cover.jpg</image:loc>
      <image:title>Past Issues - Mar 1985</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/feb-1985</loc>
    <changefreq>monthly</changefreq>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626764416416-A50MPRK3L7M7P45C12FX/1985-Feb-cover.jpg</image:loc>
      <image:title>Past Issues - Feb 1985</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jan-1985</loc>
    <changefreq>monthly</changefreq>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626764278175-CFV08B4G8QDBUNNQZJBR/1985-Jan-cover.jpg</image:loc>
      <image:title>Past Issues - Jan 1985</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/dec-1984</loc>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626763297159-TA4WD4PVNIDYJ56IQIQ3/1984-Dec-cover.jpg</image:loc>
      <image:title>Past Issues - Dec 1984</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/nov-1984</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626763146286-NHNQ55CIAF0740MLLVIW/1984-Nov-cover.jpg</image:loc>
      <image:title>Past Issues - Nov 1984</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/oct-1984</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626762793774-4T46VGWSGNABAN6OYBX7/1984-Oct-cover.jpg</image:loc>
      <image:title>Past Issues - Oct 1984</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/sep-1984</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626762606473-PM42LH0Y106UL86HWN6L/1984-Sept-cover.jpg</image:loc>
      <image:title>Past Issues - Sep 1984</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/aug-1984</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626762134416-TNEPX1PHUB3GO1U4AWVS/1984-Aug-cover.jpg</image:loc>
      <image:title>Past Issues - Aug 1984</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jul-1984</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626761946704-Q0SGY4OCOYKHS28E7N6Z/1984-Jul-cover.jpg</image:loc>
      <image:title>Past Issues - Jul 1984</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jun-1984</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626761419964-TNP4A1YKJPYTZM1BBOLV/1984-June-cover.jpg</image:loc>
      <image:title>Past Issues - Jun 1984</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/may-1984</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626761262831-D45WJS6GGPKSWHZ7M8DG/1984-May-cover.jpg</image:loc>
      <image:title>Past Issues - May 1984</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/apr-1984</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626761190169-28DDR9KBWFPACNLPXOLC/1984-April-cover.jpg</image:loc>
      <image:title>Past Issues - Apr 1984</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/mar-1984</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626760862945-PM839LRKG74FT55WEMUY/1984-Mar-cover.jpg</image:loc>
      <image:title>Past Issues - Mar 1984</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/feb-1984</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626760631483-7Q3BG31XXLSDYICAP9WG/1984-Feb-cover.jpg</image:loc>
      <image:title>Past Issues - Feb 1984</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jan-1984</loc>
    <changefreq>monthly</changefreq>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626760478583-JDEN2B71EYRPI2Y7M01O/1974-Dec-cover.jpg</image:loc>
      <image:title>Past Issues - Jan 1984</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/dec-1983</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626760409984-7BCYZZPG2LG9BK0QV9I6/1983-Dec-cover.jpg</image:loc>
      <image:title>Past Issues - Dec 1983</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/nov-1983</loc>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626760169788-J3AWAGZ4V5MTMPLSGVP1/1983-Nov-cover.jpg</image:loc>
      <image:title>Past Issues - Nov 1983</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/oct-1983</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626760049702-2VB7ZKZNOL6G18O9652H/1983-Oct-cover.jpg</image:loc>
      <image:title>Past Issues - Oct 1983</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/sept-1983</loc>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626759964032-YYNI88OVHV76MN2VUW5I/1983-Sept-cover.jpg</image:loc>
      <image:title>Past Issues - Sept 1983</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/aug-1983</loc>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626759435924-JZ6WCJKM8YCJJCQG46LW/1983-Aug-cover.jpg</image:loc>
      <image:title>Past Issues - Aug 1983</image:title>
    </image:image>
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  <url>
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      <image:title>Past Issues - Jul 1983</image:title>
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  <url>
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      <image:title>Past Issues - Jun 1983</image:title>
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  <url>
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      <image:title>Past Issues - May 1983</image:title>
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  <url>
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      <image:title>Past Issues - Apr 1983</image:title>
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  <url>
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      <image:title>Past Issues - Mar 1983</image:title>
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      <image:title>Past Issues - Feb 1983</image:title>
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  <url>
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      <image:title>Past Issues - Jan 1983</image:title>
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  <url>
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      <image:title>Past Issues - Dec 1982</image:title>
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  <url>
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      <image:title>Past Issues - Nov 1982</image:title>
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  <url>
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      <image:title>Past Issues - Oct 1982</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/sep-1982</loc>
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      <image:title>Past Issues - Sep 1982</image:title>
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  <url>
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      <image:title>Past Issues - Aug 1982</image:title>
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  <url>
