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Diandian Li. Beauty Reviewed: Mangguri and Portraiture for the Yongzheng Court

This article examines the features of Manggūri’s portrayals of his Manchu patrons and the importance of his works, which represents a pivotal stage in the evolution of Qing dynasty imperial portraiture. Through looking at portraits of both male and female sitters, this discussion will also reveal the varied functions and intentions embedded in those of imperial women.

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January/February 2019
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