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      <image:title>Past Issues - Jul 1982</image:title>
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  <url>
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      <image:title>Past Issues - Jun 1982</image:title>
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      <image:title>Past Issues - May 1982</image:title>
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      <image:title>Past Issues - Apr 1982</image:title>
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      <image:title>Past Issues - Mar 1982</image:title>
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  <url>
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      <image:title>Past Issues - Feb 1982</image:title>
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  <url>
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      <image:title>Past Issues - Jan 1982</image:title>
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  <url>
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      <image:title>Past Issues - Dec 1981</image:title>
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  <url>
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      <image:title>Past Issues - Nov 1981</image:title>
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  <url>
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      <image:title>Past Issues - Oct 1981</image:title>
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  <url>
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      <image:title>Past Issues - Sep 1981</image:title>
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  <url>
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      <image:title>Past Issues - Aug 1981</image:title>
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  <url>
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      <image:title>Past Issues - Jul 1981</image:title>
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  <url>
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      <image:title>Past Issues - Jun 1981</image:title>
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  <url>
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      <image:title>Past Issues - May 1981</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/apr-1981</loc>
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      <image:title>Past Issues - Apr 1981</image:title>
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  <url>
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    <image:image>
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      <image:title>Past Issues - Mar 1981</image:title>
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  <url>
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      <image:title>Past Issues - Feb 1981</image:title>
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  <url>
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      <image:title>Past Issues - Jan 1981</image:title>
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  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/dec-1980</loc>
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    <lastmod>2022-12-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626691931802-DEUD6XS3LOXQ10I56LD1/1980-Dec-cover.jpg</image:loc>
      <image:title>Past Issues - Dec 1980</image:title>
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  <url>
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    <lastmod>2022-12-09</lastmod>
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      <image:title>Past Issues - Nov 1980</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/oct-1980</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626691659521-18UQP2SYV7TOCO6A6N30/1980-Oct-cover.jpg</image:loc>
      <image:title>Past Issues - Oct 1980</image:title>
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  <url>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626691220281-DXU2IA59CH9OP19J3FAL/1980-Sept-cover.jpg</image:loc>
      <image:title>Past Issues - Sep 1980</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/aug-1980</loc>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626691007032-JAMUD81RJMSU3X3R6HBQ/1980-Aug-cover.jpg</image:loc>
      <image:title>Past Issues - Aug 1980</image:title>
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  </url>
  <url>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626690572497-E25P80L7K9HS6T1FGMLM/1980-Jul-cover.jpg</image:loc>
      <image:title>Past Issues - Jul 1980</image:title>
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  </url>
  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626690459121-K5GIJB9JB07V66M08SJH/1980-June-cover.jpg</image:loc>
      <image:title>Past Issues - Jun 1980</image:title>
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  </url>
  <url>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626690183865-9W92ONWJCMBMM5UBZ16U/1980-May-cover.jpg</image:loc>
      <image:title>Past Issues - May 1980</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/apr-1980</loc>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626689887118-Q8XJ2YMY6O03RVJ00T7K/1980-Apr-cover.jpg</image:loc>
      <image:title>Past Issues - Apr 1980</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/mar-1980</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626687233569-9X748J27DM9LFC3MDCJN/1980-Mar-cover.jpg</image:loc>
      <image:title>Past Issues - Mar 1980</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/feb-1980</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2022-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60679cdd16f7bc3d0045f7eb/1626686848201-X4L4VCLL58D61XBWZWQ5/1980-Feb-cover.jpg</image:loc>
      <image:title>Past Issues - Feb 1980</image:title>
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  </url>
  <url>
    <loc>https://www.orientations.com.hk/past-issues/p/jan-1980</loc>
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      <image:title>Past Issues - Sep 1979</image:title>
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      <image:title>Past Issues - Jul 1976</image:title>
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      <image:title>Past Issues - Apr 1976</image:title>
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      <image:title>Past Issues - Mar 1976</image:title>
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      <image:title>Past Issues - Nov 1974</image:title>
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